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Music, News

Taylor Swift’s explicit evolution

Last week, Taylor Swift released her 11th studio album, The Tortured Poets Department, comprised of 16 songs. Hours later, she dropped part two of the album consisting of another 15 songs called The Anthology, creating a double album. In this latest effort Swift says the f-word more than her first ten albums combined – one Reddit user says, “If you extrapolate this data, five albums from now she will have to release an album that says roughly 24,000 times.”

Swift’s earlier music had been known for clean pop love songs, her country music devoid of explicit language and even incorporating biblical themes, such as in her song “Christmas Must Be Something More,” where she sings, “So here's to Jesus Christ who saved our lives.” That made her a favorite of many parents.

However, her latest album features explicit sexualized language and blasphemous lyrics mocking Christ’s death and resurrection. In her song “Guilty as Sin,” she sings, 

What if I roll the stone away?
They’re gonna crucify me anyway
What if the way you hold me is actually what’s holy?” 

Another song, “But Daddy I Love Him:” bashes Christians, calling them:

…the most judgmental creeps
Who say they want what's best for me
Sanctimoniously performing soliloquies I'll never see 

The rest of the material can be seen through a long X thread that asks “Is this the music you want your kids listening to?” Young people are impressionable, so it’s crucial to be mindful of the messages they’re exposed to. 

Despite the album’s title, Swift is not a tortured poet; rather, she is praised by millions of fans worldwide. With a significant influence, especially on young girls, Swift’s dark turn is one parents need to know about. This is not the Taylor Swift of ten or fifteen years ago.

Train up a child in the way he should go; even when he is old he will not depart from it (Proverbs 22:6).

CD Review, Music, Parenting

CD REVIEWS: Bach and Beethoven for kids (and adults)

C.S. Lewis once made mention of a man who did not like children. Now some of our dislikes are simply a matter of taste – whether your favorite ice cream is chocolate or vanilla says nothing about your character – but this man recognized that his disregard for little ones was wrong. There is a beauty in little children, a wonder about what God has done in making these tiny new people that everyone really should appreciate. If a man doesn't, it is because of something missing in the man. Lewis was making the point that there is such a thing as good and bad taste – all is not mere opinion. When it comes to classical music I'm like this man. I've never appreciated it, but I recognize this as a deficiency in myself. I should like it. After all, this is music that has stood that test of time. We play Beethoven and Bach's music centuries after it was first written; does anyone think the same will be done for Lady Gaga, Beyonce, or Justin Timberlake? Even those of us who don't like Bach know that in a real tangible way he is better than Beyonce. Since having kids I've hoped that my daughters' musical tastes will be better developed than their dad's. So I was very happy to come across these two CDs: Beethoven Lives Upstairs and Bach Comes to Call. Each is a dramatized account of the composer's life, sprinkled throughout with a liberal dose of their music. In Bach Comes to Call (47 min) Bach appears in modern times, under unexplained circumstances, to a girl who is having a hard time getting her piano homework done. The composer encourages young Elizabeth by telling her the story of his own childhood and musical triumphs. In Beethoven Lives Upstairs (46 min) we are introduced to a little boy who has the misfortune to live below Beethoven's apartment. Beethoven, it turns out, is demanding, short-tempered, and makes the strangest sounds as he paces in his room. The boy airs his complaints to an understanding uncle who teaches the young boy to empathize with this great composer, who hears wonderful music in his head, but who can no longer hear it with his ears. How very frustrating that must be! A couple cautions to note. First, there is a moment in Beethoven Lives Upstairs that might lead to a little tittering. The boy complains that Beethoven was laughed at by little children who, while peering through his window, saw he was composing while wearing no clothes at all! Not a big thing, but it might have been nice to leave that detail out. Second, my wife and I have listened to other CDs and DVDs in this "Classical Kids" series and have yet to find any others we would want to recommend, so don't assume they will all be good. These two, however, are excellent, and a great way to foster a love of classical music in kids, and maybe even their dads. ...

Music

Why so much Rap is Reformed

Evangelist Ray Comfort once said of Rap, "I love hearing it...end." He's not alone. Many Christians don’t think much of Rap, partly because as musical form it just doesn't appeal to them, but also because of its association with thugs and pimps and gangsters who seem to dominate this music form. There is a reason these slimy sorts gravitate towards Rap music: in it’s barest form Rap requires less musical ability than some other genres. You don’t need to sing, or play a musical instrument; the performer only has to rhyme in rhythm. Of course, Rap isn’t always so stripped down, and it can involve all sorts of instruments. But what sets it apart – it’s focus on the verbal over the musical – is also what makes it appealing to thugs whose creativity only extends to the many words they can rhyme with "ho". But there’s also a reason that Rap is a favorite form for many thoughtful, insightful, and very Reformed artists. It’s because this musically sparse medium gives primacy to the word. Christian pop is sometimes mocked as “7-11” music (because it's said to have the same 7 words repeated 11 times in a row) but Reformed rap is lyrically dense, and some artists have made use of this words-focus to see just how deep a song can go. For example, Reformed rapper, Shai Linne has a song titled The Hypostatic Union, about how Jesus became a man. Here’s a small excerpt: Can you truly understand fallen man's dilemma? See, only a human can substitute for human lives But only God can take the wrath of God and survive. See the humanly unsolvable obstacle? With God all is plausible, nothing's impossible. True haters'll fight it but the story is certain Two natures united in one glorious person Jesus, the God-Man, official soul reaper The hypostatic union – it gets no deeper Grammy winning artist Lecrae is another example of this Reformed Rap presence. In Just Like You he begins by noting in his rebellion he didn’t want to be like God, but wanted to be God – like Adam and Eve, he refused to listen, and wanted to replace God. But in this, the last verse, he tells the story of his repentance. I wanna be like you in every way, So if I gotta die everyday Unworthy sacrifice But the least I can do is give the most of me Because being just like you is what I'm s'pose to be They said you came for the lame, I'm the lamest I made a mess, but you say you'll erase it, I'll take it They say you came for the lame, I'm the lamest I broke my life, but you say you'll replace it, I'll take it. There’s a reason thugs like Rap. But this same words-focus is also the reason why Rap is an effective musical medium for a serious exploration of God’s greatness. Below are a few examples of just how serious, and how deep that exploration can be. Even to those who think Rap sounds like noise, there's something below that's bound to impress. Here is some of the very best of Reformed Rap. On beauty The first example here might technically be a "spoken word piece" but it is the opening track of rapper Shai Linne's album The Attributes of God (and is accompanied by music). It features his wife Blair Linne. Listen to this – really hear the words – and see if you don't tear up, even if just a bit. Beautiful indeed. https://youtu.be/1kY9In41R1A On fighting complacency In the next example, Reformed rapper Tedashii samples from a sermon by John Piper to send a message to all of us who are too comfortable with our sins. https://youtu.be/vs1Sq7M7cIU On tackling temptation Like Tedashii's Make War, 116 Clique's Temptation is "battle music" - an appeal, particularly to young men, to get serious about living their life to Christ, no matter the cost. Whether you like Rap or not, who can help but be impressed with the message being sent? https://youtu.be/cb9zwjtmRbA On standing with God when it really, really isn't popular One last example: Bizzle put out a song to respond to two Grammy-awarding winning secular rappers, Macklemore and Ryan Lewis, after they released Same Love, which promoted homosexuality and gay marriage. Bizzle's song used the same backing beat as Same Love, but presented God's thoughts on sexuality. It garnered quite the heated attention! Bizzle ended up getting death threats but he didn't back down. https://youtu.be/V9KQ4_uH1RA...

Music, News

U2 shows us how love can hurt

It’s been quite a week for U2. In the space of just four days, the Irish rock band took public stands in favor of homosexuality, transsexuality, and abortion. On May 1st the group tweeted their support for legalizing abortion in their native land. They told their 1.5 million Twitter followers that they wanted to “Repeal the 8th” which is the amendment to the Irish constitution that protects the unborn. Three days later they released the video to their song Love is bigger than anything in its way. More than three dozen people are shown, all in brief clips, and what’s most noticeable is the fashion choices made, particularly among the gentlemen. One man is wearing a bra, another a corset with thigh high boots. Many of these men have lipstick, pink shirts, pink pants, or a pink backpack. Among the women are some who look to be men dressed as women. Lest anyone think this all just a case of unique fashion choices, the video also includes shots of lesbian and gay couples kissing. We wouldn’t expect different from most any other rock band, but this is U2. The group has never publicly identified itself as Christian, but their songs contain dozens and dozens of biblical references, including 40, which is based on Psalm 40 and Psalm 6. And the lead singer, Bono, has professed to be a Christian, publicly talking about his family’s prayers, and noting that they regularly read Scripture. In an interview with music journalist Michka Assayas he gave a decent explanation of the atonement: “The point of the death of Christ is that Christ took on the sins of the world so that what we put out did not come back to us, and that our sinful nature does not reap the obvious death. That's the point. It should keep us humbled. It's not our own good works that get us through the gates of heaven.” So it was to the surprise and disappointment of Christian fans that the band is ignoring God’s prohibitions against murder and homosexuality and is encouraging their fan-base to do likewise. Bono has often spoken of God as being love. Now it seems, he thinks love is God. What’s the difference? When we understand that God is love, then we are willing and even eager to submit to His wisdom and direction. Then we know that it isn’t loving to encourage behaviors He forbids. We understand that His restrictions protect us, in much the same way that a loving parent’s rules protect their children. Why does God forbid homosexuality (and abortion too)? Because as our Maker and our Father He knows this isn't good for us. But for Bono and his band, “love is bigger than anything in its way.” Are God’s commandments standing in the way of you and the same-sex partner you crave? Well, U2 wants you to know that love is bigger than God. But pursuing love while running from God isn’t going to bring anyone happiness. Oh, sure, rebellion can make us happy for a time. So can drugs, sex, and fame. But it doesn’t take long for the meaninglessness to become evident. In a strange turn, this brokenness is even evident in the video for U2’s latest song. More than three dozen lesbians, homosexuals, and transgender men and women dancing, hugging, and kissing. U2 is trying to tell us that this is love worth celebrating… so why does everyone look so miserable? Yes Bono, God is love. But love as a replacement for God? That’s going to be misery....

CD Review, Music, Parenting

Fun music for your kids (that you might like too)

We often find that turning on some music can completely change the mood of our house: kids go from complaining to dancing and singing. So here are three recommendations – oldies but goodies – that have been tested in our household, and recommended by lots of friends and family too. Fun and Prophets by Jamie Soles 2006, 48 minutes When I asked around for other good children's CDs, Jamie Soles was a clear favorite with friends and family. While he has adult albums too, Soles is best known for his children's music, which has a solid Reformed theology behind it. Some of his songs retell Bible stories, others help children memorize things like the books of the Bible, the order of the Creation days, or the names of the patriarchs.  A lot of it is energetic, with a bit of a beat. The kids enjoy them all, but one of my favorites is "Run," from the album Fun and Prophets, based on the passage 2 Kings 9:1-13, where a nameless prophet is instructed to anoint Jehu as king of Israel, and then get out of there quickly. Sometimes a prophet has to stand Like an iron wall against the land And standing is fine, when the time is right But the time is wrong, and it's fine for flight so.... RUN! Jehu is king, so RUN! If you want to live you better RUN! Jamie Soles has more than a half dozen children's albums (Giants and Wanderers, Wells, Fun and Prophets, Memorials, Up From Here, The Way My Story Goes, Good Advice) all of which can be ordered, and downloaded at SolMusic.ca. He is worth checking out! Go to the Ant by Judy Rogers 1989, 31 minutes As I was asking around, another name that came up repeatedly was Judy Rogers, the wife of a Reformed Presbyterian pastor, who has been making music for more than 25 years. In Go to the Ant she bases most of the songs on passages from Proverbs, teaching children about the dangers of "The Tongue," about what we can learn about hard work when we "Go to the Ant" and about the cost of attending "The School of the Fool." The lyrics are a solid mix of fun and wisdom. A problem common to children's Christian music is that it often strays into irreverence but that is certainly not a concern here. If you are familiar with Jamie Soles, Judy Rogers has an overall quieter sound – quite a bit less beat. Her voice is beautiful, and also contributes to the lighter sound; this is folk music that won't be confused with pop/rock. My three-year-old daughter is a fan and, incidentally, R.C. Sproul is too. Overall I would say this is an album that kids will like, but it won't have the same crossover appeal with parents that Jamie Soles seems to have. To hear song samples and read the lyrics, visit JudyRogers.com. The album can be ordered many places online including Amazon.ca. Hide 'Em in Your Heart Vol. 1 by Steve Green 1990, 37 minutes Steve Green's music is bright and cheerful, and the words are always clear and easy to understand. Each song on this album is a verse, or two, from Scripture (either NIV or NKJV) with Green beginning each track with a short, spoken introduction. The verse is repeated at least a couple of times in each song, but Green finds a nice balance in promoting Scripture memorization and keeping the repetition to a minimum so the songs don't become wearisome – on average each track is less than 2 minutes long. The album also features some of the very best children's singers. The boys and girls still sound like normal children, rather than professionals, while hitting all the right notes. If I had to pick a nit with this album then I could point to a couple of the spoken introductions, where Green seems to explain the passage in a slightly Arminan-ish way. But this really is a nitpick, because kids won't notice, and the parts your children will be singing all over your house are the verses taken straight from Scripture. I love this album because I love hearing my daughter sing "And Jesus grew in wisdom, and stature and in favor with God and men" (Luke 2:52 and Track 8). Very fun!...