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Why you, too, should listen to Jamie Soles

I like Jamie Soles! From his music telling Bible stories for kids to his versifications of the Psalms, there is something for every Christian in his repertoire. As his website,, says, “If you love how the whole Bible testifies of Jesus, you will love this music!”

A bit of history

We’ve been listening to Jamie Soles for a long time. Our boys grew up on his Bible stories from albums like The Way My Story Goes and Fun and Prophets. To give you a bit of a taste of some of my favorites, I’ll share some excerpts. My son Isaac and I once performed “Chariots” from Fun and Prophets. Imagine these words sung in a lovely, boyish treble.

I won my heart’s desire when a chariot of fire
And a horse named Blaze took my master away.
Imagine my delight to behold such a sight
Of Elijah in flight on the wind.

Soles turned stories about lists of kings and apostles and repeated sacrifices by Jewish tribal representatives into memorable and singable songs that prompted questions and looking up of Bible passages. We are indebted to him for helping us to teach our children the Bible because, as he put it in “These Are They,” “stories are your biblical A-B-Cs.”

These are only part of it,
This is but the start of it,
Stories are your biblical ABCs! Now…

All these stories, they show My glories.
These are they which speak of Me.

I think we were introduced to Jamie Soles back when we lived in the Hamilton area. I played violin at our church and was teaching music to one of our pastor’s daughters. We visited with their family a lot, and on one visit the children came to me and excitedly asked me to listen to “This is the Sign,” which is about the covenant significance of circumcision. It begins with God explaining his covenant to Abraham:

Ninety and nine seems a long time
But I have been waiting longer than you have
To give you My Word that you’ve become Mine
The father of kings and nations…

I remember thinking, “Wow! That’s not something most people write a song about.” I’ve been hooked ever since.

We took our boys years later to one of Jamie’s concerts, and met up with him at Ontario Christian Home Educators’ Connection conferences as well. His music is still a part of our lives and I find myself humming tunes like “These are the Prophets” and “Jesus to the Rescue” on a fairly regular basis. I’ve even purchased his albums as gifts for friends on more than one occasion.

Why I’m telling you about this

Music is a big deal! It’s an important way to teach your children about God’s word. It’s also an important way to help fill your heart with scripture and worship. Music is obviously an essential aspect of corporate worship on Sundays as well.

The thing is, Christian music should be skillfully done and it should be theologically sound. Jamie Soles delivers on both counts. You can’t go wrong with teaching his songs to your kids, and you can’t go wrong with walking around humming them yourself either.

Until my family was introduced to Jamie Soles, the music that often played in my head when reading scripture came from the libretto of Handel’s “Messiah” or Mendelssohn’s “Elijah,” not to mention the songs of Michael Card. But now, as I read through Numbers 23 I hear the sounds of “Dust of Jacob.” Jamie’s songs will be with my family and me for the rest of our lives, and we’re thankful.

Soles’ music is very difficult to categorize. It ranges from what sounds a bit like folk to songs that are more akin to rock and roll. But his music and his words always suit each other and he seems to always have a fresh take on a biblical theme or a little-known Bible story. It doesn’t hurt that his wife and his children have often been a part of his albums and their contributions make many of his recordings that much better.

I highly recommend Jamie Soles’ music. You can find all of his albums on Spotify and you can purchase them as CDs or MP3 downloads at

I want to leave you with one song that I especially love. In “Gates of Nain” Soles’ wife Valerie sings the poignant story of Luke 7:11-17 from the perspective of the widow whose only son has died. My sons call me a softy, but this never fails to bring me to tears, mainly because of the widow’s realization that this man is the great prophet whom God has finally sent to Israel.

Through my tears I see the crowd has grown
A Man approaches with compassion shown
He says, “Do not weep.”
And our march of death and time stands still
Nothing could prepare me for this
What could have prepared me for this….
He spoke to my son, my dead son, my only son
And He told him to arise, and he did!

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Music from the eyes

Jamie Soles on what turned him into a songwriter ***** Growing up, my oldest brother Dave had a record player in the room he shared with my other brother Stephen. Dave was gone a lot of the time, so I spent many hours in that room, playing record after record, or, if I really liked it, the same one over and over. I think I learned every word of Randy Stonehill’s Welcome To Paradise and Equator, Larry Norman’s In Another Land, Phil Keaggy’s What A Day, Love Broke Thru, and Ph’lip Side, all the Keith Green ones and Don Francisco ones, and several others. These got many a play from me when I was 12-15 years old. This music was life-shaping for me. I wanted to do what they were doing; to make music that would bless people, that would glorify God, and honor Jesus, and sound cool at the same time. My guitar-playing skills developed a lot in those days, as I learned how to listen to the music, and to hear what was in it. I learned how to identify chords when I heard them in the music, and started to develop the ability to understand what chords went with what chords, and how to anticipate what might be coming next. I found that I could play along (roughly) with Randy Stonehill or Don Francisco, but was sensible enough to put my guitar away when listening to Phil Keaggy, who I could tell was a long way above my pay grade. As I acquired my skills on guitar, it also became apparent to me that I was going to need to learn how to write songs if I was ever going to make it in the music business. But I had no idea where to begin. When I would try to think of lyrics, everything I came up with sounded too stupid to sing out loud. I learned somewhere that songwriters were supposed to sing from the heart, from what was inside them. Turn the stuff inside you into a song. This, I could see already at that age, was bad counsel. For I knew the Bible well enough to remember what it said about the heart; that it was “deceitful above all things and desperately sick and wicked, and who could understand it?” (Jer. 17:9). And I am supposed to write songs from there? It did not add up, but I did not know what to do about it. I tried to write a song for two years, from my 13th year to my 15th year, and everything I wrote seemed foolish even to me, and how much more foolish it would seem if I sang such schlock for anyone? I kept silent and tried again. And again. I could not seem to think about what I should write about. All the songs on the radio seemed to be love songs; maybe that is what I should write about! But I was a backwoods, backwards farm boy with no shower at hand, and I had no experience in that field. During the summer of 1981, I went to work as a Junior Counselor at Camp Sagitawa on Moberly Lake. I was there to be the second man in a cabin full of boys, week after week, all summer. But I was one of the main music people because I was quite good at guitar by then. So I spent that summer with my guitar in one hand, and Christian teaching about the glory of God in the other. One day I was admiring the beauty of creation there at camp, and I decided to try and write a song about that. Lo and behold, it worked! I wrote a sensible song! I sang it for people that night at the campfire, and everybody loved it. I was so inspired; I sat down and wrote another, and another. I spent the rest of that summer writing songs because I had discovered the key: Do not write what is in your heart. Write what is in your eyes. The Disney version of life is not correct. You are not going to find good things, things of which you can make sense, in your heart. For me, it was when I looked outside myself, when I looked at God and his creation, that my tongue was unlocked to sing his praises in a way that blessed people. This is the way the world works. It is not about you, not about your thoughts, not about your feelings. But it is about Jesus, and about what he has done. Sing that. You can hear Jamie Soles' music on Spotify, Apple Music, YouTube, YouTube Music,, and many other places.   A new way to support Christian music I was with a fellow musician the other day, and we were lamenting our current predicament as musicians. “We are deeply invested in doing good work and creating a product people will love. But the market has changed. Our music is worth nothing anymore, financially speaking.” This is truly the case, as you can probably attest in your own home; have you bought a CD this year? These days music is delivered to the masses via streaming services, which pay artists very little (even though my music is being streamed upwards of 200,000 times this year). Then COVID and the panic it has engendered greatly curtailed my ability to get out and do concerts. I have done two concerts this year, instead of the 30+ I had planned. So, out with the old business model, and here is the new: please consider becoming a patron to my art, a regular monthly supporter. If, in the old days, you might have purchased one CD a year from me, you might use that as a guideline, and support me at $2.00 a month on Patreon. You would not be buying my music for cheap, since it is already virtually free on streaming services. You would be supporting Jamie Soles, the artist, at whatever amount you are willing to give on a monthly basis. A side benefit would be free access to all my music, but the real benefit is knowing that I am still making music for the world. You can find out more by clicking here: And if you still like CDs, well, you can still get those at my website: Blessings to you, my friend! – Jamie Soles...