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Book Reviews, Teen fiction

If we survive

by Andrew Klavan 352 pages / 2013 "We came to Costa Verdes to build a wall. I just wish I could tell you that all of us made it out alive." Will Peterson is a 16-year-old visiting a small Central American village with his church's mission team, there to help rebuild the local cinder-block school. They've finished the work and are waiting in the cantina for the bus to take them back home when the room is suddenly filled with rebel soldiers and the pot-bellied, smiling waiter, who had been joking with them only moments before, is now on the floor, shot dead by the rebel leader. What happens next is a not-so unusual chase-type adventure. The rebels have taken over the government and are executing anyone for any reason, and they don't want to let any American witnesses get out of the country alive. So now these church kids, along with an unexpected helper, are on the run, barely staying ahead of these murderous bandits. What makes this something special is the characters in it. The most intriguing might be Jim Nolan, a 16-year-old intellectual who has read the biography and op-ed articles of the country's rebel leader...and who believes everything he's read. Even when the rebels start killing people, Jim is sure they're fighting for justice. Even when the guns are turned their direction, he's just as sure that it's all a horrible mistake, and if he can only talk to someone, things can be straightened out. Jim steadfastly holds onto his rebel sympathies despite all the bloodshed around him. Author Andrew Klavan makes clear why Jim remains so loyal: because a lot of what he's being reading, about how the government was oppressing the country's poorest, is entirely true. Klavan isn't taking a cheap shot at the naivety of liberals here – this is a more nuanced look that admits the problems the Left points out might well be problems, even as the solutions they suggest are no solutions at all. Or, in the context of this story, just because the government is bad doesn't make the rebels good. That’s an important lesson for Klaven’s target age group to learn, as teens (and many an adult too) will often stake their ground, not on God’s Truth, but simply as a knee-jerk reaction against lies they’ve been able to see through. Christians need to understand that the opposite of a lie is not necessarily the truth – as was once said, there are two ways to fall off a horse, and to react against one lie might well be to overcompensate and fall for the equally wrong but opposite error. Will is also a well-developed character. He came on the trip as a way of escaping his home life: mom and dad are always arguing and, he thinks, on the path to divorce. But now, unbelievably, things have gotten a whole lot worse, and as Will and the others bounce from one crisis to another, he has to battle a very understandable sense of panic. He does so by remembering two things: a Hemingway quote that cowardice is "a lack of ability to suspend the functioning of the imagination." advice from his youth pastor, who once told the group, "Don't worry about anything – pray about everything." CAUTIONS While praying is always good advice, the way Will's prayers are depicted in the story makes it seems like it is more the act of praying, and not the God he is speaking to, that really helps Will. Another caution worth noting is that while the church mission group is Protestant (and seemingly some sort of conservative Evangelical) there are positive, if brief, portrayals of other religions. This includes Roman Catholicism, in which a priest has a key role in saving them, and the villagers' ancient spirituality, when the missions group is invited to sit in on a pagan festival of lights. However, Will keeps to the facts, describing what they see, but not digging into what it all means. A discerning reader would have reason to presume Klavan believes Roman Catholicism isn't importantly different from Protestantism, but that isn't a message the author is trying to hammer home here. CONCLUSION This is a gripping read that any teenage boy would really enjoy, and dad won't mind either. And if dad does join in, this could be a leap off point for some really good conversations about: the American role as policeman of the world one-sided news coverage, both from the Left and Right, and how that compares to what God tells us about the importance of hearing both sides in Prov. 18:17 courage and what it really involves what prayer to God is actually why we find nice people following other gods, or worshipping God in wrong ways So, overall, I'd recommend this for teen guys with a little discernment, and a willingness to talk things through with their parents....

Adult fiction, Book Reviews, Teen fiction

Devilish correspondence: Lord Foulgrin’s and Screwtape’s letters

THE SCREWTAPE LETTERS200 pages / 1942by C. S. Lewis &LORD FOULGRIN'S LETTERS208 pages / 2001by Randy Alcorn Some 75 years ago, as C. S. Lewis reports it, he intercepted correspondence between two devils, the one a senior demon and the other his student being taught how best to tempt and attack Man. While Lewis refused to share how he’d come by these letters, the published correspondence was eye-opening, giving insight into how the Devil can twist not only our weaknesses, but even our strengths, to his devilish ends. So, for example, we get to listen in as the experienced tempter Screwtape teaches his charge, Wormwood to sidetrack prayer, either by making it perfunctory – perhaps done regularly, but with little to no thought – or by making it feelings, rather than God, focused. Either diversion will do. While Lewis wrote (or discovered) The Screwtape Letters during World War II, it remains as insightful and as helpful as ever. But it was also a book worthy of imitation, and nearly 60 years later Randy Alcorn did just that, with his Lord Foulgrin’s Letters. However, while Lewis stuck strictly to devilish correspondence, Alcorn alternates between letters and story chapters – it is half mail, and half narrative. The narrative sections make Alcorn’s book a little more accessible for a teen audience, while, on the other hand, Lewis’ is the more insightful, which also makes it the most satisfying of the two for adults. But both are excellent. One caution: both books have an Arminian flavor, and, as my brother Jeff points out, “whether this Arminian tendency is simply the devil’s mistaken understanding is not clear, but Lewis at least seemed to be Arminian in his other writing.” That means, while both books can serve as a warning of the devil’s many means of attack, there’s at least a few that Lewis and Alcorn overlook. I understand that some might find the devilish focus of both books disturbing. It might seem wrong since Christians don’t normally want their children reading books about demons. What makes Alcorn’s and Lewis’ books different from the devilish taint that exists in so much of today’s entertainment (Hellboy, Sabrina the Teenage Witch, DC Legends of Tomorrow, etc.) is that Lewis and Alcorn expose, but don’t celebrate, the darkness. They are equipping readers to be aware of the Devil, not asking them to join him. That’s quite the difference indeed. Below is a 8 minute adaptation/preview of Lewis's "The Screwtape letters." ...

Book Reviews, Graphic novels, Teen fiction

The Giver (the graphic novel adaptation)

by Lois Lowry adapted and illustrated by P. Craig Russell 2019 / 176 pages It's a hundred or so years in the future. War has been eliminated by muting mankind's emotions and by eliminating the conflict that comes when we have to make choices. Not only are everyone's jobs chosen for them, so is their spouse, and even the kids they will raise. 12-year-old Jonas has been given a unique role, being trained by The Giver to know and understand the past, so he can use that knowledge to advise the community in times of crisis. But as he becomes the best-informed citizen in his community he discovers things that horrify him – choices are also being made for the citizens as to who will live and who will die. My brother Jeff has done a great review of the book this is based on, so I'm going to focus on what makes this graphic novel different from the book. GRAPHIC NOVEL VERSION Most graphic novel adaptations are much shorter than the source material they are based on, in part because all the descriptive passages in the book can become pictures instead, and also because the plot is usually simplified. But this one is every bit as long as the original, with every scene in the book included. Jonas's discovery of color is a big theme in the novel. In the muted world in which they all live, citizens have lost the ability to see color, but as Jonas learns more about the past, he gains insight into the present and starts gaining the ability to see reds, and greens, and yellows. So first, adapter P. Craig Russell shares Jonas' muted world by depicting everything not simply in black and white – that would be a bit boring – but also with subtle splashes of blue. And as Jonas learns how to see more, we begin to see increasing flashes of vibrant color, to show his growing awareness of just how exciting and intriguing a place of discovery the world can be. It's fun to see in pictures this transition from dull to brilliant. In these sections, the comic might even be better than the book. But pictures also present challenges. It can be hard to visually depict what's going on in someone's head. To make up for that Russell carries over a lot of the text from the book. But he can't use all of it, which is why in the original the characters are all a little deeper, a little more realized. CAUTIONS And sometimes showing is more problematic than telling. In one scene in the book Jonas helps bathe the elderly. In the comic Russell has to use just the right angles to ensure all we see are the knees down or the shoulders and up. Nudity of a sort comes up in one other scene, which is the book's most troubling, even without the visual element. Jonas discovers that unwanted babies are killed via lethal injection, and even in muted pictures it's quite horrible. Russell is restrained, but the idea of murdering infants is so unpleasant that any pictures, even muted ones, just add to the horror. That said, the scene is not at all graphic. I'll also note that the baby is shown fully naked, with scant detail, but enough to tell that it is a boy. CONCLUSION This is every bit as good as the novel, though both have their different strengths. I'd recommend this to teachers as a slightly easier way for reluctant readers to access this book. But like the novel, and the film too, this comic needs to be discussed. Its teen audience needs to wrestle with the warnings given in this story – the danger of governmental control, the false compassion of euthanasia, the potential and peril of emotions – but they'll most likely need help. So this is a great conversation starter, but a guide will be needed. ...

Articles, Book Reviews

3 provocative, powerful, PG-rated, dystopian novels

The best dystopian books warn us of an undesirable future that seems far too likely for our peace of mind. The most famous examples are 1984 and Brave New World and while these are very important books, both have sexual content that make them problematic to discuss in a high school setting. But there are fantastic alternatives that are every bit as challenging and thought-provoking and yet don't bring in the sexual content. The most "explicit" of the three below is Time Will Run Back in which sex is mentioned but only in the context of the government mandate that no one can pair up for longer than a month, lest they form familial bonds that compete with the bonds they should have to the State. Nothing titillating here. What we're left with are provocative PG-rated stories and that'll allow parents and teens to enjoy and discuss them together. ***** WINTERFLIGHT by Joseph Bayly 1981 / 216 pages In this dystopian novel, Joseph Bayly takes us to a not-so-distant future in which abortion for disabled children is mandatory, euthanasia is compulsory soon after 75, and Christians are so confused about Romans 13 they think God wants them to submit to even these demands. When Jonathan and Grace Stanton's six-year-old son Stephen falls off his bike, they don't know what to do. The fall was minor, but their son has hemophilia and he needs treatment. But the law says he shouldn't exist: had his condition been diagnosed prenatally the State would have required that he be aborted. Stephen survived only because he mother never visited a doctor during her pregnancy, and when the time came a friend helped her have a home birth. Now the Stanton's wonder what the State might do, even six years later, if they bring their son in to see a doctor. Do they dare find out? Winterflight was written almost 40 years ago, but it got my heart racing – it all seemed far too probable for my liking. Abortion is already being used to "cure" genetic disabilities like Down Syndrome and while it isn't mandatory, pressure from doctors and culture are such that in some countries 98% of Down Syndrome children are killed before birth. When it comes to killing the elderly, we don't demand their deaths at 75, but we are already exploring the cost savings that can be had from their early departure. In countries where euthanasia has been legal longer, there are regular reports of involuntary killings. In Canada, attempts are already being made to make involvement on some level mandatory for all doctors. But what hits closest to home is Bayly's portrayal of the confused Christian response to these government abuses. When Grace's elderly father is told he must report soon to be euthanized, their misunderstanding of Scripture has them thinking that they need to obey the governing authorities even in this, since those authorities are appointed by God (Romans 13:1). But at the same time, in saving their son, the Stantons show that on some level they do understand we must sometimes defy the State. Is their confusion realistic? We'd never march ourselves off to the local euthanasia clinic just because the government demanded it. But why would we resist? Do we understand on what biblical basis we could reject such demands from the "governing authorities"? During World War II there was confusion on this point among some good Reformed Dutchmen. Among those who joined the Resistance, some felt guilty about it because they were worried that in acting against the Nazis they were resisting God's chosen rulers. The confusion persists today. Even as we know the government shouldn't mandate euthanasia – even as we recognize that there are limits to their power – many Christians will still turn to the government asking it to solve our problems. We understand the government has limits, and yet we'll also ask them to do more and more. We are confused. And that's what makes this book such a fantastic read - the discussion it'll prompt is one we need to have. Cautions There are just a couple cautions to note. First, there is a small bit of language – I think "damn" might be used two or three times. Second, without giving away the ending, when the book was first published some Christians misunderstood the ending as being prescriptive – they thought the actions of the book's confused Christians were what we should do. So it's important to understand that's not so. These are confused Christians, under enormous pressure, acting in a confused way and the author is not endorsing their actions. In fact, the book is primarily about warning us not to do as they do. Conclusion This is a fantastic dystopian novel, as prophetic as they come, and certainly unlike any other Christian fiction you've read. The topic matter is weighty, but because there's nothing graphic this could be appropriate for as young as early teens. However the younger a reader might be, the more they'll need a guide to steer their interaction with the story, and particularly the not-at-all happy ending. It would also make great book club material, with fodder for some fantastic discussions. ***** TIME WILL RUN BACK by Henry Hazlitt 368 pages / 1951 As novels go, this is intriguing. As economics textbooks go it is downright amazing. Like 1984... In Time Will Run Back author Henry Hazlitt envisions a future in which the communists won and have been in power for more than 100 years. As Henry Hazlitt himself acknowledges, his novel bears some similarities to 1984 (published two years earlier) since both take place in a dystopian future in which the government manages every aspect of citizens' lives. But Hazlitt didn't read 1984 until after he had finished the first draft of his own book, so no plagiarism was involved. Instead, as Hazlitt puts it, authors like Orwell, Aldous Huxley (and his Brave New World) and himself were: plagiarizing from the actual nightmare created by Lenin, Hitler and Stalin....All the writers had done was to add a few logical extensions not yet generally foreseen. In Hazlitt's envisioned future the government has not only taken over the capitalist West, but they've wiped away any memory of capitalism, even editing Karl Marx's books so that no one could deduce from them what sort of economic system it was that Marx was writing against. Into this setting Hazlitt places the ultimate outsider. The world dictator's son, Peter Uldanov, has grown up far away from his father, isolated on a Bahama island. When his mother and father split, he agreed to let her take Peter, so long as she agreed not to teach Peter anything about history, politics or economics. So when the world dictator calls his now adult son to Moscow and informs Peter that he is to succeed his father as dictator, father first has to bring son up to speed in these three key areas. Peter's education takes up the first third of the book, though there is some palace-intrigue as well: the second-ranking member of the ruling Politburo is eager to see Peter dead, but doesn't want to be caught doing the deed. ...and Screwtape Letters This first third bears more than a passing resemblance to C.S. Lewis' The Screwtape Letters, with Peter's teacher filling the role of the elder Screwtape explaining to his younger devilish charge why they do things the way they do them. For example, at one point Politburo member Adams and Orlov, the editor of the world's state-approved and only remaining newspaper, explain to Peter how what is carried in the paper has nothing to do with the truth, but instead has to do with what is useful for the masses to hear. It turns out "what is useful" can be hard to determine. "It is for the Politburo to decide, for example, whether we shall say that the production record is very bad, in order to exhort and sting everyone to greater output; or whether we shall say that it is very good, in order to show how well the regime is doing and to emphasize the blessing of living under it." "These decisions are sometimes very difficult," Adams put in. "We often find that a zigzag course is best. For example, if goods are shoddy and fall apart, or if too many size nine shoes are made and not enough size eight, or if people cannot get enough to eat, there may be grumbling and complaints – or silent dissatisfaction. We must make sure that this unrest does not turn against the regime itself." "Therefore," said Orlov, "we must lead the complaints. We must ourselves pick scapegoats to denounce and punish." In the middle third of the novel Peter takes on the role of the ultimate benevolent dictator. He wants to help his citizens, so he tries desperately to figure out ways to make socialism work. He has the help of his country's greatest minds, and near absolute power, so he is in the best sort of situation to make it work. But try as he might, they can't make it work. The biggest trouble Peter keeps running into is trying to figure out the value of what they are making. They have no money (since no one buys anything, but is instead given what they need) so they can't use price to calculate how valuable one product might be compared to another. And if they can't calculate value, then they also can't determine if the country is producing more overall this year vs. the last. Sheer tonnage is one proposed measure – that could use that to compare how much grain they grew from one year to the next. But even this falls short, because grain can come in different qualities. How then should they evaluate things if one year more grain is produced but of a lower quality, and in another year there is less but of a higher quality? Which was the better year? After ruling out tonnage as a helpful means of measuring output, one alternative after another is proposed only to have the shortcomings of each then exposed. The alert reader will see where this is leading: what this socialistic  economy lacks are markets in which the value of a product is assessed by consumers as a whole. In the final third of the book Peter gets more desperate and more radical in his efforts to make real improvements and give citizens real freedom, and he ends up discovering some economic principles that really help: open competition, property ownership, and the rigorous prosecution of cheats and swindlers. To help his citizens he is forced to invent capitalism! Conclusion Though the book is most obviously about communism, the warning Hazlitt offers here - that freedom and prosperity cannot co-exist with an economic system that prioritizes equality of distribution – is directly applicable to communism's democratic twin, socialism. This book sat on my shelf unread for many years because I didn't believe a world-renown economist could also be a credible novelist. I was wrong. There is a conversation here and there that gets bogged down by the economic lesson Hazlitt is trying to teach, but overall this is not just readable, but engaging and entertaining, able to stand up to comparisons with 1984 and Brave New World, which themselves are not read for their wonderful prose, but rather for their insightful investigations of human nature in the face of tyranny. So this is a readable, intriguing and important novel with a few slow bits. And as an economics textbook, there is none better – Hazlitt makes a strong and compelling case for the free market. The e-book can be had for free here. ***** THE GIVER by Lois Lowry 1993 / 208 pages The Giver is a book that is not specifically Christian, but has been studied in Christian schools and is stocked in our Christian school library. Why? Lois Lowry's novel is a brilliant dystopia - a vision of the future where things have gone horribly wrong. What makes it so brilliant is that in the brief space of a children's novel, Lowry shows, as dystopian novels always do, how the desire to make a utopia leads to disaster. The original Utopia (which literally means "no-place"), by Thomas More (an English Catholic writing around the time of the Reformation), is a vision of an ideal, perfectly regulated society, where people live their lives with leisure and work balanced, and the wealth is fairly shared among all. All these features are appealing, but given human nature, any attempt to build society through regulation will result in the stomping out of individuality and the oppressive power of whatever authority we trust to organize everything. Basically, there is a kind of idolatry of human systems and power. Of course, we know that idols always disappoint, and idols always demand horrible sacrifices. That's what's going on in The Giver. Lowry builds up a picture of an ideal, well-organized society where everyone has his or her specific role set by 12 years old. All the angst of adolescence in our society has been taken care of through this selection of each person's career by the community, as well as by the suppression of the disruptive disturbance of teenage hormones. The result is a village in which there is no significant crime; in which each person is given a specific role and, in return, has all his or her needs are met from cradle to grave by the community; and in which both the physical storms and emotional storms have been subdued by technology. This "sameness," as the narrator calls it, has been maintained for generations. Even the memory of the relative chaos of our own society has been wiped out, but the elders of the village have ensured that the past is not entirely lost, so that in the event of crisis, the elders can learn from it. This is where the main character, Jonas, comes in. At twelve years old, he is given the unique role of the Receiver of the community. What does he receive? The memories of the village before the "sameness" - from the Giver. Jonas's unique knowledge enables him to see what a terrible place our own world is - with war and other suffering - but also what emotional ties like family and romantic love were lost with the oncoming of the "sameness." His own crisis comes when he sees what sacrifices his seemingly utopian village demands to keep its stability. Why would Christians want to read this? The Giver shows us both the beauty and the cost of human emotion and desire, but also the foolishness of playing God in trying to wipe both out by human power. What we need is not liberation from our own humanness, but liberation from the sin which has corrupted our humanness - by the death of Christ - and the redirection of our emotions and desire - by the work of the Spirit. Lowry may not explicitly put us before God's throne, but she does a fine job of knocking down one of the idols that serve as a stumbling block blocking our view of His glory. ...

Adult fiction, Teen fiction

Katharina, Katharina: the story of Katharina Schutz Zell

by Christine Farenhorst 328 pages / 2017 In the past year, inspired by the 500th anniversary of Martin Luther nailing up his 95 theses (or did he?) I've read about a dozen works on Luther. This is a favorite. One reason I love it so, is because it offers something very different from the others – this about is Luther and his time, but he isn't the main character. He isn't even a minor character, never making an in-story appearance. The events take place miles away from Luther's Wittenberg, in the French city of Strasbourg, on the border with Germany. The story centers around a middle daughter of the middle-class Schutz family. Like their neighbors, the Schutz's read and discuss Luther's pamphlets. By taking a step back from the man himself, author Christine Farenhorst (as regular RP readers will know, she is a long-time contributor to the magazine) give her readers the opportunity to encounter Luther's ideas in much the same way as the people of his time did. They didn't debate his ideas at the start, so much as wonder what to think of them. Some of his points they could readily agree with – many saw a need for at least some sort of reformation of the Church. But his thoughts on indulgences... might he be right? We follow the title character from childhood up until her mid-twenties. Though Katharina Schutz is a real person, this is historical fiction – all the big events are true, but the day-to-day details of Katharina's life have been made up. This is why, even as a background character, Luther still dominates the story. Katharina's life is fascinating reading but because much of it is speculative, it serves as the foundation while what we learn about Luther here is his real, actual history. One of the strangest bits of true history in the book is the dancing plague of 1518 that hit Strasbourg. Victims couldn't help but dance. It would have been funny except that this stilted, clumsy dancing never stopped - as many as 400 dancers kept going for days and days, beyond exhaustion, and even to the point of heart attacks and strokes. Target audience This is a teen to young adult book, but like any good children's book, adults interested in their church history will find it fascinating. However, as a third of all children at that time died before they hit age 5, there are some parts to Katharina's story that would be bawl-inducing to anyone under, say, 10. The somewhat slow beginning – it took until chapter 4 to really grab me – also makes it better suited for readers with a little maturity to them. Conclusion There is a real benefit to learning about Luther in this one-step-removed fashion. I was fascinated by what I learned about the people and culture of that time. It gave me a deeper understanding of the pressures that Luther faced, and insights into how God prepared the ground for the Reformation Luther sparked. It is a fascinating story that I look forward to reading with my daughters. This review first appeared on ReallyGoodReads.com. ...

Articles, Teen fiction

5 fun preteen/teen fiction titles

Today's library is very different from the one we all grew up with, and nowhere is that difference more noticeable than in the teen section. Even in my small, 99 percent Christian, town the teen section is filled with books that would have made my grandma blush - fiction and non-fiction in which teen sex, homosexuality, transgenderism, or atheism play a prominent part. And I've lost count of all the novels featuring vampires, werewolves and witches. Some of this is dangerous, and some of it just dumb. But in either case, there are better novels out there. Here are five suggestions that are not just safe, but super – these are really good reads! The Captive Maiden by Melanie Dickerson 2013 / 304 pages This is Cinderella reimagined, with all the famous bits altered but included: it has the carriage (but it was never a pumpkin), the slipper (but not made of glass), the ball (but now it's more of a jousting tournament), and the fairy godmother role (though she is not a fairy or a godmother). Author Melanie Dickerson gives new life to the story by taking the magic out of it, bringing in an additional villain, and making the key characters sincere Christians. My only reservation would be one I have for all romance literature: they celebrate just the one stage of love – the beginning – to the exclusion of all that comes afterwards. But “afterwards” is very important, so if a teen girl ingests too many books about ball-attending, sword-fighting, head-turning Prince Charmings, they may well overlook that fellow right in front of them – the Bible-believing, hardworking, diaper-changing ordinary Joe. So while the occasional romance novel isn't a problem, these aren’t the sort of books that should be ingested one after another. Dickerson does a good job of keeping us wondering what new twists and turns she is going to add to this familiar tale. It is definitely aimed at teen girls with a little too much angst for anyone over 18. But adults could enjoy this as a nice light read too. The Rise and Fall of Mount Majestic by Jennifer Trafton 340 pages / 2011 Mount Majestic is a fun romp, with all sorts of inventive ingredients: • Piles of poison-tongued jumping turtles • A castle built on top of a mountain that rises and falls once each day • A tyrant twelve-year-old pepper-hoarding king • A terrible, life-changing, island-threatening 1,000-year-old secret Books with good girl heroes are hard to find. Most often the heroine is decidedly boyish (or at the very least tomboy-ish): armor-wearing, sword-swinging, that sort of thing. But Persimmony Smudge is a different sort. She dreams of battles, yes, but when it comes down to it, it’s her brain and her bravery, and not her battle skills, that save the day. While I suspect the author is Christian there is no mention made of God. The only “supernatural” elements are a prophetic Lyre-That-Never-Lies, and clay pots that give the recipient what they need (and not what they might want). When the question is asked about who it is that puts the gifts in the pots, and puts “words of truth into the strings of a Lyre” the only answer we get is, “I have no idea.” So Mount Majestic is simply a fun read, without any spiritual depth – that dimension is left unexplored. Highly recommended, for girls in grade 3 through early teens. When Lighting Struck! The Story of Martin Luther by Danika Cooley 231 pages / 2015 This year marks the 500th anniversary of Martin Luther nailing his 95 theses on the church door in Wittenberg and I can't think of a more enjoyable way to learn about the man than grabbing a copy of When Lighting Struck! The target audience is teens, but like any fantastic book, adults are sure to enjoy it too. This is fiction which means parts of this are made up, including lots of the day-to-day dialogue, but the key events are all true. It didn't take much to make Luther's life exciting: as doubt-filled as he was early on, the Reformer was even more bombastic after he understood that forgiveness is a gift given, not earned. This is a man who: • was condemned by the pope as a heretic • had 200 knights pledge to protect him • didn't want to marry lest he quickly leave his wife a widow • was kidnapped • masqueraded as a knight • helped formulate the German language • cared for Plague victims • ended up marrying a nun And it would be easy to go on and on. Put the story of such a man into the hands of a talented writer and what you're left with is a book anyone will just tear through. War in the Wasteland by Douglas Bond 273 pages / 2016 "Second Lieutenant C.S. Lewis in the trenches of WWI" – if that doesn't grab you, I don't know what will. War in the Wasteland is a novel about teenage Lewis's time on the front lines of the First World War. At this point in his life, at just 19, Lewis is an atheist, and his hellish surroundings seem to confirm for him that there is no God. When men are hunkered down in their trenches waiting through another enemy artillery barrage, there is a motivation to talk about life's most important matters. Lewis’s fellow junior officer is a good debater, and won't let Lewis's atheistic thinking go unchallenged. Their dialogue is imagined – this is a fictionalized account – but the author pulls the points and counterpoints of their back and forth argument straight out of the books Lewis wrote after he turned from atheism and became one of the best known Christian apologists on the planet. War in the Wasteland comes to a solid and satisfying conclusion, which is a neat trick, considering that Lewis's story of conversion is, at this point, very much incomplete. This would be great for older teens and adults who have an interest in history, World War I, apologetics, or C.S. Lewis. Bond has crafted something remarkable here. The Green Ember by S.D. Smith 365 pages / 2015 “Rabbits with swords” – it’s an irresistible combination, and all I had to say to get my two oldest daughters to beg me to start reading. As you might expect of a sword epic, this has a feudal feel, with rabbit lords and ladies, and noble rabbit knights and, of course, villainous wolves. This is children’s fiction, intended for preteens and early teens, so naturally the heroes are children too. The story begins with siblings Pickett and Heather being torn from the only home they’ve known, pursued by wolves, and separated from their parents and baby brother. It’s this last detail that might warrant some caution as to how appropriate this would be for the very young. It isn’t clear if mom, dad and baby Jack are dead…but it seems like that might well be, and that could be a bit much for the very young (I’m planning on skipping over that bit when I get to it with my preschool daughters). They escape to a community that is hidden away from the ravaging wolves, and made up of exiled rabbits that once lived in the Great Wood. Their former and peaceful realm fell to the wolves after it was betrayed from within, so now these rabbits in exile look forward to a time when the Great Wood will be restored. Or as one of the wisest of these rabbits puts it, …we anticipate the Mended Wood, the Great Wood healed…. We sing about it. We paint it. We make crutches and soups and have gardens and weddings and babies. This is a place out of time. A window into the past and the future world. Though God is never mentioned, and the rabbits have no religious observance of any kind, author S.D. Smith’s Christian worldview comes through in passages like this, that parallel the way we can recall a perfect past, and look forward to a perfected future. It’s this depth that makes this more than just a rollicking tale of rabbits in peril. There are three full-size sequels – Ember Falls, Ember Rising, and Ember’s End – as well as five small books that occur in the same rabbit world, but follow different characters. For those of us with voracious readers, it is quite the blessing to find a fantastic and enormous – more than 2,000 pages in all! – series like Green Ember. So, my overall take is two very enthusiastic thumbs up for anyone ten and up....

Book Reviews, Popular but problematic

The Hunger Games: doesn’t tackle the issue it raises

A book about kids killing other kids, that is written for the teen market? If that doesn’t grab your attention, then you must not be a parent. The Hunger Games is the first book in a trilogy by Suzanne Collins that has, since 2008, sold more than 5 million copies. On March 23 a movie adaptation of the first book hit theatres and made a quarter of a billion dollars in just 10 days. This is the latest big thing in teen fiction. And like Twilight before it, a pivotal element of the plot is causing concern for Christian, and even non-Christian parents – this is a story about kids killing other kids. Deadly plot does not a bad book make Sixteen-year-old Katniss Everdeen lives in a post-apocalyptic world where what’s left of the United States has been divided up into 12 Districts, all subservient to “the Capital.” We learn that there was once a 13th district, but it rebelled, and in the resulting war the Capital destroyed it. Every year since then, as show of their submission, each of the Districts has had to provide the Capital with two Tributes, a boy and a girl, to fight to the death in a made-for-TV spectacle reminiscent of the Roman gladiatorial games. Katniss becomes the District 12 female Tribute after she volunteers to take her 12-year-old sister’s place. Now the setting is grim, but a grim setting does not necessarily a bad book make. After all, “kids killing kids” would serve as a good summary of Lord of the Flies. In William Golding’s classic, he makes use of grim plot elements to talk about Man’s depravity, and how even “innocent” children are fully capable of murder (or as the catechism puts it: “we are all conceived and born in sin”). A great writer can use a dark setting to present an important Truth. Rooting for the anti-hero However, Colllins is no William Golding. Her premise is intriguing - the hero of our story is placed between a rock and hard place. Since there is only one final winner in these “Hunger Games” Katniss would seem to have a terrible decision to make: to kill or be killed? But Katniss never makes that decision. Collins has created a moral dilemma that, on the one hand, drives the action, but on the other, is hidden far enough in the background that it never needs to be resolved. Neither Katniss nor any of the other Tributes ever consider the morality of what they are being told to do. And Collins so arranges the action that Katniss is not put in a situation where she would have to murder someone to win the game - she does kill several in self-defense, but the rest of the Tributes kill each other, and Katniss’s only immoral kill (which the author clearly doesn’t think is immoral) is a “mercy kill” near the end. This is quite the trick, and it is the means by which Collins maintains tension throughout the book: we’re left wondering right to the end, will she or won’t she? But consider just what we’re wondering: will the “hero” of our story murder children to save her own life, or won’t she? When the plot is summarized that way, it’s readily apparent why Collins never presents the moral dilemma clearly; if it is set out in the open, it isn’t a dilemma at all. It’s wrong to murder. It’s wrong to murder even if we are ordered to. And it’s wrong to murder even to save our own life. That’s a truth Christians know from Scripture, but one even most of the world can intuit. Conclusion Golding used his grim setting to teach an important Truth. Collins uses her grim setting to the opposite effect, confusing right and wrong for her young auidence by not directly confronting the sinfulness of obeying obscene orders: “You have been chosen to go kill other children for the enjoyment of a viewing audience.” Yes, there was a time when even the world understood it was no defense to say "we were just following orders" but that's far from common sense today (our culture has forgotten that all will have to answer to God for what they've done). Collins obscures the Truth when her unquestioning Tributes, Katniss included, are portrayed as just doing what they have to do. Many among her teenage readership won't have the wisdom yet to recognize that there is another choice: that the players could decide it is better to suffer evil than to perpetuate it. So this is not a book that will help our young people think God’s thoughts after Him. If your teens have already read or watched the "The Hunger Games" they may be eager to defend it, and explain why this review is quite unfair. If so, that's quite the opportunity. Parents, let them tell you all about it, but require from them that they defend it using God’s standards....

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