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Magazine, Past Issue

Mar/April 2025 issue

WHAT'S INSIDE: Christians don't retire / Free video series to protect families from porn / Tariffs are terrible economics: why Canada shouldn't hit back / Aged saints can tell you what your peers don't know or won't say / Planning for retirement / More time to pray: Martin & Christina Veenstra on retirement in your nineties / Necessary Endings: finding the courage to let go in business, church, and family / "Can You Build it?" contest winners / Life in bloom: the gift of flowers / A century of cinema for your family: 20+ films to take you and your kids through the 100 years of feature films / Euthanasia changed the abortion battle / Why write? / How to write... for Reformed Perspective / Fiction for tween and teen boys / Chang Shen: grace to persevere / Are there little green men? / Come + Explore God's majestic microverse / and more!

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News

Saturday Selections – Mar. 29, 2025

Propaganda techniques (10 minutes)

This 1948 or 1949 movie highlights seven different propaganda techniques, and to be forewarned about them is to be forearmed. This could be great for a high school English class. Click the title above for the full 10-minute color presentation, or watch a 7-minute B&W abridgment below.

News or narrative – when the truth-tellers can't be trusted

What with images and video that can be faked so quickly and so skillfully, the biggest problem with our news consumption might be the speed at which we imbibe. When we just hit headlines, or read whoever the algorithm puts in front of us, we can't know if they are trustworthy – we can't know that this is true. So... slow down.

The slippery slope of theistic Darwinism

Howard Van Till was a physics professor at Calvin College who used to be "the pre-eminent example of an evangelical Christian scientist in the 1990s who defended Darwinian evolution."

Until he stopped being Christian.

Or even a theist.

Doctor Google, influencer moms, and the local Church

"I recently saw some Christian influencers offer a course on marriage, though they had been married for less than two years. They had paltry experience and undoubtedly little wisdom, but they did have a big platform. And many were eager to learn from them. God has carefully constructed his church so that, as much as we may benefit from those who are far off, we are likely to find the greatest and most credible help nearby. Your church has many seasoned saints who have spent their whole lives following the Lord and whose godliness is on display each and every time the church gathers."
- Tim Challies

A mid-life assessment

A pastor's wife discovers with age comes new:

"...temptations to impatience, ungraciousness, pride. This had surprised me then, but I now see this is true not just in ministry. I used to imagine I’d have to fight the same besetting sins my whole life, and while some old struggles still remain, I’ve found I need to also be vigilant for new ones."

Rend Collective: Build Your Kingdom Here

A song and a prayer.


Today's Devotional

April 2 - The psalm of the cross

“My God, my God, why have you forsaken me?” - Psalm 22:1a

Scripture reading: Psalm 22:1-8

These are words we all know. And we especially know them because they became the words our Lord and Saviour cried out when he hung upon the cursed cross as the ultimate sacrifice for all of our sins.

We may well wonder how David’s experience >

Today's Manna Podcast

Manna Podcast banner: Manna Daily Scripture Meditations and open Bible with jar logo

Psalm 1 Two ways to live: Meditations from the Psalms

Serving #800 of Manna, prepared by Rev. Cody Swaving, is called "Psalm 1 Two ways to live" (Meditations from the Psalms) and is based on John 10:10; Psalm 1.











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News

Saturday Selections - June 20, 2020

Homosexuality vs. transgenderism This video below is fantastic, but there's a lot packed in here, so the argument is worth writing out as well. What the narrator, Joseph Backholm, is explaining is that there is a fundamental conflict between homosexuals and transgenders. Whereas homosexual men say they are attracted to men, transgenders say you can't even know someone is a man by looking at him because gender is not tied to biology. Or, in other words, maleness and femaleness can only be known by asking not by seeing. It then makes no sense for a homosexual to say they are physically attracted to one gender or the other, because there are no physical attributes unique to one gender or the other – ie. men can have breasts, and women, penises. So transgenderism and homosexuality can only remain allies so long as they don't discuss their foundational assumptions. While homosexuality and transgenderism can't both be right, they can both be wrong. Backholm notes that "Our fundamental identity is not found in our sexual attractions, or in our feelings about how masculine or feminine we are." But he leaves it at that. Christians need to carry on and note that attractions may fade, and feelings may change, so grounding our identity in either of those is going to be disappointing. But we can find our true identity by turning to the One who made us.  Does systemic racism exist?  "Systemic racism isn’t whatever I – as a black man – says it is. My perceptions are not proof. My experiences are not authoritative. I am not God. "....Therefore, if we’re going to accuse our governments of participating in systemic racism today, we should be able to list examples of systemic partiality against black people today. ...Social justice proponents are unable to list racist laws or policies to support their accusations, so they usually resort to perceptions and racial disparities as evidence for their accusations.... Systemic racism theory essentially demands groups to prove they’re not systemically racist – instead of demanding social justice proponents to prove the legitimacy of their accusations." Deepfakes show the need for knowing your sources are trustworthy Deepfakes are faked videos of celebrities or political leaders that can't be distinguished from the real thing. We live in a world in which Justin Trudeau can be made to say anything, the video posted on YouTube, and the viewing audience would not, just from seeing and hearing it, be able to tell it from the real thing. The only way to discern whether it is true or not would be whether it was received from a trustworthy source, or not. But with trustworthy sources at a minimum these days, it underscores the need for higher standards in our media consumption. We can't believe everything we find in our social media feed...and we shouldn't be passing on what we ourselves don't know is reliable. Vaccines that use aborted fetuses' cells draw fire COVID-19 vaccines are being developed using cells from aborted fetuses. These fetuses were aborted long ago – more than 30 years ago – so the question is raised, does it really need to concern us now? Pastor Douglas Wilson proposes that before answering that question we should reframe it properly and ask: "Is it lawful for Christians knowingly to use vaccines that were grown in the cultivated remains of a murder victim?" Men: don't let chivalry die on your watch J. Aaron White (and the apostle Peter) on how gentlemen should be studying our wives, serving our wives, and enjoying our wives. Romeo and Juliet 2020 remix For all the English teachers out there... ...

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Assorted

Stepping into the story: Hamlet with a happy ending?

It all starts with an invitation from the Grade Twelve English teacher, Tom Van Swift, to come and enjoy the final field trip of the year, just before graduation. When the students meet in the school foyer at the beginning of the school day, Mr. Van Swift tells them to take the elevator to the second floor. When the seven students, along with Mr. Van Swift, arrive at the second floor, they find the room (which should be the library) to be pitch-dark. “Where are we?” asks Adam. Mr. Van Swift answers, “I made a few minor modifications to the elevator. You’re now in some other dimension – of sight, of sound, of mind.” The track star of the bunch, Barbara, replies with a wit just as quick as her feet, “It’s a little too dark in here for The Twilight Zone. Can we please get some light?” "Lights… and action" So, Mr. Van Swift calls, “Lights… and action,” and that is the last the class sees or hears of him for some time. What they do see, in fact what they are standing on, is the battlements of a medieval castle, in the dying light of early evening. They themselves are dressed in Elizabethan clothes, and the man standing before them looks very familiar… “Hey, wait a minute, you’re William Shakespeare!” exclaims Cedric. “Yeah,” says Isaac, and adds, “and this is a re-creation of one of your plays. Hamlet, right? ” Suddenly, Johanna speculates, “Is this, like, a time machine?” “Forsooth, forsooth,” laughs Shakespeare. “Hinder me not, and I will repay your queries with what wit I can muster, in proper order. First, I am indeed the Bard of Avon, William Shakespeare. And this is – as you have truly divined – what you call a… re-creation of part of my own favorite play, Hamlet. Howe’er, as to whether this is a… time machine, I know not what thou dost speak of.” “Well, that’s a little hard to explain,” says Muriel. “But… why are we here?” “Fairly asked, young maiden, and ’twill be fairly answered,” says Shakespeare. “Over the centuries that my plays have been performed – and studied – in your schools, I have oft heard complaint and protest (methinks, too much) over the ending of my favorite play. It seems that people, especially students, bewail the death of my sweet prince Hamlet as much as I often do.” “Yeah, why should he die?” asks Oliver, who played the Emperor in the school production of The Emperor’s New Clothes. “My character’s vanity was a tragic flaw, just like Hamlet had… but he didn’t die from it.” “Aye, but your play was a comedy, was it not?” counters Shakespeare. “In a tragedy, as oft in the real world, life must, alas, be lost when once we leave law’s limits. There is a way to save my Hamlet, but first let us scan this closely: What brings Hamlet headlong to his deadly destiny?” “Well, some say Hamlet’s weakness was indecision,” rejoins Oliver confidently, “but Mr. Van Swift says that he read a Christian book that said his real flaw was being too vengeful.” “Well, if what thou sayest be truth,” Shakespeare replies, “it is certainly clear that vengefulness deserveth death. Still, do you wish to seek to save my Hamlet? Is our quest to be, or not to be?” Muriel hesitantly answers, “To be, I guess. What do we need to do?” Shakespeare explains, “Paint for me how my Hamlet was too vengeful.” “I think I know,” replies Johanna. “Is it partly that he resents his uncle Claudius for getting married to his mother so soon after his father’s death? That makes Hamlet only too ready to believe that Claudius poisoned his father for his throne, right?” “Yeah, that’s right,” says Isaac. “And then Hamlet doesn’t accuse his uncle publicly, but starts acting like he’s some kind of private eye.” “Yeah, and he doesn’t even tell his best friend what he’s thinking, but goes on a personal vendetta against Claudius and his servants,” says Barbara, who also quickly accuses Hamlet of fleeting love toward his girlfriend: “He even treats Ophelia badly ’cause he thinks all women are like his mother – disloyal to their true love.” “Don’t forget that Hamlet won’t kill Claudius when he thinks Claudius is praying, because he wants to send his uncle not just to death, but to hell. Now that’s vengeful!” concludes Adam. “And thou hast not even mentioned that Hamlet hath innocent blood on his hands, either by mistake or by malice, when he killeth Polonius, Rosencrantz, and Guildenstern,” says Shakespeare, “because he believeth they are working with Claudius against him.” “I know,” says Mr. Van Swift finally, stepping out from behind a pillar. “And this battlement is where it all starts, when Hamlet sees his father’s ghost on a moonless night just like this one. But now, how about changing the ending?” “Well, as I wrote the ending,” Shakespeare replies, “Hamlet dieth when Laertes, the son of the old man Hamlet killed, stabs Hamlet with a poisoned sword in a fencing competition arranged by Hamlet’s uncle Claudius.” “We know that,” says Mr. Van Swift. “However, because this is not a time machine, but a mind machine, you simply have to rewrite this original manuscript I just found in my hand, with this quill pen I just found in my front shirt pocket, and the ending of every copy of Hamlet in the world will be changed.” “O brave new world, that hath such cunning wonders in it,” says Shakespeare. “There is only one way in which thou hast overleaped thyself, Mr. Van Swift. My play is, and should be, a tragedy. If Hamlet doth not die for his tragic flaw, then someone else must die willingly in his place.” Startled, the class hears Mr. Van Swift say casually, “So write somebody in to step in the way of the poisoned blade. How about that pompous Osric guy?” “But, Mr. Van Swift,” pleads Shakespeare, “how can I ask one of my characters to die willingly for the sins of another? That is not right. Besides, Osric has his own faults to be punished for. He cannot stand in for another. No, there is only one person who can save Hamlet – his maker… me.” A quick rewrite Now it is Mr. Van Swift’s turn to be dumbstruck. “You? You’re willing to die for Hamlet? But you’re a person, created in God’s image. He’s only a character.” “Be not so hasty in thy reasoning. The person of Shakespeare is not in peril. My soul is not here. Its destiny rests in God’s hands. What I would lose is my reputation, my glory. If I write myself into the script to save Hamlet, the name of Shakespeare will disappear. No-one will ever again know who really wrote Hamlet or Midsummer Night’s Dream or any of my more than thirty other plays. In fact, no-one will even know whether or not all my anonymous plays were written by the same person. In the public mind, my sweet prince Hamlet will live on, as he should, but Shakespeare will vanish.” Mr. Van Swift is paralyzed in horror as Shakespeare takes the manuscript and quill and begins to insert some lines for a character named… William of Avon… who overhears Claudius’s plot; is captured; escapes; and at the last minute warns Hamlet, but is stabbed by the poisoned sword himself. Even as Shakespeare writes, his features change. His face grows younger, more like his earlier actor self. Then he begins to fade as the scene in the mind machine changes to a royal palace in the middle of a fencing match between Hamlet and Laertes, with a roaring fireplace at one end of the room, and the rewritten manuscript lying near it. The class sees a new character, a sort of young-looking Shakespeare, rushing in to warn Hamlet. Just before “William of Avon” can step in between Hamlet and his opponent, Mr. Van Swift screams, “No!” and hurls the rewritten manuscript into the blaze in the fireplace. The flames seem to fill the room for a moment, and everyone’s eyes close against the glare. The last act When the students open their eyes, they are back on the castle walls, with the “old” Shakespeare chuckling as he rebukes their teacher: “Really, Mr. Van Swift, I hope thou hast learned something from all thy meddling with literature. Art thou not a Christian? Yet thou art shocked when I am willing to treat one of my sinful characters, whom I had made, as a friend. Doth not God do the same for His people? Jesus said, ‘I no longer call you servants, but friends.’” “Yes, but to have Shakespeare’s name disappear!” says Mr. Van Swift. “It’s unthinkable! There is glory and majesty in that name!” “The Son of God had far greater glory and majesty,” counters Shakespeare, “but He did not count His equality with His Father as something to be greedily held on to. Rather, He gave up His glory and humbled Himself unto death. He was willing to step into the story He had written as one of the Persons of the Tri-une God, rather than let it simply perish in the flames – as you were only too willing to let happen.” “But what good is all this to our Grade Twelve students?” replies Mr. Van Swift. “I was trying to show them how they have the power to change things, and you’ve just shown them that everything stays the same.” “Actually, Mr. Van Swift, thou shewest them that when thou did not let me change the play. However, thou also revealed what a great and terrible thing it is for the Maker to step into His own story. Meditate upon that for a while, as thou ponderest also how to respond to the love of the Divine Storyteller.” “This all reminds me,” says Mr. Van Swift, slowly, “of Philippians 2. One way to respond to a God who steps into His own story is ‘with fear and trembling,’ as we ‘work out’ the roles he has set for us in the story He has written for us.” “Now that, forsooth, is an ending worth keeping,” says Shakespeare, as both he and the castle begin to fade. “Remember me,” he says faintly, with a ghostly grin, as the students find themselves in their own school library. “So, class,” says Mr. Van Swift. “Not what I meant to teach, but remember this as you graduate from our school. God the Son, who with God the Father and the Spirit is our Maker, gave up His glory and stepped into His story to save us, calls us His friends, and now enables us to carry out, with fear and trembling, the parts He has given us, in His-Story.” Jeff Dykstra admits that C. S. Lewis thought of making Shakespeare a character in his own play first – as a symbol for the Incarnation. However, Jeff wrote it as a story first....





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Book Reviews, Graphic novels

Marley's Ghost

by Charles Dickens adapted by Harvey Kurtzman, Josh O'Neill, and Shannon Wheeler illustrated by Gideon Kendall 2017 / 129 pages This is a fantastic and faithful graphic novel adaptation of Charles Dickens' A Christmas Carol using much of the story's original dialogue, with only the lightest (and very helpful) bit of modernization. The revisions are limited, with the biggest probably being a change of the Ghost of Christmas Past from an old, child-like, man, to now being a waif-like girl. Not sure why the change was made, but it doesn't impact the story. Then there is also the general abridgment, with the comic coming in at probably half the text of the original story. The original has some problematic spiritual content – ghosts of various sorts, including those of Christmas Past, Present, and Future – and this adaptation shares the same. So if you disliked the original for that reason, you won't like this one either. But I'd argue that is a mistake, as this story isn't meant to teach anything about ghosts or the afterlife. Dickens lesson is entirely about the here and now – he wants us to understand that money brings cold comfort – Scrooge treats gold as his god, and this deity only brings him misery. What's actually problematic is the alternative "god" Dickens proposes. While the God of the Bible is made mention of (less in the comic than in the original) He is not the source of happiness in this story. The god here – in both original and adaptation – is generosity. If you are generous, then you will be happy and your life will have meaning. Oh, Dickens, so near and yet so far! Still, with that shortcoming understood, this classic can be appreciated – Christmas is made much of, and if we remember what this day commemorates, then we can see Scrooge's transformation as a small reflection of the generosity and humility Christ showed in coming down to earth. Cautions This book has a loose connection to Harvey Kurtzman, a cartoonist most famous for his work with Playboy and Mad magazines. However, the comic is not written or drawn by him but is only based in part on a treatment he produced, so this connection is really rather irrelevant. I only mention it to note that as good as this book is, his other work isn't. Other cautions would be limited to the unnecessary additions of two words – "bugger" and "bloody" – to Dickens' original text. Would that this bit of "modernization" had been forgone! Conclusion This is a loyal and inventive rendition that will be more enjoyable to read than the original for most of today’s readership. And they may get more out of it than they would, struggling through the original....





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Animated, Movie Reviews, Watch for free

The Jim Elliot Story

Animated / Family 30 min / 2005 Rating: 6/10 This is a half-hour animated version of a true story your grandparents might still remember hearing on the news back in 1956. That was the year that Jim Elliot and his four friends sought out a group of Ecuadorian natives who had never heard the gospel. After making contact, the young missionaries were murdered for their efforts, the natives spearing them to death, and the shock was such that the whole world heard about it. Years later, when one of the men’s wife, and a sister, also sought out the natives, this time to forgive them, their example served as a powerful testimony to the truth and power of the Good News. Many of these same natives then converted in a powerful example of how God can completely make over a man, from murderer to humble follower. If this animated account grabs your kids' attention, you might want to follow up with the feature film version or, better yet, the documentary that really gets into the natives' spiritual transformation. Cautions Though this is a cartoon it should definitely be previewed by adults as some scenes – specifically when the missionaries get speared – will be too intense for young children. So I'd suggest this is for kids 10 and up. Conclusion "The Torchlighters" is a series of animated films created by Voice of the Martyrs to teach children from 8-12 about the many people who have been persecuted for their love of God. The animation is consistently solid, and while the topic matter – persecution – is somber, the depictions of torture are quite muted, and age-appropriate. That said, I'll note again that parents should preview this one, because it is one of the more visually shocking. The Jim Elliot Story is reasonably entertaining, but more to the point, it is highly educational. To put it another way, children should see it, and won't mind seeing it, but likely won't want to watch it again and again. So it's a good one for Christian schools, but not ideal for the family video library. And right now you can watch it for free below. ...

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Drama, Movie Reviews

End of the Spear

Drama 2005 / 108 minutes Rating: 7/10 This review first appeared in the January 2006 issue How does a Christian group succeed in presenting a major motion picture in secular theaters? How do they present a true story about the Truth setting an entire native tribe free…and do it without the director and producer of the film taking too much dramatic license? I must admit to being a bit disappointed when I viewed The End of the Spear during its opening weekend - it wasn’t quite the Christian story I had been hoping for. But then I spoke with a friend of mine from Wycliffe Bible Translators who had met Steve Saint, the author of the book from which the film was made, and I became much more sympathetic to the challenge he faced. This movie is based on the true story of five missionaries who went to Ecuador back in the 1950’s to the Waodani tribe (known to most as the Aucas), a fierce homicidal “Stone Age” tribe. Many people are acquainted with this account via the famous book Through Gates of Splendor by Elisabeth Elliot, the wife of the missionary Jim Elliot. Jim Elliot is also well known as the author of the quote: “He is no fool who gives what he cannot keep to gain what he cannot lose.” The missionaries reached out to the tribe but all five men were speared to death. Later on some of their wives and a sister went back and lived with the tribe, teaching them about Christ, and many were converted, giving up their violent ways. A church still exists there today, with Steve Saint, the son of the slain missionary Nate Saint, living among them. One movie becomes two The original goal was to make just one movie – The End of the Spear. But Steve Saint wasn’t willing to give in to the moviemakers’ desire to take dramatic license and change the actual events of the real story. In the end a compromise was made – first they made a true-to-life documentary. Afterwards, Steve consented to their taking some dramatic license in another film as long as it was still close enough to reality. The documentary, entitled Beyond the Gates of Splendor, was released to DVD in October 2005. It gives the entire story of the missionaries, from their days in Wheaton College until current times. The family members of the five missionaries are interviewed, along with several members of the Waodani tribe. Their faith in Christ and eagerness for their mission will no doubt be an inspiration to all who view this film. As for The End of the Spear, the story is told from the point of view of the natives, with less emphasis on the missionaries themselves. It focuses on what they thought and learned. It isn’t intended to be a “tract,” but rather, as one local commentator put it, it’s supposed to tell a true religious story “without beating people over the head with it.” An obscured message The major disappointment is that the name of Jesus Christ is never mentioned. We learn that the missionaries wanted to teach the people to give up spearing one another, and they would not kill the Waodani because those people were not ready for Heaven. God is referred to by His Waodani name, and the fact that He had a Son who “was speared but did not spear back” is mentioned. A converted Waodani woman shares with her tribe the fact that God left “carvings” for them to follow – in other words, information directly from Him on how He wanted them to live. But when the tribesman asks to see the carvings, no Bible is quoted from or shown. There is also a scene when the missionaries are afraid, yet they do not even pray! We learn that those who listened to the missionaries became peaceful, and near the end we do see that the “Gospel” has been translated into Waodani. But is all of this enough to accurately explain the transforming power of Christ that took place? There are enough pieces to the message/puzzle there for someone to take it and elaborate on it later. I couldn’t help but think of urban gang violence and revenge when the Waodani were spearing each other repeatedly at the beginning of the film. The clue is there: the same message that helped this tribe could help others. In fact, according to the movie's promotional materials, it was this hope for spreading the Gospel message that convinced the Waodani to put aside their embarrassment regarding their history and give permission for it to be told. But what could we really learn about the change of heart that took place in these people? Basically, we discovered that when the tribe learned about God’s Son not retaliating their lives were changed. I was left thinking that based only on what was in the film it would be possible for secular viewers to think of (the un-named) Christ as a Gandhi or any other non-divine “good teacher,” and remain happy and un-offended. At the end of the credits the filmmakers could have added, “no non-Christian positions were harmed in the making of this film.” To those of us who believe in the Truth, it is sad that the entire story of God’s redeeming love could not have been spelled out more clearly. We can hope that there is enough interest from the film to lead people to watch the documentary afterwards. Some final considerations A few other factors regarding the film should be mentioned. The scenery in both films is absolutely breathtaking, and especially so on the big screen where I saw it. Another factor to consider is the native dress. Missionaries have to deal with that, and while the Beyond the Gates of Splendor documentary showed the more authentic dress (read: almost naked), The End of the Spear film actually covered the people more than was authentic. If there is any time when one might say that nudity is acceptable, this would be it. Still, I found it rather disturbing, watching the thonged naked behinds of men running through the jungle for two hours. It’s something to consider before taking the whole family to see the film. There is no greater arrogance in our society today than for someone to state that he has the Truth. So, even in a movie telling the story of the Truth transforming the lives of many, Christ’s name and most tenets of the missionaries’ faith were carefully avoided. It reminded me of some brands of diet ice cream – where the basic substance is there but I find myself searching for the missing flavor. It was better than nothing, but it left me disappointed. “I am not ashamed of the gospel, because it is the power of God for the salvation of everyone that believes….” Romans 1:16a ...

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Documentary, Movie Reviews

Beyond the Gates of Splendor

Documentary 96 min; 2005 Rating: 7/10 In 1956 a team of five missionaries were killed by the Waodani tribesmen they were trying to befriend. The murders caught the attention of the world, but what happened next wasn't widely reported. Beyond the Gates of Splendor tells the story of what happened when one of the missionaries' widows and a sister came to live with the very people who had killed their loved ones. They did so at the risk of their own lives. At the time of the missionaries' contact with them, the Waodani were a murderous people, not only to newcomers but with each other too. The documentary drives home that point with one native recounting his family tree by pointing out where each member of his family had been speared to death – his uncle over there, his dad a few years later by that bigger tree, another uncle further away in the bushes. “Waodani children grew up understanding they would spear and live, or be speared and die.” No one died of old age. But as brutal and vengeful as the Waodani were, the bloodshed stopped when the women's example was used by the Holy Spirit – some of the tribe turned to God. Caution Readers should bear in mind that, due to the native style of dress, there are frequent, though very brief moments of National Geographic type nudity, including topless Waodani women, and a lot of naked backsides. There are also some descriptive conversations about violent deaths, and some images shared of the missionaries' dead bodies. Conclusion While an animated video, The Jim Elliot Story, and a dramatized feature film, End of the Spear, have also been made about the missionaries, this documentary was needed to fill in the rest of the story – how the tribe lives today – and to bring more to the fore the spiritual transformation God worked, changing these rebellious murderers into repentant children. While some Christian films can be preachy, Beyond the Gates trusts that the facts of the matter will speak for themselves. That makes this a very good presentation of an astonishing story. Be sure to check out the trailer below. ...