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The 3 worlds of Gulliver

Family / Children’s
1960 / 99 minutes
Rating: 7/10

The film manages one upgrade on the book. In the original Gulliver’s Travels, Dr. Lemuel Gulliver is all on his lonesome, but in this 1960s film version, he now has a love interest. And she’s got spunk; when Gulliver decides to sail away to find his fortune, his fiancee Elizabeth stows away to go too! By the time she’s discovered, the ship is already underway, and a storm ensures they can’t just turn around. Still, Gulliver wants to send Elizabeth back to England, so the two go topside to argue it out. That’s when a wave sweeps Gulliver right off the ship, and into his first adventure.

When next we see Gulliver, he’s clawing his way up a beach, calling for help from the people he sees further up the shore. He collapses, only to wake up with his arms and legs all tied down. It turns out those people down the beach weren’t so far away – they were quite close, but also quite tiny, and very scared of him. Gulliver has arrived in Liiliput, a land where the people are only 6 inches tall!

Gulliver quickly charms the Lilliputian emperor into letting him loose and shows his value to the ruler when he promises to help him win his war. But when Gulliver won’t kill the enemy, the emperor conspires against him, and Gullliver has to flee. He’s back on the water again. If you know the story, you know what happens next. And if you don’t, I won’t spoil it for you, but I will assure you that the second chapter is every bit as good as the first.

A big part of the fun here is trying to figure out how they managed to have an enormous Gulliver interact with the tiny people around him. There was nothing computer generated back then, so this had to be done with rear screen projection, claymation, gigantic props, and I can’t even imagine what else.

Cautions

There’s just a smidge of adult sexuality here. When Gulliver finds his fiancee, he kisses her quite passionately. She interrupts, noting that “We aren’t married yet,” and runs off to her room and locks the door. To answer her objection, Gulliver arranges with the ruler for a lightening quick marriage ceremony! That’s it – nothing untoward shown – but Gulliver’s ardour did strike me as a bit PG-ish.

The action scenes are generally tame, but children under 8 might be frightened when Gulliver is unexpectantly grabbed by a giant squirrel. The squirrel’s weird screech also adds to the tension.

Conclusion

Parents familiar with Jonathan Swift’s book may notice just a bit of his satire still evident in some of the dialogue. But for the most part this is a children’s film, enjoyable for the spectacle of seeing a giant man interact with a pixie-sized nation.

There have been more recent movie versions of Swift’s classic, but this is the very best one for young children. Even if the special effects aren’t as slick as the new CGI stuff, there’s something very appealing about the 1960s movie magic too. Overall The 3 Worlds of Gulliver rates as a fun, fairly tame film for kids ten and under, but it’s also one that mom or dad might enjoy for the old-school effects.

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Book lists, Book Reviews

50 "Great Books"

What are the "Great Books"? There is no one list, but the term is meant to describe a compilation of classics from Western Literature. Some lists are very long, topping hundreds of books, while others limit themselves to as little as 50, but the idea behind all of them is that these are foundational books – read these and you will have a better understanding of some of the key ideas shaping the world today. A Christian list would look different than a non-Christian, though a Christian list should contain non-Christian books. Placement is as much or more about a book’s influence as it is about its genuine insight, so pivotal infamous books do make their appearances. So what exactly might be on such a list? Here is an example: The Unaborted Socrates by Peter Kreeft The Screwtape Letters by C.S. Lewis Chosen by God by R.C. Sproul Macbeth by Shakespeare Beowulf The Pilgrim’s Progress by John Bunyan The Hiding Place by Corrie Ten Boom The Heidelberg Catechism Orthodoxy by G.K. Chesterton Time Will Run Back by Henry Hazlitt The Bondage of the Will by Martin Luther The Epic of Gilgamesh Divine Comedy by Dante The Hobbit by J.R.R. Tolkien Animal Farm by George Orwell The Communist Manifesto by Karl Marx and Friedrich Engels Pride and Prejudice by Jane Austen Christianity and Liberalism by John Gresham Machen Gulliver’s Travels by Jonathan Swift Gilead by Marilynne Robinson Lord of the Flies by William Golding Art and the Bible by Francis Schaeffer Desiring God by John Piper Aesop’s Fables by, well, Aesop Death on the Nile by Agatha Christie City of God by Augustine Here I Stand by Roland Bainton The Prince by Machiavelli 1984 by George Orwell Twenty Thousand Leagues Under the Sea by Jules Verne 95 Theses by Martin Luther Knowing God by J.I. Packer The Brothers Karamazov by Fydor Dostoevsky The Giver by Lois Lowry The Republic by Plato The Koran by Mohammad The Wealth of Nations by Adam Smith Brave New World by Aldous Huxley Mere Christianity by C.S. Lewis One Day in the Life of Ivan Denisovich by Alexander Solzhenitsyn The Odyssey by Homer Robinson Crusoe by Daniel Defoe The Westminster Confession of Faith Competent to Counsel by Jay Adams Till We Have Faces by C.S. Lewis Economics in One Lesson by Henry Hazlitt Hamlet by Shakespeare A Modest Proposal by Jonathan Swift Ivanhoe by Walter Scott Institutes of the Christian Religion by John Calvin ...