Drama / Christian
2024 / 107 min
Rating: 8/10

Gregory Davidson is kind of like Willy Wonka of chocolate factory fame. Both men are creative artists, with Davidson being the painter behind the series of “Hidden Blessings” canvases that were so popular not so long ago. Like Willy Wonka, he stepped away from the public eye entirely, even as everyone was dying to get a glimpse into “factory” to see how the product is made.

Now, for the very first time Davidson has invited a documentarian into his house, a young filmmaker, Lydia Drake, who contacted Davidson about a painting gifted to her in her mom’s will. The canvas had Davidson’s signature, so, she was initially only hoping to find out if the painting was genuine. But then the two started texting back and forth and, eventually, Davidson put out the invite to do a documentary on his work.

Like Wonka, Davidson is a quirky, frantic, oddball, bouncing across the room, breaking into song, doing impressions. He is quite the character, and you’ll want to get to know him.

And like Wonka, he’s entirely fictitious.

That is not clear at the start – this is a drama convincingly presented as a documentary. To the film’s credit, it was about 50 minutes in before my girls started suspecting this might be fiction rather than fact. Only when the storyline started aligning with some key points from the Prodigal Son parable were their suspicions raised, so it was impressive and entertaining how the film pulls off this genre subterfuge for so long.

While there are a few different mysteries that documentarian Lydia Drake is trying to solve, the biggest relates to the “Hidden Blessing” series of paintings that brought Davidson to public attention. Each one involves a “painting of a painting” but with the interior painting always somehow obscured – a married couple stands in front contemplating, a couple of passersby just happen to be in the way, a repairman is replacing the bulb just above it, or maybe a whole crowd has gathered to see what we can never quite glimpse. It’s a gimmick Davidson plays out innumerable ways, and while the public loved the series it left them with questions. What was the painting in the painting? Was it the same one in each instance? Might it be a picture of his wife? What was the “hidden blessing”? It’s a lot of fun to see this mystery played out, and you’re going to love the final reveal!

Cautions

Part of this story addresses the problem of pain: why does God allow bad things to happen to good people? That’s such a tough question there is probably no entirely satisfactory answer – when you are suffering, you might know intellectually that God is going to turn this to your good, as we are promised in Romans 8:28, but it is hard to emotionally grasp it to the same degree. That promise is a big part of the answer on offer here, with Davidson’s sister pointing to God’s faithfulness and trustworthiness to make that transformation.

But the film also offers an Arminian take, trying to divorce God from responsibility for our pain by blaming free will instead. Not to give too much away, but when one of Davidson’s sons takes a Prodigal turn, we can see how his choices – his “free will” – leads directly to the pain he experiences. His injuries are self-inflicted. However, the most painful cut of all for the Davidsons – still impacting them two decades later – is the death of Gregory’s wife. Her death was not the consequence of choices she made so “free will” doesn’t suffice as an answer.

A part of the answer to pain is that, as RC Sproul might note, there are actually no good people since if it was up to us we would all be rebels against our Creator. Thus any pain we experience is merely what we deserve, and any goodness, undeserved. But that’s too edgy and too Calvinist an answer for most evangelicals to consider.

One other warning would be for younger audiences – one character dies. While it happens offscreen, it is unexpected, and therefore might be quite jarring to the under ten set.

Conclusion

This is an incredibly creative film, and the credit there is due to the star, James Arnold Taylor, a long-time Hollywood voice actor, who does the heavy lifting, offering up a memorable performance. And while he’s onscreen 90% of the time, that isn’t the limit of his involvement. He was also the writer, producer, co-director, and he even created many of the dozens of paintings we see throughout – those are his works.

Hidden Blessings will be too preachy for some. These kinds of sermons-wrapped-in-cinema stories always have their contrived moments. But if you can appreciate a Kendricks brothers’ Facing the Giants or Courageous then that a little subtlety is sacrificed for the sake of the sermon won’t put you off.

I waffled between giving this a 7 or 8, because as much as I enjoyed it, it would have been better about 15 minutes shorter, and those cuts could have also helped it make its point more subtly. But I settled on 8 because it is just so creative. This is James Arnold Taylor showing us all his gifts… and they are a multitude. Seeing him offer up his best to the glory of his God is such a delight to experience.

Check out the trailer below, and watch it for free at RedeemTV.com.