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Drama, Movie Reviews

The Great Dictator

Drama / War / Black and White 1940 / 125 minutes Rating: 8/10 Long before Hitler adopted it, Charlie Chaplin made the "toothbrush mustache" famous. Once Hitler adopted it, you might wonder why Chaplin still kept it. Might this 1940 film be the answer? Chaplin had been planning to take on Hitler even before World War II began, and his mustache helped him manage a fantastic impersonation of history's most infamous dictator. Chaplin plays two parts here, the hero and the villain. Adenoid Hynkel, the "Phooey" of Tomainia, a satiric take on Adolph Hitler, the Führer of Nazi Germany, The Jewish barber who fights for Tomainia during the First World War, and then loses his memory for the next 20 years When the barber leaves the hospital to finally return home, he opens up his barbershop, not knowing two decades have passed. He also doesn't understand why a man is painting the word "Jew" on his shop window, and goes outside to stop him. The barber was a soldier just yesterday in his own mind, so he won't stand for this! But two stormtroopers against one barber isn't a fair fight. Thankfully, the fight stops underneath the heroine's apartment window, allowing the beautiful Hannah to make good use of her frying pan, applying a solid "bong" to each stormtrooper's head. This being a Chaplin film, the poor barber gets a misaimed blow too, resulting in a hopscotching staggered dance up and down the street. From the moment we see Chaplin playing both parts, we know that the barber is going to save the day by replacing the "great dictator." But what a ride it is, getting there! Hitler isn't Chaplin's only target either. Benzino Napaloni, the Diggaditchie of Bacteria (think Benito Mussolini, il Duce of Italy), comes by for a visit, and the two compete to see who can be the more self-important. That this comic takedown came out right when Hitler seemed to be unstoppable says something about Chaplin's bravery and his outrage. He wanted the world to know who Hitler really was, even if he needed to use a fictional country, title, and name to do so. It might be worth noting that while Chaplin is best known for his silent films, this is a "talkie." Cautions The only caution would be the topic matter: war and the murderous megalomaniac who started it. But this is also black and white, and satire rather than drama, so some of the most shocking material has been muted by the format. Still, this could be a bit much for the very young. However, if kids know anything at all about the Holocaust, they'll likely be old enough to see The Great Dictator. Conclusion My daughters aren't the target demographic for a 1940s black and white World War II film that stars a talking 1930s silent film star. I was so sure they wouldn't be up for this one that, instead of trying to foist it on them for a family movie night, I decided to watch it on my own while they were busy with friends. But a few minutes in our youngest, 9, wandered by, sat down, and never left. The other two and my wife showed up midway, and after a bit of recap to clue them in, they all enjoyed the second half. So, a good film for the whole family? Maybe... if they're an adventurous bunch. My youngest told me that it helped a lot that I was there to explain some the World War II references being made. She already knew about the Holocaust, so she wasn't surprised that the Jews were mistreated, but to see it, even in this muted manner, did get her indignant. It's one thing to hear about people being picked on and singled out for persecution, and quite another to see even a bit of it. Overall, I would give this two very enthusiastic thumbs up! The film is available in both clear high resolution, and also in a variety of cheap knock-offs, so be sure to get the good one. There's even a colorized version that looks intriguing. Most libraries will have a version on DVD, and you should be able to rent it from places like Amazon. Check out the trailer below. ...

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Drama, Movie Reviews, Watch for free

Meet John Doe

Drama 1941 / 122 min Rating: 7/10 Director Frank Capra is probably best known for It’s a Wonderful Life, but that only became his best-known film later on. He actually had 13 films nominated for Oscars, including Meet John Doe in 1941. As in It's a Wonderful Life, Capra’s Roman Catholic upbringing is evident in the general Judeo-Christian ethic running through Meet John Doe. That doesn’t mean Capra's films are always theologically orthodox – we know angels don’t get their wings when a bell rings – but there is a moral depth to many of them, including this one here, that is almost unknown today. Set in the Depression, the story revolves around a reporter, her editor, and a derelict, and the politician who is trying to take advantage of them all. When a round of layoffs at The New Bulletin leaves columnist Ann Mitchell out of a job, she decides to go out with a bang. For her last column, she submits a letter from an unemployed “John Doe” who is threatening to jump off the roof of City Hall on Christmas Eve to protest society’s degeneration. The letter is actually a fake, concocted by Mitchell to express her own disgust, but it causes a sensation. Readers flood the newspaper with letters, some of them marriage proposals from concerned women, some job offers, but all wanting to know, “Who is John Doe?” When Mitchell’s editor finds out the letter is a fraud, he hires her back to prevent the public from learning about the deception. Then he takes things one step further, hiring a derelict former baseball player (played by Gary Cooper) to take on the role of Doe. What starts as a deception soon takes a positive turn. When the paper’s new “John Doe” begins making public appearances his simple speeches encourage a helping spirit among his listeners. John Doe Societies spring up spontaneously to enable neighbors to help one another. Doe becomes the leader of a huge, helpful movement… that’s built on the lie of his false identity. Things come to a climax when a conniving politician threatens to expose this lie, unless Doe endorses him. Caution Some have called this a Christian film, even though it came out of Hollywood. That claim is made because God's second greatest commandment, "To love your neighbor as yourself" (Mark 12:31), undergirds the whole movie. It's worth noting then, and sharing with any others in the family watching it with you, that the film largely divorces the Second Greatest Commandment from the First. We hardly hear about God, and the need to "love the Lord our God with all your heart, soul, and mind and with all your strength" (Mark 12:30). That makes this more humanist than Christian – Man-focused, rather than God-focused – but there is one scene which shifts it in a Godward direction, at least in part. To avoid spoilers I'll share the words, but not tell you the speaker or context: "You don’t have to die to keep the John Doe idea alive. Somebody already died for that once, the first John Doe, and He’s kept that idea alive for nearly 2000 years. It’s He who kept it alive in them. And, He’ll go on keeping it alive forever and always.” A powerful profession, but isn't it curious how Jesus is not actually mentioned by name? And this reference also doesn't talk about the real reason Jesus came, and what He accomplished. It presents Him more as an example to follow than as the One who suffered and died to take away the punishment for our sins. So... this is a near miss, but not really a Christian film. That said, it is a film Christians can really enjoy, understanding the truth of what is said here, and being able to fill in for ourselves what was not. Conclusion At just over 2 hours long, the pacing is slower than us modern folk are used to. But just be sure to make a little extra popcorn: this is a classic for a reason. That said, this is not the first movie I'd show anyone not already used to black and white films. Also, with suicide an ongoing topic throughout, this is not a film for younger viewers...but it wouldn't catch their attention anyways. So who should see it? This is a film for anyone who wants to peek into another culture and another time, to learn what they thought was important, and admirable, and worth fighting for. Meet John Doe is in the public domain, so you can watch it, for free, below. ...

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Drama, Movie Reviews

Desperate Journey

Black and White / War / Drama 107 minutes / 1942 RATING: 8/10 Ronald Reagan and Errol Flynn are two members of an Allied bombing crew assigned a near-impossible mission over Nazi Germany. When their plane is shot down, they set out to make it home again....and to do as much damage to the Nazis as they can along the way. Their desperate journey has plenty of explosions, fisticuffs, arial shootouts, guns blazing, and, at one point, Errol Flynn diving through a window to tackle two Nazi guards at once. There are laughs too, especially when the crew has the chutzpah to steal a ride on Nazi leader Hermann Göring's private train car. Desperate Journey is jingoistic, and at times not so realistic (ie. the real Nazis were smarter than movie Nazis) but it has an authenticity to it that comes of being made during World War II. This film was part of the war effort, made to encourage those back home that not only were we in the right, but that Australians, Brits, Americans and more could come together as a team to outsmart and beat back the Nazis. CAUTION As the crew is chased across Germany it isn't surprising that there are casualties along the way. And while there is no real gore, those losses make this a film that children could find too dramatic and emotional for them to deal with. So this might be best for 10 and up. CONCLUSION I watched this with a group ranging in age from 40 to just shy of 80, and all eight of us enjoyed it. I've also watched it with a pair of 10 and 12-year-old girls and they both liked it too. If you have any appreciation for World War II films made during World War II, this is one of the especially fun ones. Only downside? It only seems to be available on DVD right now, with no streaming options. ...

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Drama, Movie Reviews

The Silver Fleet

Drama / Black and White / War 1943 / 88 minutes RATING: 7/10 This is a well-done, almost unknown World War II film told from the Dutch perspective. As the occupation begins the Nazis ask Dutchman Jaap van Leyden whether he would like to continue on in his job as shipyard manager. They want him to complete work on two half-built submarines that were originally intended for the Dutch navy. When he decides to accept the position both his workers and his wife question his patriotism – why was he willing to be a collaborator? But while van Leyden may not have the courage to stand up to the Nazis, someone else does. The workmen have started receiving anonymous messages outlining a daring sabotage plan. The notes are all signed "Piet Hein," a historical Dutch hero from the 17th century, and stirred by the memory of Hein's great deeds done long ago, and their own strong love of country, the workmen are happy to help this mysterious figure. Cautions Silver Fleet doesn't fully explore why these men were willing to risk their lives. Their love of country is the expressed motivation, but for Christian viewers, who know that our country can do nothing for us after death, patriotism should strike us as a wholly insufficient reason to risk one's life. But while God is not mentioned in the film, we know that it was their love of God that prompted our Dutch grandparents and great grandparents to take the risks that they did. So, with that in mind, Silver Fleet can be enjoyed as a secular tribute to the bravery of Dutch men who, whether the directors cared to acknowledge it or not, were willing to risk their lives for love of God and country... in that order. Conclusion The Nazis are at times more buffoonish than threatening, but overall the acting is quite good. The Silver Fleet is a solid World War II film that I would recommend to any 1940s film enthusiast, as well as anyone who wants to learn more about the War from the Dutch perspective. There seem to be no trailers available for The Silver Fleet, but the 3-minute clip below gives a feel for the film. While it doesn't seem to be streaming anywhere online, cheap copies on DVD are readily available. ...

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Drama, Movie Reviews

Bataan

Drama / Black and White / War 1943 / 114 minutes RATING: 8/10 This is a movie unlike any other you will ever see. In the early months of 1942, Japan launched an attack on the Philippines and, over the course of three months, they drove General Douglas MacArthur and his American forces right off of the islands. Bataan is set during that retreat. A group of 13 men are assigned the task of blowing up a key bridge after the Allies cross it, and before the Japanese reach it. The 13 are castoffs and strangers to one another. In all the fighting they'd become separated from their original units. But now they'd been asked to come together and delay the Japanese advance for as long as they could. The motley nature of this crew makes for some solid character-driven action but what makes this film so very unusual and exceptional is when it was shot. America had been forced out of the Philippine Islands, and those wounds still stung. This was not the seemingly invincible America that we know today, but was instead America the bloodied. It would still be a year's time before the US returned to the Philippines, and for Bataan's audience it was far from clear what the outcome of the war would be. The typical war film is about men facing incredible odds and eventually winning. They couldn't do that in Bataan, because it was about a battle the US lost. So, instead, Bataan was made as a pledge to honor the courage and sacrifice of men who died never knowing if victory would even happen. The result is an emotional rollercoaster that keeps your attention right to the very end. CAUTIONS There is a lot of fighting in Bataan. And right from the opening – with the Japanese dropping bombs on the retreating columns of soldiers, Filipino families, and the wounded – there are a lot of people being killed. However there is very little blood. In the 1940s directors didn't feel the need to make things hyper-realistic, or depict killing blows in slow motion, so, compared to today's gore-fests Bataan isn't going to disturb adults. But the sheer volume of killing makes this a film unsuitable for the very young. CONCLUSION This is one of the most memorable, and certainly the most unique World War II film I've ever seen. I'd recommend this for guys who have the patience to appreciate black and white films and who have an interest in learning about World War II from the films of the time. ...

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Drama, Movie Reviews

Flying Tigers

Drama / War / Black and White 104 minutes / 1942 RATING: 7/10 On January 3, 1942, just one month after Japan's sneak attack on Pearl Harbor, a group of three American fliers staged a daring attack on a Japanese base in Thailand. The three were not members of the US military, but were, instead, part of the American Volunteer Group (AVG) – they were civilians hired by the US government. The AVG was going to be an unofficial group that could help the Chinese fight the Japanese, even as the US remained officially neutral. But delays in the group's initial organization meant they only saw action after war had been declared. Flying Tigers is about the 1st AVG, the group that led America's first daring response to the Japanese attack. But as movies do, there are some liberties taken with the facts. In the film version Capt. Jim Gordon (John Wayne) and the 1st AVG have been conducting attacks on the Japanese long before his country's official entry into the war. What isn't a liberty is how successful the Flying Tigers are shown to be. On film and in real life the 1st AVG was constantly and often massively outnumbered, and yet never lost an air battle (they are credited with at least 296 kills, while only 14 of their own pilots were killed). Still, as the fighting continues, the casualties do come, and Capt. Gordon has to take whatever pilots he can find, even if some of them are troublemakers. And the biggest troublemaker of them all is Capt. Gordon's independent and down-right self-absorbed buddy Woody Jason. This film has a message and it's the same one that Woody Jason has to learn: to win this war that independent streak that's so much a part of the American make-up will need to be restrained. Yes, individual ambition helped make America prosperous, but ambition unrestrained is simply selfishness. What Woody learns can be summed up in biblical terms: we need to govern our ambition with the Second Greatest Commandment. Selfish ambition makes Woody despised; ambition and a love for his neighbor makes him remarkable. Cautions There is very little blood shown – a Japanese pilot will get hit, throw his hands up to his face, and then, for a moment, we will see blood seeping between his fingers before the scene cuts away. That happens a half dozen or so times. The only other warning would concern the portrayal of the Chinese and Japanese.  They only make brief appearances, but when they do they come off as a little bit silly or simple. That can be credited in part to the language barrier - anyone speaking a language they only partially know is going to sound a little simple. But there's also likely an element of racism here, which parents might want to point out to their kids. Conclusion A modern audience might find the pacing in the first 30 minutes slow, up until Woody Jason shows up. So some patience is required, but this is a fascinating look at the earliest of America's action against Japan. It would be a good one for John Wayne fans, and for a family with kids who are 10 and up who have an interest in World War II...and who haven't had their attention span ruined by constant video and TV watching. ...

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Drama, Family, Movie Reviews

The Seahawk

Drama / Action 109 minutes / 1940 RATING: 8/10 While The Seahawk is set in 1585, and pitches Spain against England, this film was all about the politics of its day. Spain is clearly a stand-in for the Germany of 1940, and King Phillip could only have been more Hitler-esque if they had given him the small patch mustache. The story begins with Phillip laying out his plans for world domination. He demands from England that they refrain from building a fleet and offers his friendship, if they give in to his demands. Queen Elizabeth does her very best Chamberlain imitation, refusing to prepare for the clearly hostile Spain. She chooses to appease the tyrant, even as Phillip is building an armada. Then there is Captain Thorpe (Errol Flynn) with his own stand-in role. He has his own ship, which is part of an English privateer fleet, the Seahawks. Even as Elizabeth appeases Phillip, the Seahawks raid Spanish towns and sink Spanish ships. Thorpe is channeling at least a little Churchill, urging the queen – and through her, the nation of England – to prepare for war. That makes this film fascinating on two very different levels. It is a fantastic swashbuckling film all on its own, and it is also a wonderful bit of anti-Nazi propaganda, intended to rally the nation to resist. Queen Elizabeth concludes the film with a speech that is a clear call for America to come join the war. "When the ruthless ambitions of a man threaten to engulf the world, it becomes the solemn obligation of all free men to affirm that the earth belongs not to any one man, but to all men." Cautions There is a lot of fighting, with folks getting stabbed and shot. But there is no gore. Conclusion I had an opportunity to watch The Seahawk with a group of friends who, as a general rule, don't watch black and white films. A few exchanges struck them as a bit corny – acting in the 1940s did sometimes take a melodramatic turn – but the swashbuckling action and the self-sacrificial hero, the Second World War subtext, well, it swept away all their resistance. They simply couldn't help themselves: they had to love it! Jon Dykstra also reviews movies at ReelConservative.com where some of these reviews first appeared. ...