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Family, Movie Reviews

The 3 worlds of Gulliver

Family / Children's 1960 / 99 minutes Rating: 7/10 The film manages one upgrade on the book. In the original Gulliver's Travels, Dr. Lemuel Gulliver is all on his lonesome, but in this 1960s film version, he now has a love interest. And she's got spunk; when Gulliver decides to sail away to find his fortune, his fiancee Elizabeth stows away to go too! By the time she's discovered, the ship is already underway, and a storm ensures they can't just turn around. Still, Gulliver wants to send Elizabeth back to England, so the two go topside to argue it out. That's when a wave sweeps Gulliver right off the ship, and into his first adventure. When next we see Gulliver, he's clawing his way up a beach, calling for help from the people he sees further up the shore. He collapses, only to wake up with his arms and legs all tied down. It turns out those people down the beach weren't so far away – they were quite close, but also quite tiny, and very scared of him. Gulliver has arrived in Liiliput, a land where the people are only 6 inches tall! Gulliver quickly charms the Lilliputian emperor into letting him loose and shows his value to the ruler when he promises to help him win his war. But when Gulliver won't kill the enemy, the emperor conspires against him, and Gullliver has to flee. He's back on the water again. If you know the story, you know what happens next. And if you don't, I won't spoil it for you, but I will assure you that the second chapter is every bit as good as the first. A big part of the fun here is trying to figure out how they managed to have an enormous Gulliver interact with the tiny people around him. There was nothing computer generated back then, so this had to be done with rear screen projection, claymation, gigantic props, and I can't even imagine what else. Cautions There's just a smidge of adult sexuality here. When Gulliver finds his fiancee, he kisses her quite passionately. She interrupts, noting that "We aren't married yet," and runs off to her room and locks the door. To answer her objection, Gulliver arranges with the ruler for a lightening quick marriage ceremony! That's it – nothing untoward shown – but Gulliver's ardour did strike me as a bit PG-ish. The action scenes are generally tame, but children under 8 might be frightened when Gulliver is unexpectantly grabbed by a giant squirrel. The squirrel's weird screech also adds to the tension. Conclusion Parents familiar with Jonathan Swift's book may notice just a bit of his satire still evident in some of the dialogue. But for the most part this is a children's film, enjoyable for the spectacle of seeing a giant man interact with a pixie-sized nation. There have been more recent movie versions of Swift's classic, but this is the very best one for young children. Even if the special effects aren't as slick as the new CGI stuff, there's something very appealing about the 1960s movie magic too. Overall The 3 Worlds of Gulliver rates as a fun, fairly tame film for kids ten and under, but it's also one that mom or dad might enjoy for the old-school effects. ...

Animated, Movie Reviews

The Way Things Work

Animated / TV series / Family 2001 / 300+ minutes (26 episodes) RATING: 8/10 This educational series takes place on a small island in which everything appears quite modern...except for the woolly mammoths everywhere. On Mammoth Island everything is mammoth powered. Your house is cold? A mammoth in the living room will keep things toasty warm. Need hot water for your shower? Tickle the trunk of a sleeping mammoth in just the right spot and he'll provide a warm spray. Need to deliver the mail, or coconuts, or pizzas? Mammoths are there to help! Except, as the residents keep discovering, mammoth power has a definite downside. Mammoth pizza delivery? Too slow. Mammoth-powered house heating? Too risky - if it wakes up you may end up with a mammoth-sized hole in your living room wall. The way each 15-minute episode works is that after a particular deficiency in mammoth power is shown, then a new resident to the Island, known as the Inventor, works with a 14-year-old island resident, Olive, to see if they can come up with something better. And that something better involves the use of machines, both simple and more complex. For example, in the first episode they explore how inclined planes can make it easier to lift heavy loads – it's easer for the mammoths to roll boulders up a gradual slope rather than just heave them straight up. A few of the other machines and devices that get invented (or rather, re-invented) include: Levers Wheels and axles Belts and gears Pulleys Springs Screws Engines Pumps Steam power The series is aimed for Grades 3-6, but my girls, who are all Grade 1 and under, really enjoyed it. I did too. There are so many kids' shows that are absolutely brainless, and I can't sit through them. But this one was a pleasure to watch - there was lots for me to learn too. I'd guess that even my oldest girl only understood about half of the explanations - it really is intended for at least Grade 3 – but it did spark her imagination. Every show includes an invention, and she was inspired to try to make her own creative creations. Cautions There is only one mild caution to note: one character, Brenda, is a negative nag. She is the nay-sayer who always says the invention isn't going to work. In small doses, that's no big thing. But if you watch this series over the course of a couple weeks, like we did, it does get a bit tiresome. And, particularly with younger audiences, it might then be good to note that Brenda is not being a team player or a good example. I was wondering, because of all the mammoths, whether the series would bring up evolution. However, that topic is never raised. There are mammoths on this island, but no reason is ever offered as to why. Conclusion This is a great series for the whole family to enjoy - younger kids will love the humor, and older children and even teens and adults can learn a little something from it. Also, the short 15-minute episodes make it a nice way to watch a moderate amount of TV - the family can watch an episode or two without running through the whole afternoon. The series takes its inspiration from author/illustrator David Macaulay's The Way Things Work children's book, and while I've only skimmed through it, it looks interesting too (and mammoths also have a starring role). I should note that while The Way Things Work is a fantastic television series it is definitely not one to buy. Here in North America this 26-episode series goes for more than $500 and is marketed only to schools and libraries. That's where we got it - from our local library, where all the episodes were available, with no waiting. I've checked a few other libraries across Canada, and it's in many of them too. So check it out - our family highly recommends it....

Drama, Movie Reviews

The Hobbit: the film trilogy

AN UNEXPECTED JOURNEY 2012 / 169 min (also a 182-min version) Rating: 8/10 THE DESOLATION OF SMAUG 2013 / 161 min (also a 186-min version) Rating: 8/10 THE BATTLE OF THE FIVE ARMIES 2014 / 144 min (also a 164-min version) Rating: 7/10 Bilbo Baggins was quite content puttering around his garden, sitting in his armchair, and reading his books – he wasn’t looking for adventure. But then a tall wizard and a dozen dwarves asked this small hobbit to come help them battle a huge dragon. It was the sort of offer any respectable hobbit would refuse...and Bilbo did. “An adventure?.... Nasty, disturbing, uncomfortable things. Make you late for dinner….We do not want any adventures here, thank you!” But something was stirring inside this quiet soul. Might he be an adventurous sort after all? The next day Bilbo surprises even himself by taking the dwarves up on their offer. Off he goes, on a long journey to the Lonely Mountain where the fearsome dragon Smaug guards his stolen hoard of treasure. On the way the company meets trolls, giants, horse-sized spiders, orcs – lots and lots of orcs! – and a kingdom’s worth of elves. But why did they want this little hobbit to come with? The dwarves don’t know; they agreed because the wizard, Gandalf, insisted. And Gandalf isn’t entirely sure himself. The is the best explanation he can offer: “I don't know. Saruman believes it is only great power that can hold evil in check, but that is not what I have found. I've found it is the small things; everyday deeds of ordinary folk that keeps the darkness at bay... simple acts of kindness, and love. Why Bilbo Baggins? Perhaps it is because I am afraid... and he gives me courage.” Book to film This is the second time that director Peter Jackson has adapted a J.R.R. Tolkien story to film. The first, the Lord of the Rings trilogy, was one of the few movie adaptions to live up to its source material: three exceptional books became three of the best movies ever made, even as they remained quite loyal to the original story. This time around a great book has been transformed into three films, and while the films are quite good, they hardly resemble the book. Oh yes, all the major plot elements are still there, but because Peter Jackson had to stretch the book into three films he added lots of extra bits. A few of those bits are sweet like a love story between elf and dwarf, but most are violent: two enormous battles have been added and numerous skirmishes. The Hobbit was a children’s tale, a sort of kinder, gentler version of Tolkien’s Lord of the Rings adventure. But there is nothing kinder or gentler about this film version – children shouldn't see it. So anyone loyal to the book will have good reason not to like the films. But if we forget the book they came from, and think of these films simply as adventure movies, then they are rollicking tales! Cautions The biggest caution concerns the violence because there's lots of it. It is mostly of a bloodless sort, which is why, despite the films’ enormous death toll, they still managed a PG-13 rating. But there is just so much of it! Fearsome villains are one reason this is not a film for children! Very little of it is realistic – it struck me as being video game-ish – but the most disturbing aspect is when it is played out for comic effect. When this band of brothers fights because it must, that is brave and heroic, and we can cheer them on. But what are we to think when Gandalf slices through an orc’s neck so cleanly his head remains in place? We get a quick look at the orc’s confused, distressed facial expression before Gandalf gives his head a tap to send it rolling off. This is meant to get a laugh, but it just gave me the creebles. Death as comedy? I should also note that while I haven’t watched the extended versions, I have heard that the violence in the extended version of the last film, The Battle of the Five Armies, would be enough to get it an R-rating. I could add some cautions about the occasional bit of juvenile humor (there are a couple of snot jokes, etc.) but since no child should be watching this anyway, and teens and adults aren’t going to be impacted, that will suffice. The only other caution concerns the magic that pops up throughout the film. Some of it is of the dark sort. The villain behind the scenes, causing many of the company’s problems, is the Necromancer, who had nine undead soldiers doing his bidding. He is demonic-looking. Now God condemns witchcraft (Deuteronomy 18:10-12, Leviticus 19:26, 20:6) and the casting of spells, so it’s not a big deal to show a villain making use of magic – they are supposed to be bad! More problematic is when the heroes do it too, and a lot of them do, with Bilbo Baggins even dabbling in what seems to be the dark arts after he finds a magic ring that turns him invisible but which also whispers wickedly – once the ring even tries to convince Bilbo to murder someone! So what should we think of heroes who use magic? That would be a discussion worth having with your kids. Bilbo's use of the ring highlights the dangers of dark magic - in The Hobbit we get only a glimpse of the sort of temptation this ring will pose in the later Lord of the Rings trilogy, but it's enough to know this ring is not some cute play toy but rather an ever-present and enticing lure. Conclusion There is also a lot to love here: the company is courageous, and Bilbo Baggins grows in bravery through the film. Our heroes are quite heroic! Many of the themes are admirable, and even biblical, like: money can corrupt a man has no greater love than that he is willing to lay down his life for another loyalty doesn’t mean blindly following love can require us to confront a friend vengeance can blind us bravery doesn’t mean not being afraid a small weak fellow putting bigger stronger sorts to shame (1 Cor. 1:26-29) It wouldn’t be hard to find many others. So overall I’d rate this as an above-average action-adventure that isn’t suitable for children, but might be enjoyed and discussed with older teens. For a film version of The Hobbit that you can share with children, consider the animated one which I review here. ...

Family, Movie Reviews, Watch for free

The Gospel Blimp

Satire / Drama 38 min / 1967 Rating: 8/10 It may be 40 years old now, but this understated satire still ranks among the better Christian films ever made. It begins with a group of enthusiastic Christians having a barbeque in their backyard, and discussing how they can evangelize the unconverted next-door neighbor. They all know the conventional ways of doing it, but they’re looking for something… special. As they’re relaxing, sitting back in their lawn chairs, a blimp flies overhead, and that’s when it hits them – that’s what they need to do! Buy a blimp so they can fly it over the neighbor’s house, and over the entire town, and throw down gospel tracks. That’ll get people’s attention. What a brilliant plan! That they miss the obvious alternative is only part of the film's point, but it's this satiric take that makes this both cutting and memorable. Their plans just keep getting bigger and bigger! The Gospel Blimp is based on a book of the same title by Joseph Bayly that cuts even deeper (and there was also a comic book adaptation that did so a little less so). What allows this version to be just as engaging four decades later is its still relevant point – that we make evangelism harder than it needs to be – and the clever way it was first filmed. This is home movie-esque, and as a home movie we don't expect car chases or explosions, and we aren't put off by the grainy film. Like The Blair Witch Project famously did, the producers took what would otherwise have been a weakness – less than high definition camera work – and have turned it into a strength by making it a sign of authenticity: the home movie feel lets us know we're getting an intimate, up-close, look at this group's evangelistic efforts. This would be a great short film to share with any group of Christian friends and then talk about afterward – it offers lots of fodder for discussion. You can watch it for free below. ...

Animated, Movie Reviews

The Phantom Tollbooth

Animated 1970 / 89 minutes Rating: 7/10 This is a peculiar movie based on a peculiar book, and as such, will have only peculiar appeal – this is not for everyone. Things begin in "live-action" with Milo, a boy bored by everything, returning home from school to discover a mysterious package in his bedroom. It's a tollbooth – a talking tollbooth! – that invites him on an adventure if he has the gumption to go. So Milo hops in a miniature car, and the moment he drives through the tollbooth, the whole film switches over into animation, taking him to a weird and wacky world that couldn't be depicted any other way. Both the book and the film are a morality tale, but of a secular sentiment. The bored boy is going to learn that all those things he's being taught in school – numbers, and letters, addition and spelling, subtraction and writing – are far more interesting than he's ever realized. He'll make this discovery by visiting the kingdom of Digitopolis, where numbers rank at the top, and the kingdom of Dictionopolis where words are said to be supreme. But this is a topsy turvy world, where a watchdog actually has a watch inside him, and a spelling bee, is a bee that can spell! Some of that craziness is the way this world has always been, but things got worse after the kings of Digitopolis and Dictionopolis banished their sisters, Rhyme and Reason. As the kings should have known, without Rhyme and Reason, things can get too silly, too quickly! That's why they task Milo with rescuing the princesses, equipping him to contend with the demons of ignorance that he'll meet along the way. These demons include the Terrible Triviam, who tempts people to do unimportant tasks now, instead of the thing they really should get to. Then there's the Demon of Insincerity, the Hideous Two-Faced Hypocrite, the Over-bearing-Know-It-All, and the Threadbare Excuse, all able to derail industry and the search for Truth. But Milo is ready to fight! Caution One caution would concern the demons, which might be scary for children. But these aren't Satan's minions – these are personifications of temptations (like in Pilgrim's Progress) that are trying to ensnare and delay Milo. The other caution concerns the princesses Rhyme and Reason. Logic is an outworking of God's character, but in this secular story, logic – Rhyme and Reason – are the "gods" of the film (though they aren't described as such) able to completely transform the kingdom and save the day. It will be worth pointing out to kids how logic is not itself foundational, but lies on the foundation of God Himself. Conclusion This will be of interest to any who've read the book. For those not already familiar with the story, the closest thing I can liken it to is Alice in Wonderland, not in plot, but – I'll say it again – peculiarity. If your family is the sort that would be up for the surreal Alice, then they may love this adventure too! That said, this takes a bit to get into - you might need to watch half an hour before you get a feel for what sort of movie this is. And also note, this is a film to be paused and discussed to be properly appreciated, whether to explain the wordplay to kids, or to point out to them the lesson Milo is learning. ...

Family, Movie Reviews

Pride and Prejudice (2003)

Romance/Comedy 104 min / 2003 Rating: 8/10 When a book is adapted for the screen, readers want it to be as close to the book as possible. So let's begin this review with a heads up: that did not happen here. The central plot remains the same – these are women "in need of a husband" – but the setting has been updated to the modern-day USA, with five girlfriends all sharing a house just off-campus. Other departures include how the first love interest, Charles Bingley, came by his wealth: selling classical music CDs for dogs, and marketing them via late-night TV infomercials. And he drives a motor scooter. Oh, and Mr. Collins' proposal now has him make the compelling argument: "Elizabeth, we've been commanded to multiply and replenish the earth." So if you aren't up for a light, silly treatment of your favorite book, this is not for you. That said, I do think it is for most everyone else. And if you've ever wished that someone today could make something like Pride and Prejudice, well, this is something like it indeed. This version also adds an element glaringly absent from the book and every other film version: car chases! Caution There aren't many cautions to offer because, as it turns out, this was made by Mormons. There's no sex happening onscreen or off (though the villain of the piece, Wickham, jokes at one point about being “relatively disease-free”). The only problematic element is a self-help dating guide called the “Pink Bible.” We had to explain to our kids that it was a “bible” only in the sense that it was purporting to be the final word on that subject – dating – as the Mechanics Bible would say it is for car repair. We also had to explain to our girls that this boy-crazy guide and the "religious" way that the youngest two girls, Kitty and Lydia, followed it, was meant to be a comic warning and not an example. Conclusion This is not a faithful retelling of Pride and Prejudice and yet it is a very good one, keeping remarkably close to the spirit of the book. That makes it the perfect date night movie for mom and dad, and a pretty good one for the whole family. The pacing is quick, the romance is sweet, and the humor is sprinkled liberally throughout. Of the 50 or so people I’ve watched it with, or loaned it to, somewhere near 90% have given it a thumbs up. There are so many Pride and Prejudice films that if you want to find this one you should search for the title along with the year, or the title along with the word “Mormon." That’ll help you track it down. I share the trailer below with some misgivings – the film is a lot better than this makes it seem. ...

Drama, Movie Reviews, Watch for free

And then there were none

Drama 1945 / 97 minutes Rating: 7/10 The film is based on the Agatha Christie mystery of the same name, one of just three English novels to sell oner 100 million copies (the other two are the first Harry Potter title, and The Hobbit). However, as popular as the book was, the film improves on it, with a new conclusion the author added because she thought the film's original wartime audience would appreciate a happier ending. The story begins with 8 guests invited to a mansion on an isolated island. They are all strangers to each other, and none knows their host, Mr. Owens, who has yet to arrive. The only other people on the island are the two servants, Mr. and Mrs. Rogers. After dinner Mr. Rogers puts a record on, as he has been instructed by the absent Owens to do, and on it is a voice accusing everyone present, including the servants, of being murderers who have escaped any punishment for their crimes. That's quite the shock to them all, and all the more so when one of them admits he is indeed a murderer, and then, after taking a drink, promptly keels over and dies. He's been poisoned, and it seems their "host," Mr. Owens, has invited them here to exact his own form of justice on them all. But how has he done it? After all, it's clear there is no one else on the island. That's when the remaining 9 realize that one of them must actually be Mr. Owens. From then on it is a murder mystery and not so much a whodunit as a whoisdoingit, as others are also killed, though almost always off screen. Cautions There are a lot of mysteries on TV today that revel in the darkness, and the gore, and the violence of murder. Another sort is about the investigator methodically, and sometimes brilliantly, putting the pieces together so as to bring the bad guy to justice. We should stay clear of the former because it presents evil as good, while the latter can be enjoyed. While And Then There Were None is gore-free, and has the violence taking place off-screen, it isn't clear for almost the whole film long whether there even are any good guys. So one caution would be that while this isn't dark like some of today's murder shows, it also isn't a heroic tale like Basil Rathbone's Sherlock Holmes. It is somewhere in the middle, and that might be too much in the wrong direction for some...though I would not agree. The other caution would be that the only character to quote Scripture is a hypocrite. But she isn't the only one. Conclusion Director René Claire demonstrates that is possible to "tell and not show" violence and still keep things suspenseful. Though this it is tame by modern standards, the suspense means it is still only for only adults, and only those who appreciate a good mystery. The copyright for And Then There Were None was allowed to expire, so it is now in the public domain. That's why you can watch it, for free, in black and white below. A colorized version is also available for free, here. ...

Drama, Movie Reviews, Watch for free

The Man in the Iron Mask

Drama 1939 / 112 minutes Rating: 6/10 Based loosely on the Alexander Dumas story of the same name, it takes place 20 years after Dumas' more famous The Three Musketeers novel. The opening is the French palace, where the Queen has just given birth to son Louis. The King now has an heir so his court and the whole country are caught up in celebration. However, back in the Queen's chambers the doctor and nursemaid are still at work because, so it turns out, the Queen was carrying twins. When the younger prince Philippe is delivered, the news is kept secret, for he presents a problem: so long as Philippe lives he is sure to become a tool that unscrupulous sorts will use against his older brother. The King and his closest advisors all agree, this boy will be the cause of civil war. So what's to be done? Baby Philippe is packed off with the King's most trusted friend and the greatest of the musketeers, D'Artagnan, to raise as his own son. The boy is never to know who his true father is. Fast forward twenty years and the older Louis has been king since he was five. Indulged since that young age he has grown to become a wicked tyrant, so much so that he thinks nothing of arresting his father's closest friends, including D'Artagnan. When Philippe gets arrested too, the king discovers their startling resemblance. Knowing no reason for it – the birth of his brother has been kept a secret from him too – he decides to use Philippe as a body double. He's learned his unhappy subjects are planning to assassinate him, and he sees in Philippes's appearance an opportunity to redirect the danger to this other! However, there are now two in the palace playing the part of the King, and that is one too many. As the title shares, there's an iron mask involved at one point, but I'll stop here lest I give away too much. Cautions The twists and turns caused by one actor playing two roles confused our youngest. But hitting the pause button to get her back up to speed was all it took to help her. There is some swordplay, but of a near G-rated sort. At one point a man is whipped, just off-screen. We see the whip hit him, not directly, but in the shadows on the wall, and our sensitive girls wanted to know if the whipping was actually happening...and we could assure them it was not. Another consideration is that the King has both a wife-to-be and a girlfriend on the side. His lasciviousness is never shown on screen – the most anyone does in this film is get kissed on the forehead – but parents will have to explain how her presence tells us what kind of flawed character the King is. Conclusion I don't think anyone in our family would give this two thumbs up, though I think we'd probably all give it one – all of us found bits of the film we quite enjoyed. My wife likes to learn about historical settings, and appreciated being exposed to a famous story she hadn't heard before. The kids were intrigued by the whole identical twin angle with one actor playing both parts. All of us loved the sword fights. But I'll also add, my girls were a bit freaked out by the scenes with the man in the iron mask, and my wife was really disgusted by the evil Louis. So this isn't the sort of black and white film you should pitch to people who aren't used to black and white films. However, for those of us raised on such fare, this is a solid outing. Unfortunately, there doesn't seem to be a movie trailer available online, but you can watch it for free with a free account by clicking here (though it might have commercials)....

Animated, Movie Reviews

The Boxcar Children

Animated / Children's 2013 / 81 minutes Rating: 7/10 The Boxcar Children is the first title in a popular and still expanding children's series of books. And just like the book, the film is about four children - two brothers and two sisters - who have lost their parents, and have been told they will have to live with their grandfather. But Henry, Jessie, Violet, and Benny don't know their grandfather at all, and imagine that, because he never came to visit, he must be a cruel man. So they run away. The first part of the story is about how they get by, day to day, all on their own. It's when they find an old, long abandoned, railway boxcar that things start looking up for them. Then the older brother can go into town to do odd jobs, and the other three can start setting up the boxcar as a real home for them. This is a children's story so, of course, it has a happy ending. And I don't think I give away too much to say it involves their cruel grandfather not being cruel at all. CAUTIONS The only cautions would concern language: in one instance a character says "holy mollie" and in another someone utters "oh my gosh," but that is the extent of it. CONCLUSION While there are a few moments of tension – especially early on when they are being chased by a couple who wants to put the children to work in their bakery – this is a pretty gentle movie. The plot is also simple, and I say that not as a criticism, but only to note this is more of a children's film than something the whole family will enjoy. Mom and dad won't mind too much, but I don't expect teens will enjoy sitting through it. But if you have children who have been reading the Boxcar Children series, then this will be a treat. The first book in the series, The Boxcar Children, was published in 1924, but the series really started gaining in popularity in 1942, when it was reissued. The author, Gertrude Chandler Warner, went on to write a total of 19 stories about the four siblings (and I've been told that these 19 are much better than the more than 100+ that have followed). There's no Christian content in the book or the film but as you might expect from a story written almost 100 years ago, there's nothing all that objectionable either. So it is a good safe film that kids will love, and parents won't mind. And now there is a sequel, The Boxcar Children: Surprise Island, which we review here. ...

Family, Movie Reviews

Pollyanna

Family 2003 / 99 minutes Rating: 8/10 Aside from a change of setting, this is a faithful adaption of the source book. Yes, moving it from Vermont to England will leave viewers a little surprised, especially if they've grown up watching the 1960s Disney version. But accents aside, this is the more authentic version and if you loved the book, you'll love this film. For those who don't already know, Pollyanna is a poor but cheerful girl who, after becoming orphaned, is sent to live with her very rich, and very strait-laced aunt Polly. The two have very different ways of viewing the world, with the joyful Pollyanna seeing nothing but wonder, despite the losses she's faced, and aunt Polly seeing nothing but the problems, despite the riches that surround her. So whose worldview is going to win out? Is Pollyanna going to stop giving out hugs, or is her aunt Polly going to get over her reluctance to be touched? Something has to give! One reason parents will appreciate this story is because of Pollyanna's "glad game." This is something her father taught her – he explained that even when things aren't going our way, there is always something to be glad about. He first taught her the game one Christmas when Pollyanna was hoping for a doll, but the only gift sent to her poor family was a pair of tiny crutches. So what is there to be happy about crutches? It took some thinking, but eventually father and daughter came up with something: they could be glad because at least “we didn’t need to use them!” As Pollyanna gets to know the people in her new community, both young and old, she teaches her game to them, and in doing so, transforms her community - they too, start to see the silver lining to each dark cloud. And in doing so, they are actually better seeing the world as it actually is. Yes, troubles exist, however blessings still abound! But what about aunt Polly? What is she going to think about the game? CAUTIONS It's worth noting that the "glad game" can be taken to extremes. For example, in the book, when an older man breaks a leg, Pollyanna notes he could be glad that he broke just the one leg. Well, okay. But, as the Preacher said, there is a time for everything, and that includes mourning. So maybe it is fine for the man to just simply be sad for a time at the pain and suffering that's happened to him. That said, I don't think many of us are in danger of overdoing our gladness. How often, really, do we count our blessings one by one? So couldn't we all do with a good dose of this Pollyanna-ish thinking? The only other caution concerns one shocking/sad moment that will cause young viewers distress – near the end of the film Pollyanna gets seriously injured. It all happens in a flash, so nothing gory is shown, but our girls needed to be reassured that Pollyanna would recover. CONCLUSION Young ladies are going to love this one, and I think young lads may even be up for it, with a little encouraging. And if mom and dad can get past the British accents, they, too, are sure to love this well-acted, authentic adaption of a timeless classic. ...

Family, Movie Reviews

Johnny Tremain

Historical drama / Family 80 min / 1957 RATING: 7/10 Walt Disney clearly loved American history, and Johnny Tremain is another of his homages to it (The Swamp Fox and both Davy Crocketts being a few of the others). The setting is 1773 Boston, just weeks before the Boston Tea Party protest: on May 10, 1773, colonists who were masking their identities by dressing up as "Indians" boarded ships carrying tea, and threw the cargo into the harbor. This was a protest against a tea tax that had been imposed by the British Parliament. The Tea Party's actions stirred the pot, angering Parliament, which then passed further laws, described in the colonies as the "Intolerable Acts" which in turn angered more colonists. That's how the British Tea Party was an early precursor to the American Revolution that began two years later. So Boston is a busy place, as the story starts, but our hero Johnny is too busy to care much. He has his own concerns: his master is getting older, and losing some of his skills. Johnny seems to feel that if he is going to make his own name in the silversmith trade, he may need to take on jobs his master refuses to do. However, when he tries to complete a complex job while his master is away at church, it goes badly for him: breaking the Sabbath costs him the use of one of his hands which he badly burns on molten silver. The accident also costs him his trade, as a one-handed apprentice isn't much use. With his options limited, Johnny falls in with the "Sons of Liberty," becoming a revolutionary not so much out of principle, as out of friendship: these are the only people willing to give him a job. But as he gradually becomes acquainted with one of the movement's leaders, like Paul Revere and Samuel Adams, he gets won over to the cause and starts working as a secret courier. Cautions America is sometimes said to revere God, country, and guns, and not necessarily in that order. That might well be true of Walt Disney too, and comes out in this film in small ways, like how the most overtly Christian character is also the most joyless – the silversmith makes worship all about duty, not love. Still, God is not mocked. Other cautions include lots of gunplay but shown from a distance, which greatly mutes the impact. The most notable caution would be the "fight for liberty" this movie celebrates. Is it liberty, or is it simply rebellion? I don't know what to think about the American Revolution. The Canadian in me says, "You rebelled over a tax?" – that hardly seems warrant enough for a Christian to take up arms! But some American brothers have explained/argued that it wasn't so much a rebellion against the King as against the British Parliament. And, so their argument goes, the British Parliament imposing a tax on the colonies was akin to Alberta imposing a tax on Manitoba: it was an action they didn't have the jurisdiction to impose. What a viewer concludes about the rightness or wrongness of the American Revolution will greatly impact what they think about the film. Conclusion As a Canadian, watching this more for entertainment than education, this was a pretty good, and family-friendly, adventure film. There are brave folk taking their stands based on principles that they hold more dearly than their own lives. And that's an example we can learn from, especially when we have our Canadian government trying to penalize spreading His Truth to homosexuals. It might well be that we will need to risk much for what matters more. And American kids who have read the book in elementary school (where it has been a staple for decades) may really enjoy seeing how the story unfolds on the big screen. So, one thumb up. Johnny Tremain Trailer...

Animated, Movie Reviews

The Lord of the Rings animated "trilogy"

Peter Jackson wasn't the first to put J.R.R. Tolkien's books on film. Two decades before the first of Jackson's live-action/CGI films hit theaters, three animated versions were crafted in the space of three years, and by two different animators. The first two are well worth checking out. The third is not. THE HOBBIT Animated 77 minutes / 1977 Rating: 7/10 The Hobbit was the first Tolkien book to be filmed, in 1977. Director Authur Rankin chose a particularly cartoonish style of drawing that made it clear from the start that this was intended as a children's film. But his work had some humor to it – just as the source material does – which makes it pleasant enough viewing for adults too. Our hero Bilbo Baggins is a Hobbit, creatures that look much like humans, though they are half as tall and have far hairier feet. Normally Hobbits like nothing better than to stay close to home, but when the wizard Gandalf brings 12 treasure-seeking Dwarves to his doorstep Bilbo signs up for the adventure. And with the help of a magic "ring of power" Bilbo finds, he helps his new friends fight Orcs, Elves, and even a dragon. At 77 minutes long, readers of the book may be disappointed as to just how much the film condenses the story. However, as children’s films go it is quite a nice one, and a good introduction to Middle Earth. There are some fairly frightening bits, including attacks from trolls and goblins, and giant spiders and a "Gollum" that want to eat our heroes. But the animators have softened some of the villainy – e.g., the spiders have fuzzy bunny ears, and the goblins look vaguely cat-like – to tamp down quite a bit on the scariness. That meant my 8-year-old, not a fan of anything remotely tense, was able to endure these bits of action and really enjoy the overall film. So, while this isn't suitable for the very young, school-age kids will generally be able to handle it (though, as always, parents will want to preview this to see how suitable it is for their children). This is a children's film, which is in keeping with the intended audience of the original book. For them, the elementary school crowd, this might even rate an 8 (one of my girls even gave it a 9) but I've rated it a bit lower because it doesn't work as simply a children's film. This isn't one you can pop in the DVD drive and get back to loading the dishwasher - the scary moments mean that mom and dad will have to come along for the ride. And for them, this is only going to be okay. THE LORD OF THE RINGS Animated 133 minutes / 1978 Rating: 7/10 A year after The Hobbit was released, another animator, Ralph Bakshi, decided to try his hand at The Lord of the Rings.  The story begins with an aging Bilbo Baggins passing on his magic ring to his nephew Frodo. Shortly after, the wizard Gandalf shows up to warn Frodo of the ring's danger. It turns out this ring is so powerful that whoever holds it could use it to rule the world. This is why the evil Sauron wants it, and why the good Gandalf knows that it must be destroyed – this all-encompassing power is too much of a temptation for even the best of men to contend against. It is up to Frodo, who as a little Hobbit is far less tempted by the pull of power, to take the ring deep into the enemy's lands to destroy it in the lava of the mountain where it was first forged. And on the journey he has the company of hobbits, men, an elf, a dwarf, and a wizard to help him. Animator Ralph Bakshi used a style of animation that involved filming scenes with real actors and then tracing over each frame of film to create a line-drawing picture of it. This "rotoscoping" allowed Bakshi to incorporate the endless possibilities of animation with the realism of live-action. The realism also meant that this is a scarier film than The Hobbit. The lurching Ringwraiths (see the picture) are freaky, and some of the combat scenes, especially at the very end, are quite bloody. Though this is animated, it is not for children. There is one major flaw with the film: it is only half of the story! The director planned it as the first part of a two-film treatment, but the second film was never made, so things wrap up abruptly. While it lacks a proper ending, the story it does tell is intriguing. THE RETURN OF THE KING Animated 97 minutes / 1979 Rating: 4/10 This is sometimes treated as a sequel to Ralph Bakshi's film, but it isn't. Arthur Rankin directed, and he returned to the cartoonish animation style of The Hobbit. And while the events in this story do, loosely, follow after the events of the Bakshi film, Rankin seems to have been envisioning this as a sequel to The Hobbit, so he begins with an overview of everything that took place between it and The Return of the King. Or, in other words, it begins with a quick summary of two 500-page books – as you might expect this overview doesn't do justice to the contents of these enormous tomes, and the continuity of the story is completely lost. If a viewer isn't already familiar with the books he'll have no idea what's going on. Things don't get any better once the overview is complete - there is no flow to the story. Huge plot elements are skipped over, and random snips of scenes are stitched to other scenes with stilted narration and cheesy ballads. In addition, Frodo Baggins twice calls on God to help him. Some might argue this could be an appropriate use of God's name, but in the context of a fantasy world in which God is never otherwise mentioned, this seems a misuse. In short, The Return of the King is a dreadful film that is not worth anyone's time....

Family, Movie Reviews

20,000 Leagues Under the Sea

Family / Classic 127 minutes / 1954 RATING 7/10 20,000 Leagues Under the Sea is a childhood favorite that I've been looking forward to sharing with my own kids. However, it's been so long since I'd watched it, I wasn't sure it would live up to expectations. I am happy to say it did! The year is 1868, and it is a time of both sail and steam on the high seas. When rumors of a gigantic sea creature stop ships from venturing out onto the Pacific, the US government asks if oceans expert Professor Pierre M. Aronnax and his assistant Conseil will join a Navy expedition. The goal is to either disprove the creature's existence or, if they find it is real, kill it. To that end, harpooner Ned Land (Kirk Douglas) is also invited along for the expedition. However, Ned's harpoons are no use against the creature's hide because it is not flesh and bone but is, instead, made of iron and steel! What's been destroying the ships turns out to be a submarine. When the sub destroys the Navy's ship, only these three – the professor, Conseil, and Ned – survive. They end up being taken on board. So who created this sub, and why is it being used to destroy ships all over the Pacific Ocean? I won't give it away but as you might imagine, the submarine's Captain turns out to be more than a little disturbed. CAUTIONS While there are some fantastic action scenes in the film – including a prolonged fight with a giant squid – even my timid 6-year-old managed to make it through them...though we did turn down the sound at that point, to help her out. So the only caution I’ll share is in regards to the good guys’ morality – the three shipwreck survivors don’t agree on much, including what they think about the psychotic captain holding them captive. For any kid used to films where the good guys wear white, and where right and wrong are very easy to distinguish, this will be something quite different. Mom and dad should hit the pause button now and again to discuss how everyone is acting, and how that lines up with how God might want them to act. CONCLUSION Our whole family enjoyed this. It has action, but also some calm and wonderful underwater scenes where we get a peek at what it would be like to live always under the seas. I'd recommend it for ages 5 to 95, but I'll add that this being an older film, the pacing is a little more patient than modern fare and, for an audience new to the classics, that might take some getting used to. Still, it's a classic for a reason – this definitely stands the test of time! ...

Family, Movie Reviews

The Giver

Drama / Family 97 minutes / 2014 RATING: 8/10 My brother Jeff wrote a review of the book this film is based on that hits all the high points of the film too. So with his permission I've included it below with slight modification. The Giver is a brilliant dystopia – a vision of the future where things have gone horribly wrong. What makes it so brilliant is that in the brief space of a couple hours, we're shown, as dystopian story always do, that the desire to make a utopia always leads to disaster. The original Utopia (which literally means "no-place"), by Thomas More (an English Catholic writing around the time of the Reformation), is a vision  of an ideal, perfectly regulated society, where people live their lives with leisure and work balanced, and the wealth is fairly shared among all. All these features are appealing, but given human nature, any attempt to build society through regulation will result in the stomping out of individuality and the oppressive power of whatever authority we trust to organize everything. Basically, there is a kind of idolatry of human systems and power. Of course, we know that idols always disappoint, and idols always demand horrible sacrifices. That's what's going on in The Giver. The story begins with what looks like an ideal, well-organized society where everyone has his or her specific role set by 18 years old (in the book this all happens by 12). All the angst of adolescence in our society has been taken care of through this selection of each person's career by the community, as well as by the suppression of the disruptive disturbance of teenage hormones. The result is a village in which there is no significant crime; in which each person is given a specific role and, in return, has all his or her needs met from cradle to grave by the community; and in which both the physical storms and emotional storms have been subdued by technology. This "sameness" has been maintained for generations. Even the memory of the relative chaos of our own society has been wiped out, but the elders of the village have ensured that the past is not entirely lost, so that in the event of crisis, the elders can learn from it. This is where the main character, Jonas, comes in. At eighteen years old, he is given the unique role of the Receiver of the community. What does he receive? The memories of the village before the "sameness" - from the Giver. Jonas's unique knowledge enables him to see what a terrible place our own world is – with war and other suffering – but also what emotional ties like family and romantic love were lost with the oncoming of the "sameness." His own crisis comes when he sees what sacrifices his seemingly utopian village demands to keep its stability. Why would Christians want to watch this? The Giver shows us both the beauty and the cost of human emotion and desire, but also the foolishness of playing God in trying to wipe both out by human power. What we need is not liberation from our own humanness, but liberation from the sin which has corrupted our humanness – by the death of Christ - and the redirection of our emotions and desire – by the work of the Spirit. Neither the book nor the film explicitly put us before God's throne, but both do a fine job of knocking down one of the idols that serve as a stumbling block blocking our view of His glory. The film does differ from the book in some ways, with the most notable being the insertion of some action scenes. But author Lois Lowry was quite pleased about how her book was translated to the big screen. According to her, yes, this is a different medium, but very much the same story. Cautions There are no language and sexual concerns, but some for violence. As the Giver shares his memories with Jonas, one of them is an image of "war" - it's a brief look, but includes a man getting shot in the chest and bleeding, and another man getting shot repeatedly. The most disturbing scene in the film is one of a baby being euthanized by injection - we don't see the actual injection...but we almost do. So no blood, but quite horrifying. I suspect it is this single scene that boosted this from a PG to PG-13 rating, and quite rightly. One other concern would be the way God is portrayed. For the most part, He simply isn't, but among the memories Jonas receives are ones showing the various religions of the world at worship. These are only brief glimpses, and not much is made of them, but neither is Christianity distinguished from any of the others – all religions are treated as equivalent. Conclusion This is a fantastic film, that hasn't been rated all that highly by the critics. I think that's because they are assessing it simply as entertainment. But this is meant to be a thought-provoking film, one to be discussed and not simply watched. And as such, it rates much higher. I'd recommend it as family viewing so long as the youngest viewers are at least in their teens. For more on dystopian fictions see "Why is dystopian fiction worth reading?"...

Family, Movie Reviews

Swallows and Amazons

Drama / Family 2016 / 96 minutes RATING: 7/10 I remember my older brother reading Arthur Ransome's Swallows and Amazons to me when I was very young, and being charmed by it. It was a story of four children - two brothers and their two sisters – making up their own adventures during a summer holiday on the lake, fighting off imaginary pirates and pretend sharks. It was a gentle book. That's why I thought it would make for a gentle movie to share with the family. But while a lot of the book's charm made it to the silver screen, the filmmakers decided that in addition to the children's imagined peril, they had to add some of the real kind – spies! The four Walker children are on a lake for the summer, in 1935 Britain, and they have their parents' permission to take the Swallow, a small sailboat, out to explore a densely wooded island and camp there. But they are not the first to land on the island: a sign, surrounded by animal bones, warns that it belongs to the "Amazons." This is all loyal to the book – the Amazons are a couple of girls with a sailboat of their own, and the two groups get to pretend to be rival pirate gangs. But the island is also home to a real life spy. And there are a couple of other suspicious sorts following him. For a small little island, there's quite the population on it! The additions of the spies adds to the excitement, but brings tension to a story that didn't really have that before. So, if you like the book, you probably aren't going to appreciate this adaptation – it's like adding a couple of spies to Winnie-the-Pooh. Exciting, yes, but not at all in keeping with the spirit of the original story. However, if you don't know the book, or can at least forget it for a bit, this is quite the adventure. There are chases scenes on the water and through the woods, and even through and on top of a train. We see spies following each other, Walkers following spies, and spies following the Walkers. I don't want to give the impression this is all action – there's also the calmer fun of the Walkers learning how to camp, create fire, and catch and cook their own food. It still has the charm of the book. Just with tension added. CAUTIONS There is a bit of language, with one spy saying "Damn it" in his native language, and the movie not so helpfully subtitling the translation for us. The siblings also call each other various names including "duffer" and "idiot." And one girl says, "shut up" a number of times. The only other concern would be some behaviors that we wouldn't want our own children to model. There are a few times where the children do something hazardous (like sailing a boat at night) against their mother's expressed wishes. So mom and dad might have to pause the movie here and there to ask what the Walker children should have done. CONCLUSION While Swallows and Amazons was far too scary for my 8 and under young'uns, I think some 10-year-olds and anyone 12 and up would find this just the right level of exciting for them. It's great movie night material for families with older children, and it's bound to inspire either a camping or sailing request. Jon Dykstra blogs on movies at ReelConservative.com....

Animated, Movie Reviews

The Boxcar Children: Surprise Island

Animated / Children 82 minutes / 2018 RATING: 6/10 My kids loved this - we rented it for two nights, and they asked to watch it twice. So why give it just a 6 rating? Because what makes it attractive to gentle, easily scared children is also what makes it a below-average film: there is no conflict. Summer vacation has arrived, and Grandfather Alden wants to take his four grandchildren to an island their family owns. He leaves them there, and with the exception of a couple minutes when the children are trapped in a cave just as the tide comes in, this is an entirely calm film. Grandfather Alden leaves them on the island alone, but the only other "danger" they have to deal with is a leaky roof. This is a sequel to the slightly better 2013 film The Boxcar Children. Both movies are based on the beloved 150+ book series originated by Gertrude Chandler Warner way back in 1924. According to the bonus features on this DVD, Warner set out to make a story for Grade 1 and 2 students that would use the 100 most important words for them to learn. I found that rather telling – it makes the books out to be more about learning vocabulary than presenting kids with a rip-roaring adventure. And if that was her intent, she has succeeded. CAUTIONS The only caution I can think to include is that the movies make no mention of God (Heaven comes up once, but not God) and on such a beautiful island, where it would be hard not to break into song and shout His praises, this is a glaring absence (kids might not notice God's absence, but mom and dad can bring it up). In the series a brief reference to evolution pops up in every second or third book, and that, along with God's absence in the books and films, makes me suspect that author Gertrude Warner was probably not a Christian. CONCLUSION So far I'm not exactly singing the praises of the book series, or this, the latest film based on them. So why recommend the movie at all? Because younger kids, particularly those who are familiar with the Boxcar Children already, will absolutely love it. My critique of the book and this movie is not that there is anything wrong with them; it's only that there is nothing remarkable about them. The acting is okay, the animation is middling, and the story, from a parental perspective, is on the boring side. But on the other hand, there are no language, violence, sexuality, or other concerns. And young children, up to maybe 8 or 9 years old, will enjoy the familiar characters and the cozy comfy safety of this no-conflict story. It is a nice safe film for your family movie night. Kids should learn to endure story tension – their own life's story will not be free of it – but when they are young a small dose of fluff every now and again won't hurt.  Jon Dykstra blogs on movies at ReelConservative.com....

Family, Movie Reviews

Swiss Family Robinson

Drama/Adventure 126 min/1960 RATING: 8/10 Based on the classic 1812 Johann Wyss book, Swiss Family Robinson tells the tale of a family of five that gets shipwrecked on a tropical island after being pursued by pirates. Life on a tropical island can be fun, with ostrich and elephant races, but work is involved too. The family has to struggle together to build a treehouse that will keep them safe from the island's tiger. But what will keep them safe from the pirates, who are still looking for them? The big concern in this film would be violence. While most of it is softened (a tiger, rather than maul its victims, sends them flying high into the air) there are intense scenes near the end of the film, as the pirates attack, that would scare young children. There is also a snake attack that may have parents rolling their eyes (the actors seem to be grabbing the boa constrictor, rather than the constrictor grabbing them) but it had my daughters' eyes bugging out. We played some of these scenes with the volume down low, so the dramatic music wouldn't have the same effect. That seemed enough to make the scenes palatable for even our four-year-old. This is a good old-fashioned classic with lots of gallantry on display – it's a great film to teach boys to look out for girls. It's also a good one to get your kids appreciating older films. Some of the acting is a little wooden, but as a family film that's fine – this was never going to win an Oscar, but there is a reason it's still being watched 50 years later. All in all a great film. The trailer below, at 5 minutes long, will give you a good feel for what the film is like though it might give a bit too much away. ...