For humanity’s remnant to survive they have to hide deep underground for 200 years in a specially prepared city – the City of Ember. But when 200 years pass no one alive remembers there is another world out there. The only light they know is provided by light bulbs powered by their mighty generator. The bigger problem? The generator is starting to break down. The biggest problem? No one will admit what’s happening.
To the rescue comes Doon, and his friend Lina who uncover some long-lost and only partially intact instructions from the city’s original Builders that they need to piece together to save their family before all of Ember’s lights go dark.
The film has no language or sexuality concerns at all, but does have a mole the size of a Volkswagen whose tentacles are a bit too squirmy for my tastes. The more notable caution would be that God is never mentioned, and His absence in a movie about a coming end to the world is glaring.
A post-apocalyptic tale is not your typical family fare, and a story in which the kids are smarter than the adults is all too common fare. So Ember is a film that shouldn’t be treated as simply mindless entertainment – it is entertaining, but it should be discussed.
Jon Dykstra blogs on movies at www.ReelConservative.com where longer versions of some of these reviews can be found.