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Christian education

Where has all the creativity gone?

Education needs to be about great books and great ideas...

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"Is This the Worst-Ever Era of American Pop Culture?" That was the question asked by a recent Atlantic article about the sheer number of prequels, sequels, remakes, and expanding “cinematic universes.” Among the most notable recent examples in the world of film is Wicked, which reimagined the world of Oz.

The same creative stagnation can be seen in music. While earlier generations could produce distinct kinds of music, it’s increasingly difficult to find meaningful stylistic differences today. Some of the most popular songs aren’t even composed by humans but generated by AI. Where has all the creativity gone?

Many explanations could be offered, but one deserves particular attention. There’s been a precipitous decline of the kind of education in America that awakens the moral imagination, enabling students to think creatively and innovatively within a framework of what is enduring and true. In its place is an education oriented around expressive individualism, where children are encouraged to “follow their hearts” and “look inside,” rather than first know the true, good, and beautiful.

Classic stories develop a life-long love of learning

Classical Christian education is uniquely positioned to fill this void. At its best, the modern classical education movement seeks to recover what Dorothy Sayers described as "the lost tools of learning.” Such an education – centered on great books, great ideas, and classical languages – aims not merely at information transfer but at the formation of a virtuous life. Students are trained in virtue, encouraged to emulate heroes, and invited to explore and embrace visions of greatness. In the process, many develop a lifelong love of learning.

Vigen Guroian offers a compelling account of this formative process in his book Tending the Heart of Virtue: How Classical Stories Awaken a Child’s Moral Imagination. He explains how classic children’s stories like PinocchioThe Velveteen Rabbit, and The Lion, the Witch, and the Wardrobe can shape a child’s moral imagination. Young readers are transported into worlds filled with wonder, surprise, and danger. As they imagine themselves alongside heroes and heroines, the images and metaphors of the stories linger and shape how they experience the real world. Children internalize concrete pictures of good, evil, love, and sacrifice by which they can interpret their own lives. When the moral imagination is awakened, Guroian concludes, the virtues come alive with personal, existential, and social significance.

C.S. Lewis made a similar point in The Abolition of Man. After criticizing the dominant educational models that fail to form human beings, he described how education should cultivate students “with chests.” The “chest” mediates between reason and appetite, enabling students to not only recognize what is noble and what is base, and discern between that which deserves love and that which does not, but to also choose rightly between them. This moral formation reflects what makes us truly human.

Creativity has to be grounded in Truth

If popular culture is to experience a renewal of genuine creativity and innovation, classical Christian education may well be the taproot. Ironically, the renewal of innovation doesn’t begin by encouraging innovation for its own sake, or from an obsession with what is trendy or new. Rather, it will begin with an immersion in what is permanent and true. It will begin with curious hearts and minds that are trained to think imaginatively within a meaningful moral framework. As Russell Kirk once observed, the works that endure are not those rooted in nihilism, but those that appeal to enduring truths and therefore to posterity.

If classical education is to be Christian, it must be tied to the grand biblical story of Creation, Fall, Redemption, and Restoration. Learning that is interpreted through a Christian worldview will affirm the dignity of human nature and will also acknowledge its limits, clearly distinguishing between Creator and creation. Within this rich moral universe, students are inspired to imagine and create in ways that honor what is true, just, pure, lovely, virtuous, and praiseworthy.

Classical Christian education offers a compelling model for education in an age of cultural decadence. It is anchored in Christ, “in whom are hidden all the treasures of wisdom and knowledge.” By forming the moral imagination, Christians are equipped to not only resist cultural stagnation but to create culture anew, as co-laborers with the One who even now is “making all things new.”

This Breakpoint was co-authored by Andrew Carico. For more resources to live like a Christian in this cultural moment, go to Breakpoint.org. This is reprinted with permission from the Colson Center.



News

Court rules that Emergencies Act against “Freedom Convoy” was illegal

Four years ago, in February 2022, Canada’s federal government invoked the Emergencies Act for the first time in our country’s history, granting itself extraordinary power to break up the truckers’ convoy that assembled in Ottawa and elsewhere to protest Covid policies.

By invoking the Act, the government received the power to prohibit citizens from assembling, as well as freeze bank accounts of those involved in the protests, and even ban and freeze crowdfunding, among other measures.

In January of this year, the country’s Federal Court of Appeal made a unanimous decision, agreeing with the lower court ruling from 2024, that the government was not legally justified to make use of the Emergencies Act.

The court ruled that the protests “fell well short of a threat to national security.” The court also found there simply wasn’t sufficient evidence to back up the government’s claim that the convoy posed a threat of serious violence.

“When all these legal and factual considerations are taken into account, we fail to see how the could ‘reasonably believe’ that a threat to national security existed at the time the decision to invoke the Act was made.”

This decision is a good example of why civil governments need checks and balances on themselves, given our sinful human condition. Particularly a check on the age-old thirst for more power. The legislative and executive branches require the accountability and safeguards that are supposed to come from the Constitution, through the oversight of the judicial branch.

For Christians, obeying the Romans 13 command to “be subject to the governing authorities” isn’t as simple as submitting to whatever the Prime Minister or Governor General orders in a given moment. In this case, it was the Prime Minister and Governor General that were acting illegally, and private citizens (the Canadian Civil Liberties Association and the Canadian Constitution Foundation, among others), who successfully challenged them in court.


Today's Devotional

February 3 - Living water in Jericho

“For the Son of Man came to seek and to save the lost.” - Luke 19:10b

Scripture reading: 2 Kings 2:19-22; Luke 19:1-10 

Polluted water is like sin; it has a pervasive, detrimental effect on everyone as it permeates and destroys everything in its path. Although salt seemed to be a strange remedy, it symbolizes God’s covenant with us. Salt was required on all >

Today's Manna Podcast

Manna Podcast banner: Manna Daily Scripture Meditations and open Bible with jar logo

Suddenly a great company appeared

Serving #1107 of Manna, prepared by J. Louwerse, is called "Suddenly a great company appeared".









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Movie lists, Movie Reviews

250+ movies Christians can love

Great minds think alike, and the same month I was first compiling this article two of those great minds belonged to a missionary in Brazil and an evangelist in California. The evangelist, Ray Comfort, passed along a story, first told by Jeremy Archer, about a man who invited all sorts of folks into his house to meet his family. Often the visitors would talk crudely and angrily with each other, teaching his children words he'd rather they not know. But these visitors could also get his whole family laughing so the man decided to focus on the good they did, rather than the bad. Over time, the man could see the visitors were having an impact on his family, and it wasn't a good one. He found that his own children were now using crude language and making coarse jokes. What was worse, the visitors were behaving outrageously, even taking their clothes off right there in front of his family! That's hard to believe, isn't it? Why didn't the man just kick them out? Why didn't he protect his family from their influence? Well, it turns out this man had some sense, and as the visitors started getting naked, the man acted. Together with his family, the man finally "turned off the television." That same month the missionary, Rev. Ken Wieske, expressed the same concern, titling a Facebook post "David vows to get rid of his TV." Underneath he included the text of Psalm 101 which reads (in part): I will ponder the way that is blameless. Oh when will you come to me? I will walk with integrity of heart within my house; I will not set before my eyes anything that is worthless. The pastor's point was clear: most of what's on TV is worthless and if King David were here on earth today, he might well pitch his TV right out of the palace. Of course, it isn't quite as easy as that. Today we also have computers, and smartphones, so getting rid of the TV isn't going to restrict our access to fluff and filth that's so readily available. So let's take this a step further. Yes, much of what's on TV (and on YouTube, Facebook, etc.) is worthless. But some of it isn't. Some of it is quite good. Excellent even! So if we were to make the same promise King David makes in Psalm 101 – to put away all that is worthless – what sorts of films and videos might we still watch? I've got some suggestions below. My hope is that this list can help families find something worth watching. With nearly 250 suggestions, I'm also hoping there will be something for everyone. There's just one documentary included here, but you can find a whole bunch more in our list of "Faith and film: 100+ documentaries worth your time." RATING SYSTEM I've also included an entertainment rating. This is out of 10, and in my books, a 7 is a solid mark, 8 is something special, and 6 is still watchable but there is some notable flaw (maybe some corny writing, or a bad bit of acting, that sort of thing). The only reason I've included a few films that rate as low as 6 is because they have something about them that makes them valuable viewing – oftentimes their educational value. A 7 for a children's film means that this target audience will think it a 7, not adults. The same is true of a black-and-white classic. If you hate anything B&W, then you probably won't like one with a solid 7 rating (though maybe you'd be swayed by one with an 8, 9, or 10). GOD'S NAME HONORED One other note: none of these films and videos take God's name in vain. That's important. While a degree of violence and even sexual content of some sort can be appropriate on screen, the way God's name is abused on film just isn't. More than 40 of the films below have the tag "FREE ONLINE" and can be viewed for free by clicking on the link provided. ANIMATED VIDEOS (27 videos) Shorter videos can be ideal when mom wants to take a nap but doesn't want the kids sitting in front of the TV forever. THE GRUFFALO – 2009, 27 minutes – 8/10 HORTON HEARS A WHO – 1970, 30 minutes – 7/10 LIFE AT THE POND – 2004-2009, 30 min x 5 episodes – 8/10 LOST AND FOUND – 2013, 24 minutes – 8/10 VEGGIETALES (15) – only some are recommended – 7-8/10 WALLACE AND GROMIT: 4 SHORT FILMS – 1989-2008, 114 minutes –  8/10 ANIMATED "TORCHLIGHTERS" SERIES (10 videos) There are 20+ videos in the Torchlighter series, and the ten below are all great. While I haven't seen the whole series yet, there are a couple I haven't included for two different reasons. The first was on St. Patrick. While legends abound, little firsthand material on Patrick's life exists, making it hard to separate fact from fiction. That difficulty should have been acknowledged. Then, in the one on Augustine, an animated Jesus makes an appearance, and while I'm not wholly sure of the wrongness of visually depicting Christ, I am also not sure of its rightness (based on the second commandment), so I haven't recommended it. There are three more, I haven't yet watched, which I suspect might be good: The Robert Jermain Thomas Story, The Gladys Aylward Story, and The Richard Allen Story. THE CORRIE TEN BOOM STORY – 2013, 34 minutes – 7/10 – FREE ONLINE THE ERIC LIDDELL STORY – 2007, 31 minutes – 6/10 – FREE ONLINE THE GEORGE MÜLLER STORY – 2019, 30 minutes – 8/10 – FREE ONLINE THE HARRIET TUBMAN STORY – 2018, 30 minutes – 7/10 – FREE ONLINE THE JIM ELLIOT STORY – 2005, 30 minutes – 6/10 – FREE ONLINE THE JOHN BUNYAN STORY – 2006, 30 minutes – 8/10 –FREE ONLINE THE JOHN NEWTON STORY – 2021, 30 minutes – 7/10 – FREE ONLINE THE MARTIN LUTHER STORY – 2016, 34 minutes – 7/10 – FREE ONLINE THE RICHARD WURMBRAND STORY – 2008, 30 minutes – 6/10 – FREE ONLINE THE WILLIAM TYNDALE STORY – 2005, 32 minutes – 6/10 – FREE ONLINE ANIMATED (29 films) It seems like cartoons used to be safe for kids, though boring for adults. Today, with the appearance of obscene animated fare like South Park and Family Guy, many cartoons are unsuitable for children, and for that matter, adults. But there has been a change for the better too – movies like Curious George and Meet the Robinsons show that some animated fare can keep the kids happy, and entertain their parents as well. AN AMERICAN TAIL – 1986, 87 minutes – 9/10 BALTO – 1995, 78 minutes – 7/10 CHICKEN RUN – 2000, 84 minutes – 8/10 CHICKEN RUN: DAWN OF THE NUGGET – 2023, 101 minutes – 8/10 CURIOUS GEORGE – 2006, 88 minutes – 8/10 CURIOUS GEORGE 3: BACK TO THE JUNGLE – 2015, 81 minutes – 7/10 CURIOUS GEORGE: ROYAL MONKEY – 2019, 86 minutes – 7/10 Finding Dory – 2016, 97 minutes – 8/10 Finding Nemo – 2003, 100 minutes – 8/10 FOX AND THE HOUND – 1981, 83 minutes – 8/10 THE MANY ADVENTURES OF WINNIE THE POOH – 1977, 74 minutes – 9/10 Meet the Robinsons – 2007, 95 minutes – 8/10 MINISCULE - 2014, 89 minutes – 7/10 Monsters Inc. – 2001, 93 minutes – 9/10 Monsters University – 2013, 104 minutes – 8/10 PAW PATROL: THE MOVIE – 2021, 86 minutes – 8/10 PAW PATROL: THE MIGHTY MOVIE – 2023, 87 minutes – 8/10 THE PEANUTS MOVIE – 2015, 88 minutes – 8/10 SGT. STUBBY: AN UNLIKELY HERO - 2018, 84 minutes – 8/10 THE SUPER MARIO BROS. MOVIE – 2023, 92 minutes – 7/10 TANGLED – 2010, 100 minutes – 9/10 TOY STORY 1, 2, 3, and 4 – 1995-2019, 81-103 minutes – 8/10 Up – 2009, 96 minutes – 9/10 WALLACE & GROMIT: VENGEANCE MOST FOWL – 2024, 79 minutes – 8/10 Wall-E – 2008, 98 minutes – 9/10 WINNIE THE POOH – 2011, 63 minutes – 8/10 See also "Leo Da Vinci: Mission Mona Lisa," "Long Way North," and "The Secret World of Arrietty" (Foreign Films), and "Animal Farm," "Boxcar Children," "Boxcar Children: Surprise Island," and "The Hobbit," "Lord of the Rings," and "The Phantom Tollbooth" (Based on a Book). BASED ON A BOOK (23 films) It's always hard to live up to the book, but some of these get awfully close! 20,000 LEAGUES UNDER THE SEA – 1954, 127 minutes – 7/10 THE ADVENTURES OF ROBIN HOOD – 1938, 101 minutes – 8/10 ANIMAL FARM – 1954, 72 minutes – 7/10 THE BOXCAR CHILDREN – 2013, 81 minutes – 7/10 THE BOXCAR CHILDREN: SURPRISE ISLAND - 2018, 82 minutes – 6/10 THE GIVER – 2014, 97 minutes – 8/10 THE GOSPEL BLIMP - 1967, 38 minutes – 8/10 – FREE ONLINE Ivanhoe – 1952, 107 minutes – 7/10 THE HOBBIT – 1977, 77 minutes – 7/10 THE LION, THE WITCH, AND THE WARDROBE – 1979, 95 minutes – 7/10 THE LION, THE WITCH, AND THE WARDROBE – 2005, 125 minutes – 8/10 Little Women – 1949, 121 minutes – 8/10 LITTLE WOMEN – 1994, 118 minutes – 9/10 THE LORD OF THE RINGS (ANIMATED) – 1978, 133 minutes – 7/10 THE MAN IN THE IRON MASK – 1939, 113 minutes – 6/10 – FREE ONLINE THE PHANTOM TOLLBOOTH – 1970, 89 minutes – 7/10 POLLYANNA – 2003, 99 minutes – 8/10 PRIDE AND PREJUDICE – 2003, 104 minutes – 8/10 THE PRINCE AND THE PAUPER – 1937, 118 minutes – 8/10 Prince Caspian – 2008, 154 minutes – 8/10 Rascal – 1969, 85 minutes – 7/10 SWALLOWS AND AMAZONS – 2016, 96 minutes – 7/10 SWISS FAMILY ROBINSON – 1960, 126 minutes – 8/10 See also "The 3 Worlds Of Gulliver" and "Lassie Come Home" (Children), "The Adventures of Sherlock Holmes" (Black and White Classics), and "The Hobbit Trilogy," and the "Lord of the Rings Trilogy" (For Mom and Dad). BLACK & WHITE CLASSICS (33 films) These have all stood the test of time and are still being watched again and again. 12 ANGRY MEN – 1957, 96 minutes – 9/10 THE ADVENTURES OF SHERLOCK HOLMES (14) – 1939-1946, – 5-8/10 THE AMAZING ADVENTURE – 1936, 62 minutes – 7/10 – FREE ONLINE THE ABSENT-MINDED PROFESSOR – 1961, 96 minutes – 8/10 ADAM'S RIB – 1949, 101 minutes –  8/10 CASABLANCA – 1943, 103 minutes – 10/10 Citizen Kane – 1941, 119 minutes – 7/10 HIGH NOON – 1952, 85 minutes – 9/10 I Remember Mama – 1948, 134 minutes – 7/10 It Should Happen to You – 1954, 87 minutes – 7/10 THE MAN IN THE WHITE SUIT – 1951, 85 minutes – 8/10 THE MAN WHO SHOT LIBERTY VALANCE – 1962, 123 minutes – 8/10 MEET JOHN DOE – 1941, 122 minutes – 7/10 – FREE ONLINE Mr. Deed Goes to Town – 1936, 115 minutes – 7/10 Mr. Smith Goes to Washington – 1939, 129 minutes – 8/10 Ninotchka – 1939, 110 minutes – 8/10 SEA HAWK – 1940, 127 minutes – 8/10 THE SIGN OF ZORRO – 1958, 90 minutes – 8/10 THE SHOP AROUND THE CORNER – 1949, 99 minutes – 9/10 The Tin Star – 1957, 92 minutes – 7/10 See also "Roman Holiday" (For Mom and Dad). BLACK & WHITE SILENT CLASSICS (6 films) As a subcategory to the above are a half dozen silent film selections. If you've never gotten into silent films, be sure to start with the comedies – there the overwrought acting just adds to the funny. And Buster Keaton is the best! THE GENERAL – 1927, 80 minutes – 8/10 THE GOLD RUSH – 1925, 96 minutes – 7/10 GRANDMA'S BOY – 1922, 56 minutes – 7/10 – FREE ONLINE SEVEN CHANCES – 1925, 56 minutes – 8/10 SHERLOCK JR. – 1924, 44 minutes – 8/10 – FREE ONLINE Steamboat Bill, Jr. – 1928, 70 min – 7/10 BIOGRAPHICAL (20 films) Most of these are Christian biographies, and being true gives them a leg up on fictional Christian fare that too often concludes with “happily ever after” endings, more fairytales than our one true faith. It’s simply a fact that here on earth bad things often happen to good, faithful Christians. I will also note that while many of these are great, others are merely okay (ranking only a 6), but are still included here because of their educational value. THE CASE FOR CHRIST – 2017, 113 minutes – 7/10 C.S. LEWIS ONSTAGE – 2018, 76 minutes – 7/10 – FREE ONLINE C.S. LEWIS: THE MOST RELUCTANT CONVERT – 2021, 93 minutes – 9/10 END OF THE SPEAR – 2006, 108 minutes – 7/10 FINAL SOLUTION – 2001, 102 minutes – 8/10 – FREE ONLINE GOD'S OUTLAW: THE STORY OF WILLIAM TYNDALE – 1988, 93 minutes – 6/10 – FREE ONLINE GOSNELL: THE TRIAL OF AMERICA'S BIGGEST SERIAL KILLER – 2018, 93 minutes – 8/10 I CAN ONLY IMAGINE - 2018, 110 minutes - 8/10 THE JACKIE ROBINSON STORY – 1950, 77 minutes – 7/10 – FREE ONLINE JOHN HUS: A JOURNEY OF NO RETURN – 2015, 55 minutes – 7/10 – FREE ONLINE MARTIN LUTHER – 1953, 105 minutes – 7/10 – FREE ONLINE THE MIRACLE WORKER – 1962, 106 minutes – 9/10 SABINA: TORTURED FOR CHRIST, THE NAZI YEARS – 2022, 115 minutes – 7/10 – FREE ONLINE SIGHT – 2024, 103 minutes – 8/10 THE SPIRIT OF ST. LOUIS – 1957, 135 minutes – 7/10 TORTURED FOR CHRIST - 2018, 77 minutes - 8/10 – FREE ONLINE UNBROKEN: PATH TO REDEMPTION – 2018, 98 minutes – 8/10 UNSUNG HERO – 2024, 112 minutes – 8/10 A VOW TO CHERISH – 1999, 84 minutes - 8/10 – FREE ONLINE THE WRIGHT BROTHERS – 1996, 27 minutes – 7/10 CHILDREN (16 films) This is fare for younger children – not a lot of tension here. And that means, while the kids will probably like it, mom and dad might not. Because children often watch their favorite videos repeatedly, even dozens of times, it’s all the more important to make sure what they do watch is the good stuff. THE 3 WORLD'S OF GULLIVER – 1960, 99 minutes – 7/10 BUDDY DAVIS' AMAZING ADVENTURES – 2011-2021, 6 episodes of 25-58 min – 7/10 THE CREATION ADVENTURE TEAM – 2001-2002, 40 min x 2 episodes – 7/10 – FREE ONLINE THE DEFENSE OF NEW HAVEN – 2016, 82 minutes – 8/10 – FREE ONLINE DUDE PERFECT: BACKSTAGE PASS – 2020, 84 minutes – 8/10 – FREE ONLINE INCREDIBLE CREATURES THAT DEFY EVOLUTION I, II, & III – 2006, 47 minutes – 7/10 LASSIE COME HOME – 1943, 90 minutes – 8/10 A LEGO BRICKUMENTARY – 2015, 93 minutes – 7/10 MISTY – 1961, 91 minutes – 7/10 THE NEWTONS' WORKSHOP – 1997, 226 minutes – 7/10 ODD SQUAD: THE MOVIE – 2016, 67 minutes – 7/10 PATTERNS OF EVIDENCE: YOUNG EXPLORERS – 2020, 190 minutes – 7/10 – FREE ONLINE THE RUNNER FROM RAVENSHEAD – 2010, 81 minutes – 7/10 – FREE ONLINE THE SPARKY CHRONICLES – 2003, 28 minutes – 7/10 – FREE ONLINE SPACE BUDDIES – 2009, 84 minutes – 7/10 THE WILD BROTHERS (8 episodes) – 2015-2020, 28-30 minutes each – 7/10 FAMILY FUN (29 films) These are films that mom and dad can also look forward to watching. But that does mean that some of them have action or drama that may be too intense for your youngest children. So be sure to research age-appropriateness. BABES IN TOYLAND – 1961, 105 minutes – 7/10 A BEAR CALLED WINNIE – 2004, 90 minutes – 7/10 BEYOND THE MASK – 2015, 103 minutes – 8/10 BORN FREE - 1966, 95 minutes – 8/10 CITY OF EMBER – 2008, 95 minutes – 7/10 CONDORMAN – 1981, 90 minutes – 7/10 THE COURT JESTER – 1956, 101 minutes – 8/10 Emil and the Detectives – 1964, 98 minutes – 7/10 THE FIGHTING PRINCE OF DONEGAL – 1966, 110 minutes – 7/10 GRACE UNPLUGGED – 2013, 102 minutes – 7/10 Greyfriars Bobby – 1961, 92 minutes – 8/10 HANGMAN'S CURSE – 2003, 106 minutes – 7/10 THE INCREDIBLE JOURNEY – 1963, 89 minutes – 8/10 JACK AND THE BEANSTALK – 1952, 83 minutes – 7/10 THE JENSEN PROJECT – 2010, 95 minutes – 8/10 JOHNNY TREMAIN – 1957, 80 minutes – 7/10 The Last Chance Detectives – 1994, 50 min x 3 episodes – 7/10 THE LEGEND OF 5 MILE CAVE – 2019, 90 minutes – 7/10 MY FRIEND FLICKA – 1942, 89 minutes – 7/10 Old Yeller – 1957, 84 minutes – 9/10 THE SECRETS OF JONATHAN SPERRY – 2008, 96 minutes – 6/10 – FREE ONLINE Shark Boy and Lava Girl 3D – 2005, 93 minutes – 7/10 STORM: LUTHER'S FORBIDDEN LETTER – 2017, 105 minutes – 7/10 – FREE ONLINE SWITCHED – 2020, 104 minutes – 6/10 THE SWORD AND THE ROSE – 1953, 92 minutes – 7/10 THE THREE INVESTIGATORS IN THE SECRET OF SKELETON ISLAND – 2007, 91 minutes – 7/10 TIME CHANGER – 2002, 99 minutes – 7/10 – FREE ONLINE UNITARDS – 2010, 107 minutes – 8/10 A WEEK AWAY – 2021, 97 minutes – 9/10 See also "The Absent-minded Professor" (Black & White Classics). FOREIGN (10 films) Part of the pleasure of watching films set in foreign locales is that they provide a peek into unfamiliar cultures. Most of us will never be able to visit Mongolia or Iran but we can get an insight into the cultural life of those communities by watching their films. ANTBOY - DENMARK – 2013, 77 minutes – 7/10 – FREE ONLINE BELLE AND SEBASTIAN – FRANCE – 2013, 99 minutes – 8/10 CHILDREN OF HEAVEN – IRAN – 1997, 87 minutes – 7/10 Godzilla – JAPAN – 1954, 96 minutes – 7/10 LEO DA VINCI: MISSION MONA LISA – ITALY – 2020, 82 minutes – 8/10 LONG WAY NORTH – DENMARK – 2015, 81 minutes – 7/10 NOT ONE LESS – CHINA – 2000, 106 minutes – 7/10 THE RED BALLOON – FRANCE – 1956, 34 minutes – 7/10 – FREE ONLINE THE SECRET WORLD OF ARRIETTY – JAPAN – 2010, 95 minutes – 8/10 THE STORY OF THE WEEPING CAMEL – MONGOLIA – 2003, 87 minutes – 7/10 "HALLMARK-Y" (11 films) Before they got woke, Hallmark made a lot of films appreciated for being safe and good, and though they were rarely great there were a few of those too. Sometimes they'd even be based on Christian books. Not all of these are from Hallmark, but they are all of that sort. AN AMERICAN IN AUSTEN – 2024, 84 minutes – 7/10 BEYOND THE BLACKBOARD – 2011, 95 minutes – 8/10 EXTRAORDINARY – 2017, 86 minutes – 6/10 – FREE ONLINE GOOD SAM – 2019, 90 minutes – 8/10 HIDDEN PLACES – 2005, 86 minutes – 6/10 LOVE ON A LIMB – 2016, 84 minutes – 7/10 LOVE'S LONG JOURNEY – 2005, 88 minutes – 7/10 A ROYAL CHRISTMAS – 2014, 87 minutes – 7/10 SARAH, PLAIN AND TALL – 1990, 98 minutes – 8/10 THE ULTIMATE GIFT – 2006, 114 minutes – 7/10 UNLEASHING MR. DARCY – 2016, 84 minutes – 7/10 See also "Roman Holiday" (For Mom and Dad). FOR MOM AND DAD (21 films) These are films intended for an adult audience, movies and videos to enjoy with your better half...and sometimes with the older kids too. 2081 – 2009, 25 minutes – 8/10 – FREE ONLINE ALLEGED – 2011, 93 minutes – 8/10 Anastasia – 1956, 105 minutes – 7/10 AUDACITY: LOVE CAN'T STAY SILENT – 2015, 50 minutes – 7/10 – FREE ONLINE The Caine Mutiny - 1954, 124 minutes – 7/10 COURAGEOUS – 2011, 129 minutes – 8/10 FREEDOM – 2014, 94 minutes – 7/10 HIDDEN BLESSINGS – 2024, 107 minutes – 8/10 – FREE ONLINE THE HOBBIT (3) – 2012-2014 – 7-8/10 The Lord of the Rings (3) – 2001-2003 – 10/10 LIKE DANDELION DUST – 2009, 104 minutes – 8/10 ROBERTA – 1935, 106 minutes – 7/10 ROMAN HOLIDAY – 1953, 118 minutes – 8/10 The Second Chance – 2006, 102 minutes – 7/10 THE SONG – 2014, 116 minutes – 9/10 SOUND OF FREEDOM – 2023, 131 minutes – 8/10 TO SAVE A LIFE – 2010, 120 minutes – 8/10 See also "Using Hero," "I Can Only Imagine" and "A Vow to Cherish" (Biographical). SPORTS (11 films) These are a mixed lot, with Woodlawn definitely for older audiences and Going to the Mat something for a younger age group. BACK OF THE NET – 2019, 86 minutes – 7/10 FACING THE GIANTS – 2006, 111 minutes – 7/10 FOREVER STRONG – 2008, 109 minutes – 7/10 – FREE ONLINE GOING TO THE MAT – 2004, 82 minutes – 8/10 THE HORSE IN THE GRAY FLANNEL SUIT – 1968, 113 minutes – 7/10 HANS BRINKER OR THE SILVER SKATES – 1962, 90 minutes – 8/10 MERCY RULE – 2014, 119 minutes – 7/10 NEVER GIVE UP – 2023, 79 minutes – 6/10 – FREE ONLINE OVERCOMER – 2019, 119 minutes – 7/10 TWELVE – 2019, 92 minutes – 7/10 WOODLAWN - 2015, 123 minutes - 9/10 See also "The Jackie Robinson Story" (Biographical), and "Extraordinary" (Hallmark-y), and the documentary "Long Short: the Kevin Laue Story." WAR FILMS (20 films) The Second World War might have been the first major conflict in which film could play a role, presenting stories intended to encourage those on the frontlines and at home. The most inspiring World War II films show ordinary, average people doing extraordinary, heroic things (many of whom were our parents, grandparents or great grandparents, hiding Jews or otherwise putting themselves at risk simply because they knew it had to be done). Many of the best World War II films were made during the war – they have a completely different feel, because no one at the time knew what the war’s outcome would be! BATAAN – 1943, 114 minutes – 8/10 Decision Before Dawn – 1951, 119 minutes – 7/10 DESPERATE JOURNEY – 1942, 107 minutes – 8/10 Destination Tokyo – 1944, 135 minutes – 8/10 Edge of Darkness – 1943, 119 minutes – 7/10 The Fighting Seabees - 1944, 99 minutes – 7/10 FLYING TIGERS – 1942, 104 minutes - 7/10 THE FOREIGN CORRESPONDENT – 1940, 120 minutes – 7/10 THE GREAT DICTATOR – 1940, 125 minutes – 8/10 Hail the Conquering Hero – 1944, 101 minutes – 7/10 Objective Burma! – 1945, 142 minutes – 7/10 RUN SILENT, RUN DEEP – 1958, 93 minutes – 8/10 SABOTEUR – 1942, 109 minutes – 7/10 SAHARA – 1943, 98 minutes – 8/10 Sands of Iwo Jima – 1949, 100 minutes – 7/10 THE SILVER FLEET – 1943, 88 minutes – 7/10 They Were Expendable – 1945, 135 minutes – 7/10 To Be Or Not To Be – 1942, 99 minutes – 8/10 TWELVE O'CLOCK HIGH – 1949, 132 minutes – 8/10 Why We Fight – 1942-45, 417 minutes – 7/10 See also "Sgt. Stubby" (Animated Films), "Belle and Sebastian" (Foreign Films), "Sea Hawk", and "Casablanca" (Black & White Classics). BONUS #1 - TV SERIES FOR KIDS (6 shows) An episode of a  TV show can make for a nice short break without blowing the whole evening. While these series have been vetted, it isn't possible to evaluate the whole run, so some of these have only been rated on the basis of the first three episodes. ANNE OF GREEN GABLES: THE ANIMATED SERIES – 2003, 25 min x 26 episodes – 7/10 – FREE ONLINE ADVENTURES IN ODYSSEY – 1991-2003, 27 min x 17 episodes – 7/10 CURIOUS GEORGE – 2006-2022, 24 min x 198 episodes – 8/10 THE INBESTIGATORS – 2019-2020, 15 min x 40 episodes – 9/10 JUNGLE BEAT – 537 minutes – 10/10 – FREE ONLINE A SHOW ABOUT ANTHEM LIGHTS – 2022-, 12 min x 20 episodes – 7/10 BONUS #2 - TV SERIES FOR ADULTS (3 shows) With TV series, it isn't possible to evaluate the whole run, so some of these will be rated by season, and others just by the first episode or three. Danger Man (Season 1) – 1960-62, 25 min x 39 episodes – 8/10 DRAGNET (SEASON 1) – 1951, 26 min x 4 episodes – 7/10 – FREE ONLINE SUE THOMAS F.B.EYE – 2002, 41 min x 57 episodes – 8/10 – FREE ONLINE BONUS #3- OBSCURE BUT IMPRESSIVE (7 films) These ones aren't easy to find, but for some, might be worth the hunt. LORD JEFF – 1938, 85 minutes – 8/10 Minuscule 2: Mandibles from Far Away – 2019. 92 minutes – 8/10 The Pistol: The Birth of a Legend – 1991, 104 minutes – 7/10 Seasons of the Heart – 2003, 99 minutes – 8/10 Snuf de Hond in Oorlogstijd – 2008, 95 min – 8/10 THE WAY THINGS WORK – 2001, 300+ minutes – 8/10 Who is Simon Miller? – 2011, 85 minutes – 7/10 A version of this article first appeared on www.ReelConservative.com. This article was part of a magazine issue on movies (which you can find here) and was originally titled "200 Movies King David Might Watch."...

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Theology

Is it real corporate worship? - a parable

In this time of pandemic, Christians are carrying on a vigorous discussion about the character of corporate worship. When many if not most of the congregation members are watching online, can we really say that we are gathered as the Body of Christ, worshipping Him in corporate worship? I’ve read many of the arguments for and against, and I tend to agree with all of them. My position is basically this: yes, we are gathered for corporate worship. At the same time, it is only a pale imitation of how corporate worship should be. Some speak quite forcefully against calling a live-streamed service real corporate worship, calling it only a “pale imitation.” Others argue quite forcefully that live-streaming is real, corporate worship; the congregation is gathered together in the building and over the internet, and together the Body comes into the presence of the Lord and worships. It may be pale (less than desirable), but it’s not an imitation: it is real worship. A real imitation As I said, in a sense I side with both.  I would like to insist on maintaining the word “imitation.” The word “imitation,” derived from a Latin root, conveys the idea of “copy.” I think of what the letter to the Hebrews says about the temple and the sacrificial system. They were “copies” of the real thing. The real Holy of Holies is in heaven. The temple was a pale imitation of the real thing. But it was the best that was available until Jesus came, died, rose, and ascended, opening up for us a new and living way beyond the veil, past the very real cherubim (not the gold pale imitations), into the very throne room of God. I would argue that something can be a pale imitation, but can at the same time be real, in the sense that it is the best we have available at the moment. So how can live-streamed worship be real, and at the same time a pale imitation? Let me tell you a parable which might convey how these two things might be true at the same time. The parable of the packed and pollinated country wedding Imagine a wedding going on in a country church. The bride’s cousin has unfortunately come down with a bad case of allergies, and is sneezing a lot. The church auditorium is very small and the cousin doesn’t want to sit amongst the guests and sneeze on them continuously, nor does she want to ruin the video with the sounds of her sneezes. So she stands in a separate room, with the door slightly ajar, and she can more or less see the wedding ceremony from a safe distance.  She’s thankful to be there, and to witness the marriage. But it doesn’t feel quite right: she doesn’t sense that she’s participating fully in the event, because she’s alone in a separate room. She has trouble hearing everything and she has a hard time joining in with the singing.  Meanwhile, the bride’s brother has a large family. Their flight was delayed and their rental car took quite a bit longer to arrange than they had thought. They arrived at the church building only to discover that all of the seats are already filled. It’s a beautiful, sunny day, so they find themselves obliged to stand outside the building by an open window and try to participate as best as they can. (They had considered standing in a separate room, but there was a lady in there sneezing away). This family has to crowd around the little window, and, in fact, take turns peeking in to see the ceremony which they can more or less hear. It’s certainly not what they had imagined when they planned their trip to see the wedding of their sister and aunty.  Is the cousin really at the wedding? Are the brother and his wife and children really at the wedding? Yes, they are. They are there, they are witnessing the vows, they are participating in the event, they are trying their best to sing along.  At the same time, their experience is really a pale imitation of what being at a wedding should be. They are there, but they’re not there. They feel one with the gathered group of family, friends, and fellow believers, but at the same time they feel separate. Now, is this a real wedding? It certainly is!  Is it only a real wedding for the people sitting in the pews? Certainly not!  The cousin in the separate room, and the brother and his family standing outside by the window, are witnessing and participating in a real wedding. Real but not optimal I would suggest that when in our Sunday worship, the Bride comes into the holy presence of the Bridegroom, and their vows of covenant love are renewed and celebrated, this is a real Wedding. It is real worship. It is real for the people who are physically there, and it is real for the people who are straining to participate through “a door ajar, or an open window,” or, in other words, through an online connection. It’s real participation in real worship.  But it is certainly not optimal. For those obliged to “look through the window,” it is a pale imitation of the experience they long to have: to be physically present in the gathered assembly of God’s people, singing and participating physically as the Bride communes with the Bridegroom. Addressing one concern Some are concerned that if we say participation via live-stream is considered real participation in real worship, then once the pandemic restrictions are lifted, some people will say it doesn’t matter if they stay home and watch the church service instead. I believe this concern is unwarranted.  Think again of those in the wedding parable, and the one obliged to participate from a distance because of a health condition. God knows the heart. There is no negligence or lack of commitment when a child of God is obliged to watch the live stream because they have to stay home for a lawful reason.  Think of the family watching through the window. They are forced to do so by the circumstances. Everyone will understand this. If, however, there are lots of pews open in the building, but the brother and his family insist on standing outside and looking through the window, this would be at the very least rather strange, if not offensive.  The same goes for participating in worship via livestream. We do this reluctantly because we are obliged by the circumstances, namely the restrictions imposed because of the pandemic. In a normal state of affairs, however, someone staying home to “watch” church of their own volition, when this is not imposed on them as a necessity, would constitute “despising the Word and the sacraments” and reveal a heart not committed to the Lord, His people, and His worship. Conclusion Is participating in public worship via livestream really worship? Are we really worshipping God together as a gathered church? The answer, during this pandemic, is “certainly!”  It may be a pale imitation of the type of gathered congregational worship we are used to, but given the circumstances, it is the very best we can do. And because it is the very best we can do, given the restrictions, we can be certain that in Christ the gathered congregation is certainly meeting with God in real corporate worship. Rev. Ken Wieske is the pastor of the St. Albert Canadian Reformed Church....

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Science - Creation/Evolution

Of baby birds, and death before the Fall

Today we started off the day with a funeral right after breakfast. Bluey Leapey Wieske died during the night. We buried him at the back of the our property, close by where we buried the cow a few months ago. Micah asked me, “Daddy, when I die, can you bury me next to Bluey?” Micah called him Bluey Leapey because of his eyes. They were a kind of blue, and the flickering of his eyelids made Micah think of the name “Leapey.” Micah found Bluey’s nest fallen to the ground from the towering palm trees by the kitchen complex. Bluey had fallen with the nest, then climbed partway back up the tree where Micah found him, stunned, clinging to the bark. For two days Micah researched how to care for injured wild baby birds. He did everything he could to nurture and save the little bird. One clear instruction from the many sources consulted Micah completely ignored: “Do not handle the bird too much.” For some reason, Bluey did not seem to like being placed in the remnant of the nest we gathered up. He much preferred to nestle on Micah’s chest, clinging to his shirt. I fully expected the bird to die within minutes, but he lasted two days with Micah feeding him fruit and bread moistened with water. Micah is seven years old. He is an active, energetic, carefree, very physical child. He is also extremely sensitive. This morning we awoke to hear his wails of lamentation as he discovered Bluey’s lifeless form lying in the carefully prepared nesting box next to his bed. Micah’s weeping continued as we headed out after breakfast and laid Bluey to rest in a small hole dug under a spreading tree in the back field. Why did Micah cry? Is his grief a consequence of his innate understanding that death is abnormal, an enemy, a cursed result of sin and the Fall? Or his is grief abnormal, an enemy, a cursed result of sin and the Fall? Death is good? There are those who, in an attempt to resolve perceived conflicts between science and faith, propose that the Bible be read in the light of modern scientific research. Since scientists claim that multiple lines of evidence point to animal ancestry for humans, and an evolutionary origin to all of life, some Christian scientists believe that the Bible should be read in such a way that it allows for a world in which animal and human life developed over millions of years. Contrary to atheistic evolutionism, this Christian version understands the process not to be the result of random chance, but rather a beautiful, intricate process created and directed by God Himself for His glory. There’s a problem: this theory requires that death and suffering exist in this world long before the arrival of Adam and Eve. (In fact, this theory makes it impossible to even hold on to the Biblical Adam and Eve, but that’s a different story.) The problem is dismissed by Christians who believe that God used evolution to create life on this planet. They argue that when the Bible says that death entered into the world through Man’s sin, this is a reference to the death of humans. It doesn’t refer to the death of non-human creatures. Science has established the presence of catastrophic death and disease well before the arrival of homo sapiens in the history of evolution. According to evolutionary creationists, that’s OK. Evolution requires millions of years of birth, suffering, and death in order to progress. This can be understood to be “very good,” as God declared of His creation, as long as it doesn’t refer to human death. Since Adam and Eve’s respective “parents” or non-human progenitors were not actually human, but only human-like, it doesn’t matter that they suffered and died before the Fall. This is all part of God’s glorious plan of (evolutionary) creation, which He declared very good (Genesis 1:31). It’s really good and beautiful that foxes eat rabbits. Or that little birds fall out of trees and die. It’s all part of how Creation/Evolution works. Behold, it was very good. And it is very good. Why is Micah crying then? According to the thesis that Creation is through Evolution, I guess Micah’s sinful little heart is rebelling against God’s good and perfect creative work. Who is Micah to question what God calls very good? This is the way God has made the world: through suffering and death, Life is perfected. That’s the way it was before the Fall, and that’s the way it continues after the Fall. Not the way it is supposed to be However, the Bible teaches something different. The Bible informs the way I comfort and instruct Micah at this important educational moment. We speak together about the very good creation into which our sin introduced death and destruction as results of God’s curse. This is an important instructional opportunity to show Micah that the wages of sin is death: not just death in the sense of a heart stopping or a person not breathing anymore, but death in all of its horrible catastrophically destructive aspects as it affects Man, relationships, animals, and all of creation. This little bird died because Eve took a bite from a fruit that God had told her not to eat. This little bird died because we are sinners. The creation is groaning and is in bondage to decay because of our sin. But here is the good news. Jesus is making all things new. In the new creation, things are very, very good. There is no more death. In the new heavens and the new earth, Micah will no longer weep over a dead little bird, because Jesus is bringing about the day when the full Life-giving and Life-transforming results of Jesus’ death and resurrection will finally rid the universe of every last vestige of the heart-wrenching sadness and misery that results from our Fall. Rev. Wieske is a Canadian Reformed missionary serving the Church in Brazil. This article appeared in the July/August 2015 issue of Reformed Perspective under the title "Of baby birds, death, and creation." A Dutch version of this article can be found on a Dutch creationist site here....