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Music, News

U2 shows us how love can hurt

It’s been quite a week for U2. In the space of just four days, the Irish rock band took public stands in favor of homosexuality, transsexuality, and abortion. On May 1st the group tweeted their support for legalizing abortion in their native land. They told their 1.5 million Twitter followers that they wanted to “Repeal the 8th” which is the amendment to the Irish constitution that protects the unborn. Three days later they released the video to their song Love is bigger than anything in its way. More than three dozen people are shown, all in brief clips, and what’s most noticeable is the fashion choices made, particularly among the gentlemen. One man is wearing a bra, another a corset with thigh high boots. Many of these men have lipstick, pink shirts, pink pants, or a pink backpack. Among the women are some who look to be men dressed as women. Lest anyone think this all just a case of unique fashion choices, the video also includes shots of lesbian and gay couples kissing. We wouldn’t expect different from most any other rock band, but this is U2. The group has never publicly identified itself as Christian, but their songs contain dozens and dozens of biblical references, including 40, which is based on Psalm 40 and Psalm 6. And the lead singer, Bono, has professed to be a Christian, publicly talking about his family’s prayers, and noting that they regularly read Scripture. In an interview with music journalist Michka Assayas he gave a decent explanation of the atonement: “The point of the death of Christ is that Christ took on the sins of the world so that what we put out did not come back to us, and that our sinful nature does not reap the obvious death. That's the point. It should keep us humbled. It's not our own good works that get us through the gates of heaven.” So it was to the surprise and disappointment of Christian fans that the band is ignoring God’s prohibitions against murder and homosexuality and is encouraging their fan-base to do likewise. Bono has often spoken of God as being love. Now it seems, he thinks love is God. What’s the difference? When we understand that God is love, then we are willing and even eager to submit to His wisdom and direction. Then we know that it isn’t loving to encourage behaviors He forbids. We understand that His restrictions protect us, in much the same way that a loving parent’s rules protect their children. Why does God forbid homosexuality (and abortion too)? Because as our Maker and our Father He knows this isn't good for us. But for Bono and his band, “love is bigger than anything in its way.” Are God’s commandments standing in the way of you and the same-sex partner you crave? Well, U2 wants you to know that love is bigger than God. But pursuing love while running from God isn’t going to bring anyone happiness. Oh, sure, rebellion can make us happy for a time. So can drugs, sex, and fame. But it doesn’t take long for the meaninglessness to become evident. In a strange turn, this brokenness is even evident in the video for U2’s latest song. More than three dozen lesbians, homosexuals, and transgender men and women dancing, hugging, and kissing. U2 is trying to tell us that this is love worth celebrating… so why does everyone look so miserable? Yes Bono, God is love. But love as a replacement for God? That’s going to be misery....

Parenting

Quantity, not quality: good parenting takes time

In The New Tolerance authors Josh McDowell and Bob Hostetler share the way one parent taught his teenage son to see through the worldly messages being presented in pop music. The son was allowed to buy any album he wanted so long as Dad listened to it beforehand. "If Dad approved not only of the language but of the more subtle messages in the music, fine; if not... Dad would always explain his decisions." At one point this father rejected three straight albums, which didn't leave his son all that happy. And it wasn't so easy on the dad either; he had to spend a long time listening to some lousy music. Now this was almost 20 years ago, so it took a lot longer than it even would today. Whereas we can read song lyrics online and preview many tracks via YouTube, back then the only way to check out an album was to go to the store, buy it on CD, and take it for a spin. But this dad was up for it. He knew that by investing "quantity time" with his son – by spending hours slogging through, and talking through, album after album together – he'd help equip his son to know and appreciate what was praiseworthy and to see through what was shameful and unworthy. The Bible speaks about quantity vs. quality time. Or, rather, it assumes quantity time. In Deut. 11:19 God describe our parenting task – raising up children in the ways of the Lord – as an always and ongoing activity. "You shall teach to your sons, talking of them when you sit in your house and when you walk along the road and when you lie down and when you rise up." Raising up our children in the way they should go is going to take time. And energy too. There are going to be moments when you'll feel downright exhausted. But, be encouraged: this is what we supposed to be doing; it's what we're called to do. And sure, it can be draining, but let's not forget how much joy there is in the process too. We get to not only listen to music together but: share meals teach them how to ride a bike and mow the mow the lawn study God's Word as a family show them how to bake play games together and tell them for the hundredth time to stop picking their nose This is what we get to do. Tired or not, there is no task more important: God has entrusted us with the care of his covenant children. When we consider we're going to spend our hours some way or the other, what better investment is there? Keep at it. Take the time....

Music

Some thoughts on Christian Contemporary music

I’ve loved music all my life, so when I was approached to write about music, I was happy to oblige. I grew up listening to music at home, from classical music, to the marches of John Philip Sousa, to Buddy Holly and the Beach Boys, and finally to some of the giants of country music like Johnny Cash, Jimmy Rodgers, and Hank Snow. Those are some of the names I remember from my dad’s record collection. My taste in music has broadened over the years; while I’ve largely abandoned the world of popular music (which more than occasionally offends my Christian sensibilities, but almost always bores me), over the years I’ve found myself exploring the vast musical treasures that can be found in the worlds of jazz, classical, blues, world music, and elsewhere. But when it comes to popular Christian music, Black Gospel music from the 1950s and 60s used to be about as contemporary as I would get. Up until very recently, I’ve found myself repeatedly disappointed, and to be frank, disturbed, by the quality of the music that you’ll hear on Christian Contemporary radio. Why? Well, whereas from the 1930s to about the 1960s it was the music of the church that had a profound influence on the secular music industry, in the 1970s the trend was reversed. The music of the church once exerted a profound influence on the world. But in the past three decades, Christian music has done little more than imitate trends in popular music, rather than shaping them. Where’s the meat? The content of a lot of Christian Contemporary music is highly individualistic and largely divorced from the greater context of Scripture, and this poses a major problem when it comes to singing about the Lord Jesus. On a corporate level – as the body, the Church – we know and confess that the Lord Jesus has taken the Church to be His bride. The Church is the beloved of the Lord, and as a body, we live in this relationship of love with Him. He is the ultimate Husband, who gives His life for His Bride (Ephesians 5:25). The problem comes about when the corporate aspects of this relationship are forgotten, when the message becomes all about me, and my relationship with Jesus. What happens when Christian musicians do this? They go from praising the Lord Jesus, the Husband of His church, to singing a sanctified love song to Jesus, the greatest boyfriend you could ever imagine. Here’s a recent example, by Jamie Grace, called “Hold me”: Oo, I love the way you hold me, By my side you’ll always be You take each and every day, Make it special in some way. I love the way you hold me, In your arms I’ll always be You take each and every day, Make it special in some way I love you more than the words in my brain can express. I can’t imagine even loving you less. Lord, I love the way you hold me. There are a couple of problems with songs like this one, but the most serious one is this: apart from the word “Lord” in the final line of the chorus, the lyrics to this song are virtually indistinguishable from any other love song ever recorded. The song has little in the way of actual content; it’s solely about a feeling of being loved – but there’s so much missing! What’s the basis of this love? What’s the content of this love? What’s the context of this love? What kind of love is this anyway? As I mentioned earlier, until recently I have pretty much ignored Christian Contemporary music. Musically I find much of it boring, lacking in originality, pre-packaged, mass-marketed, appealing to the lowest common denominator. Lyrically, even where there isn’t overt false teaching, the messages are often shallow, effeminate, and cringe-inducing, to say the least. There are some gems out there, if you’re willing to look diligently enough. But like all “art” that’s produced to appeal to a mass market, there is all too often a tendency to tread worn paths, to follow trends, to “dumb it down.” In short, the motto that rules Contemporary Christian music too often seems to be, “Do what works,” and not necessarily, “Do what’s right.” A change is happening But over the past year, a couple of young men in my congregation have introduced me to another type of Contemporary Christian music; I hadn’t realized that this genre of music even existed, but when it was introduced to me, I found myself devouring it. And that music came from a surprising source – the American hip-hop culture. I was introduced to the music of men like Lecrae, Shai Linne, Tedashii, Timothy Brindle, Trip Lee, and Sho Baraka. And the more I listened to their songs, the more impressed I became. I had avoided Hip-hop and Rap music, since, as a genre, so much of its message is totally opposed to the Christian faith. When I thought of Rap music, I thought of musicians who reveled in wickedness, boasted of evil, and extolled the virtues of a godless lifestyle. But imagine my surprise when I heard songs like this one, “All-Consuming Fire,” from Shai Linne’s latest album, The Attributes of God: The Lord is speaking through His prophecies and all of His commands Unequalled in His qualities, He’s awesome and He’s grand He’s regal and His policies are gloriously planned He’s peeping the idolatry that’s all over the land How people in society ignore the Son of Man By seeking their autonomy, they are caught in a trance But He will put a stop to the evil and apostasy The devious hypocrisy, the fallenness of man We’re teaching you theology so y’all can understand According to His plans: the slaughter of the damned Unspeakable reality to fall into His hands No sequels, it’s finality and awful is the span No weeping or apologies, no sneakiness or bribery will keep the Lord from honoring His law and its demands We’re pieces of His pottery – He causes us to stand His people see Him properly – exalted is the Lamb! That’s just one example, but it’s indicative of Shai Linne’s lyrical output. It’s God-centered. It’s honest. It doesn’t shy away from the “hard truths” that the Christian message is filled with. It’s unashamedly theological, it’s got real depth to it, and it speaks prophetically to a world that needs to hear this message. Simply put, I would not hesitate to recommend any one of Shai Linne’s albums to Reformed, Christian people, young or old. Musically speaking, the style may not be your cup of tea; but there’s no denying the quality of the production, the originality of the musical accompaniment, and the centrality of God’s glory to the message of the lyrics. This is music that glorifies God and edifies His people. This first appeared under the title “Some thoughts on Contemporary Christian Music (Part 1).” Rev. Witteveen is a missionary who has served the Church in Canada and now Brazil....