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Animated, Movie Reviews

Wallace and Gromit: four short films

Animated / Comedy 1989-2008 / 114 minutes RATING: 8/10 It's been 35 years now, since student filmmaker Nick Park crafted his leading man out of clay. He made Wallace lovable and oh so inventive, but also more than a bit thick. Then Park carved up Gromit, Wallace's loyal, long-suffering dog who can't quite manage to keep Wallace out of trouble entirely, but who does manage to keep his master from getting in too deep. Wallace might be a brilliant inventor, but Gromit is the wise one. Since his first stop-motion claymation film, A Grand Day Out (where the duo managed to make it to the moon), Park has featured this duo in three more shorts and a couple of feature films; they've won a few Oscars, and spawned spin-off TV shows (Shaun the Sheep being the most notable). Not bad for a dim bulb and his dog. Part of the charm here is that the two of them do care for each other. Of course, that doesn't mean Wallace knows how to express his affection. He'll build an automatic patting machine, for example, rather than give Gromit the scratch behind the ears that his canine companion really wants. And when Gromit wants to go for "walkies," like every dog does, Wallace builds a set of "techno trousers" that he can attach Gromit's leash to, so the robot pants can take Gromit for his walk. Really Wallace, really? Gromit can't even talk, but the expressive dog sure can communicate. (They actually write dialogue for Gromit, even though he isn't going to speak it, so the animators will know how to shape Gromit's expressions.) Right behind this duo, third billing goes to the inventions – Wallace has more gadgets than James Bond, and they're twice as cool. He's built a machine that automatically throws him out of bed, sliding Wallace down a chute so he can land at his breakfast table, where another machine dresses him and yet another makes his breakfast. This process rarely goes off without a hitch, and the malfunctions are as fun as the successes. Another of Wallace's crazy contraptions is a knitting machine that just needs you to pop a sheep in one end, and a sweater will come out the other. Park has made four short claymation Wallace and Gromit films in all. A Grand Day Out 1989 / 24 minutes Wallace and Gromit need a vacation, and when Wallace discovers they are out of cheese, they decide the best getaway destination is the moon, what with all its bounty of green cheese. How are they going to get there? By building a rocket ship in the basement, of course! The Wrong Trousers 1993 / 30 minutes Wallace and Gromit’s happy home life is disrupted by a mysterious penguin who rents one of their rooms. Soon the shifty-eyed flightless foul is trying to replace Gromit in Wallace’s affections. But never fear, the loyalty of this tried and true dog does win out in the end. The moral of this tale? Either never neglect your dog, or don’t trust shifty-eyed penguins. Fun and silly, it won an Oscar. They even made a sequel, the feature film Wallace and Gromit: Vengeance Most Fowl. A Close Shave 1995 / 31 minutes To make ends meet, Wallace and Gromit have started their own window-washing business. A wool merchant, Wendolene Ramsbottom, asks them to clean her shop windows, and, of course, Wallace falls in love. There are two mysteries to solve: first, where has the country's wool gone? and, second, what or who is destroying the interior of Wallace and Gromit's house? (One hint: this is where Shaun the Sheep makes his very first appearance.) A Matter of Loaf and Death 2009 / 29 minutes Wallace and Gromit are now bakers, and great at it. It doesn't hurt their business, either, that all the other bakers in town are being bumped off one by one. Wallace is in love again, this time with Piella Bakewell, the spokesmodel for Bake-O-Lite breads. The ever loyal Gromit gets stuck doing Wallace's work in the bakery, even as he's also trying to prevent the two of them from becoming the "cereal" killer's next victims. The description pitched this as a "who-doughnut" in the tradition of Alfred Hitchcock, and I was skeptical; how could they pull that off in claymation? But they did! Cautions While A Grand Day Out would be safe for all ages, The Wrong Trousers has a somewhat creepy villain that the pre-school set could find a bit disturbing. The last two films amp up the tension more, with first sheep, and then bakers, getting killed. One baker even gets killed off screen but then falls back into the shot, face first into a cake. It's all claymation, so, not at all realistic (and there is no blood or gore). But it underscores how these aren't really intended as family fare. Some animation is for kids, with some jokes for adults thrown in. I'd say this is for adults, and some older kids  – 10 and up – could enjoy it too. Language concerns would be limited to a few uses of "heck" and "flipping" and I think an "oh my gracious." Finally, in A Matter of Loaf and Death, a bomb blows a hole in Wallace's pants, and we see a brief shot of Wallace's naked, claymation butt. Again, the claymation aspect of it means this is far from titillating, though it might get little boys tittering. Conclusion The appeal here is the spectacle of all of Wallace's crazy inventions, and the simple beautiful loyalty of these two friends. It's clever, and might even inspire some kids to give stop motion filming a try. I remember making one, not with clay, but with a pair of my shoes doing a dance across the floor. There are so many tools online to get an inventive kid going, and this might be just the thing to inspire them. That said, these are not all for the very young. The Brits rate these as 7+ but I'd say that especially A Matter of Loaf and Death should be 10 and up. For a taste of what Wallace and Gromit are all about, check out this compilation of their "cracking contraptions" –  8 two-minute videos of Wallace at his most inventive. ...

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Family, Movie Reviews

The Defense of New Haven

Children's 2016 / 82 minutes RATING: 8/10 This is a wonderfully bizarre adventure: a steampunk Christian allegoric comedy adventure, with every character played by a child actor, even though the characters are adults. Our hero, Alec, is a one-armed man who gets recruited by a fully-bearded six-year-old to carry a secret message to the city's miniature-steamboat-driving defensive forces so that they'll be able to stop gas mask-wearing raiders. That is a sentence I never imagined writing, but this is a movie I would have never imagined seeing. And it is both as cheezy and as fantastic. The kids deliver their lines like you'd expect children to do, and you either have to be okay with that or you won't enjoy a moment of it. But for its preschool target audience, this won't be a hindrance. That audience will be entranced by the set: the city of New Haven is proportioned perfectly for its pint-sized inhabitants, complete with narrow cobblestone streets, treacherous back alleys, medieval-style buildings, and canals for the miniature steamboats. It is amazing! I can't really think of any cautions other than this isn't a movie for older kids, or at least the sort that roll their eyes. If an older brother or sister can enjoy things vicariously, then they'll find it a treat to watch their little siblings hoot and holler all the way through this one. And that'll be the fun for mom and dad too. While this was made by Christians, I would have been left suspecting it, and not knowing it, if not for the two Bible verses that show up, one at the start and the other at film's end. What it means, though, is there are no language concerns. Check out the trailer below and watch the film for free at RedeemTV or on Youtube here. And if you enjoyed this, you may like the producer's earlier all-children film, The Runner from Ravenshead. ...

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Animated, Movie Reviews

The Secret World of Arrietty

Animated / Family 2012 / 94 minutes RATING: 8/10 This is a Japanese animated adaptation of the much loved English book series, The Borrowers. Arrietty is one of the Borrowers – the tiny people, just inches high, who live in our houses, in between the walls, under the floorboards, and in the ceilings. Now that she's 14, she's old enough to accompany her father on his "borrowing" expeditions. It's vital that these little people are never discovered, so even as they are creative sorts, turning leaves into umbrellas, sewing needles into swords, and clothespins into hairclips, they can't make their own goods. To create factories or farms would risk being discovered by the big people, the "beans." That possibility so scares the Borrowers that if a human ever sees them, then they will leave that house, never to return. But on Arrietty's first expedition, to get a single sugar cube, a young boy in the house discovers her. Shawn is a nice boy, newly arrived to the house because he is sick and needs care that his parents can't seem to provide. While he would never hurt Arrietty, or share the secret of her existence with others, the same isn't true of the housekeeper when she also discovers the tiny people, and hires an exterminator to help track them down. CAUTION The only caution relates to the "borrowing" that goes on. What do we call it when someone borrows without asking, and with no intention of ever giving it back? Stealing. In defense of these fictional thieves, they can't ask for permission because then they will be discovered, and they can't make these goods on their own for the same reason. Also, what they take is so negligible as to never be noticed. Still, this "borrowing" is a point parents should raise. In the Curious George TV shows it's noted that George is a monkey so he sometimes does things that we shouldn't. That seems a good warning about the Borrowers too. CONCLUSION While The Secret World of Arrietty was originally done in Japanese, Disney was so entranced by the film they took charge of the English release and did a wonderful job with the dubbing. It is a gorgeous film that many a parent will absolutely love too, especially if they read the Borrowers books in their childhood. And the slower pacing is perfect for any children who find other films too frantic or scary. Yes, there are some tense moments, but there is a lot of beauty and calm in-between as we explore the world as it looks through a set of tiny eyes. ...

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Animated, Movie Reviews

The Gruffalo

Animated / Family 27 min / 2009 Rating: 8/10 How can a mouse meet up with a hungry fox, snake, and owl, and live to tell the tale? It helps that he has a monstrously big friend who is just about to meet him. And a fox, or a snake, or an owl, wouldn't dare eat a small mouse who has such a big friend! But...what if they found out what the mouse knows: "There's no such thing as a Gruffalo"? Or is there? This short film, based on the book of the same name, is a clever tale about a mouse who thinks his way out of trouble. It is beautifully rendered, visually and musically, with the only concern being that everyone wants to turn this little mouse into a little morsel. So in our household the pause button had to be used a few times to calm some anxious viewers. For those under eight, especially if they don't watch much TV, there is a little bit of tension here. In fact, kids under three might find it just too scary. But it does all work out in the end, and reassuring any little ones of that might help them make it through. So, two thumbs up for this short, fun, and clever story. Who could ask for more? There is a sequel, The Gruffalo's Child, about the title character heading off to search for the "big bad mouse" that so terrified his father. But it loses the charm of the original because now it is a father who lies to his child, rather than, as in the original, a mouse lying to predators. While we can justify lying to predators it is quite another thing for a parent to lie to their child. Also, the moody music, and the uncertainty about who we should be cheering for (the Gruffalo child, all on his lonesome searching through the woods, or the mouse that he is, basically, hunting?) make this one a good bit scarier than the original. That's why our family is going to give it a miss. ...

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Animated, Movie Reviews

Winnie the Pooh

Animated / Children / Family 63 min, 2011 Rating: 8/10 Our favorite silly little bear starts his newest adventure in bed, waking up only at the insistence of the narrator. Winnie-the-Pooh "has a Very Important Thing to Do" today, so he simply must get up! Just what that important thing is, the narrator does not specify, so Pooh decides his first priority is going to be to take care of his tummy. And that requires some "huny." When he discovers he is all out, this bear of very little brain comes up with a sensible enough plan - he goes in search of "friends out there with honey to spare." Once out of his little house Pooh proceeds to have a series of adventures. The first involves Tigger and a balloon, and the second, a fearsome beast (or as fearsome as a Pooh cartoon can be) named the Backson. The longest adventure of all is a search for Eeyore's tail... or for some substitute that could serve in that role. This is a gentle family-friendly gem. Disney has produced a score of Pooh films but this is the first since 1977's The Many Adventures of Winnie the Pooh to fully capture the charm of the books. Many Adventures remains the best of all the Pooh films, with this a very close second. Some reviewers were critical about its length, or rather, lack of length. Winnie the Pooh is listed as being an hour long, which is only about half as long as a regular feature film (and when you subtract the credits, it would be more accurate to say this is just over 50 minutes). It's a legitimate beef. I know I would feel a little put out if I spent ten bucks per head for my family and we were marching out of the theatre before I even finished my popcorn. But on DVD this length is more palatable, especially when its intended audience, and their limited attention spans, are considered. There are only two cautions to note. The first concerns language. After the film ends, and ten minutes of credits run, there is one final, very short scene in which the word "gosh" is used twice. I'm not a fan of this "substitute expletive" but this is not God's name, and thus is not taking His name in vain. The only other caution is about Pooh himself. In this rendition, Pooh is a little more self-absorbed and selfish than usual. As an example, when the group sets out to trap the Backson, Pooh is content to let his little friend Piglet do all the work while he supervises. Pooh's shallowness (including his obsession with honey) is the central "conflict" in the story, and one that parents should point out to their children - the "hero" of this little story is not being a good friend right here. Of course, Pooh does get his priorities figured out by the end of the film. When faced with the choice of finally getting some honey, or bringing Eeyore his missing tail, Pooh chooses friend over food. The story concludes with Christopher Robin congratulating Pooh for the "Very Important Thing" he did today: "Instead of thinking of your tummy you thought of your friend." ...

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Family, Movie Reviews

Pollyanna

Family 2003 / 99 minutes Rating: 8/10 Aside from a change of setting, this is a faithful adaption of the source book. Yes, moving it from Vermont to England will leave viewers a little surprised, especially if they've grown up watching the 1960s Disney version. But accents aside, this is the more authentic version and if you loved the book, you'll love this film. For those who don't already know, Pollyanna is a poor but cheerful girl who, after becoming orphaned, is sent to live with her very rich, and very strait-laced aunt Polly. The two have very different ways of viewing the world, with the joyful Pollyanna seeing nothing but wonder, despite the losses she's faced, and aunt Polly seeing nothing but the problems, despite the riches that surround her. So whose worldview is going to win out? Is Pollyanna going to stop giving out hugs, or is her aunt Polly going to get over her reluctance to be touched? Something has to give! One reason parents will appreciate this story is because of Pollyanna's "glad game." This is something her father taught her – he explained that even when things aren't going our way, there is always something to be glad about. He first taught her the game one Christmas when Pollyanna was hoping for a doll, but the only gift sent to her poor family was a pair of tiny crutches. So what is there to be happy about crutches? It took some thinking, but eventually father and daughter came up with something: they could be glad because at least “we didn’t need to use them!” As Pollyanna gets to know the people in her new community, both young and old, she teaches her game to them, and in doing so, transforms her community - they too, start to see the silver lining to each dark cloud. And in doing so, they are actually better seeing the world as it actually is. Yes, troubles exist, however blessings still abound! But what about aunt Polly? What is she going to think about the game? CAUTIONS It's worth noting that the "glad game" can be taken to extremes. For example, in the book, when an older man breaks a leg, Pollyanna notes he could be glad that he broke just the one leg. Well, okay. But, as the Preacher said, there is a time for everything, and that includes mourning. So maybe it is fine for the man to just simply be sad for a time at the pain and suffering that's happened to him. That said, I don't think many of us are in danger of overdoing our gladness. How often, really, do we count our blessings one by one? So couldn't we all do with a good dose of this Pollyanna-ish thinking? The only other caution concerns one shocking/sad moment that will cause young viewers distress – near the end of the film Pollyanna gets seriously injured. It all happens in a flash, so nothing gory is shown, but our girls needed to be reassured that Pollyanna would recover. CONCLUSION Young ladies are going to love this one, and I think young lads may even be up for it, with a little encouraging. And if mom and dad can get past the British accents, they, too, are sure to love this well-acted, authentic adaption of a timeless classic. ...

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Documentary, Movie Reviews

As We Forgive

Documentary 2010 / 54 min. RATING: 8/10 In Rwanda, in 1994, the unimaginable happened: approximately one million Tutsi Rwandans were killed by their friends, neighbors and fellow church members. As much as fifteen percent of the population was murdered in just three months. The enormous scale of the evil left the government unable to offer any sort of justice. The jails couldn’t hold the tens of thousands of perpetrators, so the government eventually ended up pardoning most of them, sending them back to their villages and homes, where they would live right beside the surviving victims. Justice was impossible. But what about forgiveness? Is forgiveness possible when sins are this monstrous? How does a man who has killed a girl’s father dare go to her to ask for forgiveness? And how could she ever find the strength to offer him that forgiveness? As We Forgive has received all sorts of secular awards, but the story here is an explicitly Christian one. It is a film well worth watching twice, first putting ourselves in the place of the victims, and understanding how it is that God equipped them to forgive. If they can forgive, how much more so us? And it is also worth watching from the perspective of the murderers. The two men we meet show what true repentance looks like. As one explains, he can never make up for what he has done, but he can try to show his repentance by doing all the good he can for his victims – he is building houses for the genocide survivors. As you might expect of a documentary on such a grim chapter of history, there are some scenes – of the aftermath of the genocide – that are not suitable for children. But it really is a must-see. If you’ve ever said “I can’t forgive” then here is an example of what God can make us capable of, if we ask Him. Here, too, we see what real repentance involves. It is so much more than words. These men’s actions give evidence of the change that God has wrought in them. ...

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Animated, Movie Reviews

Minuscule: Valley of the Lost Ants

Animated / Family 2014 / 89 minutes Rating: 8/10 In this utterly unique film, a lost ladybug teams up with a colony of black ants to fight off a horde of red ants who want their sugar stash. A couple of things set this film apart. First, it seamlessly meshes animation and gorgeous nature footage, with the overall look more like a Planet Earth episode than a kids' cartoon. Another unique element is the lack of dialogue – other than  20 seconds of scene-setting narration, no one speaks. Or, rather, when they speak, it is only in Antish and Ladybuguese (I had the English subtitles on, but shucks, no translation was provided). Our kids had to decipher the storyline from strictly physical cues which had them paying very close attention. It also meant that their Dad had to occasionally "narrate" the action to help them figure out what was going on. Cautions This is a G-rated film, free of any language, sexuality, or violence concerns (there is a big battle scene but no injuries are shown, and the rest of the "violence" is of the slapstick variety). But while the action was muted compared to many an animated film, Miniscule's brilliant use of sound and music really amplifies the tension. If you have younger viewers – maybe 9 and under - you can help them through these sections by either turning down the sound (minimizing the music's impact) or by doing what we did. While we were still early in the film, we ended up showing our girls the last ten minutes of the film so they could know that it all turned out alright. They still sometimes forgot so we'd have to remind them, but each reminder helped a lot. Their response reminded my wife of how when we as adults have our own tense moments, we're also comforted by knowing a happy ending awaits – that's one reason why God has "given away the ending." It might also help youngsters to know that the only actual bad guys in the film are the red ants and, briefly, a large fish. Any other seemingly villainous sorts turn out to be friends. Finally, the music also adds impact to the ladybug's wistful recollections of his lost family. Early in the film, as a young bug, he gets separated from his parents and siblings, and in two brief recollections afterward our 6-year-old was in tears feeling bad for him. Conclusion This is film kids will appreciate for the story and mom and dad can enjoy for its beauty and the brilliant way it tells a story without words. I've spent a lot of space warning about how some particularly sensitive or very young children will find the tension troubling, but overall this is quite the gentle movie. Our family really enjoyed it, even with the tense moments. There is also a 2019 sequel, Minuscule 2: Mandibles from Far Away, that may be even better, though it is certainly a more tense with one ladybug seemingly dying. It hasn't died, but for about ten minutes viewers will think so, and that'll have the little ones crying if you don't give them the spoiler heads up that it will revive. Unfortunately, this sequel doesn't seem available yet in North America. Americans who subscribe to Amazon Prime can watch Miniscule for free. ...

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Family, Movie Reviews

The Giver

Drama / Family 97 minutes / 2014 RATING: 8/10 My brother Jeff wrote a review of the book this film is based on that hits all the high points of the film too. So with his permission I've included it below with slight modification. The Giver is a brilliant dystopia – a vision of the future where things have gone horribly wrong. What makes it so brilliant is that in the brief space of a couple hours, we're shown, as dystopian story always do, that the desire to make a utopia always leads to disaster. The original Utopia (which literally means "no-place"), by Thomas More (an English Catholic writing around the time of the Reformation), is a vision  of an ideal, perfectly regulated society, where people live their lives with leisure and work balanced, and the wealth is fairly shared among all. All these features are appealing, but given human nature, any attempt to build society through regulation will result in the stomping out of individuality and the oppressive power of whatever authority we trust to organize everything. Basically, there is a kind of idolatry of human systems and power. Of course, we know that idols always disappoint, and idols always demand horrible sacrifices. That's what's going on in The Giver. The story begins with what looks like an ideal, well-organized society where everyone has his or her specific role set by 18 years old (in the book this all happens by 12). All the angst of adolescence in our society has been taken care of through this selection of each person's career by the community, as well as by the suppression of the disruptive disturbance of teenage hormones. The result is a village in which there is no significant crime; in which each person is given a specific role and, in return, has all his or her needs met from cradle to grave by the community; and in which both the physical storms and emotional storms have been subdued by technology. This "sameness" has been maintained for generations. Even the memory of the relative chaos of our own society has been wiped out, but the elders of the village have ensured that the past is not entirely lost, so that in the event of crisis, the elders can learn from it. This is where the main character, Jonas, comes in. At eighteen years old, he is given the unique role of the Receiver of the community. What does he receive? The memories of the village before the "sameness" - from the Giver. Jonas's unique knowledge enables him to see what a terrible place our own world is – with war and other suffering – but also what emotional ties like family and romantic love were lost with the oncoming of the "sameness." His own crisis comes when he sees what sacrifices his seemingly utopian village demands to keep its stability. Why would Christians want to watch this? The Giver shows us both the beauty and the cost of human emotion and desire, but also the foolishness of playing God in trying to wipe both out by human power. What we need is not liberation from our own humanness, but liberation from the sin which has corrupted our humanness – by the death of Christ - and the redirection of our emotions and desire – by the work of the Spirit. Neither the book nor the film explicitly put us before God's throne, but both do a fine job of knocking down one of the idols that serve as a stumbling block blocking our view of His glory. The film does differ from the book in some ways, with the most notable being the insertion of some action scenes. But author Lois Lowry was quite pleased about how her book was translated to the big screen. According to her, yes, this is a different medium, but very much the same story. Cautions There are no language and sexual concerns, but some for violence. As the Giver shares his memories with Jonas, one of them is an image of "war" - it's a brief look, but includes a man getting shot in the chest and bleeding, and another man getting shot repeatedly. The most disturbing scene in the film is one of a baby being euthanized by injection - we don't see the actual injection...but we almost do. So no blood, but quite horrifying. I suspect it is this single scene that boosted this from a PG to PG-13 rating, and quite rightly. One other concern would be the way God is portrayed. For the most part, He simply isn't, but among the memories Jonas receives are ones showing the various religions of the world at worship. These are only brief glimpses, and not much is made of them, but neither is Christianity distinguished from any of the others – all religions are treated as equivalent. Conclusion This is a fantastic film, that hasn't been rated all that highly by the critics. I think that's because they are assessing it simply as entertainment. But this is meant to be a thought-provoking film, one to be discussed and not simply watched. And as such, it rates much higher. I'd recommend it as family viewing so long as the youngest viewers are at least in their teens. For more on dystopian fictions see "Why is dystopian fiction worth reading?"...

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Documentary, Movie Reviews

The Green Prince

Documentary 101 minutes/ 2014 Rating: 8/10 Mosab Hassan Yousef is the son of one of the founders of the terrorist group Hamas, and served as his father’s right-hand man. But at the same time, he was working as an informant for the Israeli secret police, the Shin Bet. This is his unbelievable story. While the Israeli-Palestinian conflict is the background to everything, it’s clear that director Nadav Schirman is most interested in what was going on in Yousef’s head and heart. Yousef is adamant that “I would never betray my father,” but Shin Bet agent Gonen Ben Yitzhak also found him surprisingly easy to turn. The same young man who bought weapons to attack the Israelis later becomes passionate about working with the Israelis to save Jewish lives. One of the explanations for this dramatic turnaround is Yousef’s conversion to Christianity. But he starts working for the Shin Bet before he becomes a Christian: perhaps his willingness to work with the Israelis is evidence of how God was already stirring his conscience? Another part of the explanation might be the type of man his Shin Bet handler was. Ben Yitzhak was supposed to see Yousef as simply a tool, but he wasn’t able to distance himself like that and today Yitzhak’s children call Yousef “Uncle Mosab.” This is an excellent production, with dramatic re-enactments that give the whole thing a cinematic feel – at times this seems like an espionage thriller. It is a longer documentary and might be overly so for anyone not already interested in the Israeli-Palestinian conflict, but for the rest of us, this is about as good as any documentary you will see. Yousef has also told his story in a fascinating book, Son of Hamas. Watch the trailer below. ...

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Animated, Movie Reviews, Remembrance Day

Sgt. Stubby: an unlikely hero

Animated / Family 2018 / 84 minutes Rating: 8/10 I read a review by a parent who arrived at the movie theater with his four-year-old and picked this film based solely on the smiling ever-so-cute doggie he saw on the movie poster. One problem: while this is about a charming, incredibly clever dog named Stubby, it's also about life in the trenches of World War I. And that's not 4-year-old material. Why, oh why, don't more people read movie reviews! But, as we mark the 100th anniversary of the end of the "Great War" this is a movie that many a ten-year-old and up will enjoy and should watch. It's based on the true story of Sgt. Stubby, the most decorated dog in American history. The story begins with the homeless dog attaching himself to a unit readying itself to be shipped overseas. First, he charms his way into the heart of one Private Robert Conroy, the main two-legged character in the film. Then, one by one, from the lowest private to the general in charge, he wins over everyone. Well, not everyone. Some folks just aren't dog people, and Private Elmer Olsen just doesn't understand what's so special about Stubby. When the unit heads overseas, Stubby manages to sneak aboard the ship, and he too is heading to the fight. From this point onward there's one perilous scene after another, but to make it appropriate for (nearly) the whole family, the filmmakers decided to make this an entirely bloodless film. Even as bullets are whizzing, no one gets shot. German bombardments send both soldiers and dirt flying, but the soldiers get dug out and emerge both unbruised and unbloodied. While parents will appreciate the nonexistent blood and gore, by muting the violence and death the film ran the risk of also muting the sacrifice that these soldiers made. But as the film draws to a close there is one death – to a secondary character, Private Olsen – that drives home, even to the younger audiences, what these men risked and what they lost. Without giving it all away, I'll note that the death happens off screen and we don't even see the body. It is the soldier's absence that is noted – while his friends are looking for him after the last big battle, Stubby brings them his helmet. That'll get some kids crying, and even moisten the eye of many an adult. But it is necessary. And it is done with great care and restraint. As you'd expect with an energetic pooch as its star, there is a lot of fun in the film. Kids are sure to enjoy Stubby training along with his fellow soldiers, getting chased by the cook, and winning over the Colonel after Conroy teaches his little buddy how to salute. In another treat, Gérard Depardieu makes an appearance as a large, wise French soldier, who along with Conroy and Stubby is tasked to spy out German positions. These "three musketeers" become fast friends, saving each others' lives. Cautions There are only a couple of concerns, including a little bit of language. The worst of it includes one character saying "What the devil?" and another exclaiming "I'll be darned." There is also just one bit of "naughty" comedy as the drill sergeant lectures his men on how they should imitate the never-complaining, always-ready-to-roll Stubby but he makes this speech just as Stubby decides to lick his nether regions. That gets a laugh out of the sergeant and his men as they are presented with proof-positive that Stubby has some traits that aren't worthy of imitation. The big caution would concern the near constant peril. This is not a film for four-year-olds. But most ten-year-olds will be sure to enjoy it. Conclusion This was such a pleasure to discover. Before this, I couldn't have imagined a war film that would be appropriate for the very young and yet still be a treat for their parents. This would be a great one to watch with the family for Remembrance Day, Memorial Day, or Anzac Day. You can find out more about the film at its website: StubbyMovie.com. ...

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Family, Movie Reviews

Swiss Family Robinson

Drama/Adventure 126 min/1960 RATING: 8/10 Based on the classic 1812 Johann Wyss book, Swiss Family Robinson tells the tale of a family of five that gets shipwrecked on a tropical island after being pursued by pirates. Life on a tropical island can be fun, with ostrich and elephant races, but work is involved too. The family has to struggle together to build a treehouse that will keep them safe from the island's tiger. But what will keep them safe from the pirates, who are still looking for them? The big concern in this film would be violence. While most of it is softened (a tiger, rather than maul its victims, sends them flying high into the air) there are intense scenes near the end of the film, as the pirates attack, that would scare young children. There is also a snake attack that may have parents rolling their eyes (the actors seem to be grabbing the boa constrictor, rather than the constrictor grabbing them) but it had my daughters' eyes bugging out. We played some of these scenes with the volume down low, so the dramatic music wouldn't have the same effect. That seemed enough to make the scenes palatable for even our four-year-old. This is a good old-fashioned classic with lots of gallantry on display – it's a great film to teach boys to look out for girls. It's also a good one to get your kids appreciating older films. Some of the acting is a little wooden, but as a family film that's fine – this was never going to win an Oscar, but there is a reason it's still being watched 50 years later. All in all a great film. The trailer below, at 5 minutes long, will give you a good feel for what the film is like though it might give a bit too much away. ...

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