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Pro-life - Abortion

No place for pro-life cynicism

Roe’s reversal shows us what God can accomplish for and through His people.

 *****

“In the days when the idea of a surprise pregnancy was only an abstraction, I had never suspected that I could feel fierce love for an embryo. I wanted to discuss my mixed-up feelings with Jon, but I didn’t know how, especially since it was clear that his mind was already made up…. Whatever else I might be able to do for our child, I knew I could never force Jon to love it. Of all the pains that await us in this world, I most desired to protect it from feeling unwanted.”

This is how Jess explains her rationale for why she had an abortion. The embryo was loved but unwanted; protected from future emotional pain, but killed.

Jess’ story captures so well our culture’s cognitive dissonance regarding life in the womb. We know full well that a pregnant woman has a growing, developing human being in her womb. But we legally allow that human being to be dismembered or poisoned for any reason the mother chooses. Here in Canada, we allow that fate right up to birth. The pro-life movement exists because we see this tragedy, we seek to expose the cognitive dissonance, and we strive to save lives.

There are those who are deeply cynical of pro-life work. I’ve had many express to me how futile they think pro-life activism is in a pro-choice culture like Canada. Why the skepticism? Should we really believe that things will only get worse when it comes to abortion laws?

That opinion certainly isn’t based on historical trends. Legal slavery was ended, we don’t legally subjugate women anymore, and many oppressive regimes have been defeated. Just because a mountain is difficult to climb, and we can’t see every part of the path from where we stand, doesn’t mean that the mountain is insurmountable.

Look south of the border and ask, how many thought Roe v Wade would be overturned in our lifetime? Yet, that happened in June 2022 when the U.S. Supreme Court released their Dobbs decision which found:

“The Constitution does not confer a right to abortion; Roe and Casey are overruled; and the authority to regulate abortion is returned to the people and their elected representatives .”

This incredibly huge win means that now individual states are free to enact near-total bans of abortion! Examining how this came to be and recognizing the power of God’s hand in human political affairs, is an encouragement and call to action for Canadians who also want to see pre-born children in Canada protected in our lifetime.

The state of affairs pre-Roe

Unlike Canada, where criminal law is passed federally, in the U.S. criminal laws are passed by the individual states. Alongside Canada and many European countries, there was a growing trend in the U.S. toward legalizing more abortions that started in the 1960s and continued in the 1970s. What I didn’t know until reading the Dobbs decision was how slowly that movement was happening in the U.S. In fact, in 1973 when Roe was decided, 30 states still prohibited abortion at all stages. Well over half the country banned abortion, regardless of the age of the pre-born child. With one fell swoop from the U.S. Supreme Court that all changed, requiring states to allow abortions before the pre-born child was viable – a standard that was preserved and modified in the 1992 Casey decision.

Now, in 2022, that decision has been reversed. The pro-life movement in the U.S. has exemplified tireless work toward this day, always striving to produce quality legal literature, educate the public, and continue to work one step at a time.

Of course, it wasn’t just the effort of the pro-life movement that brought us to this point. Had Justice Ruth Bader Ginsburg retired during President Obama’s tenure, President Trump would not have had the opportunity to appoint three Supreme Court Justices. Those three justices were needed to overturn Roe. We can praise God for granting growth and in His providence providing favorable circumstances for this huge victory. It clearly was God’s blessing, along with the faithful labor of many, that resulted in this success.

But we don’t immediately go back to where we were. We don’t see 30 states banning abortion at all stages. Ground was lost in the decades since Roe, not to mention millions of lives. All to say, this ruling is a victory, but it still comes with mixed emotions. There is still so much more that needs to be done. Yet, as Canadians we can take encouragement from the victory and take note of the work yet to do resulting from the Dobbs decision.

Dobbs and freedom

An abortion supporter carrying a "Freedom is for every body" sign that is inadvertently pro-life, sharing a message we desperately want the other side to understand.

What did Dobbs decide? If you believe one of my law school classmates, “The decision also opens the door to forced abortions. Either way, your uterus belongs to the state now.” How could someone as intelligent as this guy come to such a strange conclusion? It comes from a very deliberate framing of the abortion issue by abortion proponents.

We’ve known this for quite a while – we call ourselves pro-life because we want to emphasize that unjustifiably taking a human life is wrong. Abortion advocates call themselves pro-choice because they want to emphasize that mothers ought to be free to make choices. This was described in another abortion case in the United States, this one from 1992 and referred to as Casey. Incidentally, Casey was also overturned by the new Dobbs decision. In Casey, Justice Kennedy said, "At the heart of liberty is the right to define one's own concept of existence, of meaning, of the universe, and of the mystery of human life." The awful extension of having this liberty to define the mystery of human life is that mothers have had the freedom to define pre-born human beings out of existence, therefore making them discardable.

The Dobbs decision addresses Justice Kennedy’s definition of liberty head-on by trying to clarify that it is a good thing when, at times, there are limits on liberty. Such a definition of liberty cannot plausibly be absolute, the justices say in Dobbs, because “while individuals are certainly free to think and to say what they wish about ‘existences,’ ‘meaning,’ the ‘universe,’ and ‘the mystery of human life,’ they are not always free to act in accordance with those thoughts.” Liberty with such an individual source cannot be absolute. The state has a role in limiting it.

Was my classmate right then? If the State can infringe liberty, does this mean that states are now able to force abortions? Certainly not by the logic in Dobbs. Liberty is important and does require a justification to be impinged. The justification is present here because according to Dobbs, “Abortion destroys what those decisions call ‘potential life’ and what the law at issue in this case regards as the life of an ‘unborn human being.’”

That is, you have the freedom to do so much, but you don’t have the freedom to take a life. It’s quite something to see the U.S. Supreme Court say this regarding abortion.

Forced motherhood

The pro-abortion side is insistent that this is an unjustifiable limitation on women’s freedom, sometimes utilizing the term “forced motherhood.” The idea is that abortion restrictions are forcing women to become mothers by not allowing them to end a pregnancy.

Early feminists were also concerned about forced motherhood, but they had a very different concept of what that meant. In their view, the motherhood was forced if the sex was forced. The problem was never the child who resulted from the sex – the problem was the man who did not respect the woman. And certainly, the child should not forfeit their life to alleviate the parents from the consequences of their actions.

So much of the language has been twisted when it comes to discussing abortion. When a woman chooses whether to give birth or whether to have an abortion, the choice is not whether or not to become a mother. Once pregnant, the freedom to choose to be a mother is, in the words of C.S. Lewis, “Free, as a man is free to drink while he is drinking. He is not free still to be dry.”

Once pregnant, a woman is a mother – she cannot choose otherwise. It isn’t the law that forces that choice, it’s biology. She can end her pregnancy by ending the life of her child, but that does not rewind the clock back to before she became a mother. Sex comes with the potential for procreation. Once procreation has occurred you can kill the resulting life, but that just makes you the mother of a dead child.

Are women doomed then? It turns out, the answer is no. In fact, when women are denied the choice to end the life of their child, they don’t generally view motherhood as forced. In The Turnaway Study, researchers looked at women who went to an abortion clinic but were denied having one because they were past the gestational limit in that state. They found that women’s choices changed. Within a week after being denied an abortion only 65% of women surveyed still wanted one. By the child’s first birthday this was down to 7% and five years later it was only 4%. Remember, these are women who chose abortion. These aren’t women who just thought about abortion, these are women who made it to the abortion clinic, despite travel expenses and the logistics of actually getting there. The wanted or unwanted response to the pregnancy faded. The bond between parent and child persisted.

Children are a gift

No one is suggesting that pregnancy and raising children are easy. But it must be admitted that our abortion culture has fixated on the difficulties. Legal scholar Erika Bachiochi sums it up this way:

“Pregnancy, with all its risks and demands, is seen primarily as a burden when viewed from the perspective of the unencumbered, autonomous male. Seen from the perspective of most women, and the men who love them, childbearing is a great gift.”

Throughout all human history, mankind – men and women – have viewed the risk and hardship of pregnancy to be worth it.

For those of us who believe what God tells us in the Bible, we understand that this great gift is one that comes from our loving, sovereign Savior (Psalm 127:3). Children are entrusted to the education and care of parents but are not property to be disposed of at will (Ephesians 6:4). All parents fail to some extent, but the further promise for us and for the countless pre-born children at risk of losing their lives to abortion is that even if “my father and my mother have forsaken, but the LORD will take me in.” (Psalm 27:10).

That is the ethic the pro-life movement continues to exhibit and teach to our abortion-minded culture. The Dobbs decision demonstrates it, and it’s up to us to continue that work here in Canada.

There is no place in this work for cynicism or for giving up when we serve a God who works great and mighty wonders for and through his people.

Tabitha Ewert is We Need a Law’s Legal Counsel and a member of ARPA Canada’s Law and Policy team. Top picture credit: Rena Schild / Shutterstock.com

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Politics

Why the Right always drifts Left

"O’Sullivan’s First Law" states: "All organizations that are not actually right-wing will, over time, become left-wing.” Coined by journalist John O'Sullivan back in 1989, it described the leftward tilt that we see happen among politicians, parties, and organizations of all sorts whenever they refuse to loudly and clearly establish their conservative bona fides. A recent example happened in the last Canadian election, when Conservative leader Erin O'Toole led his party so far leftward they shared the Liberal's positions on abortion, euthanasia, and all things LGBT. Then, once the campaign started, O'Toole also flipped his position on conscience protection, again adopting the Liberal Party position. This isn't simply a Canadian phenomenon, as this video highlights. However, as insightful as O'Sullivan's First Law is in its diagnosis, it doesn't point us to a cure. He might have thought he did: actually be right-wing! But O'Sullivan first wrote his Law in National Review, a magazine as firmly rooted as any conservative organization could expect to be (it was, at one point, described as "the bible of American conservatism"). Yet today the publisher is a man "married" to another man. They drifted too. The fact is, stopping the drift requires a firmer foundation than mere "conservatism." The need for a firm footing The weakness of conservatism is that it isn't even a foundation to stand on. At best it's an anchor that can be thrown out to slow down our rate of descent. O'Sullivan is partly right that the more energy a group expends in defining their brand of conservatism, the more weighty the anchor, and the longer they may be able to hold out. But to actually make headway back up the slope again requires a firm foundation to push off of, and that's something that mere conservatism doesn't offer. Conservatism is rooted only in human thought. A firm footing can only be found in God's thought, and in His Word. Conservatism is moveable; only God is not. So, O'Sullivan got us off to a good start, but we can take things further by riffing off of Matt. 12:30: "Whoever is not with me is against me, and whoever does not gather with me scatters." The result is "O'Dykstra's First Law": "Those who are not unabashedly Christian, will over time – along with the organizations they make up – become unabashedly anti-Christian." The diagnosis is once again well established. Universities (Harvard and Yale), mainline denominations (the United Church of Canada), and charities (Bethany Christian Services), that were founded to spread God's Word, got embarrassed by parts of it, got quiet about those parts, and are now, in this way or that, actively opposing God and His law. So how about us? Are we embarrassed by God's Word? How often do you hear Christians – not simply politicians, but anyone at all – speaking in the public square and unashamedly presenting God's thoughts on an issue as God's thoughts? Conservative arguments have no foundation That doesn't really happen. Instead: When Christians defend the unborn they'll most often do so without any mention of the biblical principles involved, as they're found in Ex. 20:13, Gen. 1:27, and elsewhere. Instead, we'll focus on how the fetus can feel pain, or on when its heartbeat begins. We'll oppose euthanasia without mention made that our lives are not our own to dispose of as we wish. We'll instead point to the potential euthanasia laws have for abuse. We'll combat pornography, but not because it violates God's plan for sex, but because of its linkage to mental health issues like depression. We use these godless arguments because our target audience is a godless culture. We do it in the name of strategy, effectiveness, and common sense but, in an ironic twist, it is none of those things. Consider the arguments we just made, and how easy it is to rebut them. Abortion is wrong because the fetus feels pain? Implicit in this objection is the approval of abortion for children who don't yet feel pain. Did we mean to do that? The world says our value comes from what we can do, and they justify abortion because the unborn can't do much. We'll adopt the very same "able-ism" ideology to tout what the unborn can do. But the same argument protecting a 21-day-old unborn child because his heart has just now begun beating out its rhythm, is the same argument that condemns a 20-day-old who can't do it yet. If euthanasia is wrong because it can be abused, that's only an argument for more safeguards. It's, at best, just an anchor slowing the decline, with no effort directed at an actual reversal of course. Pornography is bad because it causes mental health issues? Well, that all depends on what we mean by "mental health." Some among the LGBT lobby have touted pornography for its mental health benefits since those who partake are more open to their "alternative" lifestyles. Standing unmoved Why is it so easy to rebut these conservative arguments? It's because they have no foundations. Abortion is wrong, not because the unborn can do this or that, but because the unborn are made in the very Image of their Creator, just like you and me. It's only when we offer up God's own Truth that we get to the heart of the matter. It's only then that we're actually countering the lie with Truth. It's only then that we're standing with feet firmly planted. Will the world listen? That's not in our control. But by setting our own feet firmly on God's Word, we can stop our own drift. When we profess His Name, and find our confidence in the victory He has already won, then the world won't be able to move us. And who knows how God might make use of our faithfulness?...

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Christian education, Theology

Why biblical poetry matters

Skim through any modern Bible and you will notice something peculiar: many pages are laid out as poetry, with appropriate spacing and indents. But have you ever wondered what makes these verses poetic? For most people, this subject remains an enigma, and some will wonder why they should even care. Poetry seems like the wrapping around a present, or the envelope for a card — superfluous and largely decorative. It is the message that is important, and paying attention to the form may be a distraction. Of course, for a believer that should be a flimsy argument. Surely God loves beauty and complexity (Gen 1:31, Psalm 139:14), and although beauty is fleeting (Prov. 31:30), that is no excuse to ignore it.1 It does not make sense when Christians stand in awe of a gorgeous sunset, or we all hang the same poem about footprints on our walls, but we cannot be bothered to learn how the Psalms were composed. Beautiful in any language The astonishing thing about biblical poetry is that it generally translates into any language. The principal technique is not a matter of meter or rhyme: it has to do with the structure of the lines. In most cases, two or more lines run parallel to each other. Consider Psalm 122:7: May there be peace within your walls and security within your citadels. You can see that the terms run parallel. Peace and security mirror each other, as do the walls and citadels. The name for this type of poetry is Hebrew Parallelism. In what follows, we’ll explore how this poetic technique works and why it matters. Robert Lowth’s rediscovery of Parallelism It was the Anglican Bishop Robert Lowth who in the 18th century rediscovered Hebrew Parallelism. For centuries, Christians had been confused about how best to describe biblical poetics. According to Lowth, Hebrew parallelism typically follows one of three patterns: Synonymous Antithetic Synthetic2 Let’s take a closer look at each of these. The example we just looked at is a form of synonymous parallelism. In such cases, the same idea is repeated in similar language. One of the more famous examples of consistent synonymous parallelism is Psalm 114: 1 When Israel came out of Egypt, Jacob from a people of foreign tongue, 2 Judah became God’s sanctuary, Israel his dominion. 3 The sea looked and fled, the Jordan turned back; 4 the mountains leaped like rams, the hills like lambs. 5 Why was it, sea, that you fled? Why, Jordan, did you turn back? 6 Why, mountains, did you leap like rams, you hills, like lambs? 7 Tremble, earth, at the presence of the Lord, at the presence of the God of Jacob, 8 who turned the rock into a pool, the hard rock into springs of water. In this psalm, every verse consists of a mirroring of terms. Lowth felt that parallelism might be compared to the way two choirs can sing back and forth — a type of chant known as antiphony. Lowth speculated that the Jews might have incorporated something similar in their worship. Think of Psalm 136, where the refrain “His love endures forever” is a repeated response. Lowth’s second type, antithetic parallelism, involves a sharp contrast. It is particularly common in the book of Proverbs: A cheerful heart is good medicine, but a crushed spirit dries up the bones. (Prov. 17:22) The poor plead for mercy, but the rich answer harshly. (Prov. 18:23) The idea is that when we reflect on such contrasts, we can grow in wisdom. Finally, Lowth used synthetic parallelism as a catch-all category for anything that is not synonymous or antithetic. Synthetic parallelism typically involves a progression of ideas, so that one thing follows another. Take this passage from Psalm 84: 5 Blessed are those whose strength is in you, whose hearts are set on pilgrimage. 6 As they pass through the Valley of Baka, they make it a place of springs; the autumn rains also cover it with pools. 7 They go from strength to strength, till each appears before God in Zion. While the end of verse 6 may contain an element of synonymous parallelism, these verses are more about developing an idea. In keeping with the focus on pilgrimage, the emphasis is on movement. Two of Lowth’s examples of synthetic parallelism eventually came to have their own names. The first is now usually called staircase or climactic parallelism. Psalm 93:3-4 provides a dramatic example: 3 The seas have lifted up, Lord, the seas have lifted up their voice; the seas have lifted up their pounding waves. 4 Mightier than the thunder of the great waters, mightier than the breakers of the sea— the Lord on high is mighty. The repetition of phrases (like a staircase) creates a crescendo that builds to a climax. In this passage, we can imagine the waves growing in size! Another type of synthetic parallelism is commonly called numerical parallelism. This is a poetic use of counting, something that is used to great effect in Amos 1: 3 For three sins of Damascus, even for four, I will not relent. The same device occurs four more times in the rest of the chapter. The Sharpening Theory Robert Lowth established the basics of Hebrew Parallelism, yet his simple categories were not beyond criticism. Scholars objected that the synthetic category was ill-defined, that the term parallelism may imply too much similarity between the lines, and that parallel structures are not exclusive to poetry, but can be found elsewhere in the Bible as well. The most forceful critique came in 1981 from James Kugel, the author of The Idea of Biblical Poetry: Parallelism and Its History.3 Kugel developed what we might call the “Sharpening Theory” of Hebrew Parallelism. To understand what he meant, it is good to reflect on the nature of proverbs. Proverbs are a bit like riddles. When someone says, “the apple does not fall far from the tree,” it takes us a moment to figure out what that really means. A proverb makes us stop and think. James Kugel points out that in the Bible this quality is sometimes described as a certain sharpness. A proverb pricks our conscience and makes us reflect on the proper way to act. Unfortunately, the fool feels the prick, but does not benefit from it: Like a thornbush in a drunkard’s hand is a proverb in the mouth of a fool. (Proverbs 26:9) If we take these observations about proverbs and apply them to Hebrew Parallelism, then we see that the parallel lines also force us to slow down and consider their relationship. At first, we might observe mostly repetition, but a closer look reveals that there is more to the picture. The unique features of each line stand out in sharp relief. This makes reading the Bible exciting. The following verse provides a good example: Through love and faithfulness sin is atoned for; through the fear of the Lord evil is avoided. (Proverbs 16:6) Is the same thought expressed twice? Not really. Not only do the lines mention different, yet related actions (love and faithfulness; the fear of the Lord), but the verse makes us contemplate the connection between atonement and avoidance of sin. Atonement might make up for past transgressions, whereas avoidance is about future temptations. In this way, the proverb creates a complex picture that encourages the righteous to live wisely. Midrash James Kugel further pointed out that Jewish rabbis who interpreted the Bible preferred to focus on the differences between parallel lines. In the Jewish tradition, the word Talmud refers to a variety of rabbinic texts that came to supplement the Old Testament books. After the return from exile in Babylon (6th century BC), the Jews increasingly developed an oral tradition that interpreted the Torah (the five books of Moses) and added further regulations and customs. Written compilations of the Talmud stem from as early as the third century AD. The act of interpreting the Talmud and the Bible came to be known as Midrash. This word refers to both rabbinic interpretation and an actual written collection of such interpretations. Rabbis who practiced Midrash (especially during medieval times) often came up with ingenious ways to contrast poetic lines that seemed to say the same thing. Let’s look at a couple of examples that Kugel provides. First, we read in Genesis 21:1: Now the Lord was gracious to Sarah as he had said, and the Lord did for Sarah what he had promised . Sounds the same. But at least one commentator suggested that the last “he” might refer to Abraham. A couple of verses earlier (Gen. 20:17), Abraham had prayed on behalf of Abimelek: Then Abraham prayed to God, and God healed Abimelek, his wife and his female slaves so they could have children again. Taking this line into consideration, Gen. 21:1 might be interpreted to mean: Now the Lord was gracious to Sarah as he had said, and the Lord did for Sarah what he, Abraham, had spoken to God about in his prayer, namely to provide fertility. Suddenly the two lines become quite different in meaning. The second pronoun he now refers to Abraham. Here is another example, from the instructions for Passover celebrations: Do not eat it with bread made with yeast, but for seven days eat unleavened bread. (Deuteronomy 16:3) A midrashic reading might note that these are two different commandments—a negative and a positive one. Not only must bread with yeast not be eaten, but unleavened bread must be eaten. It is in part because medieval rabbis were so focused on the differences that a full understanding of Hebrew Parallelism was lost during this time and had to be recovered by scholars such as Robert Lowth. At the same time, the Midrash does remind us not to assume that parallelism is always about exact similarity. The differences are important! A dynamic movement Kugel’s Sharpening Theory has us examine each set of parallel lines on its own terms. Instead of reducing parallelism to a few main types, we look for a wide variety of features. For each verse, the question is, how does the second line (B) extend the first (A)? To use Kugel’s wording, it’s not “A=B” but “A, and what’s more, B.” Instead of Lowth’s three main categories, we can now have any number of relationships between A and B. It is up to each reader to meditate carefully on the subtle similarities and differences between the lines. The scholar Robert Alter, expanding on the work of James Kugel, provides a great description of this relationship between A and B. He talks about a “dynamic movement.”4 The second line should never seem predictable or merely repetitive. There’s something captivating about the way the thought is extended. For Alter, the second line often includes an intensification or focusing of the first thought. You can compare it to seeing something and then getting out the binoculars or microscope to take a closer look. The tricolon (a triple parallelism) in Psalm 100:3 provides a great example: Know that the Lord is God. It is he who made us, and we are his; we are his people, the sheep of his pasture. Each line zooms in a little. Each line makes the thought more specific. This dynamic movement between the lines requires our participation. As readers, we are drawn into the text. If that sounds like a lot of work, then recall that Hebrew Parallelism is also quite slow-moving and unhurried. Each idea is expressed in multiple ways. The effect is somewhat like hearing a choir sing in a cathedral, repeating phrases and letting their voices echo through the cavernous space. This is not to say that an Old Testament psalm is like a Bach aria, but that in both cases the speed and cadence is measured and controlled. Important phrases and ideas come back in new form, so that we do not only listen for individual lines, but we also gradually gain a sense of the whole piece. The big picture Speaking of the composition as a whole, the final step is to put it all together. It is one thing to spot parallel structures, but it requires more practice to discern how the lines work together. For example, Psalm 133 has quite a neat and tidy structure, with two similes (verses 2 and 3a) framed by an opening statement (1) and a conclusion (3b): 1 How good and pleasant it is when brothers live together in unity! 2 It is like precious oil poured on the head, running down on the beard, running down on Aaron’s beard, down on the collar of his robe. 3 It is as if the dew of Hermon were falling on Mount Zion. For there the LORD bestows his blessing, even life forevermore. Verse 2 is a great example of what Robert Lowth called staircase parallelism. This technique is all about movement and intensification. Just as the oil runs down the high-priest’s beard, so the lines flow on and on. The liquid imagery is extended in the comparison to dew. Clearly, the author of Psalm 133 thought carefully about best to match the form of the poem to the content. The poetry helps to express the message. In other words, not only should brothers live in harmony, but the psalm itself has to have a sense of “unity.” Conclusion In addition to Hebrew Parallelism (the main feature of biblical poetry), God’s Word displays many other poetic techniques (personification, chiasmus, etc.). For a long time, Christians have been content to ignore these features, whereas in reality the beauty of the Bible provides an incredible appeal. Why is a passage such as Isaiah 53 so moving? Why do we memorize Psalm 23 or 103? The poetry in these passages does not detract from the truth of scripture, but makes it resonate in our hearts. I imagine many conversion stories also include an element of awe at the sublimity of Holy Scripture. Mission work is enhanced by bringing out those qualities that make the Bible the Great Book. I would therefore encourage Christian parents and educators to know the basics of biblical poetry, not only for their own appreciation, but also so they can teach children to marvel at the beauty of the Bible. Psalm 19 describes how the heavens “pour forth speech” (verse 3), before adding, paradoxically, “They have no speech, they use no words; / no sound is heard from them.” Creation can speak of the glory of God, without using actual words. Indeed, we teach children that Nature displays God’s goodness and faithfulness. But Psalm 19 points out that God’s Word (the “law”) is likewise worth meditating on, and it does contain words and speech. The “precepts of the Lord” are “sweeter than honey” and give “light to the eyes.” The fact that the Psalmist used paradoxes, metaphors, and parallelism to describe his delight in the Word can only mean that biblical poetry is an equally nourishing and eye-opening experience. So, take the time to study and appreciate the poetry of the Bible, not just to know why some lines are indented on the page, but to truly savour the divine artistry of the Word. Dr. Conrad van Dyk is Professor of English at Concordia University of Edmonton, where he teaches everything from medieval literature to children’s classics. Recently he has started creating online literary courses from a Christian perspective (and for a reasonable price). The very first course is a detailed introduction to biblical poetry which you can find at LitCompanion.com. Portions of this course have been used in this article. He attends Immanuel Canadian Reformed Church in Edmonton. Endnotes 1) Quotations from the Bible are from the NIV, with one exception. For Psalm 133, I have reintroduced the word “brothers.” 2) I have used G. Gregory’s English translation (1753) of Robert Lowth’s On the Sacred Poetry of the Hebrews, which is freely available online. 3) See James Kugel, The Idea of Biblical Poetry: Parallelism and Its History (Yale UP, 1981). The examples of Midrash are taken from Kugel, pp. 98-106; the discussion of how A and B relate can be found on p. 8. Kugel’s ideas were developed by S. E. Gilllingham, The Poems and Psalms of the Hebrew Bible (Oxford UP, 1994), who suggests that we tend to see three patterns of parallelism, i.e., A=B (comparison and contrast), A>B (the second line is subordinated to the first), and A<B (where the second line develops the first, for example through intensification or comparison). A summary of Gillingham’s approach can be found in William W. Klein, Craig L. Blomberg, and Robert L. Hubbard, Jr., Introduction to Biblical Interpretation (Thomas Nelson, 2004), p. 289ff. Personally, I prefer Kugel’s less formulaic approach, where each set of lines is treated on its own terms. 4) Robert Alter, The Art of Biblical Poetry (Basic Books, 1985), p. 10....

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Music

Some thoughts on Christian music in worship

So there is some great music out there, and as Reformed Christians, we can rejoice in that fact. But if the issue of music in general can be a contentious one, the issue of the music we use in our worship services can be a cause for even more controversy. If we can acknowledge that there is Christian music from outside of our own tradition that brings glory to God, does this mean that we can or should use this music in our worship services? I’m a missionary in the Canadian Reformed Churches. In Prince George, B.C., where I am working to spread the gospel and plant a church, we meet every Sunday morning for worship. And our worship service is pretty much the same as the worship service you would experience in every other Canadian Reformed Church. We sing from our denomination's Book of Praise, and the songs we sing are primarily the Psalms. We’ve chosen to do this very deliberately, not because it is simply something that’s required of us. And we’ve made this decision for several reasons. Why Psalms? First of all, our focus on Psalm-singing is in line with the principles of the Protestant Reformation. During the time of the Reformation, the Reformers placed a heavy emphasis on the participation of the congregation in the worship service. No longer was participation to be limited to the priest, who alone could drink the wine of communion, and to the choir, which sang while the congregation listened. Now the entire congregation was invited to participate, both in the Lord’s Supper, and in the singing. It was a revolutionary step – no longer was the congregation an audience, or a group of spectators. Now they were integral to the worship service itself, and that participation was not only beneficial for the worshippers, it also glorified the God who was being worshipped. Participants no spectators So that’s the first important principle; the congregation should be more than mere spectators – they should be active participants. That means that “worship teams,” or “praise bands” do not have a place in our worship services. There are times and places for musical performances, for audiences to sit back and enjoy music performed by skilled artists. But our gathering for corporate worship is neither the appropriate time or place for such a performance. Our worship is corporate– we worship as a body, and we should all participate, not simply observe. Because of this principle, the Reformers developed songbooks to be used in worship. John Calvin promoted the development of a Psalter to be used in worship, and he encouraged skilled men to write music and set the words of the Psalms to that music, for congregational singing. That music had to be singable – it had to be suitable for singing in unison, and it couldn’t be so complex that it would take a trained choir to sing it. And so, what we now have as the Genevan Psalter was developed. This was truly a “people’s Psalter.” No longer was music reserved for the professionals; now musically unschooled laymen could sing together, and the Reformed Christians did just that, in the worship services, at home, and in public gatherings. A rooted tradition So our use of the Genevan melodies is not something that we do merely out of custom; there are some very important principles at play here. Our use of the Genevan melodies is a part of our tradition, but that tradition is not meaningless. We sing these melodies in unity with the catholic (universal) church – the church of all times, as well as of all places. By maintaining this tradition, we are expressing in our practice the reality that true catholicity isn’t just geographical, but that it’s also historical. And we avoid what some have called “the tyranny of the present.” By upholding what has become an ancient tradition, we avoid the pitfalls that can afflict the Church when she attempts to be culturally relevant (and all to often fails). We maintain that tradition in the face of changing tastes and trends; instead of being shaped by the trends of the world, we need to continue to work to shape those trends ourselves. Instead of giving in to the pressures of our culture, including the pressures that influence our understanding and enjoyment of music, we should continue to train ourselves, to develop excellence in the musical tradition that the Reformed church has been blessed with for centuries. We may find some of the tunes hard to sing, but this is most often because of their unfamiliarity, not because of any difficulty inherent to the tunes (which were accessible centuries ago to people who were all but illiterate). If we find the tunes challenging, we should practice them. We should train our ear to understand them, and in doing so, we will find that we grow to love them! This is true with all music that lies outside of the realm of “popular music” – in order to grow to love classical music, or great jazz, your taste has to develop, and mature. That takes time, patience, and learning. But the rewards are great; in refusing to limit ourselves to the simplistic world of pop music (which does have its place), we allow ourselves to grow. Maturity is what Christians seek – a life of growth and development. This should be as true for our musical tastes as it is in every other area of life. After all, as a boy I may have loved to read the Hardy Boys; but when I grew in understanding, I left them behind, and moved on to better things. The process of development in reading and comprehension is challenging, but it’s necessary. The same holds true for music. What about the words? So that’s the musical aspect of the songs we sing on Sundays. But what about the lyrics? This is where our Psalm-singing becomes so very important, especially when we compare the lyrics of the Psalms to those of popular Christian music. The words of the Psalms are deep; they’re profound; they’re God-centred; they express every aspect of the Christian life and experience. They aren’t just meant to make us feel good – they’re meant to challenge us, to encourage us, to admonish us. They express joy, happiness, confession of sins, expressions of anguish, and even despair. The lyrics of the Psalms are words that are sung in unity with believers everywhere, in unity with God’s people throughout history, and in unity with our Lord Jesus Christ. They relate to us in our own experiences, but they do much more; they keep us actively aware of our unity with the universal Church, our unity with our spiritual ancestors. We sing about the Exodus, about the crossing of the Red Sea, about the wandering in the wilderness, about the rebellion of the Israelites, about God’s forgiveness of that rebellion. We sing about God’s amazing work in creation, but also about His amazing work of redemption and salvation. And when we sing the Psalms, we sing the very words that our Lord Himself had on His lips during His life on earth – think of Psalm 22, for example. They may not have catchy choruses. It may take work to memorize them. They may force us to sing about places like Teman and Mt. Paran, and the Baca Valley, places that are very distant from us, historically and geographically. But they force us to realize that our generation is not the only generation that ever existed. They encourage us to see our true place, in the covenant community, as yet another generation that God has guided in the true faith. Once again, a true appreciation of the message of the Psalms takes training and education; but anything worth doing is going to take effort. And that effort will pay off in the end; singing the Psalms will lead us to develop an increased appreciation for our God, for His Word and works, for His justice and righteousness, for His wrath and anger against sin, as well as for His mercy and grace, which He has poured out upon His people. A lifetime's worth of praise Music is important, and our God, in His love for us, has given us music as a great blessing. The songs we sing, and the way that we sing them, and the songs that we listen to, shape our understanding of our God and our relationship with Him. If we insist on remaining like children in our appreciation and understanding of the music we use, we are deliberately limiting ourselves, and cutting ourselves off from a wonderful opportunity. God Himself has given us an opportunity to grow, to be enriched, to thrive as His people, by giving us the beauty and majesty of music. And in giving us, in His Spirit-inspired Word, 150 perfect songs, He has provided us with more than enough content for a lifetime’s worth of praise. An old saying tells us, “Familiarity breeds contempt.” We become so familiar with something that we no longer appreciate the beauty and importance of the thing that we’ve been given. I think that when it comes to the music we use in our corporate worship, this phrase is often very applicable. In each generation, we need to come to an appreciation of the precious heritage that we’ve been entrusted with – the heritage of a musical form and content that is rich, beautiful, upbuilding, and lasting. It may take work to develop a deep, lasting appreciation for that music; but in the end, every bit of that work will be worth it. So let’s not be afraid to put in the effort. And having done that, we can know that God will give us, as He has already given us, a rich reward. This was first published to the Reformed Outfitters (RO) website in 2012 and reposted here when RO became a part of RP in 2022....

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News

Saturday Selections – August 27, 2022

Joe Rogan vs. Babylon Bee on abortion! (10 min) Last week Seth Dillon of Babylon Bee made an appearance on the world's most popular podcast, where he did a solid job of defending the unborn. Calling it "convergence" doesn't explain away the evidence of a Designer  When two species exhibit similar traits or organs but are otherwise so different from one another that even evolutionists doubt they had a common ancestor then what they share – ie. both man and octopus have a "camera-type eye" – will be said to have happened via "convergent" evolution. This is just saying that the same feature must have evolved two entirely separate times... or maybe even thrice, or many more times than that. But if a scientist isn't already committed to evolution, these similar traits in divergent species would instead be understood as evidence of a common Designer. Don't miss the Abbot and Costello "Who's on First?" comic at the bottom of the linked article. Can we get kids to 15 without a phone glued to their palm? A group in Australia is making the case for parents to push off giving their kids a smartphone until at least 15. Is depression caused by a chemical imbalance? Evidence is lacking Evidence of experts' fallibility came out earlier this summer when an umbrella study found that the idea depression is caused by a chemical imbalance – a theory presumed true for decades now – lacks empirical evidence. This seems another instance of what the experts know, not necessarily being so. That people get things wrong shouldn't be shocking to Christians, but as some in the world urge us to let the so-called experts handle the running of larger and larger aspects of our lives, it's worth remembering that experts can get it really wrong. (One caution: the article author has a passing reference to David Murray that is a bit of a shot, and doesn't line up with my own recollection of Murray's position.) Girl identifies as cat, and school runs with it Who defines reality? That's what this comes down to, with the Bible offering one answer, and the world another. So each instance like this is an evangelistic opportunity to contrast God's Truth with the world's foolishness. The temptation that Christians often succumb to, is to simply point out the foolishness and leave God's Truth implicit. But we ain't doing anyone any good if we point out foolishness and then presume that a world so blinded as to fall for believing people can be cats is somehow smart enough to figure out for themselves a Truth we aren't brave enough to share. What's the deal with BeReal? Chris Martin gives parents a heads-up on the newest social media app, BeReal: "The app creates this more “authentic” (theoretically, anyway) environment by notifying users via a smartphone notification that it is “⚠️ Time to BeReal. ⚠️” at a random time each day—users in the same timezone will have the same posting time each day—during which the users have two minutes to post." Jordan Peterson's message to the Church Jordan Peterson gives here, what one pastor has called "straight talk from a crooked foundation" and another describes as "painfully... mostly spot on." This is an outsider's perspective – Peterson is not (yet) a Christian – which makes it all the more remarkable that he has here accurately diagnosed, and has the courage to share, one of the Devil's key strategic efforts in undermining the Church: Satan is going after young men. Where Peterson falls short is in his response to Satan's attack. Yes, the Church needs to go after young men, and needs to disciple them, but not to save our families and our culture. That is not the purpose young men (or young women, or any old or young) are being called to. That is, instead, the fruit that comes with returning to the purpose for which we have been created: the worship and glorification of God. One word of warning: in the concluding seconds Peterson interjects God's name in a manner that on the one hand is actually factually so – "You are churches for God's sake" – but which here is being misused by Peterson as an expletive for emphasis. ...

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News

Saturday Selections – August 13, 2022

Fantastic fireflies! (8 min) Most everyone would say fireflies are super cool, but we really have no idea. God has crafted a creature that has a near 100% efficiency in turning the energy they produce into light. Compare that to an incandescent bulb that might well be just 10% efficient. A A biblical case for limited government (15-min read) J.P. Moreland offers up his 7-point argument for why Christians should want, and so far as they are able should promote, limits on government. Pastor, what are your 30-year goals? This is directed at pastors, but relevant to us all. It's said "man makes plans, and God laughs" but that's not a discouragement to making plans, but to making arrogant plans – it's in line with what Jesus said about a fellow building his "farming empire" who gave no thought to how God could call him to account that very night (Luke 12:16-21). For God's people, prayerfully setting off in a deliberate direction is about trying to best use the talents God has given you (Matt. 25:14-30). On job satisfaction Some are blessed with many job opportunities, particularly early on in their lives, so if they don't like what they have, the possibility exists for seeking out something more enjoyable. But what if you're stuck in a job you don't like, and there aren't options for anything better? Tim Bayly offers some insights and encouragement... 5 guidelines for dating without regret Tim Challies weighs in with some helpful direction... China's social credit system (6 min) A refugee from China warns us of the oppressive government monitoring system he fled. What he describes happening there is not simply technologically possible here, but is becoming ideologically so, as more and more are demanding government manage ever-increasing portions of their lives. ...

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Articles, Entertainment, Movie Reviews

Here’s the problem with just closing your eyes during the sex scenes

Several years ago, Kate Beckinsale was conned into signing a movie contract that required nudity—something she didn’t want to do. With her acting career in jeopardy, she found herself browbeaten by the director. At long last, she gave in to intimidation and performed the nude scene, which made her feel, as she put it, “violated and horrible.” Afterwards, she secretly urinated in the director’s thermos in revenge. In more recent history, Jennifer Lawrence wrestled with inner turmoil while filming her first sex scene (for the sci-fi movie Passengers). During an actress roundtable” for The Hollywood Reporter, Lawrence described the experience: I got really, really drunk. But then that led to more anxiety when I got home because I was like, “What have I done? I don't know.” And he was married. And it was going to be my first time kissing a married man, and guilt is the worst feeling in your stomach. And I knew it was my job, but I couldn’t tell my stomach that. So I called my mom, and I was like, “Will you just tell me it’s OK?” Notice three sobering facts about Lawrence’s experience. First, she battled anxiety before and after filming the scene. Second, she felt intense guilt for sexually acting out with a married man. Third, she tried several coping mechanisms to eliminate her distress: alcohol (which only made things worse), telling herself everything was okay, and asking for consolation. 1 Would you believe me if I told you that stories like these are numerous? Sadly, it’s true. The amount of pressure and intimidation Hollywood places on actors – especially women – to undress and sexually act out for the camera is commonplace. When asked about sex scenes, celebrities often reply with something like, “We’re actors; it’s a part of the job.” Indeed, those who want to make it as an actor won’t be taken seriously if they have qualms about nudity and bed scenes. The movers and shakers in Hollywood have acquired what seems to be an almost limitless amount of power to enforce the sexualization of actors. To cite one more example (this time from the world of television): director Neil Marshall once commented on how he was pressured by an HBO executive to put more sex and nudity in an episode of Game of Thrones: …one of the exec producers…took me to one side and said, “Look, I represent the pervert side of the audience, okay? Everybody else is the serious drama side – I represent the perv side of the audience, and I’m saying I want full frontal nudity in this scene. So you go ahead and do it.” Notice the implicit acknowledgement that the nudity had nothing to do with art – that it was designed solely for the satisfaction of a perverted audience base. The producer pushed his weight around, and the director (and everyone else) acquiesced. All of this to appeal to the lowest common denominator. Follow the money What gives entertainment executives the authority to force others into such compromising situations? What gives a producer the power to manipulate a director into catering to perverse fantasies? What gives a director the right to coerce an actress into agreeing to do more than she meant to? If this page was a mirror, you would be looking at the answer. You see, when average folks like you and me support films and TV shows like these, we are perpetuating the sexualized culture we say we deplore. My guess is that, because it’s often hard to see how “A” eventually leads to “X,” we think little of doing “A,” even if we abhor “X.” We may complain about the objectification of women (and men) in our culture. We may complain about how movies are ruined by sex scenes and gratuitous nudity. But if we then turn around and financially support that culture, something is askew. It doesn’t matter if you avert your eyes during sex scenes – at the end of the day, studios care about profit margins. That being the case, prudes and perverts give equal support for a film when they buy a movie ticket or purchase a DVD. The truth is, if people stopped financially supporting the abuse of actors, the industry would change. But producers follow the money, and there’s money to be made through the objectification of entertainers. As one acquaintance of mine with ties to Hollywood once put it in a Facebook discussion: I know how many of the women in these scenes (and probably men too, you just don’t hear from them) have talked about throwing up in the bathroom between scenes, crying, stressing out constantly, etc. So basically, I’m paying for that person to do that for me? .... There are perhaps no handcuffs involved with these performers, but social constraints/expectations/demands/culture can be equally, if not more, powerful. And that’s the problem. I’ve lived in Hollywood. I’ve worked with prostitutes one on one. The line between the two worlds is thin. I know no other culture more willing to use people and throw them away. Consider also that plenty of actors in the entertainment industry are not professing believers. They do not subscribe to a Christian sexual ethic. Still, their consciences bother them when it comes to nudity and sex scenes. Yet most moviegoers, including many professing believers, say their consciences are clear when they watch the consciences of others be violated – for entertainment, no less. They pay for actors to be abused or debased and experience no qualms about it. In contrast, Paul calls Christians to give up their rights if it means hurting the conscience of others (see 1 Corinthians 9 and Romans 14). We have it backwards: we participate in the violation of others’ dignity so we can benefit from their moral and emotional compromises. Granted, the context of Paul’s teaching on this matter is the relationship between members of the church, but I don’t think that gives us an excuse to disregard the wellbeing of unbelievers. As patrons of Hollywood, our pursuit of personal freedom has hijacked our ability to consider the needs of others. We have adopted a consumeristic mindset that disregards most every other factor in favor of us having a positive, cathartic experience. If the story is interesting enough, and if it “demands” the objectification and dehumanization of actors, then the needs of the story win out. Brothers and sisters, this should not be! What about actors who undress willingly? Now, it is true that some actors do sex and/or nude scenes willingly, with little or no manipulation involved. Even so, that shouldn’t be of supreme importance to people of faith. Not if we take seriously God’s command to love our neighbor as ourselves. With this command in mind, whether or not actors agree with the nudity and sex acts required of them is actually beside the point. Why? Because it doesn’t negate the fact that they are being objectified and degraded as human beings in what is essentially a pornographic act.2 It is unloving of us as Christians to support such actions, even when they are free from coercion. We see this principle at work in Romans 13, which says loving your neighbor includes avoiding adultery. The point is not that all adultery is rape. Some adultery – much of it, in fact– takes place by mutual consent. Does that suddenly make the adultery excusable? Not according to Scripture. By its nature, sexual perversion is sin, even if it takes place between consenting adults. All forms of immorality are inherently unloving. That’s the Bible’s stance. That should be the Christian’s stance. In contrast to this, the film industry has created a socially acceptable ménage à trois: two actors commit sexually intimate acts, and audiences sit in on the proceedings with complete approval. The law of love What finally opened my eyes to this culture of sexual abuse was Wayne A. Wilson’s book Worldly Amusements. Wilson himself became aware of the issue after watching a movie in which the director had his own daughter perform sex acts on screen. The fact that a director would sacrifice his child’s dignity for the sake of a movie changed Wilson’s perspective. He now implements what he calls the “law of love” in his movie watching habits: he refuses to support films that sexually objectify or degrade actors. He now asks himself, “Would I approve if my sister were asked to behave or expose herself in any way that undermined her purity?” It is a question we would do well to ask ourselves. This law of love exhorts us to consider the spiritual, emotional, and physical needs of men and women in front of the camera. Is that restricting for a movie-going audience? I suppose so. It has definitely kept me from visiting the theater on several occasions where I otherwise would have willingly and excitedly done so. Not a restriction But this law of love is not “restricting” in a lastingly negative sense any more than monogamy is a negative restriction for married couples. It’s a law that protects, not harms. It’s a law that governs for good, not evil. It’s a law that helps one cultivate the greatest motive known to humankind. In the end, what is truly more freeing: living a self-centered or an others-centered life? The Bible’s answer is the latter. Think about the implications here. How would it affect you if you put the law of love into practice? What if you refused to financially support movies that objectified actors because you wanted to treat them with the humanity they deserve? Would you not start viewing the actors you encounter in the movies as real people and not just potential sources of eye candy or gratification? Would the law of love not help you fight sexual lust even more effectively with gospel power? Would it not help you keep from focusing on yourself (which is what lust does) and instead focus on the needs of others (which is what a healthy, Biblically-informed sexuality is all about)? Would that not be a gloriously countercultural way to demonstrate God’s love to your fellow human beings? I think it would. In fact, my personal experience has been that it does. I dare you (in the most positive sense possible) to prove me wrong. Endnotes 1 For a more in-depth treatment, see “A Tale of Two Sexual Assaults on Jennifer Lawrence” at CapStewart.com 2 This argument is fleshed out in my article “Promoting Porn for the Glory of God?” at CovenantEyes.com, and in the “Sex Scenes = Porn” blog series at CapStewart.com Cap Stewart blogs about movies and the arts at CapStewart.com. This article first appeared in the Jan/Feb 2017 issue....

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Documentary, Movie Reviews, Watch for free

Incredible Creatures That Define Design

Documentary 62 min / 2011 Rating: 7/10 The folks who brought us the 3-film series Incredible Creatures That Defy Evolution are back, and with a fun new twist on the incredible design we can find in God's creation. This time they are looking into the field of biomimicry – this involves engineers applying the innovations and creativity they find in the natural world to help them solve challenges they face in the civilized world. So, for example, a fan manufacturer looking to make a more powerful, but quieter, model decided to look into the way that an owl can travel quickly but silently through the air. The closer they looked at the design of its wings, the more they found there was to learn and imitate! Other examples of brilliant design in creation that the documentary explores include: sticky burrs spirals found everywhere in nature the glue used by mussels the aerodynamics of the boxfish and the strange way that butterflies can give off such beautiful colors even though some have no pigment in their wings. In one instance after another, even as engineers use Nature as their inspiration, they're forced to admit that their best efforts can't match the genius they find there. CAUTIONS Unlike the Incredible Creations That Defy Evolution series, in this film God is never given the credit that is His due. Instead, this is more like an Intelligent Design presentation, in which the genius found in creation is celebrated, without any specific mention made of Who that Genius is. The only other caution concerns a scene in the section on mussel glue. Here we see a brief enactment of a man having a heart attack at a restaurant. He then presumably receives care using glue, rather than stitches. It's not all that shocking, but more so than anything else in the film, and might alarm some small children. CONCLUSION This is one that will most intrigue the science geeks among us. I think families with older kids – maybe 12 and up – could enjoy this together, particularly if they have watched documentaries together before. But it does require some knowledge to fully appreciate what's being explained – younger children simply won't know enough about aerodynamics, or about how loud fans can be, or what pigmentation is, to really appreciate how "Nature" – God! – has done it all so much better than even our best and brightest can do (even after being given an example to imitate). You can watch it below for free (with some commercial interruptions). ...

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Book lists, Book Reviews, Children’s picture books

Virginia Lee Burton: Queen of nostalgia

A mom reading Katy and the Big Snow to her daughters might remember her own parents reading the same book to her. Since they first came out in the 1940s, Virginia Lee Burton's books have been enjoyed by three generations. These are classics!  But there's more to the nostalgia, because even when they were brand new, they likely had a timeless feel because, rather than being about Burton's present, they were a look back, celebrating a not-so-distant past that seemed calmer, simpler, better. The idyllic yesteryear that Burton presents is just a bit before her own childhood, in the transition period between the late 19th and early 20th century. It's a curious time to pick as the wistful pinnacle of civilization. It's an age in which mechanization is already in place, so why is Mike Mulligan and His Steam Shovel worth celebrating, but the diesel shovels that followed are somehow threatening? But that is the pinnacle she picks, not only in Mike Mulligan and His Steam Shovel, but Maybelle the Cable Car, and then again in The Little House. While these stories are all quiet laments at the technological advances that were revolutionizing the Western way of life, they are also a hubbub of activity, with all sorts of machines at work, and so much to see on every page. This busyness is then contrasted by the happy, calm conclusion to each story. While it's fun to take a peek at the past from someone who really appreciates the age she's depicting, parents might remind their children of what the Preacher says in Ecclesiastes 7:10: "Say not 'Why were the former days better than these?' For it is not from wisdom that you ask this." To romanticize the past can sometimes be to overlook the many blessings God is showering on us right now. Recommended Burton's four most popular are available separately and also in a compendium together. They are wonderful! Mike Mulligan and His Steam Shovel 1939 / 48 pages Mike Mulligan and his beautiful red steam shovel, Mary Anne, do a lot of digging in this story: cutting canals, lowering hills, straightening curves. But as technology advances, and new electric, diesel, and gasoline shovels come along, no one wants to hire a steam shovel. But instead of sending Mary Anne to the junkyard, Mike takes her to a small town looking to dig the cellar for their new town hall. He tells them that Mary Anne can do the job in a day, or they won't have to pay him. The real fun here is not in finding out whether she gets the job done in time, but in the sweet way the story ends, with Mary Anne and Mike finding new jobs to keep them both busy. The Little House 1942 / 44 pages The story starts with a solid little house in the country that can just see the lights of the city on the horizon at night. But as the decades pass, the city approaches and then engulfs the little house, making her sad. But when the first owner's great-great-granddaughter comes across it, she decides to move the solid little house to a new spot, out in the country once more. Katy and the Big Snow 1943 / 40 pages A big red crawler tractor named Katy can push dirt in the summer, but when winter comes, she's the only one strong enough to push through all the snow. When a "big snow" hits, and all the plow trucks get stuck, and the snow piles up to three feet, five feet, and even more, then it's time for Katy to save the day. She clears roads for ambulances, fire trucks, the police, the mailman, the phone and electric company, and then even clears the runway for a plane that otherwise would have crashed. Katy saved the day! Maybelle the Cable Car 1952 / 52 pages Maybelle is a cable car who spends her days going up and down San Fransisco's steepest streets, and she's been doing so for decades. But now the city wants to do away with all the cable cars and replace them with big new buses. Will Maybelle be out of a job? No, because a campaign by citizens to keep the money-losing cable cars wins the day. Yay? What this presumes is that, so long as the majority says so, it's okay to use tax dollars for non-necessities of all sorts, including wistful ones. Parents might have to talk their children through this one, to ensure little ones don't walk away with that lesson. Take it or leave it Fun to read once or twice, these don't need to make the cut for personal or school library shelves. Calico, the Wonder Horse 1941 / 67 pages A peaceful Western county is disrupted by a gang of bad guys. The wonder horse Calico disguises herself with a black mud bath so that Stewy Stinker, leader of the gang, will mistake her for his horse. When he does, she gives him a wild ride to jail. He escapes and makes plans to hold up the stagecoach only to discover that it is full of presents for the town's children for Christmas Eve. Stinky starts crying because "I didn't know I was that mean… holding up Santa on Christmas Eve. I'm never going to be bad anymore." So the bad guys all decide to be good. This is a fun exciting story, but this people-are-only-bad-because-they-are-misunderstood turn at the end obscures that there is real evil in the world, people who are fully determined to be wicked, and they must be fought and not coddled. Choo Choo 1937 / 48 pages A hard-working train engine, Choo Choo takes a bratty turn and decides she wants to go out on her own, so she runs away. After a misadventure, causing all sorts of mishaps as she flies through crossings and even leaps over an open train drawbridge, Choo Choo eventually runs out of steam and is left all on her own at the end of an abandoned line. Fortunately, her conductor, engineer, and fireman go after her, find her, and bring her home, much to Choo Choo's relief – she's learned her lesson and pledges never to run away again. Don't bother The second book below made this category on, admittedly, a bit of nitpick, but the first earned its spot, being nothing but propoganda. Life Story - At 80 pages, this is Burton's biggest book by far, and all of it a godless evolutionary account of how life on earth originated. We move through millions of years of history until, in the concluding pages set in Burton's time, there is on display, her wistful longing for a simple, country life. The Emperor's New Clothes - Burton illustrated this Hans Christian Anderson classic. As much as I like the story, what I'm looking for in an illustrated version for children is for the Emperor's nakedness to be strategically and artfully obscured. Burton almost pulls it off, but on the last page we have a naked butt, and yes, it is a cartoonish naked butt. However, she's already shown in previous pages that this nudity is unneeded. For this tittering age group, one naked butt is one too many. Conclusion If one could overdose on Virginia Lee Burton that might lead a child to romanticize the past, and maybe even take an anti-progress, almost Luddite turn. But Burton didn't write all that much, so this isn't much of a concern. Instead we can just enjoy her timeless books for the lovely look back that they are. We can dig up our own old copy, and point out all the action going on, the favorite bits that we recall from so many years ago "when your grandpappy used to read this to me." Burton at her best offers up stories that will endure at least long enough for you to read them to your grandchildren too....

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Parenting

Chores are good for our kids, and the earlier the better

Something parents have long suspected but few children have believed has been verified by research: chores are good for kids. The research that backs this up isn’t new. According to a Wall Street Journal article by Jennifer Breheny Wallace, these findings came in 2002 when Dr. Marty Rossmann of the University of Minnesota analyzed data to discover that: "young adults who began chores at ages 3 and 4 were more likely to have good relationships with family and friends, to achieve academic and early career success and to be self-sufficient, as compared with those who didn’t have chores or who started them as teens." Yet, as Wallace notes, a survey of US adults in 2014 found that while 82% grew up doing regular chores, “only 28% said that they require their own children to do them.” Why? It seems like parents are making piano lessons, and homework, and dance recitals and hockey practices the priority, and letting their children slide when it comes to pulling their weight at home. We think these others things are important, but they don’t compare to the joy of having a helpful daughter or son who becomes a responsible young lady or man. One other reason we tend to put off training our children to do chores is because the payoff for parents is very long term. A three-year-old who helps empty the dishwasher is going to cause much more work than she saves (especially when she drops a dish every now and again). But then we need to remember that the point of getting them to do the dishwasher is not to help us, but to help them become good helpers....

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News

Saturday Selections - July 23, 2022

Wikipedia's bias (8 min) One of Wikipedia's founders now describes it as propaganda for the leftwing. The passive husband A passive husband can come off as likable enough, because he isn't actively working at anything bad. He may even be quite the hard worker outside the home. He's just checking out when he gets home A sentence to bring down abortion (10-min read) We are amazed by stories of individuals who risked their lives to do what is right. But more remarkable still is that a whole village made the same decision to, en masse, to save Jews? What motivated them? How can they inspire us? Free markets bring shalom The least economically free countries have an infant mortality rates almost seven times that of the most free. While Christians know that material prosperity isn't an end in itself, we also know longer life, and happy babies are blessings worth sharing, and we can do so by encouraging economic freedom. New York Times proposing better rules for sex? As a recent NYT article highlighted, some in the world "are realizing how sex without restrictions leads to personal and social chaos. ....Our job is to take it one step deeper, and to point with our words and our lives to a better way." The amazing flying frog...and its evolutionary critics (2 min) In the video clip below, a BBC naturalist highlights just how amazing the Wallace Flying Frog is... but then he criticizes it as badly designed for only being able to glide, and not fly. This type of fault-finding is common among evolutionists, and it blinds them to the amazing reality right in front of them. As the linked creationist article above highlights – and this evolutionist also concedes – this little frog is brilliantly equipped for the treetop environment it inhabits. The criticism that it can't fly is petty, akin to faulting the Mona Lisa for not showing us some teeth. ...

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Internet

The smartphone stack

You're out with some friends having a nice dinner. But one has been talking on his phone for the last ten minutes, and a second is managing to fork food into her mouth while still using both hands to type text messages. And the fourth member of your party is preoccupied with tracking down some YouTube video he just has to show everyone. So you're out with your friends for dinner but it seems an awful lot like eating alone. We've all experienced something similar... and put our friends through something similar. So how can we return a little decorum to our dinners-out? One suggestion making the rounds is something called "The Phone Stack." After everyone orders their meals all smartphones are placed in the center of the table, one on top of another, face down. Though the course of the meal it's simply a given that one of these, or all, are going to buzz, bing, or sing, but here's the kicker: no one is allowed to grab their phone until dinner and dessert is done. If someone feels they just have to pick up their phone, that's okay, but then they also have to pick up the check for the night! Can there be exceptions made? Maybe someone is a doctor on call, or a volunteer member of the local fire department, and just needs to check their messages. Yup, allowances for that kind of thing can be made. But for the rest of the group this is a fun way of ensuring we all connect with one another, rather than with our devices. And for those dining-in nights, a variation can be done involving who is going to do the dishes!...

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