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Music

Some thoughts on Christian music in worship

So there is some great music out there, and as Reformed Christians, we can rejoice in that fact. But if the issue of music in general can be a contentious one, the issue of the music we use in our worship services can be a cause for even more controversy. If we can acknowledge that there is Christian music from outside of our own tradition that brings glory to God, does this mean that we can or should use this music in our worship services?

I’m a missionary in the Canadian Reformed Churches. In Prince George, B.C., where I am working to spread the gospel and plant a church, we meet every Sunday morning for worship. And our worship service is pretty much the same as the worship service you would experience in every other Canadian Reformed Church. We sing from our denomination's Book of Praise, and the songs we sing are primarily the Psalms. We’ve chosen to do this very deliberately, not because it is simply something that’s required of us. And we’ve made this decision for several reasons.

Why Psalms?

First of all, our focus on Psalm-singing is in line with the principles of the Protestant Reformation. During the time of the Reformation, the Reformers placed a heavy emphasis on the participation of the congregation in the worship service. No longer was participation to be limited to the priest, who alone could drink the wine of communion, and to the choir, which sang while the congregation listened. Now the entire congregation was invited to participate, both in the Lord’s Supper, and in the singing.

It was a revolutionary step – no longer was the congregation an audience, or a group of spectators. Now they were integral to the worship service itself, and that participation was not only beneficial for the worshippers, it also glorified the God who was being worshipped.

Participants no spectators

So that’s the first important principle; the congregation should be more than mere spectators – they should be active participants. That means that “worship teams,” or “praise bands” do not have a place in our worship services. There are times and places for musical performances, for audiences to sit back and enjoy music performed by skilled artists. But our gathering for corporate worship is neither the appropriate time or place for such a performance. Our worship is corporate– we worship as a body, and we should all participate, not simply observe.

Because of this principle, the Reformers developed songbooks to be used in worship. John Calvin promoted the development of a Psalter to be used in worship, and he encouraged skilled men to write music and set the words of the Psalms to that music, for congregational singing. That music had to be singable – it had to be suitable for singing in unison, and it couldn’t be so complex that it would take a trained choir to sing it.

And so, what we now have as the Genevan Psalter was developed. This was truly a “people’s Psalter.” No longer was music reserved for the professionals; now musically unschooled laymen could sing together, and the Reformed Christians did just that, in the worship services, at home, and in public gatherings.

A rooted tradition

So our use of the Genevan melodies is not something that we do merely out of custom; there are some very important principles at play here. Our use of the Genevan melodies is a part of our tradition, but that tradition is not meaningless. We sing these melodies in unity with the catholic (universal) church – the church of all times, as well as of all places. By maintaining this tradition, we are expressing in our practice the reality that true catholicity isn’t just geographical, but that it’s also historical. And we avoid what some have called “the tyranny of the present.” By upholding what has become an ancient tradition, we avoid the pitfalls that can afflict the Church when she attempts to be culturally relevant (and all to often fails).

We maintain that tradition in the face of changing tastes and trends; instead of being shaped by the trends of the world, we need to continue to work to shape those trends ourselves. Instead of giving in to the pressures of our culture, including the pressures that influence our understanding and enjoyment of music, we should continue to train ourselves, to develop excellence in the musical tradition that the Reformed church has been blessed with for centuries. We may find some of the tunes hard to sing, but this is most often because of their unfamiliarity, not because of any difficulty inherent to the tunes (which were accessible centuries ago to people who were all but illiterate). If we find the tunes challenging, we should practice them. We should train our ear to understand them, and in doing so, we will find that we grow to love them! This is true with all music that lies outside of the realm of “popular music” – in order to grow to love classical music, or great jazz, your taste has to develop, and mature. That takes time, patience, and learning.

But the rewards are great; in refusing to limit ourselves to the simplistic world of pop music (which does have its place), we allow ourselves to grow. Maturity is what Christians seek – a life of growth and development. This should be as true for our musical tastes as it is in every other area of life. After all, as a boy I may have loved to read the Hardy Boys; but when I grew in understanding, I left them behind, and moved on to better things. The process of development in reading and comprehension is challenging, but it’s necessary. The same holds true for music.

What about the words?

So that’s the musical aspect of the songs we sing on Sundays. But what about the lyrics? This is where our Psalm-singing becomes so very important, especially when we compare the lyrics of the Psalms to those of popular Christian music.

The words of the Psalms are deep; they’re profound; they’re God-centred; they express every aspect of the Christian life and experience. They aren’t just meant to make us feel good – they’re meant to challenge us, to encourage us, to admonish us. They express joy, happiness, confession of sins, expressions of anguish, and even despair. The lyrics of the Psalms are words that are sung in unity with believers everywhere, in unity with God’s people throughout history, and in unity with our Lord Jesus Christ.

They relate to us in our own experiences, but they do much more; they keep us actively aware of our unity with the universal Church, our unity with our spiritual ancestors. We sing about the Exodus, about the crossing of the Red Sea, about the wandering in the wilderness, about the rebellion of the Israelites, about God’s forgiveness of that rebellion. We sing about God’s amazing work in creation, but also about His amazing work of redemption and salvation. And when we sing the Psalms, we sing the very words that our Lord Himself had on His lips during His life on earth – think of Psalm 22, for example.

They may not have catchy choruses. It may take work to memorize them. They may force us to sing about places like Teman and Mt. Paran, and the Baca Valley, places that are very distant from us, historically and geographically. But they force us to realize that our generation is not the only generation that ever existed. They encourage us to see our true place, in the covenant community, as yet another generation that God has guided in the true faith.

Once again, a true appreciation of the message of the Psalms takes training and education; but anything worth doing is going to take effort. And that effort will pay off in the end; singing the Psalms will lead us to develop an increased appreciation for our God, for His Word and works, for His justice and righteousness, for His wrath and anger against sin, as well as for His mercy and grace, which He has poured out upon His people.

A lifetime's worth of praise

Music is important, and our God, in His love for us, has given us music as a great blessing. The songs we sing, and the way that we sing them, and the songs that we listen to, shape our understanding of our God and our relationship with Him. If we insist on remaining like children in our appreciation and understanding of the music we use, we are deliberately limiting ourselves, and cutting ourselves off from a wonderful opportunity. God Himself has given us an opportunity to grow, to be enriched, to thrive as His people, by giving us the beauty and majesty of music. And in giving us, in His Spirit-inspired Word, 150 perfect songs, He has provided us with more than enough content for a lifetime’s worth of praise.

An old saying tells us, “Familiarity breeds contempt.” We become so familiar with something that we no longer appreciate the beauty and importance of the thing that we’ve been given. I think that when it comes to the music we use in our corporate worship, this phrase is often very applicable. In each generation, we need to come to an appreciation of the precious heritage that we’ve been entrusted with – the heritage of a musical form and content that is rich, beautiful, upbuilding, and lasting. It may take work to develop a deep, lasting appreciation for that music; but in the end, every bit of that work will be worth it. So let’s not be afraid to put in the effort. And having done that, we can know that God will give us, as He has already given us, a rich reward.

This was first published to the Reformed Outfitters (RO) website in 2012 and reposted here when RO became a part of RP in 2022.

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Music

Music from the eyes

Jamie Soles on what turned him into a songwriter ***** Growing up, my oldest brother Dave had a record player in the room he shared with my other brother Stephen. Dave was gone a lot of the time, so I spent many hours in that room, playing record after record, or, if I really liked it, the same one over and over. I think I learned every word of Randy Stonehill’s Welcome To Paradise and Equator, Larry Norman’s In Another Land, Phil Keaggy’s What A Day, Love Broke Thru, and Ph’lip Side, all the Keith Green ones and Don Francisco ones, and several others. These got many a play from me when I was 12-15 years old. This music was life-shaping for me. I wanted to do what they were doing; to make music that would bless people, that would glorify God, and honor Jesus, and sound cool at the same time. My guitar-playing skills developed a lot in those days, as I learned how to listen to the music, and to hear what was in it. I learned how to identify chords when I heard them in the music, and started to develop the ability to understand what chords went with what chords, and how to anticipate what might be coming next. I found that I could play along (roughly) with Randy Stonehill or Don Francisco, but was sensible enough to put my guitar away when listening to Phil Keaggy, who I could tell was a long way above my pay grade. As I acquired my skills on guitar, it also became apparent to me that I was going to need to learn how to write songs if I was ever going to make it in the music business. But I had no idea where to begin. When I would try to think of lyrics, everything I came up with sounded too stupid to sing out loud. I learned somewhere that songwriters were supposed to sing from the heart, from what was inside them. Turn the stuff inside you into a song. This, I could see already at that age, was bad counsel. For I knew the Bible well enough to remember what it said about the heart; that it was “deceitful above all things and desperately sick and wicked, and who could understand it?” (Jer. 17:9). And I am supposed to write songs from there? It did not add up, but I did not know what to do about it. I tried to write a song for two years, from my 13th year to my 15th year, and everything I wrote seemed foolish even to me, and how much more foolish it would seem if I sang such schlock for anyone? I kept silent and tried again. And again. I could not seem to think about what I should write about. All the songs on the radio seemed to be love songs; maybe that is what I should write about! But I was a backwoods, backwards farm boy with no shower at hand, and I had no experience in that field. During the summer of 1981, I went to work as a Junior Counselor at Camp Sagitawa on Moberly Lake. I was there to be the second man in a cabin full of boys, week after week, all summer. But I was one of the main music people because I was quite good at guitar by then. So I spent that summer with my guitar in one hand, and Christian teaching about the glory of God in the other. One day I was admiring the beauty of creation there at camp, and I decided to try and write a song about that. Lo and behold, it worked! I wrote a sensible song! I sang it for people that night at the campfire, and everybody loved it. I was so inspired; I sat down and wrote another, and another. I spent the rest of that summer writing songs because I had discovered the key: Do not write what is in your heart. Write what is in your eyes. The Disney version of life is not correct. You are not going to find good things, things of which you can make sense, in your heart. For me, it was when I looked outside myself, when I looked at God and his creation, that my tongue was unlocked to sing his praises in a way that blessed people. This is the way the world works. It is not about you, not about your thoughts, not about your feelings. But it is about Jesus, and about what he has done. Sing that. You can hear Jamie Soles' music on Spotify, Apple Music, YouTube, YouTube Music, SolMusic.ca, and many other places.   A new way to support Christian music I was with a fellow musician the other day, and we were lamenting our current predicament as musicians. “We are deeply invested in doing good work and creating a product people will love. But the market has changed. Our music is worth nothing anymore, financially speaking.” This is truly the case, as you can probably attest in your own home; have you bought a CD this year? These days music is delivered to the masses via streaming services, which pay artists very little (even though my music is being streamed upwards of 200,000 times this year). Then COVID and the panic it has engendered greatly curtailed my ability to get out and do concerts. I have done two concerts this year, instead of the 30+ I had planned. So, out with the old business model, and here is the new: please consider becoming a patron to my art, a regular monthly supporter. If, in the old days, you might have purchased one CD a year from me, you might use that as a guideline, and support me at $2.00 a month on Patreon. You would not be buying my music for cheap, since it is already virtually free on streaming services. You would be supporting Jamie Soles, the artist, at whatever amount you are willing to give on a monthly basis. A side benefit would be free access to all my music, but the real benefit is knowing that I am still making music for the world. You can find out more by clicking here: patreon.com/join/2034697. And if you still like CDs, well, you can still get those at my website: SolMusic.ca. Blessings to you, my friend! – Jamie Soles...

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Music, News

That morning I listened to Kanye West

***** I’ve never been a Kanye West fan. About a year ago, I was flipping through the radio channels while driving. I came across a station playing one of his songs. It was one of the most vile, misogynistic songs I’ve ever heard. As we were eating our dinner, I told our kids about what I’d heard earlier in the day. Knowing Kanye better than I did, they weren’t surprised. But they sure were surprised to hear their dad listening to Kanye West last Saturday morning. I was rather surprised too. His new album had just dropped and the title led me to listen. Jesus is King blew me off my feet. How could it happen that the same man responsible for that horrible song could produce an entire album in praise of the Saviour? Who is/was Kanye West? Kanye West is an American recording artist who’s mostly worked in the hip-hop/rap genre. He’s been hugely popular and is one of the most successful musicians of all time. Jesus is King is his ninth studio album. The previous eight each went platinum. Moreover, he’s been awarded 21 Grammy awards since the beginning of his recording career in 2003. As far as his personal life goes, West was raised middle-class by his mother, an English professor. He briefly attended university but decided to chase a music career instead. He was involved in several romantic relationships over the years. He married reality-TV star Kim Kardashian in 2014 and they have four children together. His first album College Dropout included the song “Jesus Walks.” This song already indicated some spiritual inclinations. The song speaks of spiritual struggles but also features the profanity found in so many of his songs. Over the years, he’s claimed to believe in God, and in 2014 he even claimed to be a Christian. However, in the meantime, he continued making music putting those claims in question. For example, his 2013 album Yeezus included a blasphemous song entitled “I Am a God.” In short, while there have been spiritual themes in some of his past work, much of what Kanye West has produced up till now has been profane, wicked, and even sacrilegious. He’s represented the dregs of what hip-hop has to offer. What happened? Early in 2019, West began a new musical endeavor known as Sunday Service. Every Sunday, he and a number of others would get together to perform gospel music. While it began as an event for family and friends, eventually it turned into something bigger and Sunday Service began touring around American cities. That was the first sign something seemed to be changing with West. Through the end of 2018, it was well-known that West was working on a new album entitled Yandhi. It wasn’t going to be a gospel album – in fact, it wasn’t going to have any notable spiritual emphasis. However, in August 2019, West’s wife Kim Kardashian announced that the direction of the new album had changed and it would now be entitled Jesus is King. Around the same time, West began attending Placerita Bible Church in Newhall, California. This church is a non-denominational congregation. Besides what it says about baptism and eschatology, their doctrinal statement is mostly sound. The pastor, Adam Tyson, is a graduate of The Master’s Seminary, an institution founded by John MacArthur. Like MacArthur, Tyson’s doctrine of salvation is biblical/Calvinistic. According to Tyson (in an interview with Apologia Studios), West began attending the church and then asked to meet with him for instruction. West gave a sound Christian testimony and indicated a good understanding of the basics of salvation through the gospel. What he really wanted from Pastor Adam Tyson was instruction about how to begin living as a Christian. Tyson has been instrumental in guiding Kanye West’s spiritual journey. In the last while, Adam Tyson was invited to preach at several Sunday Service events. I watched a video of him preaching at a Sunday Service in Detroit. Using Isaiah 6:1-5 as his text, he gave a faithful and unambiguous presentation of the gospel to at least several hundred people. Kanye West provided a platform so the gospel could be preached. Tyson was also involved in the final production of the Jesus is King album. West told Tyson that he was finished with rap and hip-hop and didn’t want to do it anymore. But Tyson encouraged him to use his gifts in this genre to advance the cause of the gospel. Moreover, he helped him ensure the final product would be free of any serious theological errors. Jesus is King Having listened to the album a number of times now, let me make a few comments. Musically speaking, not everything here is going to be to everyone’s taste. In other words, there are hip-hop and rap elements. Yet it has a different feel to his previous work. I first listened to the album through Spotify, but since I don’t have the premium account, the stream would periodically circle back to his previous work. The difference was noticeable, not only in comparison with his previously foul lyrics, but also with the music. Even though I can’t put my finger on it, something has changed in the sound of the music. One of my Facebook friends noted she’s never listed to Kanye West and never will. I urged her to just listen to the first track on the album. “Every Hour” features lively African-American gospel choir singing – no hip-hop or rap at all. The last song of the album “Jesus is Lord” also breaks the stereotype. This short track features West singing of Christ’s Lordship accompanied by tuba, trombone, trumpet, saxophone, French horn, and euphonium. The lyrics are mostly sound. Check out these rhymes from “Closed on Sunday”: When you got daughters, always keep em’ safe Watch out for vipers, don’t let them indoctrinate … Raise our sons, train them in the faith Through temptations, make sure they’re wide awake Follow Jesus, listen and obey No more livin’ for culture, we nobody’s slave Stand up for my home Even if I take this walk alone I bow down to the King upon the throne My life is His, I’m no longer my own. The last bit echoes the biblical teaching of Lord’s Day 1, doesn’t it? Nevertheless, there’s some immaturity and imprecision in various tracks. Assuming he’s become a Christian, he’s just a young Christian and so we can’t expect the accuracy or theological profundity of Shai Linne and Timothy Brindle. Moreover, while the album is mostly clean in terms of language, there is one use of the word “damn.” It occurs in “God is”: I know Christ is the fountain that filled my cup I know God is alive, yeah He has opened up my vision Giving me a revelation This ain't 'bout a damn religion Jesus brought a revolution Could that be a legitimate use of the word? I’d like to be charitable. After all, there is religion that is damned – the religion of self-salvation and works righteousness. What shall we say about these things? For many people, their first inclination is to be skeptical. Me too. After all, how many “Christian” celebrities have we seen over the years? How many proved to be genuine followers of Christ for the long haul? The Parable of the Sower (Mark 4:1-9) reminds us that there are those who hear the Word, show some promise, but are either seed sown on rocky soil or the seed choked by thorns. Kanye West anticipates this response on the album. In “Hands On” he predicts that many Christians aren’t going to believe he’s the real deal. Despite that, he asks listeners to pray for him. Even as we have might have concerns, that’s a request we can enthusiastically embrace. One of the big questions people are asking is: what happens to all the old music West produced? He was asked this directly in an interview with BigBoyTV. His reply was that no one goes to an Apple iStore to ask for an iPhone 4 – Apple doesn’t offer the inferior product. He says his old stuff is behind him and he won’t be performing it anymore. From now on he claims he’ll only be performing gospel music to the glory of God. True, for the moment, his old music is still available for sale -- though, to be fair, when it comes to music sales there are more players involved than just the artist. There are indeed still inconsistencies and troubling things about Kanye West. Just in the last month, he boasted in an interview with Zane Lowe on Apple Music's Beats 1 that he’s “unquestionably, undoubtedly, the greatest human artist of all time.” While he’s attended Adam Tyson’s church in California, he lives in Wyoming and isn’t currently known to be a member of any church. He’s a public figure and, unlike many other fledgling disciples, his life is on display for everyone to dissect and analyze. There’s a lot of pressure on him and one can only hope that influences like Adam Tyson will prevail. Why should we care? Simply because God can do amazing things, even with the vulgar and profane. Let’s watch and see what happens. Whatever the case may be, we shouldn’t look up to Kanye West as a Christian leader – he’s untested. Finally, if nothing else comes from this, even if West proves to be a false disciple, at least the truth about Jesus Christ was broadcast by him and others for a time: Jesus is King! So, “whether in pretense or in truth, Christ is proclaimed, and in that I rejoice” (Phil. 1:18). Dr. Bredenhof blogs at yinkahdinay.wordpress.com. Kanye West picture is from Shutterstock.com....

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CD Review, Music, Parenting

CD REVIEWS: Bach and Beethoven for kids (and adults)

C.S. Lewis once made mention of a man who did not like children. Now some of our dislikes are simply a matter of taste – whether your favorite ice cream is chocolate or vanilla says nothing about your character – but this man recognized that his disregard for little ones was wrong. There is a beauty in little children, a wonder about what God has done in making these tiny new people that everyone really should appreciate. If a man doesn't, it is because of something missing in the man. Lewis was making the point that there is such a thing as good and bad taste – all is not mere opinion. When it comes to classical music I'm like this man. I've never appreciated it, but I recognize this as a deficiency in myself. I should like it. After all, this is music that has stood that test of time. We play Beethoven and Bach's music centuries after it was first written; does anyone think the same will be done for Lady Gaga, Beyonce, or Justin Timberlake? Even those of us who don't like Bach know that in a real tangible way he is better than Beyonce. Since having kids I've hoped that my daughters' musical tastes will be better developed than their dad's. So I was very happy to come across these two CDs: Beethoven Lives Upstairs and Bach Comes to Call. Each is a dramatized account of the composer's life, sprinkled throughout with a liberal dose of their music. In Bach Comes to Call (47 min) Bach appears in modern times, under unexplained circumstances, to a girl who is having a hard time getting her piano homework done. The composer encourages young Elizabeth by telling her the story of his own childhood and musical triumphs. In Beethoven Lives Upstairs (46 min) we are introduced to a little boy who has the misfortune to live below Beethoven's apartment. Beethoven, it turns out, is demanding, short-tempered, and makes the strangest sounds as he paces in his room. The boy airs his complaints to an understanding uncle who teaches the young boy to empathize with this great composer, who hears wonderful music in his head, but who can no longer hear it with his ears. How very frustrating that must be! A couple cautions to note. First, there is a moment in Beethoven Lives Upstairs that might lead to a little tittering. The boy complains that Beethoven was laughed at by little children who, while peering through his window, saw he was composing while wearing no clothes at all! Not a big thing, but it might have been nice to leave that detail out. Second, my wife and I have listened to other CDs and DVDs in this "Classical Kids" series and have yet to find any others we would want to recommend, so don't assume they will all be good. These two, however, are excellent, and a great way to foster a love of classical music in kids, and maybe even their dads. ...

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Music

Why so much Rap is Reformed

Evangelist Ray Comfort once said of Rap, "I love hearing it...end." He's not alone. Many Christians don’t think much of Rap, partly because as musical form it just doesn't appeal to them, but also because of its association with thugs and pimps and gangsters who seem to dominate this music form. There is a reason these slimy sorts gravitate towards Rap music: in it’s barest form Rap requires less musical ability than some other genres. You don’t need to sing, or play a musical instrument; the performer only has to rhyme in rhythm. Of course, Rap isn’t always so stripped down, and it can involve all sorts of instruments. But what sets it apart – it’s focus on the verbal over the musical – is also what makes it appealing to thugs whose creativity only extends to the many words they can rhyme with "ho". But there’s also a reason that Rap is a favorite form for many thoughtful, insightful, and very Reformed artists. It’s because this musically sparse medium gives primacy to the word. Christian pop is sometimes mocked as “7-11” music (because it's said to have the same 7 words repeated 11 times in a row) but Reformed rap is lyrically dense, and some artists have made use of this words-focus to see just how deep a song can go. For example, Reformed rapper, Shai Linne has a song titled The Hypostatic Union, about how Jesus became a man. Here’s a small excerpt: Can you truly understand fallen man's dilemma? See, only a human can substitute for human lives But only God can take the wrath of God and survive. See the humanly unsolvable obstacle? With God all is plausible, nothing's impossible. True haters'll fight it but the story is certain Two natures united in one glorious person Jesus, the God-Man, official soul reaper The hypostatic union – it gets no deeper Grammy winning artist Lecrae is another example of this Reformed Rap presence. In Just Like You he begins by noting in his rebellion he didn’t want to be like God, but wanted to be God – like Adam and Eve, he refused to listen, and wanted to replace God. But in this, the last verse, he tells the story of his repentance. I wanna be like you in every way, So if I gotta die everyday Unworthy sacrifice But the least I can do is give the most of me Because being just like you is what I'm s'pose to be They said you came for the lame, I'm the lamest I made a mess, but you say you'll erase it, I'll take it They say you came for the lame, I'm the lamest I broke my life, but you say you'll replace it, I'll take it. There’s a reason thugs like Rap. But this same words-focus is also the reason why Rap is an effective musical medium for a serious exploration of God’s greatness. Below are a few examples of just how serious, and how deep that exploration can be. Even to those who think Rap sounds like noise, there's something below that's bound to impress. Here is some of the very best of Reformed Rap. On beauty The first example here might technically be a "spoken word piece" but it is the opening track of rapper Shai Linne's album The Attributes of God (and is accompanied by music). It features his wife Blair Linne. Listen to this – really hear the words – and see if you don't tear up, even if just a bit. Beautiful indeed. https://youtu.be/1kY9In41R1A On fighting complacency In the next example, Reformed rapper Tedashii samples from a sermon by John Piper to send a message to all of us who are too comfortable with our sins. https://youtu.be/vs1Sq7M7cIU On tackling temptation Like Tedashii's Make War, 116 Clique's Temptation is "battle music" - an appeal, particularly to young men, to get serious about living their life to Christ, no matter the cost. Whether you like Rap or not, who can help but be impressed with the message being sent? https://youtu.be/cb9zwjtmRbA On standing with God when it really, really isn't popular One last example: Bizzle put out a song to respond to two Grammy-awarding winning secular rappers, Macklemore and Ryan Lewis, after they released Same Love, which promoted homosexuality and gay marriage. Bizzle's song used the same backing beat as Same Love, but presented God's thoughts on sexuality. It garnered quite the heated attention! Bizzle ended up getting death threats but he didn't back down. https://youtu.be/V9KQ4_uH1RA...