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Adult fiction, Book Reviews

The Last Disciple

by Sigmund Brouwer and Hank Hanegraaff 2004 / 428 pages It’s the year 65 AD, and Gallus Sergius Vitas is one of the last principled men in Rome. He’s also a confidant of Emperor Nero which means his daily life is conducted on a knife’s edge: indulging the emperor’s perverse demands might keep Vitas safe but would compromise the man that he is; yet to openly oppose the emperor would lead to his immediate introduction to the Coliseum’s lions. Our story beings with Vitas attempting this balancing act once again. Nero has dressed as a beast, his outfit comprised of lion and bear skins, complete with collar and a chain held by a servant. His night’s entertainment is to terrorize a group of prisoners while playing the part of a beast. Enjoying their fear, the emperor quickly works himself into a killing frenzy. Vitas sees this all from the shadows and can’t let it happen, knowing, though, that to oppose the emperor is to die. So Vistas yells at the chain-holding servant instead: “If the emperor knows you are involved in illegal torture, he will have you destroyed!” It is, as Brouwer writes: “an all-or-nothing bluff, pretending that he did not know Nero was inside the costume. Trusting that Nero would be too ashamed to admit it. Now. Or later.” Vitas’ bluff works, but not just because of his daring. An earthquake sends Nero scurrying away, convinced that the shaking ground is a sign of divine judgment. It’s a great opening, highlighting the depth’s of the emperor’s perversity, the heights of Vitas’ courage, and the certain presence of God even in these pagans’ lives. In less talented hands, the earthquake’s unlikely timing could have come off as cheesy, since in real life God more often uses “ordinary means” (like doctors’ talents or wise friends’ advice) than miracles to accomplish His ends. But miracles do occur, and Brouwer makes it believable. It’s a good thing too, as this is but the first miracle in a story that’s all about how God used miraculous means – the prophetic words in the book of Revelation – to warn his Church to flee the fall of Jerusalem in 70 AD. What Brouwer and his writing partner, theologian Hank Hanegraaff, have done here is write an alternative to Tim LaHaye and Jerry Jenkins’ popular Left Behind series. Where Left Behind places the beast of Revelation 13 in our near future, Brouwer and Hanegraaff place him in the first century, in the near future of those who first received John’s letter. And they identify the beast as Nero and the bloody empire he led. This “partial preterist” (partial past) interpretation of Revelation holds that the book was written before the fall of Jerusalem in 70 AD, and the city’s fall is a partial fulfillment of much of the prophecy in Revelation. This, then, is fiction meant to teach as well and entertain, and it does both brilliantly. Brouwer has crafted a story that takes us all around the Mediterranean, with Jews, Romans, and even troubled Christians wrestling with the question of “Who is Jesus?” There’s also political plotting, assassination attempts, sieges, gladiators, and just a touch of romance. The slowest bits are when theologian Hanegraaff has characters take a page or two to teach Vitas and others what a particular passage in Revelation means. If you’re reading it only for the story, these sections might drag, but they are well spaced out. And if you’re interested in learning about the partial preterist interpretation of Revelation, these will be your favorite passages. Cautions One caution: Nero’s depravity, though described with restraint, still means this is not a book for younger teens. If The Last Disciple series has you eager to read more of Sigmund Brouwer’s work, be aware that he is a proponent of theistic evolution, and also an Arminian. That doesn’t come up in this series (or his best book, Innocent Heroes, a treat for kids, teens, and parents alike) but it does come up in some others. Finally, readers should be aware that partial preterism probably isn’t the majority view in Canadian Reformed churches (though I’m not sure what the majority view might be, as Revelation seems to be only rarely discussed). Some do hold it though, and it's also held by Reformed pastors outside our circles such as RC Sproul, Douglas Wilson, and Jay Adams. Conclusion The Last Disciple is a great book, kicking off a great series. The cast of characters is large, so if you’re like me, make sure you get the whole trilogy – The Last Disciple, The Last Sacrifice and The Last Temple – right away, because if you wait too long between books, you may start forgetting who is who. I’d recommend this to anyone who enjoys historical fiction – Sigmund Brouwer has got skills. And if you’d love to have partial preterism explained, well, this is the most entertaining way you could ever learn about it!...

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Adult fiction, Book Reviews

Evening Star

by Sigmund Brouwer 2000 / 317 pages Set on the 1870s American frontier, this might at first glance seem to be a Western. But there a good deal of mystery novel here too – from the moment Sam Keaton steps into the town of Laramie he’s confronted with one riddle after another. It all starts with an Indian that Keaton saves from a vicious beating. This good deed puts Keaton behind bars. Before he can engineer his escape, the town's Marshal, a mysterious sort himself, sends Keaton off to find out about some gold that may, or may not exist. While mysteries abound in this very fast-paced book, what sets it apart is the growth Keaton goes through. Early on, he's trapped in his tiny jail cell facing a very large, very angry man who has been sent to kill him. Staring down the wrong end of a shotgun barrel changes Keaton. Soon after, when a pretty, and very willing young woman throws herself at him, Keaton turns her down, but finds himself, "... wondering why I had not pursued the company she had been offering.... Because of that shotgun I could not deny the nagging feeling that I was missing something, that life had to be bigger than finding ways to satisfy the varied demands of my body. I could not escape the feeling that deep down, I'd always known life had to be bigger, but along the way I had always chosen whatever distractions it took to keep me from wondering about God. Except now, try as I might, I couldn't ignore what some certainty told me was beyond. If I turned my back on whatever instinct now pulled me to seek answers, if I chose distractions like this Suzanne, I would have to fool myself real good not to find those distractions sour and hollow." Keaton isn't done with his spiritual wrestling by the end of the book, but he has made a good start of it. But while there is a lot to love about this book, it is worth noting that there is some adult material here – there is some grit. One example: Keaton recalls a time when he was seduced by a "wild" woman. It never gets lascivious but Brouwer does describe sexual temptation in a pretty frank way. So this is a book I would recommend for adults and older teens only. While every author works hard polishing their writing, most stop once the book goes to the printer. That's not the case with Sigmund Brouwer who has revised several of his published works, creating, in one instance, three separate versions of the same story over the course of 20 years (Magnus 1995 ⇒ Wings of Dawn 1999 ⇒ Merlin's Immortals series 2012-2014). That can make for some confusion, and the possibility of mistakenly buying the same story twice. So for clarification, Evening Star had an earlier iteration, first appearing as Morning Star back in 1994. There are three other books in the series, including at least one other, Silver Moon, that was first published under another title: Moon basket. The earlier version was called the Ghost Rider series, while the revised and more recent is Sam Keaton: Legends of Laramie and in order the titles are: Evening Star Silver Moon Sun Dance Thunder Voice I've only read the first, but it has me looking forward to checking out the next three!...

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Articles, Book Reviews, Children’s picture books

David Wiesner: weird and wonderful

Super creative? Ultra creative? Mega creative? Every good picture book author is imaginative, but somehow David Wiesner (1956- ) manages to be all the more so. His living clouds, flying frogs, and artistic lizards always provide a surprise – a reader starting one of Wiesner's stories will never be able to predict how it is going to end. That's a joy for parents to experience right along with their kids: a children's story that isn't predictable! And since several of Wiesner's works are wordless, they can also be great books for reluctant readers to tackle alongside mom or dad. Wordless doesn't mean it's an easy "read" but together parent and child can put their detective skills to work to figure out all that's going on! What follows are my family's recommendations – our favorites – and then a few that we've read but which for this reason or that, I'm not going to recommend like the rest. Finally, there are three that really aren't worth bothering with. RECOMMENDED Free Fall 1988 / 32 pages A little boy falls asleep and we get to come along in his dream. As dreams often are, this is wordless throughout, one page streaming into the next as the boy goes from meeting a dragon to growing giant-sized, to flying home on a leaf. It makes sense only in the ways that dreams do. But the smart-eyed reader will be able to spot on the last page, when the boy wakes up, all the objects in the room that inspired the different parts of his dream. This is one to “read” slowly and enjoy every picture. Hurricane 1990 / 32 pages Two brothers are worried about a coming hurricane. But when the lights go out, and the family is still together, the boys realize it's not so bad after all. It even gets quite good the next day, when they discover a huge fallen tree in their neighbor’s yard. In the days that follow the huge trunk becomes their spaceship, and the branches a jungle, and the both of them together a pirate-hunting sailboat. Tuesday 1991 / 32 pages The only words we see tell us the time, and that it is a Tuesday. For reasons that are left entirely mysterious, at around 8 pm, a swarm of frogs suddenly starts flying (or is it their lily-pads that are doing the levitating?). They flock into town, chase some birds for fun, watch a little telly, and then, just as they are heading back, dawn breaks, and the sun's rays seem to sap their flying powers. That leaves the whole lot of them hopping back to their pond. This is silly nonsense and kids are sure to love it. Sector 7 1999 / 48 pages A boy on a field trip to the Empire State Building meets a rambunctious cloud (he discovers that clouds are people!) who takes him back to “Sector 7” high up in the sky where the clouds get their orders about what shape of cloud they should be. But the clouds seem a bit bored with these shapes and appear to ask the boy to draw them up some alternatives. And what fun to see clouds mimicking the sea creatures he draws! Eventually, the rambunctious cloud returns the boy to the Empire State Building, but his visit to Sector 7 might have some lasting impact, as the clouds quite like being fish-shaped. This is another of Wiesner’s wordless books and another one that parent and child will have pouring over to see all that the pictures have to say. The Three Pigs 2001 / 40 pages When our middle daughter discovered this one she just had to share it with her younger sister right there and then. This is a creative spin on the old tale as the Big Bad Wolf blows the pigs right out of the story and into some others (including Wiesner's own The Loathsome Dragon). As they travel from storybook to storybook the pigs decide there is no place like home, but also decide to bring along a guest from another story – a dragon! – to give this pesky wolf quite the surprise. Art & Max 2010 / 40 pages This might be my favorite picture book. It involves just two characters, which makes this one easy to read out loud to the kids, and there’s so much energy on each page that performing it becomes so easy to do. Art knows how to paint, and Max desperately wants to learn. (Both are lizards, but aside from the fun way they look, that doesn't really matter.) But who should Max paint? When Aurthur suggests himself, Max literally starts to throw paint on Art. And that’s when it gets wacky! As Max tries to clean the paint off Art, he starts to clean all the color off him. Art is see-through; he’s just lines! Then, when that line starts to unravel, Art becomes just a scribble. Fortunately, his friend Max is on it, and proves, as he turns that scribble into a work of Art, that he has some mad skills too. I Got It! 2018 / 32 pages Once again David Wiesner lets the pictures do (almost) all the talking, When a long flyball is hit into the outfield, a boy declares, “I’ve got it!” which are the only words in the story. But does he really have it? One dropped ball is followed by another, and it’s almost like there are obstacles (getting bigger and bigger) just reaching out to trip him up. His repeated drops have his teammates moving in closer to catch it for him, since he can’t. But then, in one last stretching leap, our boy in red jumps past the obstacles and beats his teammates to the ball for a wonderful game-winning catch. This is a very fun story, but I could see some kids needing a little help to understand what’s going on. But hey, reading together is fantastic! TAKE IT OR LEAVE IT The Loathsome Dragon 1987 / 32 pages An evil queen/stepmother casts a spell which turns a princess into a loathsome dragon. Along comes a brave prince who has to kiss the dragon three times to break the spell. The only twist in this tale is that the brave prince is her brother, and not a husband-to-be, but that’s not enough to make this seem fresh. I should add that while I was unimpressed, my girls liked this a lot more than I did. June 29, 1999 1992 / 32 pages A young girl, Holly, sends vegetable seedlings into the ionosphere for her science project just to see what might happen. Soon after giant vegetables – house-sized and bigger! – start floating down from the sky. But wait! Some of these vegetables are not the sorts that she sent up. So where did those come from? At book’s end we discover the giant vegetables came from a giant alien chef accidentally losing his ingredients while flying above Earth. Very fun to see the giant vegetables all over the landscape but I think it would have been better without the aliens tacked on at the end. Flotsam 2006 / 40 pages When a boy discovers an old-style underwater camera washed up on the beach, he brings the film in to be developed. There he discovers pictures, seemingly taken by underwater creatures themselves, and the world that they live in when we aren’t looking is certainly something to behold: little mermaids and mermen, robotic fish, giant turtles carrying shell cities on their backs, and even what looks like aliens taking rides on the guppies. Done without any text at all, each picture is another discovery. The very last snapshot is of a girl holding up a picture. And in that picture is a boy holding a picture of a girl holding a picture of a boy. A look through a magnifying picture shows this goes deeper still, and further back in time. The boy’s microscope reveals more still layers to the photo. This is inventive and fun, with the only cautions being that the young target audience may have to be informed that though the photos look quite realistic, the aliens and mermen are fantasy, not fact. DON'T BOTHER Mr. Wuffles Tiny tiny aliens have landed, but unfortunately for them, their ship attracts the attention of Mr. Wuffles, who thinks it’s one of his cat toys. To repair their ship the little aliens recruit help from ants and bugs – their treasure trove of lost marbles, pencils, loose change, and paperclips turn out to be just what the aliens need to fix things up. There's some vague religious-type imagery written by the bugs on the house walls that, along with the aliens, makes this one I'd rather just skip. Fish Girl Wiesner’s only graphic novel is the story of a mermaid girl kept captive in an aquarium by the owner who she believes is the god Neptune. It’s odd all the way around, and that she is swimming around topless for most of its 192 pages (though always with strategically placed hair, or fishes) makes this another good one to skip.  Robobaby Robots get their babies in a box, with some assembly required. This story has its quirky charm, but when Mom and Dad, Uncle Manny, and even the Robobaby tech service can’t assemble Junior properly, but the child amongst them knows just what to do, this become just one more adults-are-dumb-and-kids-know-everything story that we can really do without (Prov. 20:29, 22:15). CAUTIONS David Wiesner is an incredibly imaginative picture book author, which makes him very fun to read, but it's that same active imagination that seems to lead him into a bit of over-the-top weirdness now and again. I couldn't figure out what Wiesner's worldview/philosophy is, and it'd be a bit much to conclude he must not be Christian just because he features aliens on occasion, though aliens (at least the intelligent sort) would seem to be incompatible with Christianity (but demons masquerading as aliens would not be). However, there's nothing in his books that would give us reason to conclude he must be Christian. In lieu of evidence one way or the other, that's good reason for parents to approach his future output with some caution. CONCLUSION If you have a creative kid, Wiesner's best could be just the spark they need to think bigger and bolder. And if you have a not-particularly-creative kid, Wiesner might be an inspiration for them too, showing them how there are all sorts of possibilities to explore and fresh ways of looking at things. Finally, if you have a reluctant reader, Wiesner's wordless books – Freefall, Tuesday, Sector 7, and I Got it! – might be an encouragement for them to page through, especially if mom or dad comes alongside....

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Culture Clashes

How the Bible made the world a better place

Though most wouldn't want to admit it, the Bible has made the world a better place even for those that don’t believe it. How can that be? Well, it was the worldview taught in the Bible that led to the development of modern science and all its benefits. It was the same worldview that led to the dramatic expansion of educational institutions, as well as the greater political freedom and economic prosperity we enjoy. Most people today enjoy higher standards of living and better medical care simply because the Bible influenced Western culture in a particular direction. Vishal Mangalwadi, a Christian intellectual from India, explains all this in his 2011 book, The Book That Made Your World: How the Bible Created the Soul of Western Civilization. Mangalwadi was born and raised within a culture dominated by Hinduism, and this experience gave him special insight into the effects of Christianity on the world and particular nations. So what are some ways a biblical worldview makes the world better? Monks at work As a basic principle, the Bible promotes a strong work ethic. The apostle Paul wrote in 2 Thessalonians 3:10 that “If anyone is not willing to work, let him not eat.” While there are probably hard-working people in every culture, Mangalwadi explains that Christianity places a unique emphasis on work: “The God who liberated the Jews worked for six days and commanded human beings to do the same. That is the opposite of Hindu tradition, which conceives of God as a meditator or Yogeshwar (‘god of yoga’).” The biblical emphasis on work inspired Christian monks to use their time well. Saint Benedict, who is known as the father of Western monasticism, supported a strong work ethic and wrote that “Idleness is an enemy of the soul.” Christian monks in Europe were important to the early development of technology, some of which we still use today. They were, Mangalwadi writes, “the first to begin the widespread use of the watermill for grinding and for developing power machinery.” Clocks and eyeglasses Another important example is the invention of clocks. As one scholar, David Landes, has argued, “clocks were invented because monks needed them.” They had set times for prayer and for particular jobs that had to be done. After sunset, the sundial was of no use. The need for proper time management drove the quest for something reliable, and clocks were the solution. As Mangalwadi explains, the impetus for creating clocks resulted from a specifically Christian worldview: “The Bible-shaped culture made time management an aspect of establishing human dominion over the physical universe because the Bible saw time as a part of physical reality. By contrast, in Indian culture, time was perceived either as an eternal but terrible god (Kal) or as a part of the cosmic illusion (maya).” Besides clocks, Christian monks also had a role in the invention of eyeglasses. They spent lots of time reading and studying, but that became more difficult as they got older and their eyes became weaker. Eyeglasses dramatically improved the ability of older monks to read and work on manuscripts. Of course, other religions such as Hinduism and Buddhism also have monks, but it was the Christian ones at the forefront of technology. As Mangalwadi puts it, “Christian monks were different because the Bible gave them a different worldview.” Lots to learn People who believe that the Bible is the Word of God will be greatly motivated to read it. Thus, especially after the Reformation, there was a strong impetus to increase literacy in Europe. In other words, Christianity was the main driver for the expansion of literacy and education. According to Mangalwadi, the Bible directly inspired the creation of the first 123 colleges and universities in the United States. But it wasn’t just Christian countries that benefited from this educational impulse. As missionaries took the gospel to countries throughout the world, they also promoted literacy and education so that people could read the Bible and improve their lives overall. As Mangalwadi writes: “They birthed, financed, and nurtured hundreds of universities, thousands of colleges, and tens of thousands of schools. They educated millions and transformed nations. This gigantic, global mission was inspired and sustained by one book—the Bible.” Looking for scientific laws The scientific revolution of the sixteenth and seventeenth centuries was launched by men who had been strongly influenced by the Bible. The biblical worldview provided the philosophical basis for their quest. In contrast, other worldviews see life and reality in ways that often discourage scientific pursuits. There were, of course, many intelligent and capable Hindus and Buddhists. However, they did not have the philosophical motivation to pursue scientific knowledge. As Mangalwadi explains: “A culture may have capable individuals, but they don’t look for ‘laws of nature’ if they believe that nature is enchanted and ruled by millions of little deities like a rain god, a river goddess, or a rat deva.” In short, people live according to what they believe, and if they believe an erroneous worldview, they will be limited in what they set out to achieve. In contrast to the Hindus and Buddhists, the “pioneers of science believed that the material realm was real, not magical, enchanted, or governed by spirits and demons. They assumed it was understandable because God created it as rational, ordered, and regulated by natural laws.” Early in the history of India, a certain degree of medical technology developed. In fact, there were people in India who were medical geniuses. However, medical technology could only go so far in India because of certain cultural limitations. For one thing, special knowledge was considered to be something to keep secret, not something to share with others. Besides that, the Hindu and Buddhist concept of “karma” helped prevent the spread of medical care. Suffering was considered to be punishment for deeds committed in a previous life. Suffering, in this sense, was a form of justice. It was widely believed that alleviating someone’s suffering now would only increase it later, so it was better to leave them to suffer now. As Mangalwadi summarizes, “my ancestors did not lack intelligence, but our genius was expressed in a philosophy that taught us to worship nature instead of establishing dominion over it.” Honesty Mangalwadi tells an especially interesting story that illustrates the power of the Bible. Once when he was visiting the Netherlands, a Dutch friend took him to get some fresh milk. They drove to a dairy farm familiar to the friend. They walked into a building with a large tank containing milk. The friend opened a tap and filled a jug he had brought with milk. Then he put some money into a nearby bowl containing cash, and they left. Mangalwadi was shocked by this transaction, telling his friend, “if you were an Indian, you would take the milk and the money!” However, the Dutch dairy farmer knew that he could trust his neighbours to be honest about paying for the milk they took. Thus they could come and go at will, taking what they needed and leaving an appropriate payment. It was all based on trust because the people were trustworthy. Later, Mangalwadi recounted this experience to a conference in Indonesia. An Egyptian conference participant told him that an Egyptian would not only take the milk and the money, but also the cows! In many countries of the world, a dairy farmer who wanted to sell his milk directly to customers would need to hire a cashier because he wouldn’t be able to trust his customers. As a result, he would have to charge a higher price for the milk to pay for the cashier. But if the customers could not be trusted, neither could the dairy farmer himself. So the customers would want the government to hire inspectors to ensure that the farmers were not adding water to the milk. Therefore, taxes would need to be collected to pay the inspectors, increasing costs even further. The bottom line is that an economy in a culture that produces generally honest citizens can operate more efficiently and at lower cost than one in a culture of dishonesty. If producers and consumers can trust each other, the cost of doing business is much lower. Such a situation, of course, contributes to overall economic prosperity. With this in mind, Mangalwadi asks what made the ordinary people of the Netherlands so different from people in India and Egypt? “The answer is simple. The Bible taught the people of Holland that even though no human being may be watching us in that dairy farm, God, our ultimate judge, is watching to see if we obey his commands to neither covet nor steal.” Corruption A German organization called Transparency International creates an annual ranking of countries to compare their levels of corruption. The ranking is called the Global Corruption Perceptions Index (CPI), with the least corrupt countries listed at the top, and the most corrupt at the bottom. Countries heavily influenced by Protestantism dominate the top ten. In the 2021 CPI, the only non-Protestant countries in the top ten are Singapore at number 4 (where there are more Buddhists than Christians), and Luxembourg at number 9 (which is predominantly Roman Catholic). As Mangalwadi explains: “The CPI confirms what I saw in Holland—that the Bible is the only force known to history that has freed entire nations from corruption while simultaneously giving them political freedom. The most secular nations—that is, the ex-communist, atheistic nations, which teach that when no man or machine is watching you, then no one is watching you—are among the most corrupt nations, not too different from Hindu, Buddhist, and Muslim nations.” The CPI provides empirical evidence that the countries most influenced by the Bible in the past are the least corrupt. Friedrich Nietzsche Nineteenth-century German philosopher Friedrich Nietzsche was a critic and opponent of Christianity. He saw that Christianity helped the weak and downtrodden to survive and thrive, and didn’t like it. In his view, the survival of wretched and downtrodden people weakens society. It would be better for them to perish so that only the fittest would survive, creating a society of strong, able-bodied people. As far as Nietzsche was concerned, Christianity had undermined the strength of the West. Interestingly, Nietzsche’s critique can actually be seen as a back-handed compliment to Christianity. As Mangalwadi points out, Nietzsche was essentially correct about the effect of the Bible on history: “It drove the movement for the abolition of slavery and promoted care for the weak, such as widows, orphans, the handicapped, and leprosy patients. From liberating and rehabilitating temple prostitutes to reforming prisons and bringing sanity and morality to wars, the biblical tradition has been the most powerful civilizing force.” Conclusion The Bible has done much to make the world a better place. Even people who reject it benefit from its effects. The Bible introduced a worldview that initiated technological development, the spread of education, and economic prosperity. Christian missionaries have done much to improve the lives of people in many countries of the world. And these are just some of the material benefits that resulted from the Bible. Even more importantly, it shows the only way of salvation through faith in Christ. There is nothing like the Bible....

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Articles, Book Reviews

20+ Christian fiction suggestions for your 10-15-year-old boys

I was recently asked for some reading suggestions for boys aged 10-15. This is when boys can sometimes stop reading, so I didn't want to pitch them run-of-the-mill material. Nope, I wanted to hit them with the best of the best, so what follows are my top suggestions. Each includes a short description, and, in most cases, clicking on the title will take you to a longer review. Classics Christian fantasy We'll start with a classic: Lord of the Rings might be a bit much to expect for this age group, but The Hobbit is a shorter, easier entry to Tolkien's Middle Earth, and after that taste, who knows but that they might continue. C.S. Lewis' 7-book Chronicles of Narnia are well-known to most everyone, for good reason. A lesser-known imitator is worth a mention: Canadian author John White has written a good, if not quite up to Lewis-level, 5-book series called The Archives of Anthropos. Some kids eager for more Narnian tales will devour this reasonable facsimile, but it isn't the sure-fire bet that some of the other offerings here are. Sigmund Brouwer My favorite fiction author Sigmund Brouwer happens to be a theistic evolutionist and Arminian, which occasionally comes up in some of his fiction. But not in these two fantastic titles: Innocent Heroes: Stories of Animals in the First World War are all true tales, but lightly fictionalized in that they now all take place in just one Canadian battalion. Everyone in our family love, love, loved it! Wings of Dawn is older and might be hard to find but is worth tracking down. It's a medieval setting with what seems like magic all around, but the magic is actually just new (to the time) discoveries like gunpowder and kites. Very clever! Douglas Bond Douglas Bond is another favorite, and decidedly Reformed. While I wasn't as captivated by his early books, he keeps getting better. All four of these are really great reads: War in the Wasteland is a fictional account of C.S. Lewis's time in World War I's trenches back when he was still an atheist. The Revolt is about John Wycliffe (a Reformer who died more than 100 years before Martin Luther nailed up his 95 theses) and his times. It's books like this that make learning Church history a joy. The Thunder is a fictionalized biography of John Knox. Bond helps this Reformation giant come alive Hostage Lands is really two stories in one, with the first about a boy who doesn't want to learn Latin, but discovers a tablet in Latin telling a story going back to when Rome still ruled the British Isles. Super series Some favorite series include: Andrew Peterson’s The Wingfeather Saga is a 4-book series that has recently been expanded with a short story collection by the author's friends (and the books are now being turned into an animated TV series). Jonathan Roger’s Wilderking Trilogy is another family favorite, inspired by, but not trying to be, the story of King David. S.D. Smith’s The Green Ember has 10 books in the series so far – 4 big and 6 smaller – and I got my kids interested by starting with one of the smaller ones, The Last Archer. That's out of order, so I had to share a little bit of the backstory to clue them in. All it amounted to was telling them that the rabbits were preparing for war, and there had been a traitor in a prominent rabbit family, the Longtreaders, so the rest of the rabbits were suspicious of the whole family, even though the rest were not traitors. That was enough to get my kids started with this smaller, action-packed volume, which they all loved (and which we've read 3 times now). Stephen Lawhead’s In the Hall of the Dragon King is a trilogy. Also good is his Song of Albion trilogy, though it is a more magical series. The inclusion of magic in fantasy fiction can be fun, because it allows for normal rules (like gravity) to be broken. But it is limits that keep a story grounded and connected to the real world, so if a fantasy author doesn't write with some restraint – if it is just magic, magic, and more magic – things can quickly get nonsensical and just plain weird. In Lawhead's Song of Albion there's more magic than In the Hall of the Dragon King, but still tight constraints on it. Those constraints fell by the wayside in Lawhead's later books, which became increasingly odd. So this is not a recommendation for everything he wrote. Piet Prins' Wambu is a 3-book series about a cannibal boy who turns to God, and then returns to his family (who might eat him!) to share God's good news. This is an older series that might be hard to get. Gripping graphic novels Finally, I'll include a couple of graphic novels suggestions that, despite the comic-book format, are weighty enough to require something from the reader. This is educational fare that most in this age group will be able to appreciate: Animal Farm – an all-time classic that might even be better in this more accessible format. The Hobbit: the Graphic Novel is a work of art, and if the original novel is a bit much for a boy, this graphic novel version might be a good alternative. The Giver – a dystopian take on a future 100 years from now when war has been eliminated by muting mankind’s emotions and by eliminating the conflict that comes when we have to make choices. Wonderful one-offs I'll finish off what a potpourri of individual titles. Dangerous Journey is a retelling of John Bunyan's The Pilgrim's Progress with modernized text suitable for teens, but pictures only suitable for boys (there are some grim ones!). Gary Schmidt's Pilgrim's Progress is a retelling that might also be good for this age, or for the ambitious, there is the lightly modernized (but to great effect!) edition edited by C.J. Lovik. Anne DeVries' Journey Through the Night tells the story of the Dutch Resistance during World War II. This is a great book, but it's older, which means it might take a little prodding from Mom or Dad, maybe reading the first chapters together, to help your son get interested. Ethan Nicolle's Brave Ollie Possum is not nighttime reading, tackling, as it does, the things that go bump in the night. But many a teen boy will love it. Jonathan Renshaw’s enormous Dawn of Wonder is astonishing, but it is also only the first book in an as yet unfinished series, so here's hoping the sequels don't ruin it. Douglas Wilson’s Flags out Front might seem a bit old for this group, set, as it is, on a Christian college campus. But for 14 and 15-year-olds, beginning to anticipate life after high school, this will show them how, to glorify God in battle, Christians don't need to seek out fights, but just have to be willing to fight the ones that God sets before us. ...

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Adult fiction, Book Reviews, Teen fiction

Shane

by Jack Schaefer 1949 / 176 pages Sometimes I reread children’s literature because I enjoy being captured again by the quality of writing and the stir of imagination. I read Laura Ingalls Wilder alongside every Louis L’Amour western in my junior high library. Not one librarian said I couldn’t read them because I was a girl, and thankfully, those same librarians pointed me next to Zane Grey. At age 13 and 14, these westerns were deep to me, even if I did recognize the plot patterns. I loved them. Action, mystery, rescue, the setting sun, the lonely West, and often, a misunderstood man. In the same vein, Jack Schaefer’s very first novel creates a story that’s even more impactful. Shane(1949) began as a short story that was serialized in three parts in Argosy magazine in the late 40s. First titled “Rider from Nowhere,” it wasn’t intended for young children, though it’s certainly suitable. Through the eyes of a child narrator and from his opening description, Schaefer crafts a deeper cowboy character than most, perhaps because we witness Shane’s moral choices and his influence upon an entire family. Dressed with a “hint of men and manners,” Shane mysteriously arrives in the Wyoming valley alone on his horse. I know, I know. It begins like a cliche to our adult eyes. And yes, we soon find out that a few homesteaders are holding out against one greedy rancher. It may seem predictable to an experienced reader but that is not the case for young hearts able to view historical realism with wonder. The appeal is simple. Yet here is where the story veers because Schaefer shows us, rather than tells us, who Shane is as he meets and is hired by homesteader Joe Starrett. Shane carries a chill with him yet is careful of his dress. He’s not large yet he’s wiry and powerful. Within the first day of working for Joe, Shane’s presence alone dissuades the local peddler from cheating Joe. Young Bob shares, “You felt without knowing how that each teetering second could bring a burst of indescribable deadliness…a strange wildness.” Even with an aloof nature, Shane begins a friendship with Bob, sharing chores and sharing wisdom like “What a man knows isn’t important. It’s what he is that counts.” But there are moments when the mystery of who Shane is overshadows his behavior. When he shows Bob how to hold and aim a pistol, a fierce moment of memory hits and Shane freezes, his face described as a “gash.” Bob has to say his name several times to break the hold of the past. Many times, Schaefer describes how Bob recognizes there’s more to Shane, yet Bob, and yes the reader, never learn enough. The story unfolds, tensions rise, and the homesteaders must choose to fight the manipulative mob boss of a rancher. More than once, Bob must watch Shane fight to right a wrong. He sees, and we see, “the flowing brute beauty of line and power in action” as Shane overpowers the rancher’s men. By story’s end, we want more. Schaefer has furrowed our curiosity to a point where we love Shane as much as Bob and his family do, yet we all remain caught in the unknown of who he is and who he was. It remains a true mystery and begs us as readers to ponder, to resolve, to discuss not only who Shane was but also who we are. Christine Norvell blogs at ChristineNorvell.com where a version of this review first appeared....

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Book Reviews, Teen fiction

On the Edge of the Dark Sea of Darkness

by Andrew Peterson 284 pages / 2008 My wife hasn't read this book, but she enjoyed it too. As I made my way through I couldn't help but read whole chapters to her, or, if she wasn't nearby, the next time she came by I'd update her about all the wackiest bits. And there are a lot of wacky bits. The "Dark Sea of Darkness" in the title gives a clue right off as to Peterson's goofy sense of humor. The subtitle is even better: "Adventure. Peril. Lost Jewels. And the fearsome toothy cows of Skree." While I read the first three chapters to my wife I'll restrain myself here, and pass along only the first few lines of the opening which is titled: "A Brief Introduction to the World of Aerwiar." Peterson wants us to know this takes place on an entirely made-up world so he begins with his own creation story: The old stories tell that when the first person work up on the first morning in the world where this tale takes place, he yawned, stretched, and said to the first thing he saw, "Well, here we are." The man's name was Dwayne, and the first thing he saw was a rock. Next to the rock, though, was a woman named Gladys, who he would learn to get along with very well. In the many ages that followed, that first sentence was taught to children and their children's children and their children's parents' cousins and so on until, quite by accident, all speaking creatures referred to the world around them as Aerwiar. That gives a good taste of the fun that is to follow. The heroes of this epic tale are three siblings: Janner and his little brother Tink, and their littler sister Leeli. The villains are the Fangs of Dang, under the direction of the "nameless evil...whose name was Gnag the Nameless." Our story begins nine years after the Fangs sailed across the Dark Sea of Darkness and conquered the lands of Skree, and it is in a little cottage, in this conquered land, that the family Igiby resides: the three children, their mother, and their grandfather. The Fangs are cruel, bureaucratic, and they look exactly like "...humans except for the greenish scales that covered their bodies and the lizard-like snout and the two long venomous fangs that jutted downward from their snarling mouths." Oh, and they have tails. And worst of all, they think the Igbiy's have the lost Jewels of Anniera! Janner, Tink, and Leeli don't know anything about any jewels, but they're curious sorts, and they are eager to find out all they can. So Peterson is writing not just a fantasy, but also a mystery, and certainly a comedy. And he's managed to slip in a really good chase film too. Caution A word of warning might be due as far as the comedy is concerned. Some of it could be described as juvenile: no potty humor, but Janner does, at one point, discover a candle made of "snot wax." Peterson peppers the book with footnotes and for the candle he has this entry: 1. Snot wax is too repulsive a thing about which to write a proper footnote. Then there are the vile Fangs of Dang. Their name gives a good indicator of the line that Peterson draws: it leaves no doubt that they are a vile bunch, but Peterson isn't going to use vile language. And yes, the Fangs like to eat brown lettuce, maggot-loaves, and anything that wriggles, but this humor is all of a sort that will appeal to boys, gross out their sisters, and leave parents largely untroubled. Conclusion But what mom and dad are sure to love is the prominent place that parents have in Peterson's story. In most teen fiction parents are either dead or dumb; the teen hero is either an orphan or wishes he was. Here we have a well-respected mother and a grandpa who is doing what he can to fill in for the siblings' long-dead father. So when Janner makes a big mistake and doesn't know what to do he is smart enough – and he loves and respects his grandpa enough – to know he should go to the old man for help. This might be where the author's Christian faith most comes to the fore. Andrew Peterson is better known as a Christian songwriter, and while this is not a specifically Christian fantasy, the virtues lauded in this book are of the sort found in Philippians 4:8. These three siblings know they can look to their grandpa for guidance, for love, and to see what sacrificial leadership looks like. So I'd recommend this as a very fun and positive book for fathers to read with their boys 10 and up, or in some cases maybe even a couple of years younger if they can handle battles and lizard-like villains. This is a fun one that will have both dad and son laughing, and turning pages quickly. I'm learning too, that while there are some notable distinctions between "girl books" and "boy books" if a dad really loves a book, his daughter is quite likely to love hearing him read it. So this could be a very good dad/daughter book too, maggot-loaf aside, with little Leeli giving daughters someone to cheer on too. This was so good I was thankful to discover there were three more titles in this wild and wacky Wingfeather Saga series, plus a short stories collection! The series has been republished now, with new covers and extra pictures inside, so be sure to get the newer version. It's also being turned into a TV series, and a sneak peek is available below. ...

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Book Reviews, Children’s fiction, Teen fiction

The Bark of the Bog Owl

by Jonathan Rogers 2014 / 248 pages Our hero, Aidan Errolson, is a medium-sized twelve-year-old with dreams that are far bigger. When we join his story he's just putting the finishing touches on a letter: My Dearest King – You will be glad to learn that I am still available for any quest, adventure, or dangerous mission for which you might need a champion or knight-errant. I specialize in dragon-slaying but would be happy to fight pirates or invading barbarians if circumstances require. I would even be willing to rescue a fair maiden imprisoned by evil relatives. That would not be my first choice, since I am not of marrying age. Still, in peaceful and prosperous times like these, an adventurer takes whatever work he can find... For Aidan, it's all that peace and prosperity that's the problem. While his father was a great warrior, and his grandparents carved out a settlement on Cornwald's wild eastern frontier, Aiden's only excitement comes from the imagined foes he fights in defense of the flock he's been tasked to tend. However, things quickly take a turn. First, Aidan hears the bark of the Bog Owl, a creature that has never been seen. Then the Bog Owl turns out to be one of the feechiefolk, who are no less the stuff of campfire stories, akin to impish elves, or fierce boogeyman, and like them both, entirely made-up. But this feechie boy is anything but... and he wants to wrestle. Second, Bayard the Truthspeaker makes an unannounced stop at the Errolson farm to see, so he says, the "Wilderking of Corenwald." And Bayard declares that it is none other than little brother Aidan. That's quite the surprise, and quite awkward too, because Corenwald already has a king, and the Errolson family are his most loyal supporters. Now, if you're a bit quicker than me, this last bit might be ringing some bells, reminding you of Samuel's visit to the house of Jesse (1 Sam. 16). This is where my middlest caught on, but I needed several more chapters. I finally figured it out when Aidan fights a giant. With a sling. And five stones. In my defense, this is only very loosely based on David – Aidan has to deal not only with a giant, but cannons too, and there's no feechie folk in the original either. That it is inspired by, but does not pretend to be, the story of David is part of what makes this so intriguing. While there'll be no confusing the two tales, Rogers' account will have you reflecting on what a tough position David was in, the king not yet crowned, loyal to, and yet chosen to replace, the failed king. Requirements I usually list any possible cautions for the book being reviewed, but there are none for Bark so I'll list one requirement instead: this absolutely needs to be read aloud. The feechie folk dialogue, as it is paced and misspelled, will have you speaking with the most delightful accent, without even trying. Jonathan Rogers makes it easy for a dad to sound good. Conclusion I really can't praise this one enough. I started reading it on my own, and had to stop midway and start again with my girls because this was simply too good not to share. The Bark of the Bog Owl has been compared to The Lion, the Witch, and the Wardrobe, not so much for story similarities, but because both are clearly Christian and utterly fantastic fantasy. Bark of the Bog Owl is a book that, if you do read it to your children, you can be sure that one day your grandkids will hear their own parents reading it to them too. The two sequels – The Secret of the Swamp King, and The Way of the Wilderking – complete the story. This is really one epic tale split into three parts, so be sure to buy the set. You can preview the first 2 chapters here. And for a second opinion, read Hannah Abrahmason's take at Reformed Reader....

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Book Reviews, Graphic novels

Manga Classics: Anne of Green Gables

by L.M. Montgomery adapted by Crystal S. Chan 308 pages / 2020 Anne is an orphan girl living in the Prince Edward Island of the 1870s, sent by mistake to the home of an aged brother and sister who need help with the farm work. The mistake is, they asked for a boy. Instead, they got the imaginative, effusive, emotional, red-head Anne. And once they meet, they can't let her go. While Lucy Maud Montgomery was a Canadian author, and Anne of Green Gables (first published in 1908) a very Canadian story, it's always been incredibly popular in Japan too. So it makes sense that her story would be given a manga treatment. Thankfully, the adaptation is faithfully done, and at 300 pages, given the space it needs to tell the story well - only a very few scenes are given an abridged treatment. If you're unfamiliar with manga, the style does take some getting used to, in the first place because the Japanese read right to left. That means what would be the back of the book to us, is the front of the book to them. Even though this is in English, it's still formated in that "reverse" style. Another feature that will strike readers as unusual is the way manga will sometimes depart from a semi-realistic style of drawing to something much more cartoonish, and then go back to realistic all in the space of a few frames, or even in the same frame. So, for example, while Anne's strict and controlled adoptive "mother" Marilla is depicted with realistic eyes, the emotional Anne has eyes in all sorts of styles. Most often they are doe-sized, but when she is angry or perturbed, they become big black dots, and sometimes she is drawn with no eyes at all. If that strikes you as very strange, just consider how a Western reader will know that a lightbulb over a character's head means they have an idea. That's a bit of cartoon "emoticon shorthand" to let readers know something without spending a lot of words on it. Manga has its own, different cartoon emoticons, and they do need to be learned. But just like the lightbulb, they aren't hard to figure out. Cautions Cautions here are only the same ones that we'd have for the original source material. At one point Anne is being taught how to pray, and her first prayer, while not exactly disrespectful, certainly isn't what it should be. But the point is, she doesn't know how to talk to God, and still has to be taught, so I don't think this should be much of a concern. Then there's also Anne's stubbornness. When a classmate, Gilbert Blythe, calls her "Carrots," Anne breaks her chalk slate over his head. You'd think that would make them even (or put Anne in need of apologizing to him) but Anne resolves to never speak to Gilbert again. And she keeps to that pledge for years! The book shows this to be ridiculous, and I only mention it here because this comic format makes Anne accessible to a younger audience that may need a little parental guidance to recognize just how bad Anne's stubbornness really is. Finally, in an afterword to the story, the adapter Crystal Chan notes that she is a feminist who "loves the elements of feminism in Anne of Green Gables." "Feminist" is sometimes synonymous with supporting "a woman's right to choose" so that might have parents concerned about whether this ideology is hidden within. But there is no need for worry: whatever sort of feminist the adapter might be, she has stuck closely to the original 100-year-old material (unlike the recent Netflix adaptation). Conclusion This is a fantastic, faithful, adaptation of a great book. Teens should skip straight to the original, but for younger readers, or the reluctant sort, this will be a great way to introduce them to this dynamic lass. If you do intend to get a copy, be sure you get the "Manga Classic" version, as there is another comic, that one by C.W. Cooke and Tidalwave Productions, that only tells part of the story, ending abruptly and with no conclusion coming. I've included its cover image to the right here, to make it easier to identify what not to get. Don't accidentally get that one while you're searching for this manga adaptation....

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Book Reviews, Teen fiction

Bell Mountain

by Lee Duigon 267 pages / 2010 Jack and Ellayne are two children on a mission from God: they are going to ring the bell that King Ozais built on the top of Bell Mountain. But there are a few things in the way: They’re just kids who don’t know anything about mountain climbing, traveling through the woods, or living off the land. They’re not sure there really is a bell on the top of Bell Mountain – no one alive has ever seen it. An assassin has been sent to stop them. They think the end of the world might happen when they ring it. It’s quite the mission, and quite the opening for this, the first book in author Lee Duigon 13-going-on-14 book series. The setting seems to be a medieval one: travel is conducted by horse and oxen, people live in walled cities and villages, and they fight with swords and spears. But when Jack and Ellayne meet a little squirrel-sized chirping man-creature named Wyyt it becomes clear this is not our world. Here Man once had the power to fly through the skies, but no longer – something happened long ago that left behind destroyed cities and set technology back a thousand years. In this post-apocalyptic world the national "church" (or Temple) has become so corrupt that no one reads the “Old Books” anymore but instead only the Temple’s interpretation of the Old Books is shared (if this makes you think of the pre-Reformation Roman Catholic Church, I’d agree that the author’s Reformed bona fides are showing). As the author puts it, people have forgotten how to listen to God. They don’t even know how to pray – that’s something the priests do for them. Now God is going to use two little children to rectify the situation. This is definitely a children’s story. The heroes are children, the tension level is appropriate for ten and up – lots of peril but nothing nightmare-inducing – and the plot, while nicely layered, is simple enough for children to follow. But there is a depth that will make them enjoyable for adults as well. Lee Duigon is simply good at what he does. I knew from the get-go this was a quest story, but I was always eager to find out what was going to happen next and so were my girls. I've read each of the 13 books in the series to them them, and they've always been eager for the next one to come out. The only way to purchase this series in Canada seems to be via the Chalcedon Foundation website store (chalcedon.edu/store). The Chalcedon Foundation is Reformed, as is our readership, but they are also Christian Reconstructionists, which most in our readership are not. It might be worth noting, then, that anyone who objects to Christian Reconstructionism would not find that a reason to object to anything in these books – it doesn’t come up. I'd recommend these for Grade 3 and up if they're reading them, but if dad is doing the reading, then they'd be good for kindergarten-aged children too....

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Book Reviews, Graphic novels, Teen non-fiction

Luther: Echoes of the Hammer

by Susan K. Leigh illustrated by Dave Hill 2011 / 144 pages I think this is the perfect complement to Luther: the graphic novel, which might be the more exciting of these two Luther comics, but which also plays a little looser with the details. Meanwhile Luther: Echoes of the Hammer is a more reliable history lesson, even as it isn’t as dramatic. I tested this graphic novel on two of my nephews with mixed results. The older one, heading to grade 10, was happy to take a look, and thought it would be a great way to learn about Luther. The other, two years younger, seemed to think it was too much biography and not enough comic book for his tastes. As far as comics go, this one is quite an involved, even heavy, read. Interspersed throughout are explanations of key events, like the Diet of Worms, key terms, like “indulgences,” and key figures, like Charles of Spain, the Holy Roman Emperor. These one or two-page insertions really add to the narrative and make this a highly educational comic. However, a few of these insertions will also trouble informed Reformed readers. In one list of Luther’s adversaries, Calvin is numbered among them! While it is true Calvin and Luther had their differences, it is surprising to see Calvin listed as an opponent. Especially when, some pages later, we find Erasmus listed as one of Luther’s supporters! While Erasmus was, like Luther, critical of the Roman Church, he never left it, and this led to strong, vitriolic disagreements with Luther. In fact, Luther once called Erasmus, “the very mouth and organ of Satan.”  It is downright silly, then, for the authors to list Erasmus as a friend if they are going to list fellow Reformer John Calvin as an adversary. The only other quibble would be the overestimation the authors have of Philip Melanchthon, describing him as “a great Reformer, second only to Martin Luther.” Second? Really? How can they overlook Calvin like that? Those quibbles aside, this is an impressive book. The writing is crisp, succinct and engaging. The artwork is attractive and while only half the book is color (the other half being black and white) it worked. Many of these pictures are also instructive, worth the proverbial thousand words. For example, in the pages covering Luther’s visit to Worms, illustrator Dave Hill shows us the man’s quiet passion, his many supporters, and his opponents marshaled together. This gives us a good understanding of the setting, and thus a better understanding of the courage it took for Luther to stand up for what he knew to be true. Older teens will enjoy it, and many an adult too. (Also worth a mention is that the same team of authors and illustrators have created a sequel, focused on his wife – Katie Luther is a little shorter, and a little less involved, but also quite enjoyable.)...

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Book Reviews, Graphic novels

Canada at War: a graphic history of World War II

by Paul Keery, illustrated by Michael Wyatt 176 pages, 2012 Halfway through Canada at War, I realized it was filling in an odd gap in my education. I had read about the Dutch experience of World War II in great kids’ books like Anne de Vries’ Journey through the Night and Piet Prins’ Scout series, and a love of classic war films like Casablanca and Twelve O’Clock High had given me a good sampling of the American perspective. But I don’t know if I've ever seen the war through Canadian eyes. Canada at War is a “graphic history” – otherwise known as a comic – but it would be a mistake to dismiss this as fluffy kids’ stuff. It is weighty and well-researched and would be best understood as an illustrated history textbook. It includes chapters on: Canada before the war Canada’s early defeats defending Hong Kong from the Japanese and attacking German-held Dieppe, France The creation and impact of Canada’s Air Force The Canadian Navy’s seemingly impossible task of protecting the Atlantic supply chain from U-boat attacks The costly lessons our Army learned in Sicily and Italy The joint invasion of Europe The Canadian role in the liberation of the Netherlands and the final defeat of Germany Author Paul Keery, and illustrator Michael Wyatt do a masterful job of explaining, in just 176 pages, how Canada went from having next to no military to, in the space of just five years, becoming the third most powerful fighting force in the world. And they give readers a good understanding of just how much we owe the 1 million men who served. Cumulatively the pictures are worth many thousands of words. Descriptions can’t quite convey the information available in a picture of a sailor waste deep in water on a leaky Corvette assigned to protect otherwise defenseless supply ships on their way to Britain. There is also a lot packed into a single frame, when we see a bomber pilot relaxing at his home base, happy to have survived another bombing run, but knowing that he has only a 1 in 4 chance of living through to the end of his tour. The style of the visuals is also striking: it’s a mix of quite realistic computer animation and solid simple lines. Illustrator Michael Wyatt shows us action and lots of it, including planes being blown apart and submarines being sunk. However, Wyatt uses great restraint, showing the results of war – the blood, death, and destruction – without dwelling on the gory detail. This bloody detail is most often muted, either by being obscured (oftentimes by making use of silhouette images) or by being skipped right over. For example, in one exchange we see a soldier with blood on his face, but only learn how it happened from the caption. But as should be expected in a “graphic history” of World War II, there are a few “graphic” frames. That said, Canada at War is intended for a young adult readership, and these pictures are unlikely to shock them. I've included a few of these frames immediately below this review so that parents can evaluate the visuals for themselves. This is an impactful book that will give this generation a far better understanding of what their grandparents and great-grandparents endured to give them the Canada they see today. ...

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Adult biographies, Book Reviews

Dancing Under the Red Star

by Karl Tobien 368 pages / 2006 This is American Margaret Werner's perspective on the USSR's forced labor camps – the Gulag – that she was sentenced to for a ten-year term. While the subject matter is heavy, this is not a difficult read; it is encouraging to see how Margaret and her mother both trusted that God would see them through. Contents So how did an American woman end up in a Soviet prison camp? Margaret Werner's father Carl worked as a supervisor at the Ford Motor Company in Detroit. In the beginning of the 1930s, Ford built a modern manufacturing plant in Gorky in the Soviet Union and recruited 450 specialized employees to move to Gorky to operate it. Carl was one of them, an idealistic person who believed that he could make a difference in the Soviet Union by helping to build affordable cars. Carl, along with his reluctant wife Elizabeth, and their 11-year-old daughter Margaret left the United States in 1932. The family was shocked at the poverty they saw on their arrival in Moscow, but their first years in Gorky were bearable, and the family settled into the American Village there quite well. But in 1938 Carl Werner was arrested for a trumped up treason charges and sent to one of the labor camps. His wife and daughter never learned where. Elisabeth and Margaret struggled greatly through the war years and survive only to have Margaret arrested in 1945, also for treason and espionage.  She was sentenced to ten years of hard labor and sent to the brutal lumber camp, Burepolom. In spite of the inhumane conditions, she still had hope.  Her mother, left behind in Gorky, was a praying woman who believed that despite their wretched life, God had a plan for them. As the years went by in the labor camps, Margaret also started to see God’s hand in her life. A number of times she was saved from certain death in a mysterious way. Her English skills landed her a job in the office, which allowed her to escape the brutality of the labor brigades. She later said, “These new arrangements were like heaven to me, and silently I thanked God for his grace and the secret divine opening of little doors.” Margaret was often moved from camp to camp, eventually be shuffled off to a camp called Inta, in the extreme north of the Soviet Union.  She writes about the cold: …the temperature had dropped at least forty degrees, from the teeth-chattering-but-somehow-bearable cold to now, the unbearable, loss-of-all-sensation cold, covering ourselves with everything we owned or could find, trying to become as small as possible, then huddling together as tightly as we could.  But our train kept moving, going still further north, into more cold. At Inta, Margaret’s job was to sew clothing for the men who work in the mines nearby. Many artists were also in this camp, as well as a few ballerinas, some musicians, a seamstress and others. Many of this group had been famous, and even traveled the world. They formed the Cultural Brigade and put on ballets that were enjoyed by the Camp directors and the inmates – this is what the "dancing" in the title refers to. One of the saddest parts of the story, and one that might make this too much for young readers is what happened when one of the young dancers in the Cultural Brigade became pregnant. The girl chose to abort her baby by drinking a potion concocted by one of the other girls. Margaret and a few other girls were very upset and tried to convince the girl not to do it. But she went ahead anyways, giving birth to a live child of 5 months, which was quickly smothered by the other girl who helped her. This is recounted in a short, somewhat clinical manner but the results were such that the young mother became lifeless as if a part of her had died along with her baby.  Margret explains that, "Even at that time, before I had a developed consciousness of the divine sanctity of that baby's life... I had a strong sense that it wasn’t what God wanted.” When her ten years were up, Margaret was released. She married Gunther Tobien, also a political prisoner and also recently released. Margaret was already 35 years old when their son, Karl, was born. Unfortunately Margaret and Gunter’s marriage was never strong and after they received permission to leave Russia for Gunter’s home in Germany, and later escaped the Iron Curtain before the Wall was built, Gunter left his wife and child. In 1961, nearly thirty years after they left, Margaret and her mother Elizabeth, along with Margaret's son Karl, arrived back in the United States. Conclusion Even though this book is about political insanity, inhumanity in the labor camps, her struggle to survive in civilian life, Margaret and Elizabeth never lose hope and continue to trust that God. Reading this book a reader will become aware that God can work in different ways. Margaret did not have a Bible in the prison camp, but God makes himself known to her. This book is not difficult to read.  The reader agrees with one of Margaret’s observations: could not turn to religion for hope; atheism was the Soviet religion.  Hopelessness was deeply and permanently etched into their faces.…A country without God is a terrible place.  A horribly cold, harsh spirit hovered over the country, like a cloud that would not lift.  It thickened the air and filled your nostrils everywhere you went.  You could feel it crawl into your skin, into your pores.… One becomes thankful that we live in a country where we are allowed to worship in peace and freedom.  We must be thankful that we have a judiciary that will hear our side of the story and treat us fairly.   We need to pray for our country because this freedom that we take for granted can very quickly be taken away....

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Book Reviews, Teen fiction

The Phantom Tollbooth

by Norton Juster 1961 / 255 pages What kind of book is suitable for study in the Fifth Grade, and in First-Year university English too? It's got to be some kind of weird and wacky wonder to pull that off! The Phantom Tollbooth is a classic, old enough to have been around when I was a kid. It's also famous, so I may have seen it displayed prominently in the kids' section at the local library, but back then I would have been put off by the title – I wasn't into ghost books. I've seen it many times since, but only got past the title when I noticed it among the offerings at the Westminster Theological Seminary bookstore. They're not really about fiction (or ghost stories) so I had to give this a closer look. It turned out the title tollbooth was a phantom only in the sense that it mysteriously appears in the boy Milo's bedroom. For those that might not have run across them – there don't seem to be many of them anymore – a tollbooth is a small building, usually large enough to fit just one person, where people pay to make use of a bridge or road. The author says of Milo "Nothing really interested him – least of all the things that should have” but even his curiosity is piqued to want to test this out. He drives up in his electric toy car, deposits some coins, and suddenly finds himself outside his room, driving rapidly down a road. Among the first people he meets is a watchdog that can talk. And, more importantly, he can tick – Tock is part dog and part pocketwatch! The dog demands to know what Milo is up to. "Just killing time," replied Milo apologetically. "You see–" "KILLING TIME!" roared the dog – so furiously that his alarm went off. "It's bad enough wasting time, without killing it." And he shuddered at the thought. Milo soon learns he is in the Kingdom of Wisdom, a land divided after the old King died. His two sons have set up two cities – Dictionopolis and Digitopolis – with one devoted to words, and the other to numbers. The only thing the two sons could agree on was to banish their two sisters, the princesses Rhyme and Reason, and as you might expect, where neither Rhyme nor Reason can be found, craziness abounds. I was almost a quarter of the way in before I started to get a feel for what sort of book this was. There's some Alice in Wonderland here, with Milo meeting odd sorts speaking confusing but clever things, in a country beyond normal maps. There might be a bit of Pilgrim's Progress too, with Milo learning his lessons by first treading down some wrong paths, and then meeting personifications of troubles he has to contend with. It's not a Christian book, but it is trying to teach a moral – Milo is here to learn that he has lots to learn, and that life is only boring to those too lazy to start exploring. Cautions While there aren't any ghosts, parental eyebrows will be raised when the demons make their appearance. But they aren't that sort of demon. They live in the Land of Ignorance, and have names like Gross Exaggeration, and Horrible Hopping Hindsight. Overbearing Know-it-all is: "a dismal demon who was mostly mouth...ready at a moment's notice to offer misinformation on any subject. And while he tumbled heavily, it was never he who was hurt, but rather, the unfortunate person on whom he fell." The only caution needed is to remind children that demons do exist, and the real ones aren't so funny. Conclusion While this is studied in Grade 5, and my youngest in Grade 2 is quite enjoying it, this is not a book I'd recommend for younger readers to tackle on their own. It is 60 years old, and some language – like "tollbooth" – is unusual today, in need of explanation to pre-teens. And there are puns galore, many of which only a kid who enjoys playing with language will spot on their own. But that shouldn't be a problem, because this is a book that mom or dad could enjoy too, as they read it aloud to all their young charges. So, two enthusiastic thumbs up for any and all who are twelve and up....

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Adult non-fiction, Book Reviews, Science - Creation/Evolution

In the Beginning: Listening to Genesis 1 and 2 

by Cornelis Van Dam 2021 / 371 pages Dr. C. Van Dam begins his latest book by explicitly laying out his presuppositions.  He’s upfront about his non-negotiable assumptions and biases.  As I review his book, it’s appropriate that I share mine too.  I share his presuppositions about Scripture as the trustworthy Word of God, but I also bring a personal bias to the table.  Back in the day, Van Dam was my Old Testament professor at the Canadian Reformed Theological Seminary.  I had an affectionate nickname for him in view of his ability to put the smack-down on unbelieving or shoddy scholarship:  “Wham-Bam-Van-Dam.”  This was always said with the greatest admiration for Dr. Van Dam.  As a seminary professor, he was nothing if not thorough and careful. Far more than a commentary This new book exhibits that same kind of comprehensive and precise approach to the two opening chapters of Scripture.  Van Dam leaves no stone unturned.  In the Beginning is an exhaustive treatment not only of the meaning of these two chapters, but also the various challenges that have been raised in Old Testament scholarship regarding them.  What you’re looking at here is not just a commentary on Genesis 1-2, but far more. Over the last decade or so John Walton has become well-known for his views on the early chapters of Genesis.  Walton argues that we often misunderstand Genesis 1-2 because we don’t take into account the ancient Near Eastern context of these chapters.  Once we do that, says Walton, then we can see that Genesis 1-2 was never meant to be taken literally as history.  The history can then be filled in with what science teaches us, including what science says about human origins.  In chapter 2 of In the Beginning, Van Dam discusses Walton’s views at length and explains how and where they fail to do justice to the character of Scripture as the Word of God.  In my view this is the most important chapter of the book. A sampling To whet your appetite further, let me share a selection of questions that Dr. Van Dam answers elsewhere in the book: Can new scientific data be regarded as general revelation given by God? What is the relationship of Scripture to science?  Is Scripture a scientific textbook? Can geology give us a history of creation? Was Herman Dooyeweerd faithful to Scripture in his view of origins? How are we to evaluate Meredith Kline’s Framework Hypothesis? Did the ancient Israelites believe that heaven was a solid vault above us? Why is there no mention of evening and morning with the seventh day in Genesis 1? What does Scripture mean when it says that God created through his Son? Can the breath of life in Genesis 2:7 be equated with the Holy Spirit? Was there animal death before the fall into sin? Why did God create everything with an appearance of age?  Was he being deceptive in so doing? Those are just a few of the questions answered.  There are far more.  What I appreciate about Van Dam’s answers is that he bases them on what Scripture says.  He doesn’t want to go beyond Scripture and so he’ll sometimes say, “Scripture doesn’t say more than this – this is as far as we can go.” A point of disagreement If I would venture some respectful disagreement, it would be in the final chapter where the author briefly discusses whether there’s a need for new confessional formulations to address the challenges of evolution.  In 2014-15, I was involved with an effort to add some clarification to article 14 of the Belgic Confession in the Canadian Reformed Church.  That effort was ultimately unsuccessful.  I don’t regret having made the effort, nor do I think it unnecessary to this day. Van Dam argues that Scripture is clear and our “confessions faithfully reflect that testimony.” However, that fails to account for those who have argued that the Three Forms of Unity provide the latitude needed to hold to forms of theistic macro-evolution.  Their arguments have persuaded some.  This wiggle-room ought to be addressed, especially if there is openness to theistic macro-evolution in your churches. Van Dam also posits that: “A difficulty with preparing a new formulation asserting the historicity of Genesis 1 and 2 is the temptation to go beyond what Scripture says, in other words, to provide specifics about that which Scripture gives no additional detail.” The proposal to add clarification to BC 14 was to state what Scripture states:  that Adam was created from dust (Gen. 2:7) and Eve from Adam’s side (Gen. 2:21-22).  As a consequence:  “They were created as the first two humans and the biological ancestors of all other humans.  There were no pre-Adamites, whether human or hominid.”  If one thinks that this infringes upon the freedom of exegesis, then one is willing to grant the latitude for theistic evolutionary accounts of human (and other) origins. Conclusion That criticism notwithstanding, In the Beginning was a delight to read – personally it brought me back to many of the OT lectures I enjoyed from Dr. Van Dam in my seminary years.  While enjoyable, it could be tough-going at times for some.  It’s not highly technical, but in places Van Dam does go academic.  It’s not a book you’d necessarily be giving out as gifts to those doing profession of faith.  It would, however, be a great gift for someone doing post-secondary studies, whether in the sciences or in the humanities.  And it’s definitely a recommended read for those who’ve completed such studies. Dr. Bredenhof first posted this review to CreationWithoutCompromise.com, a blog “promoting the biblical understanding of origins” and it is reprinted here with his permission. For an even more in-depth review, check out Martin Williams' "Genesis: No Room for Theistic Evolution" at Creation.com....

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Apologetics 101, Book Reviews, Teen non-fiction

Surviving Religion 101: Letters to a Christian Student on Keeping the Faith in College

by Michael J. Kruger 2021 / 262 pages. From time to time I search online for “ex-Can RC.” I’m curious as to why people would leave the Canadian Reformed Churches. What makes people walk away from the church and sometimes the faith in which they were raised? What can I learn from that as a pastor? Several individuals mention how they were told not to study philosophical or scientific questions, not to think too deeply about things, nor to read widely for themselves outside of the “approved CanRC authors.” Church leaders allegedly told them to check their brains at the door. Well, we all know what some people do when they’re told not to do something. They started reading and studying for themselves and soon discovered that they’d been brainwashed and hoodwinked by their church leaders. The exit came into view. If we presume these stories are even a little accurate, what might lead pastors or elders to give those kinds of warnings to their flock? Perhaps it’s fear. Maybe they’re afraid that the arguments of unbelievers will persuade their members. Connected with that, possibly it is the worry that we don’t readily have solid counter-arguments so “You just have to believe.” Truth has nothing to be afraid of That kind of approach is counter-productive. We should actually encourage our members to think more deeply, to read more widely, to engage with the big questions posed by unbelieving philosophy and science. Why? Because we ought to have confidence that the truth of God is more powerful than every lie. However, at the same time, we need to equip our people with tools to be able to see how, where, and why this is so. That’s where Michael Kruger’s Surviving Religion 101 will be an invaluable resource. The author is not only a New Testament professor at Reformed Theological Seminary, but also a father to three children. While he’s written this for them, the book is particularly addressed to his oldest daughter Emma as she began studies at the University of North Carolina. It takes the form of 15 letters to her. Reformed answers to big questions Through these letters, Kruger addresses questions that Christian university students are likely to face in and out of the classroom. Some of those questions: My professors are really smart – isn’t it more likely that they’re right and I’m wrong? (chapter 2) I have gay friends who are kind, wonderful, and happy – are we sure that homosexuality is really wrong? (chapter 5) There is so much suffering in the world – how could a good God allow such evil? (chapter 7) My professor keeps pointing out contradictions in the gospels – can I still trust them? (chapter 11) Some parts of the Bible seem morally troubling – how can a book be from God if it advocates oppression or genocide? (chapter 14) Sometimes it feels like my faith is slipping away – how do I handle doubts about what I believe? (chapter 15) In answering all these questions, Kruger takes a Reformed approach. He presents the truth of what God’s Word says and then he also explains how the alternative position is untenable. A peak at what’s inside In chapter 3, Kruger deals with the question of whether it’s legitimate to claim that Christianity is the only right religion. One of the connected counter-claims is that all religions are actually the same. Here’s part of how Kruger answers that: “…there are features about Christianity that make it genuinely distinct from the rest of the world’s religions. And the fundamental difference is this: Christianity is not just another religion about being a good person. Needless to say, this flies in the face of what most people think about religion. Just consider the very popular television show The Good Place, starring Kristen Bell. As strange as it sounds, the show is a comedy about heaven (the good place) and hell (the bad place). On the show, the good place is where good people go, regardless of their religious beliefs. Whether you’re Hindu, Buddhist, or Muslim, you go to the good place as long as your good deeds outweigh your bad. “In contrast, Christianity says something stunning. Something counterintuitive. Something unique. It says that bad people go to the good place. Just let that sink in for a moment. Heaven is not for good people but for sinful people forgiven by grace…” As you’ll note, Kruger isn’t writing here for scholars. He’s done his homework and he’s got the endnotes to prove it, but the book is written at a popular level. Conclusion So, even though it’s written for Christian college/university students, Surviving Religion 101 ought to be read far beyond that audience. Many Christian young people, university-bound or not, will find it accessible. In fact, starting this year, I’m going to make this the book our young people traditionally get when they make public profession of faith. And if it’s going to be manageable for them, it should also be for many adults too. Scripture says in 2 Corinthians 10:4, “For the weapons of our warfare are not of the flesh but have divine power to destroy strongholds.” We can have that confidence in our Christian faith because the truth of it is established on God and therefore it’s objectively true. We have nothing to fear from the arguments of unbelievers. Books like Kruger’s Surviving Religion 101 help us see how Christianity isn’t only spiritually comforting, but also well-grounded and eminently reasonable. So, read widely. Read non-Christian authors. Read philosophy and science. But know that the tough questions they raise have been adequately answered by Christian scholars like Michael Kruger. The author offers a video series on the same topics as the book, which you can access by signing up with your name and email address as this link. You can see the first introductory episode of the series below. ...

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Book Reviews, Children’s picture books

Anansi and the Moss-Covered Rock

by Eric A. Kimmel 32 pages / 1988 Things begin with Anansi (uh·naan·see) the spider making quite the discovery: a strange moss-covered rock that somehow knocks you out if you say "Isn't this a strange moss-covered rock!" It takes Anansi a couple of goes – along with a couple of hours of unconscious time, lying on his back – to figure this out, but once he does, he knows just how he's going to use this magical rock. He starts bringing his friends to come see it, and encourages them to comment on it. Once they do, and are lying on their back taking an unintended one-hour nap, Anansi goes to their house and takes their food. He begins with Lion, then Elephant, Rhinoceros, Hippopotamus, and goes on and on.  The careful reader will notice that there is another animal watching all these goings-on. Somewhere behind the bushes, on most every page, is the little Bush Deer. He decides to make things right by pulling a trick on the trickster. When Anansi invites him to go look at the rock, Bush Deer goes but he doesn't comment on the rock. He even pretends he can't see it. In frustration, Anansi ends up spouting the troublesome phrase himself...and down he goes! That allows the Bush Deer a whole hour to clear out Anansi's house and return his ill-gotten gains Cautions There are no cautions for this book, but parents should be aware that Anansi the trickster is a folktale from Africa, who, in some versions, isn't simply a spider but is a god in the form of a spider. So the only caution would be not to presume, if you are buying another author's Anansi stories, that they will simply be morality tales with animals standing in for people, as is happening here. Conclusion This is a fun animals-as-people folktale that rewards the observant child (even the pre-reader) who spots the bush deer long before he makes his first "official" appearance. On the first go, a child might need some encouragement from mom or dad to look closely, but once they spot the deer once, they'll love finding him the next times. That's what makes this a book kids will look through repeatedly....

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Adult non-fiction, Book Reviews, Gender roles

Men and Women in the Church: A Short, Biblical, Practical Introduction

by Kevin DeYoung 2021 / 170 pages. Kevin DeYoung’s latest tackles an always timely topic. In the last few years, the “women in office” issue has been on the radar of various Reformed churches. This is especially owing to the fact that the Reformed Churches in the Netherlands (Liberated) went in that direction in 2017. But we shouldn’t think it’s only a Dutch issue. In every church I’ve served as a pastor there have been those convinced that women should serve in church leadership. The need is always there for well-written resources clearly explaining the Bible’s teaching. DeYoung, pastor of a Presbyterian church in North Carolina, wrote this book with his congregation in mind. He writes in the Introduction: “I have often wished for a book that explained the Bible’s teaching about men and women in the church in a way that the interested layperson could understand and a size that he or she could read in a few hours.” I’d say DeYoung has hit the mark. A complementarianism stand Men and Women in the Church advocates for a position known as complementarianism and against egalitarianism. Complementarians hold that men and women are essentially equal, but have been given different, complementary roles. Egalitarians hold that whatever roles men can perform, women can also perform. All of this is in the context of the church and its offices. Complementarians are against women in office and egalitarians are for. About two-thirds of the book is taken up with exposition of the most debated passages: Genesis 1-3, 1 Corinthians 11:2-16 and 14:33-35, Ephesians 5:22-33, 1 Timothy 2:8-15, and 1 Timothy 3:1-13. The last third of the book looks at common objections made against the complementarian position (Deborah? Phoebe? Junia?), as well as explaining how the biblical teaching applies to boys and girls, men and women. The book concludes with an appendix interacting at length with John Dickson, a “broad complementarian” who nonetheless argues that women should be permitted to preach in public worship. I’ve read a number of pro-complementarian books over the years, but DeYoung stands out. He rightly argues, for instance, that this issue isn’t the proverbial molehill – the gospel is at stake. This is because of how God links male/female complementarity with the relationship between Christ and his church in Ephesians 5:32. So DeYoung writes: Ephesians 5 may be about marriage, but we can’t make any sense of the underlying logic unless we note God’s intentions in creating marriage as a gospel-shaped union between a differentiated and complementary pair. Any move to abolish all distinctions between men and women is a move (whether intentionally or not) to tear down the building blocks of redemption itself. When the issue is stated like that, its importance comes into clear view. Refuting eternal subordination Another highlight is DeYoung’s helpful correction of some complementarians who’ve argued that the husband-wife relationship is parallel to God’s headship over Christ. The Trinity thus furnishes a model for marriage, particularly the relationship between the Father and the Son. This position has come to be known as the eternal subordination of the Son (ESS). It’s based on a misunderstanding of 1 Corinthians 11:3, “I want you to understand that head of every man is Christ, the head of a wife is her husband, and the head of Christ is God.” DeYoung offers a sound refutation, though the language here does get technical. Cautions There were only a couple of things I must be critical about. DeYoung argues that women should be able to “share a testimony, give an announcement, or offer a prayer” in public worship. It’s debatable whether testimonies and announcements belong in public worship. Prayer certainly does, but it is corporate prayer being led by someone. Moreover, corporate prayer in public worship has a teaching quality to it. The congregation is learning to pray by being led in prayer. DeYoung bases his argument on his observation that 1 Corinthians 11 assumes there is some place for women to be speaking in the church’s public worship. However, as my colleague Dr. Dean Anderson has pointed out, 1 Corinthians 11:1-16 is not speaking about public worship services. Another criticism, of less importance, is not about what DeYoung said, but what he left out. Near the end, he writes that “men and women should not relate to every other man or woman as husband and wife. And yet there is something about the marriage relationship that shows for everyone the sort of people men and women were made to be” (p.136). It would have been helpful to flesh that out a little more. For example, what does that mean for women in politics, business, the military, or law enforcement? I know it’s meant to be a “short” book, but couldn’t we just have had a paragraph or two? Conclusion Men and Women in the Church ought to be in church libraries and high school Bible classes. It’s also important reading for church leaders. Our church runs something called the Service and Leadership Training program. This is to prepare young men for church leadership. One of the sessions deals with the topic of women in office. Kevin DeYoung’s book will be on the recommended reading list from now on. It’s a fairly simple and biblically faithfully guide in an area where Satan is working furiously to undermine not only God’s Word in general, but also the gospel in particular. Dr. Bredenhof is the author of many books, including Aiming to Please: A Guide to Reformed Worship, which is excerpted here. ...

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Adult non-fiction, Book Reviews, Theology

Two on worship...and the prevention of worship wars

With the restrictions on church attendance easing, many people are saying: “Can't wait for Sunday." Did you know that there is also a book with that name by Michael Walters? The back cover has a large heading which says: "A Silver Bullet for the Worship Wars." After reading Dr. Wes Bredenhof's book on worship, Aiming to Please, I dove into this one book with its intriguing title. There is some overlap between it and Aiming to Please, in chapters on liturgy, music, and sacraments. However, there are also new topics in Walter's Can't wait for Sunday. For example, Walters comments on the acoustics of the sanctuary. While many (of our) church buildings are optimized for the speaking voice, Walters points out that the sanctuary has multiple functions, including a space for singing and music. Therefore, the room should be acoustically designed for both speaking and singing. Bredenhof and Walters both look at pulpits, which Walters sees as being replaced by a “lectern” in modern churches. He comments: "The presence of a pulpit communicates that it is the Word of God, not the communicator, that is most significant in preaching." He continues, noting that modern communicators often prefer to have no barrier between themselves and their audience. Yet, pastors would do well to let their congregations know why they use "the sacred desk." While Bredenhof comes from a singing tradition with a select number of songs that the congregation knows well, Walters comes from a different practice where the songs are in abundance. The result: "Hymn singing can be a stretch for many worshipers these days." Having many songs for the congregation to sing means there may be too many to be familiar with them. His advice is: "It is better to know ten or twelve hymns well than thirty perfunctorily.” Perhaps something to keep in mind while the Canadian Reformed churches are considering adding more songs. Worship often changes, and Worship Wars start because of a lack of knowledge and understanding. It is essential to know why we do what we do. Both of these books would be an aid to any who want to learn. Frank Ezinga blogs at FrankEzinga.com....

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