Life's busy, read it when you're ready!

Create a free account to save articles for later, keep track of past articles you’ve read, and receive exclusive access to all RP resources.

Browse thousands of RP articles

Articles, news, and reviews with a Biblical perspective to inform, equip, and encourage Christians.

Get Articles Delivered!

Articles, news,and reviews with a Biblical perspective to inform, equip, and encourage Christians delivered direct to your inbox!

AA
By:

Manga Classics: Anne of Green Gables

by L.M. Montgomery
adapted by Crystal S. Chan
308 pages / 2020

Anne is an orphan girl living in the Prince Edward Island of the 1870s, sent by mistake to the home of an aged brother and sister who need help with the farm work. The mistake is, they asked for a boy. Instead, they got the imaginative, effusive, emotional, red-head Anne. And once they meet, they can’t let her go.

While Lucy Maud Montgomery was a Canadian author, and Anne of Green Gables (first published in 1908) a very Canadian story, it’s always been incredibly popular in Japan too. So it makes sense that her story would be given a manga treatment. Thankfully, the adaptation is faithfully done, and at 300 pages, given the space it needs to tell the story well – only a very few scenes are given an abridged treatment.

If you’re unfamiliar with manga, the style does take some getting used to, in the first place because the Japanese read right to left. That means what would be the back of the book to us, is the front of the book to them. Even though this is in English, it’s still formated in that “reverse” style. Another feature that will strike readers as unusual is the way manga will sometimes depart from a semi-realistic style of drawing to something much more cartoonish, and then go back to realistic all in the space of a few frames, or even in the same frame. So, for example, while Anne’s strict and controlled adoptive “mother” Marilla is depicted with realistic eyes, the emotional Anne has eyes in all sorts of styles. Most often they are doe-sized, but when she is angry or perturbed, they become big black dots, and sometimes she is drawn with no eyes at all.

If that strikes you as very strange, just consider how a Western reader will know that a lightbulb over a character’s head means they have an idea. That’s a bit of cartoon “emoticon shorthand” to let readers know something without spending a lot of words on it. Manga has its own, different cartoon emoticons, and they do need to be learned. But just like the lightbulb, they aren’t hard to figure out.

Cautions

Cautions here are only the same ones that we’d have for the original source material. At one point Anne is being taught how to pray, and her first prayer, while not exactly disrespectful, certainly isn’t what it should be. But the point is, she doesn’t know how to talk to God, and still has to be taught, so I don’t think this should be much of a concern. Then there’s also Anne’s stubbornness. When a classmate, Gilbert Blythe, calls her “Carrots,” Anne breaks her chalk slate over his head. You’d think that would make them even (or put Anne in need of apologizing to him) but Anne resolves to never speak to Gilbert again. And she keeps to that pledge for years! The book shows this to be ridiculous, and I only mention it here because this comic format makes Anne accessible to a younger audience that may need a little parental guidance to recognize just how bad Anne’s stubbornness really is.

Finally, in an afterword to the story, the adapter Crystal Chan notes that she is a feminist who “loves the elements of feminism in Anne of Green Gables.” “Feminist” is sometimes synonymous with supporting “a woman’s right to choose” so that might have parents concerned about whether this ideology is hidden within. But there is no need for worry: whatever sort of feminist the adapter might be, she has stuck closely to the original 100-year-old material (unlike the recent Netflix adaptation).

Conclusion

This is a fantastic, faithful, adaptation of a great book. Teens should skip straight to the original, but for younger readers, or the reluctant sort, this will be a great way to introduce them to this dynamic lass.

If you do intend to get a copy, be sure you get the “Manga Classic” version, as there is another comic, that one by C.W. Cooke and Tidalwave Productions, that only tells part of the story, ending abruptly and with no conclusion coming. I’ve included its cover image to the right here, to make it easier to identify what not to get. Don’t accidentally get that one while you’re searching for this manga adaptation.


Up Next


Book Reviews, Graphic novels, Teen fiction

Animal Farm: The Graphic Novel

by George Orwell (& Odyr) 2019 / 172 pages For those that don’t know the original, Orwell wrote his allegory in World War II to highlight the dangers of creeping totalitarianism. Instead of a country, his setting is that of a farm, and instead of an oppressive government, things are run by Mr. Jones, who treats Manor Farm’s “citizens” – the pigs, horses, sheep, chickens, and more – like they were animals! One night, Old Major, a pig respected by all, tells the others of his vision of a better world in which Man is overthrown and all the animals are free to benefit from their own labor. Two legs are the enemy, and all on four legs, or with wings, are treated as equal. The animals embrace his vision, and when the old pig dies peacefully in his sleep, three younger pigs take it upon themselves to develop and expand on Old Major’s vision. They craft “Animalism” and appoint themselves as leaders of the movement. When the animals rebel against Farmer Jones, they successively drive him off and take over the farm. The story that follows has clear parallels to that of the 1917 Russian Revolution, that began with noble-sounding aims – freedom from oppression, equality of all – but which quickly evolved into simply another form of totalitarianism. The animals find that, though they are free of the farmer, they aren’t free of having to follow orders. The pigs have them working harder than before, and they are fed no better. Their swine leaders are soon living in the farmer’s house and eating well. But they deserve it, right? After all, they need to be properly provided for, so they can provide direction! It soon becomes evident that while “all animals are equal…some animals are more equal than others.” CAUTIONS Because this is a graphic novel, there are a few pages of violent content depicted. But Odyr’s is a think-line, smudged-pastel style, leaving the gory details mostly a blur. So while these pictures might be a bit much for a child, they are nothing that would disturb a teen. The only other caution I’ll offer concerns the lesson being learned. Orwell was no Christian, so even as he makes a case against the godless tyranny of totalitarian rulers the world over, he isn’t able to offer a better alternative…so it is fortunate he doesn’t even propose one. However, that means Christian readers will have to do that work for themselves. We can agree with Orwell about the problem: that man has a bent for tyranny and that larger the government the more they can insert themselves into our lives (1 Samuel 8:10-22). But we also know there is a proper, though limited, role for government, specifically to punish evil (Romans 13:1-7). CONCLUSION This is a brilliant adaptation of Orwell’s classic work, with a mix of colorful and also stark images that will grab any reader’s attention. Odyr has made Animal Farm accessible to age groups and casual readers that might otherwise never read it. While I highly recommend this as a gift for teens, it would be a waste to hand it off to your son or daughter and then leave it at that. Unless an adult helps them understand that message behind the story, they aren’t likely to see the real-world application, and will completely miss Orwell’s warning about the dangers of big governments of all sorts. ...


We Think You May Like