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Articles, Book Reviews, Children’s picture books

David Wiesner: weird and wonderful

Super creative? Ultra creative? Mega creative? Every good picture book author is imaginative, but somehow David Wiesner (1956- ) manages to be all the more so. His living clouds, flying frogs, and artistic lizards always provide a surprise – a reader starting one of Wiesner's stories will never be able to predict how it is going to end. That's a joy for parents to experience right along with their kids: a children's story that isn't predictable! And since several of Wiesner's works are wordless, they can also be great books for reluctant readers to tackle alongside mom or dad. Wordless doesn't mean it's an easy "read" but together parent and child can put their detective skills to work to figure out all that's going on! What follows are my family's recommendations – our favorites – and then a few that we've read but which for this reason or that, I'm not going to recommend like the rest. Finally, there are three that really aren't worth bothering with. RECOMMENDED Free Fall 1988 / 32 pages A little boy falls asleep and we get to come along in his dream. As dreams often are, this is wordless throughout, one page streaming into the next as the boy goes from meeting a dragon to growing giant-sized, to flying home on a leaf. It makes sense only in the ways that dreams do. But the smart-eyed reader will be able to spot on the last page, when the boy wakes up, all the objects in the room that inspired the different parts of his dream. This is one to “read” slowly and enjoy every picture. Hurricane 1990 / 32 pages Two brothers are worried about a coming hurricane. But when the lights go out, and the family is still together, the boys realize it's not so bad after all. It even gets quite good the next day, when they discover a huge fallen tree in their neighbor’s yard. In the days that follow the huge trunk becomes their spaceship, and the branches a jungle, and the both of them together a pirate-hunting sailboat. Tuesday 1991 / 32 pages The only words we see tell us the time, and that it is a Tuesday. For reasons that are left entirely mysterious, at around 8 pm, a swarm of frogs suddenly starts flying (or is it their lily-pads that are doing the levitating?). They flock into town, chase some birds for fun, watch a little telly, and then, just as they are heading back, dawn breaks, and the sun's rays seem to sap their flying powers. That leaves the whole lot of them hopping back to their pond. This is silly nonsense and kids are sure to love it. Sector 7 1999 / 48 pages A boy on a field trip to the Empire State Building meets a rambunctious cloud (he discovers that clouds are people!) who takes him back to “Sector 7” high up in the sky where the clouds get their orders about what shape of cloud they should be. But the clouds seem a bit bored with these shapes and appear to ask the boy to draw them up some alternatives. And what fun to see clouds mimicking the sea creatures he draws! Eventually, the rambunctious cloud returns the boy to the Empire State Building, but his visit to Sector 7 might have some lasting impact, as the clouds quite like being fish-shaped. This is another of Wiesner’s wordless books and another one that parent and child will have pouring over to see all that the pictures have to say. The Three Pigs 2001 / 40 pages When our middle daughter discovered this one she just had to share it with her younger sister right there and then. This is a creative spin on the old tale as the Big Bad Wolf blows the pigs right out of the story and into some others (including Wiesner's own The Loathsome Dragon). As they travel from storybook to storybook the pigs decide there is no place like home, but also decide to bring along a guest from another story – a dragon! – to give this pesky wolf quite the surprise. Art & Max 2010 / 40 pages This might be my favorite picture book. It involves just two characters, which makes this one easy to read out loud to the kids, and there’s so much energy on each page that performing it becomes so easy to do. Art knows how to paint, and Max desperately wants to learn. (Both are lizards, but aside from the fun way they look, that doesn't really matter.) But who should Max paint? When Aurthur suggests himself, Max literally starts to throw paint on Art. And that’s when it gets wacky! As Max tries to clean the paint off Art, he starts to clean all the color off him. Art is see-through; he’s just lines! Then, when that line starts to unravel, Art becomes just a scribble. Fortunately, his friend Max is on it, and proves, as he turns that scribble into a work of Art, that he has some mad skills too. I Got It! 2018 / 32 pages Once again David Wiesner lets the pictures do (almost) all the talking, When a long flyball is hit into the outfield, a boy declares, “I’ve got it!” which are the only words in the story. But does he really have it? One dropped ball is followed by another, and it’s almost like there are obstacles (getting bigger and bigger) just reaching out to trip him up. His repeated drops have his teammates moving in closer to catch it for him, since he can’t. But then, in one last stretching leap, our boy in red jumps past the obstacles and beats his teammates to the ball for a wonderful game-winning catch. This is a very fun story, but I could see some kids needing a little help to understand what’s going on. But hey, reading together is fantastic! TAKE IT OR LEAVE IT The Loathsome Dragon 1987 / 32 pages An evil queen/stepmother casts a spell which turns a princess into a loathsome dragon. Along comes a brave prince who has to kiss the dragon three times to break the spell. The only twist in this tale is that the brave prince is her brother, and not a husband-to-be, but that’s not enough to make this seem fresh. I should add that while I was unimpressed, my girls liked this a lot more than I did. June 29, 1999 1992 / 32 pages A young girl, Holly, sends vegetable seedlings into the ionosphere for her science project just to see what might happen. Soon after giant vegetables – house-sized and bigger! – start floating down from the sky. But wait! Some of these vegetables are not the sorts that she sent up. So where did those come from? At book’s end we discover the giant vegetables came from a giant alien chef accidentally losing his ingredients while flying above Earth. Very fun to see the giant vegetables all over the landscape but I think it would have been better without the aliens tacked on at the end. Flotsam 2006 / 40 pages When a boy discovers an old-style underwater camera washed up on the beach, he brings the film in to be developed. There he discovers pictures, seemingly taken by underwater creatures themselves, and the world that they live in when we aren’t looking is certainly something to behold: little mermaids and mermen, robotic fish, giant turtles carrying shell cities on their backs, and even what looks like aliens taking rides on the guppies. Done without any text at all, each picture is another discovery. The very last snapshot is of a girl holding up a picture. And in that picture is a boy holding a picture of a girl holding a picture of a boy. A look through a magnifying picture shows this goes deeper still, and further back in time. The boy’s microscope reveals more still layers to the photo. This is inventive and fun, with the only cautions being that the young target audience may have to be informed that though the photos look quite realistic, the aliens and mermen are fantasy, not fact. DON'T BOTHER Mr. Wuffles Tiny tiny aliens have landed, but unfortunately for them, their ship attracts the attention of Mr. Wuffles, who thinks it’s one of his cat toys. To repair their ship the little aliens recruit help from ants and bugs – their treasure trove of lost marbles, pencils, loose change, and paperclips turn out to be just what the aliens need to fix things up. There's some vague religious-type imagery written by the bugs on the house walls that, along with the aliens, makes this one I'd rather just skip. Fish Girl Wiesner’s only graphic novel is the story of a mermaid girl kept captive in an aquarium by the owner who she believes is the god Neptune. It’s odd all the way around, and that she is swimming around topless for most of its 192 pages (though always with strategically placed hair, or fishes) makes this another good one to skip.  Robobaby Robots get their babies in a box, with some assembly required. This story has its quirky charm, but when Mom and Dad, Uncle Manny, and even the Robobaby tech service can’t assemble Junior properly, but the child amongst them knows just what to do, this become just one more adults-are-dumb-and-kids-know-everything story that we can really do without (Prov. 20:29, 22:15). CAUTIONS David Wiesner is an incredibly imaginative picture book author, which makes him very fun to read, but it's that same active imagination that seems to lead him into a bit of over-the-top weirdness now and again. I couldn't figure out what Wiesner's worldview/philosophy is, and it'd be a bit much to conclude he must not be Christian just because he features aliens on occasion, though aliens (at least the intelligent sort) would seem to be incompatible with Christianity (but demons masquerading as aliens would not be). However, there's nothing in his books that would give us reason to conclude he must be Christian. In lieu of evidence one way or the other, that's good reason for parents to approach his future output with some caution. CONCLUSION If you have a creative kid, Wiesner's best could be just the spark they need to think bigger and bolder. And if you have a not-particularly-creative kid, Wiesner might be an inspiration for them too, showing them how there are all sorts of possibilities to explore and fresh ways of looking at things. Finally, if you have a reluctant reader, Wiesner's wordless books – Freefall, Tuesday, Sector 7, and I Got it! – might be an encouragement for them to page through, especially if mom or dad comes alongside....

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Book Reviews, Children’s picture books

Once upon a banana

by Jennifer Armstrong illustrated by David Small 48 pages / 2013 I'd almost forgotten just how wonderful wordless books can be. But then I found this at the library, brought it home, read it once to my three girls, and then, moments later, my youngest, all of three, was off on her own "reading" the book to herself. The fact is, long before kids can read, many really, really want to. Parents might find them, picture book on their lap, either trying to remember how the story goes, or trying to make up something that will fit the pictures. And all the while, just wishing they could read it for themselves. Wordless books are a way to build on this enthusiasm. I did need to go through Once Upon A Banana the first time with them, pointing out things like how banana peels are supposed to be slippery, and how the book was giving us hints as to what was coming, by showing us some characters in full color, and the less important characters only in shades of blue. But they didn't need much to figure it out. The story is one big chase scene, with monkey owner chasing monkey, and then grocer chasing monkey owner, and then some dogs join the chase, and a skateboarding judge, and a mom and her baby in its stroller. Oh, and there's a big garbage truck in the mix too. It's crazy and frantic with lots to look at on every page. After I gave a short "lesson" on how to read this wordless book, my two pre-readers could do it all on their own. That means that, while wordless books aren't going to replace me any time soon, they do reduce the demand just a tad on Dad the book reader. And that freed me up to read something a bit more challenging, and at least a little bit closer to my own level, to my older girls. The only downside to wordless books is that they take hardly any time to read. That means this isn't the best value for a parent - it'd be better to get it out of the library. But this is a good one for a school library. You can get it at Amazon.ca here and Amazon.com here. And for more wordless wonders, see the reviews below on ReallyGoodReads.com: The Hero of Little Street and The Boy and the Airplane South Ice Journey ...

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Book Reviews, Graphic novels

Owly: The Way Home & The Bittersweet Summer

by Andy Runton 2004 / 160 pages This is two stories in one, and at about 80 pages each, they have room for some real fun. In the first, we get introduced to Owly, who, as you may have guessed, is an owl. The forest creatures are afraid of him because, well, he’s an owl, and they know that typically owls eat creatures like them. But not Owly. He’s a kinder gentler owl, and all he wants to do is feed his fellow birds seeds. Sadly, no one trusts him, and Owly is all alone… until the night of the big storm! Then Owly finds a worm, half-drowned, and nurses it back to health. Worm, realizing he hadn’t been eaten, trusts and befriends Owly, which is the start of something beautiful. It’s never really explained what Owly does eat, but we can be certain that it isn’t cute little worms! In the second story, Owly and Worm meet a couple of hummingbirds and have a great time until the little speedsters have to head south for the winter. But don’t worry, they’ll be back come Spring! It’d be more accurate to call these “talkless” rather than “wordless” because, even as the dialogue between Owly and his worm friend is limited to symbols and punctuation marks – a question mark when one of them is puzzled and an exclamation mark when they are excited – there’s the occasional shop sign or even a whole encyclopedia page entry on hummingbirds that does require the reader to be able to actually read. If you’re considering getting this for your school library, you’ll be interested to know there are two editions of this story, the first in black and white with this symbol-based dialogue, and the second, now titled simply Owly: The Way Home (2020) that is in full-color and adds in a minimal bit of verbiage between the characters. While I really like the original near-wordless version, it was sometimes a bit hard to decipher what Owly and his pal were saying to each other, so the second editions are probably the best way to go. Everything in this series seems to be gentle and kind including Just a Little Blue (1st edition 2005 /2nd edition 2020, 130 pages), Flying Lessons (2005/2021, 144 pages), A Time To Be Brave (2007/2022, 132 pages), and Tiny Tales (2008, 172 pages)....

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Book Reviews, Children’s picture books

Noah: A wordless picture book

by Mark Ludy 60 pages / 2014 Mark Ludy's wordless account of Noah's life will fascinate young and old. There's so much to see on every page, and the wordless nature of it invites parent and child to discuss all that's going on. The danger with such an account is that for some it might come to replace the original biblical version. As children pore over this picture book's pages repeatedly, they could easily forget that even as it is reasonable to believe Noah might have made use of the strength of a dinosaur or two, the Bible doesn't actually say he did. But what such a book can also do is help us re-evaluate some other non-biblical assumptions we might have inadvertently adopted. Noah's wife is shown here as a lighter-colored black, while Noah himself is looking more Grecian, Roman, or perhaps Sicilian. What both most certainly are not – and what they most probably were not – is a British or Scandanavian sort of white. That might bring questions for many a child and adult who, having grown up with picture Bibles that have a white Adam and Eve, and a white Jesus too, have presumed Noah was white as well. But it is more likely that Adam, Eve, and maybe many of the generations that followed had some sort of middle brown skin, as that genetic coding can contain within it the possibility of both darker and lighter skin in the generations that follow. Another corrective: while evolutionary theory portrays Man as being much simpler back in history, the Bible details some big advances being made from one generation to the next (Genesis 4:20-22). They weren't primitive so it is helpful to see Noah shown as living in a fairly advanced level of industry and technology. They aren't in a rocket age, but they also aren't living in caves either. Finally, we also get a good idea of the sheer magnitude of the Ark, correcting the silly bathtub toy picture some might have stuck in their heads. We shouldn't let this book overshadow the biblical account, but when we put Ludy's Noah in its proper place – like that of a commentary that helps us reflect on what Genesis 6-9 is actually saying – then it can be a wonderful aid. I'll offer a couple of critiques: while there's a dinosaur and some mammoths to be seen working on the ark's construction, neither can be found in it. Also, while animals two by two can be seen making their way to the ark, there don't seem to be any groups of 7 (Genesis 7:2). Of course, we don't see every animal arrive, so maybe we just missed those, (and maybe they'll be found in any expanded future edition of the book!). So who is this for? We probably all think of picture books as being for children, but I really think everyone will love it, from ages 3 on up to 103! You can take an extended peek below. https://cdn.plough.com/-/media/files/plough/lookinside/n/noahenlookinside.pdf...