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Equipping Christians to think, speak, and act

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Some thoughts on Christian music in worship

So there is some great music out there, and as Reformed Christians, we can rejoice in that fact. But if the issue of music in general can be a contentious one, the issue of the music we use in our worship services can be a cause for even more controversy. If we can acknowledge that there is Christian music from outside of our own tradition that brings glory to God, does this mean that we can or should use this music in our worship services?

I’m a missionary in the Canadian Reformed Churches. In Prince George, B.C., where I am working to spread the gospel and plant a church, we meet every Sunday morning for worship. And our worship service is pretty much the same as the worship service you would experience in every other Canadian Reformed Church. We sing from our denomination’s Book of Praise, and the songs we sing are primarily the Psalms. We’ve chosen to do this very deliberately, not because it is simply something that’s required of us. And we’ve made this decision for several reasons.

Why Psalms?

First of all, our focus on Psalm-singing is in line with the principles of the Protestant Reformation. During the time of the Reformation, the Reformers placed a heavy emphasis on the participation of the congregation in the worship service. No longer was participation to be limited to the priest, who alone could drink the wine of communion, and to the choir, which sang while the congregation listened. Now the entire congregation was invited to participate, both in the Lord’s Supper, and in the singing.

It was a revolutionary step – no longer was the congregation an audience, or a group of spectators. Now they were integral to the worship service itself, and that participation was not only beneficial for the worshippers, it also glorified the God who was being worshipped.

Participants no spectators

So that’s the first important principle; the congregation should be more than mere spectators – they should be active participants. That means that “worship teams,” or “praise bands” do not have a place in our worship services. There are times and places for musical performances, for audiences to sit back and enjoy music performed by skilled artists. But our gathering for corporate worship is neither the appropriate time or place for such a performance. Our worship is corporate– we worship as a body, and we should all participate, not simply observe.

Because of this principle, the Reformers developed songbooks to be used in worship. John Calvin promoted the development of a Psalter to be used in worship, and he encouraged skilled men to write music and set the words of the Psalms to that music, for congregational singing. That music had to be singable – it had to be suitable for singing in unison, and it couldn’t be so complex that it would take a trained choir to sing it.

And so, what we now have as the Genevan Psalter was developed. This was truly a “people’s Psalter.” No longer was music reserved for the professionals; now musically unschooled laymen could sing together, and the Reformed Christians did just that, in the worship services, at home, and in public gatherings.

A rooted tradition

So our use of the Genevan melodies is not something that we do merely out of custom; there are some very important principles at play here. Our use of the Genevan melodies is a part of our tradition, but that tradition is not meaningless. We sing these melodies in unity with the catholic (universal) church – the church of all times, as well as of all places. By maintaining this tradition, we are expressing in our practice the reality that true catholicity isn’t just geographical, but that it’s also historical. And we avoid what some have called “the tyranny of the present.” By upholding what has become an ancient tradition, we avoid the pitfalls that can afflict the Church when she attempts to be culturally relevant (and all to often fails).

We maintain that tradition in the face of changing tastes and trends; instead of being shaped by the trends of the world, we need to continue to work to shape those trends ourselves. Instead of giving in to the pressures of our culture, including the pressures that influence our understanding and enjoyment of music, we should continue to train ourselves, to develop excellence in the musical tradition that the Reformed church has been blessed with for centuries. We may find some of the tunes hard to sing, but this is most often because of their unfamiliarity, not because of any difficulty inherent to the tunes (which were accessible centuries ago to people who were all but illiterate). If we find the tunes challenging, we should practice them. We should train our ear to understand them, and in doing so, we will find that we grow to love them! This is true with all music that lies outside of the realm of “popular music” – in order to grow to love classical music, or great jazz, your taste has to develop, and mature. That takes time, patience, and learning.

But the rewards are great; in refusing to limit ourselves to the simplistic world of pop music (which does have its place), we allow ourselves to grow. Maturity is what Christians seek – a life of growth and development. This should be as true for our musical tastes as it is in every other area of life. After all, as a boy I may have loved to read the Hardy Boys; but when I grew in understanding, I left them behind, and moved on to better things. The process of development in reading and comprehension is challenging, but it’s necessary. The same holds true for music.

What about the words?

So that’s the musical aspect of the songs we sing on Sundays. But what about the lyrics? This is where our Psalm-singing becomes so very important, especially when we compare the lyrics of the Psalms to those of popular Christian music.

The words of the Psalms are deep; they’re profound; they’re God-centred; they express every aspect of the Christian life and experience. They aren’t just meant to make us feel good – they’re meant to challenge us, to encourage us, to admonish us. They express joy, happiness, confession of sins, expressions of anguish, and even despair. The lyrics of the Psalms are words that are sung in unity with believers everywhere, in unity with God’s people throughout history, and in unity with our Lord Jesus Christ.

They relate to us in our own experiences, but they do much more; they keep us actively aware of our unity with the universal Church, our unity with our spiritual ancestors. We sing about the Exodus, about the crossing of the Red Sea, about the wandering in the wilderness, about the rebellion of the Israelites, about God’s forgiveness of that rebellion. We sing about God’s amazing work in creation, but also about His amazing work of redemption and salvation. And when we sing the Psalms, we sing the very words that our Lord Himself had on His lips during His life on earth – think of Psalm 22, for example.

They may not have catchy choruses. It may take work to memorize them. They may force us to sing about places like Teman and Mt. Paran, and the Baca Valley, places that are very distant from us, historically and geographically. But they force us to realize that our generation is not the only generation that ever existed. They encourage us to see our true place, in the covenant community, as yet another generation that God has guided in the true faith.

Once again, a true appreciation of the message of the Psalms takes training and education; but anything worth doing is going to take effort. And that effort will pay off in the end; singing the Psalms will lead us to develop an increased appreciation for our God, for His Word and works, for His justice and righteousness, for His wrath and anger against sin, as well as for His mercy and grace, which He has poured out upon His people.

A lifetime’s worth of praise

Music is important, and our God, in His love for us, has given us music as a great blessing. The songs we sing, and the way that we sing them, and the songs that we listen to, shape our understanding of our God and our relationship with Him. If we insist on remaining like children in our appreciation and understanding of the music we use, we are deliberately limiting ourselves, and cutting ourselves off from a wonderful opportunity. God Himself has given us an opportunity to grow, to be enriched, to thrive as His people, by giving us the beauty and majesty of music. And in giving us, in His Spirit-inspired Word, 150 perfect songs, He has provided us with more than enough content for a lifetime’s worth of praise.

An old saying tells us, “Familiarity breeds contempt.” We become so familiar with something that we no longer appreciate the beauty and importance of the thing that we’ve been given. I think that when it comes to the music we use in our corporate worship, this phrase is often very applicable. In each generation, we need to come to an appreciation of the precious heritage that we’ve been entrusted with – the heritage of a musical form and content that is rich, beautiful, upbuilding, and lasting. It may take work to develop a deep, lasting appreciation for that music; but in the end, every bit of that work will be worth it. So let’s not be afraid to put in the effort. And having done that, we can know that God will give us, as He has already given us, a rich reward.

This was first published to the Reformed Outfitters (RO) website in 2012 and reposted here when RO became a part of RP in 2022.

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Music

Some thoughts on Christian Contemporary music

I’ve loved music all my life, so when I was approached to write about music, I was happy to oblige. I grew up listening to music at home, from classical music, to the marches of John Philip Sousa, to Buddy Holly and the Beach Boys, and finally to some of the giants of country music like Johnny Cash, Jimmy Rodgers, and Hank Snow. Those are some of the names I remember from my dad’s record collection. My taste in music has broadened over the years; while I’ve largely abandoned the world of popular music (which more than occasionally offends my Christian sensibilities, but almost always bores me), over the years I’ve found myself exploring the vast musical treasures that can be found in the worlds of jazz, classical, blues, world music, and elsewhere. But when it comes to popular Christian music, Black Gospel music from the 1950s and 60s used to be about as contemporary as I would get. Up until very recently, I’ve found myself repeatedly disappointed, and to be frank, disturbed, by the quality of the music that you’ll hear on Christian Contemporary radio. Why? Well, whereas from the 1930s to about the 1960s it was the music of the church that had a profound influence on the secular music industry, in the 1970s the trend was reversed. The music of the church once exerted a profound influence on the world. But in the past three decades, Christian music has done little more than imitate trends in popular music, rather than shaping them. Where’s the meat? The content of a lot of Christian Contemporary music is highly individualistic and largely divorced from the greater context of Scripture, and this poses a major problem when it comes to singing about the Lord Jesus. On a corporate level – as the body, the Church – we know and confess that the Lord Jesus has taken the Church to be His bride. The Church is the beloved of the Lord, and as a body, we live in this relationship of love with Him. He is the ultimate Husband, who gives His life for His Bride (Ephesians 5:25). The problem comes about when the corporate aspects of this relationship are forgotten, when the message becomes all about me, and my relationship with Jesus. What happens when Christian musicians do this? They go from praising the Lord Jesus, the Husband of His church, to singing a sanctified love song to Jesus, the greatest boyfriend you could ever imagine. Here’s a recent example, by Jamie Grace, called “Hold me”: Oo, I love the way you hold me, By my side you’ll always be You take each and every day, Make it special in some way. I love the way you hold me, In your arms I’ll always be You take each and every day, Make it special in some way I love you more than the words in my brain can express. I can’t imagine even loving you less. Lord, I love the way you hold me. There are a couple of problems with songs like this one, but the most serious one is this: apart from the word “Lord” in the final line of the chorus, the lyrics to this song are virtually indistinguishable from any other love song ever recorded. The song has little in the way of actual content; it’s solely about a feeling of being loved – but there’s so much missing! What’s the basis of this love? What’s the content of this love? What’s the context of this love? What kind of love is this anyway? As I mentioned earlier, until recently I have pretty much ignored Christian Contemporary music. Musically I find much of it boring, lacking in originality, pre-packaged, mass-marketed, appealing to the lowest common denominator. Lyrically, even where there isn’t overt false teaching, the messages are often shallow, effeminate, and cringe-inducing, to say the least. There are some gems out there, if you’re willing to look diligently enough. But like all “art” that’s produced to appeal to a mass market, there is all too often a tendency to tread worn paths, to follow trends, to “dumb it down.” In short, the motto that rules Contemporary Christian music too often seems to be, “Do what works,” and not necessarily, “Do what’s right.” A change is happening But over the past year, a couple of young men in my congregation have introduced me to another type of Contemporary Christian music; I hadn’t realized that this genre of music even existed, but when it was introduced to me, I found myself devouring it. And that music came from a surprising source – the American hip-hop culture. I was introduced to the music of men like Lecrae, Shai Linne, Tedashii, Timothy Brindle, Trip Lee, and Sho Baraka. And the more I listened to their songs, the more impressed I became. I had avoided Hip-hop and Rap music, since, as a genre, so much of its message is totally opposed to the Christian faith. When I thought of Rap music, I thought of musicians who reveled in wickedness, boasted of evil, and extolled the virtues of a godless lifestyle. But imagine my surprise when I heard songs like this one, “All-Consuming Fire,” from Shai Linne’s latest album, The Attributes of God: The Lord is speaking through His prophecies and all of His commands Unequalled in His qualities, He’s awesome and He’s grand He’s regal and His policies are gloriously planned He’s peeping the idolatry that’s all over the land How people in society ignore the Son of Man By seeking their autonomy, they are caught in a trance But He will put a stop to the evil and apostasy The devious hypocrisy, the fallenness of man We’re teaching you theology so y’all can understand According to His plans: the slaughter of the damned Unspeakable reality to fall into His hands No sequels, it’s finality and awful is the span No weeping or apologies, no sneakiness or bribery will keep the Lord from honoring His law and its demands We’re pieces of His pottery – He causes us to stand His people see Him properly – exalted is the Lamb! That’s just one example, but it’s indicative of Shai Linne’s lyrical output. It’s God-centered. It’s honest. It doesn’t shy away from the “hard truths” that the Christian message is filled with. It’s unashamedly theological, it’s got real depth to it, and it speaks prophetically to a world that needs to hear this message. Simply put, I would not hesitate to recommend any one of Shai Linne’s albums to Reformed, Christian people, young or old. Musically speaking, the style may not be your cup of tea; but there’s no denying the quality of the production, the originality of the musical accompaniment, and the centrality of God’s glory to the message of the lyrics. This is music that glorifies God and edifies His people. This first appeared under the title “Some thoughts on Contemporary Christian Music (Part 1).” Rev. Witteveen is a missionary who has served the Church in Canada and now Brazil....