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Book Reviews, Graphic novels

Maker Comics: Draw a comic

by JP Coovert 2019 / 124 pages Cartooning was a fascination as a kid, so I've read a few different books on how to do it, and I think this might be the best overall introduction I've seen. One of its strengths is the way it teaches - via a comic adventure! Our guide Maggie, and her dog Rex, are trying to fulfill her grandfather's dream of having a comic library, but the villain of the piece, Dr. Stephens wants to turn the building into a parking lot. How can they stop him? A discovered treasure map might lead to just what they need to buy the building. Alongside their treasure quest, readers are given 6 projects to complete: Learning the parts of a comic Planning a comic strip Drawing your comic strip Making a one-sheet, 8-page comic Printing your one-sheet comic Make a bigger comic book There's piles of information here, but kids only have to use the bare bones of it – just a pencil and a sheet of paper – to start making their own mini-comic books. And if they get into it, then they can dive back into the book to learn more about the different pencils, pens, brushes, and techniques they can use to get better. There isn't a lot of help offered for actual drawing techniques – kids will have to turn elsewhere to find more on that. What this book is about is equipping kids to get a running start in presenting their story or joke in a polished and yet still easy-to-do manner, even while their art skills might be at the stick figure level. They can get excited about starting and completing an actual comic. The only caution is a minor one, a passing mention made in one of the comic captions about dinosaurs living 65 millions years ago. My 10-year-old daughter and I have read another in this "Maker Comics" series and found Build a Robot a lot harder to get off and running with – you need to have a spare small motor lying around. That said, Draw a Comic did have us interested in checking out others, and we also enjoyed Maker Comics: Survive in the Outdoors. We did discover though, that like many books published after 2020, one of the later additions to this series bent their knee to the LGBT lobby: the kid in 2021's Conduct a Science Experiment has two moms. ...

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Book Reviews, Children’s picture books, Graphic novels

Lindbergh: The Tale of a Flying Mouse

by Torben Kuhlmann 96 pages / 2014 How did man first learn to fly? It seems we had a little help. This is the story of a little mouse who made the very first transatlantic flight, back when Charles Lindbergh was but a lad. As our story begins we learn what first motivated this mouse to seek the skies. In the late 1800s, another invention was becoming quite popular – the mousetrap! – which had this furry inventor seeking somewhere safer to live. Where could he go? Why not America, a place that welcomed immigrants of all sorts (whether man or mouse)? That was a good destination, but when he tried boarding a boat, he barely escaped the harbor cats. They were guarding the docks, and there was no getting past them. It was there, however, as the little mouse was hiding in the shadows, that he was "struck" by inspiration: "Suddenly wings flapped against his face! Ghostly creatures flew through the dark. They looked like mice, with tiny eyes and huge ears. But they flew with powerful black wings. The little mouse carefully studied the strange flying relatives, then scurried home..." Why not try flying to America using wings like bats! In the many pages that follow we see the mouse draft plans, secure supplies, evade owls, fail, try again, fail once more, and then finally make his way into the skies. What makes the book so special is the enormous, gorgeous, detailed pictures. I want to make the case that this should be shelved in the graphic novel section of the library, even though it isn't what most would think of as a graphic novel. There are no word bubbles, but there are whole sections where the story is told entirely by sequential pictures. It might be accurately called a picture book, but that makes it seem like it's for little children (what older kids read picture books?). This is not a children's story. That's in small part because it has a grim bit here and there – one mouse is depicted in a newspaper picture as clearly dead, caught in a mousetrap, which would be an unexpected jolt to readers in the lowest grades. It might also be too tense with the owls determined not simply to frustrate his flight, but to eat our little inventor. The bigger reason this is older fare is simply the length and depth of the story. The mouse draws schematics that deserve to be closely examined – there are echoes here of Leonardo da Vinci. And he is playing a cat and mouse game on a few levels, not simply with cats, but owls, and people too. So, yes, this visual feast belongs best in the graphic novel section where boys in Grades 4 and up will discover it and love it! Caution The only caution, other than age appropriateness due to the aforementioned grim bits, would concern not this book, but a sequel in the author's "Mouse Adventures" series. In the next book, Armstrong (2016), another mouse takes things even further, developing the first ever rocket to the moon so he can prove that it is not made of green cheese. It's another inventive story, and the only nit I have to pick comes afterward, in an appendix of sorts. There we're told that Galileo Galilei "contradicted the Church's view at the time and his work was banned while he found himself accused of heresy." This is true, but without context, it contributes to the popular idea of Science as the ultimate authority, especially over and above what the Church teaches from the Bible. What this overlooks is that the Church's problem here was its reliance on faulty science in the first place – Aristotilean science – rather than the Bible. Most kids aren't likely to even ingest this section of the book. But this particular lie is a pernicious one, used as a universal solvent to undermine clear biblical teachings on origins, sexuality and gender. While it's only a small mention of a potent lie, it is also delivered to a young audience, which is why I'd give this one a skip for a school library. I'd also skip on Einstein (2020), not because of specific problems, but because there were parts of this picture book/graphic novel that as an adult, I didn't even understand. I think this one was too ambitious, considering the target audience. Conclusion That said, this story is the very pinnacle of creative genius. It will teach children at least a little about what it took to first developed powered flight, providing as fun and wonderfully illustrated an introduction to the topic as you'll find. For more, take a look at the book's trailer below. And if your child enjoys this one, they'll likely also love the third book, Edison: the Mystery of the Missing Mouse Treasure (2018) in which a mouse invents underwater travel to recover the illuminating invention his ancestor created. ...

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Book Reviews, Graphic novels

We Hereby Refuse: Japanese American resistance to wartime incarceration

by Frank Abe and Tamiko Nimura 2021 / 160 pages After the Japanese bombing of Pearl Harbor, tens of thousands of Americans of Japanese descent were rounded up and placed in detention camps around the US. They lost their jobs, their businesses, and even their homes, not because of any crimes committed, but simply for their ethnic roots. This same indignity wasn't forced on German or Italian Americans, even though Germany and Italy were at war with the US. Just Japanese Americans. And despite the obvious discrimination against them, the vast majority went without protest, believing that quiet acceptance was a way of showing their loyalty and patriotism. What the graphic novel We Hereby Refuse recounts are the stories of Japanese Americans who did protest, in very different ways. One protester was an otherwise quiet young lady. Mitsuye Endo was a 21-year-old typist who lost her job when she was ordered to report to the internment camp. A lawyer asked her to sue the government for causing her job loss. He recruited her because she seemed the ideal candidate at a time when everyone was scared of Japan: she did not speak Japanese and didn't follow a Japanese religion like Buddhism or Shinto. She even had a brother serving in the US army. And she had also done everything the government had ordered her to. She was quiet and still she stood up, her case eventually going all the way to the Supreme Court, where she won. Another story shared is that of Jim Akutso, who repeatedly tried to sign up for the Army but was refused because of flat feet. After he was imprisoned in a detention camp he was found out he'd been drafted, but now he refused. His reasoning was that if his country wasn't willing to let him live freely, then he wasn't going to fight to protest the freedoms he didn't even have. His refusal was condemned by many other Japanese Americans, who thought his actions cast them all in a bad light. He was convicted of draft-dodging, and moved from the camp to a regular prison, and given a sentence that extend past the end of the war. Cautions I'm not familiar with the history here, so I can't really assess how fair the presentation is. I suspect that certain historical figures, particularly the Japanese Americans who acted as go-betweens for the prisoners and the US government, might dispute the way they are portrayed. However, the broad overview seems to be reliably done. I don't generally recommend books that take God's name in vain, but I'm making an exception here because this is not simply entertainment but educational, sharing an event that needs to be more widely known. For Christian parents or librarians who might like to strike a line through it, the abuse occurs just once, on page 128. Another caution concerns age-appropriateness. Near the end of the book, an older woman kills herself in despair. She's shown beginning to wrap a lamp cord around her neck, and while it doesn't get more graphic than that, the act itself isn't something young children need to read about. I'll also note that I've seen the authors making appearances on podcasts sharing their personal pronouns, so I rather suspect their politics and worldview do not line up with my own. But that difference wasn't evident in the book itself. Conclusion This was compelling, but I didn't find it an easy read. Some of that was due to my unfamiliarity with Japanese names, which had me confusing different characters so that I'd have to flip back and forth to keep things straight. But I was happy to keep flipping because it's a story worth knowing. We Hereby Refuse is a reminder that the government is powerful, and with power comes the need to use that power with great restraint. What happens when it doesn't act with restraint? We get victims by the thousands and tens of thousands, as happened here. Another lesson? The need for brave individuals to challenge government abuses, in the hopes of reducing the number of victims. This would be a great purchase for Christian schools, and for parents to buy and read with their children. The serious subject matter means this is probably for 14 and up. The 4-minute video below, offering some local news coverage, gives a good overview of the book. ...

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Book Reviews, Graphic novels

Manga Classics: Anne of Green Gables

by L.M. Montgomery adapted by Crystal S. Chan 308 pages / 2020 Anne is an orphan girl living in the Prince Edward Island of the 1870s, sent by mistake to the home of an aged brother and sister who need help with the farm work. The mistake is, they asked for a boy. Instead, they got the imaginative, effusive, emotional, red-head Anne. And once they meet, they can't let her go. While Lucy Maud Montgomery was a Canadian author, and Anne of Green Gables (first published in 1908) a very Canadian story, it's always been incredibly popular in Japan too. So it makes sense that her story would be given a manga treatment. Thankfully, the adaptation is faithfully done, and at 300 pages, given the space it needs to tell the story well - only a very few scenes are given an abridged treatment. If you're unfamiliar with manga, the style does take some getting used to, in the first place because the Japanese read right to left. That means what would be the back of the book to us, is the front of the book to them. Even though this is in English, it's still formated in that "reverse" style. Another feature that will strike readers as unusual is the way manga will sometimes depart from a semi-realistic style of drawing to something much more cartoonish, and then go back to realistic all in the space of a few frames, or even in the same frame. So, for example, while Anne's strict and controlled adoptive "mother" Marilla is depicted with realistic eyes, the emotional Anne has eyes in all sorts of styles. Most often they are doe-sized, but when she is angry or perturbed, they become big black dots, and sometimes she is drawn with no eyes at all. If that strikes you as very strange, just consider how a Western reader will know that a lightbulb over a character's head means they have an idea. That's a bit of cartoon "emoticon shorthand" to let readers know something without spending a lot of words on it. Manga has its own, different cartoon emoticons, and they do need to be learned. But just like the lightbulb, they aren't hard to figure out. Cautions Cautions here are only the same ones that we'd have for the original source material. At one point Anne is being taught how to pray, and her first prayer, while not exactly disrespectful, certainly isn't what it should be. But the point is, she doesn't know how to talk to God, and still has to be taught, so I don't think this should be much of a concern. Then there's also Anne's stubbornness. When a classmate, Gilbert Blythe, calls her "Carrots," Anne breaks her chalk slate over his head. You'd think that would make them even (or put Anne in need of apologizing to him) but Anne resolves to never speak to Gilbert again. And she keeps to that pledge for years! The book shows this to be ridiculous, and I only mention it here because this comic format makes Anne accessible to a younger audience that may need a little parental guidance to recognize just how bad Anne's stubbornness really is. Finally, in an afterword to the story, the adapter Crystal Chan notes that she is a feminist who "loves the elements of feminism in Anne of Green Gables." "Feminist" is sometimes synonymous with supporting "a woman's right to choose" so that might have parents concerned about whether this ideology is hidden within. But there is no need for worry: whatever sort of feminist the adapter might be, she has stuck closely to the original 100-year-old material (unlike the recent Netflix adaptation). Conclusion This is a fantastic, faithful, adaptation of a great book. Teens should skip straight to the original, but for younger readers, or the reluctant sort, this will be a great way to introduce them to this dynamic lass. If you do intend to get a copy, be sure you get the "Manga Classic" version, as there is another comic, that one by C.W. Cooke and Tidalwave Productions, that only tells part of the story, ending abruptly and with no conclusion coming. I've included its cover image to the right here, to make it easier to identify what not to get. Don't accidentally get that one while you're searching for this manga adaptation....

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Book Reviews, Graphic novels, Teen non-fiction

Luther: Echoes of the Hammer

by Susan K. Leigh illustrated by Dave Hill 2011 / 144 pages I think this is the perfect complement to Luther: the graphic novel, which might be the more exciting of these two Luther comics, but which also plays a little looser with the details. Meanwhile Luther: Echoes of the Hammer is a more reliable history lesson, even as it isn’t as dramatic. I tested this graphic novel on two of my nephews with mixed results. The older one, heading to grade 10, was happy to take a look, and thought it would be a great way to learn about Luther. The other, two years younger, seemed to think it was too much biography and not enough comic book for his tastes. As far as comics go, this one is quite an involved, even heavy, read. Interspersed throughout are explanations of key events, like the Diet of Worms, key terms, like “indulgences,” and key figures, like Charles of Spain, the Holy Roman Emperor. These one or two-page insertions really add to the narrative and make this a highly educational comic. However, a few of these insertions will also trouble informed Reformed readers. In one list of Luther’s adversaries, Calvin is numbered among them! While it is true Calvin and Luther had their differences, it is surprising to see Calvin listed as an opponent. Especially when, some pages later, we find Erasmus listed as one of Luther’s supporters! While Erasmus was, like Luther, critical of the Roman Church, he never left it, and this led to strong, vitriolic disagreements with Luther. In fact, Luther once called Erasmus, “the very mouth and organ of Satan.”  It is downright silly, then, for the authors to list Erasmus as a friend if they are going to list fellow Reformer John Calvin as an adversary. The only other quibble would be the overestimation the authors have of Philip Melanchthon, describing him as “a great Reformer, second only to Martin Luther.” Second? Really? How can they overlook Calvin like that? Those quibbles aside, this is an impressive book. The writing is crisp, succinct and engaging. The artwork is attractive and while only half the book is color (the other half being black and white) it worked. Many of these pictures are also instructive, worth the proverbial thousand words. For example, in the pages covering Luther’s visit to Worms, illustrator Dave Hill shows us the man’s quiet passion, his many supporters, and his opponents marshaled together. This gives us a good understanding of the setting, and thus a better understanding of the courage it took for Luther to stand up for what he knew to be true. Older teens will enjoy it, and many an adult too. (Also worth a mention is that the same team of authors and illustrators have created a sequel, focused on his wife – Katie Luther is a little shorter, and a little less involved, but also quite enjoyable.)...

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Graphic novels, Teen non-fiction

Luther: the graphic novel

by Rich Melheim illustrated by Jonathan Koelsch 2016 / 72 pages I’ve reviewed other “comic biographies” and never enjoyed one more. Luther is scripted like a movie, has witty dialogue with actions scene interspersed, and the artwork is of the same quality you would find in Marvel or DC comics – it is fantastic! Educational comics, as a genre, are valuable in that they make learning history a lot less painful. But very few of these educational graphic novels are the sort that a teen would just pick up and start reading. Luther is the exception. I don’t want to over-hype it – a kid who reads nothing but superhero comics will still find this a bit of a stretch – but it really is as good a comic as you will find. Cautions Since this is intended for teens, I’ll note a few cautions. The word “crap” is mentioned three times, “ass” once, and “old fart” once. But when you consider this is a comic about the notoriously potty-mouthed Luther, this is really quite tame. I’ll also note there is a depiction of Christ on the inside back cover of the book that is not part of the story, but rather part of an ad for other comics by the same publisher. Also: the comic treats as fact, the famous conclusion to Martin Luther’s speech at the Diet of Worms where he is said to have declared: “Here I stand. I can do no other. God help me. Amen.” There is some dispute as to whether he ever said these words. Conclusion The comic has several strengths including the overall picture it gives of the happenings going on in the broader world that made it possible for Luther to both spark this Reformation and live into old age and die a natural death. I’ve always wondered why the Emperor didn’t just have him killed. Perhaps it was because, as we learn in this comic, Charles V was busy contending with Turkish expansion and might not have wanted to risk alienating any of his German princes. Another strength is that while this account is sympathetic, it does note one of Luther’s weaknesses: that sometimes Luther’s pen got the best of him and he could write some “terrible and hateful words” denouncing Jews, Calvinists, and Anabaptists alike. Overall this is a comic that teens and adults (who aren’t embarrassed to be seen reading a comic) will certainly enjoy. It is available at Faith Inkubators....

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Book Reviews, Graphic novels

Canada at War: a graphic history of World War II

by Paul Keery, illustrated by Michael Wyatt 176 pages, 2012 Halfway through Canada at War, I realized it was filling in an odd gap in my education. I had read about the Dutch experience of World War II in great kids’ books like Anne de Vries’ Journey through the Night and Piet Prins’ Scout series, and a love of classic war films like Casablanca and Twelve O’Clock High had given me a good sampling of the American perspective. But I don’t know if I've ever seen the war through Canadian eyes. Canada at War is a “graphic history” – otherwise known as a comic – but it would be a mistake to dismiss this as fluffy kids’ stuff. It is weighty and well-researched and would be best understood as an illustrated history textbook. It includes chapters on: Canada before the war Canada’s early defeats defending Hong Kong from the Japanese and attacking German-held Dieppe, France The creation and impact of Canada’s Air Force The Canadian Navy’s seemingly impossible task of protecting the Atlantic supply chain from U-boat attacks The costly lessons our Army learned in Sicily and Italy The joint invasion of Europe The Canadian role in the liberation of the Netherlands and the final defeat of Germany Author Paul Keery, and illustrator Michael Wyatt do a masterful job of explaining, in just 176 pages, how Canada went from having next to no military to, in the space of just five years, becoming the third most powerful fighting force in the world. And they give readers a good understanding of just how much we owe the 1 million men who served. Cumulatively the pictures are worth many thousands of words. Descriptions can’t quite convey the information available in a picture of a sailor waste deep in water on a leaky Corvette assigned to protect otherwise defenseless supply ships on their way to Britain. There is also a lot packed into a single frame, when we see a bomber pilot relaxing at his home base, happy to have survived another bombing run, but knowing that he has only a 1 in 4 chance of living through to the end of his tour. The style of the visuals is also striking: it’s a mix of quite realistic computer animation and solid simple lines. Illustrator Michael Wyatt shows us action and lots of it, including planes being blown apart and submarines being sunk. However, Wyatt uses great restraint, showing the results of war – the blood, death, and destruction – without dwelling on the gory detail. This bloody detail is most often muted, either by being obscured (oftentimes by making use of silhouette images) or by being skipped right over. For example, in one exchange we see a soldier with blood on his face, but only learn how it happened from the caption. But as should be expected in a “graphic history” of World War II, there are a few “graphic” frames. That said, Canada at War is intended for a young adult readership, and these pictures are unlikely to shock them. I've included a few of these frames immediately below this review so that parents can evaluate the visuals for themselves. This is an impactful book that will give this generation a far better understanding of what their grandparents and great-grandparents endured to give them the Canada they see today. ...

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Book Reviews, Graphic novels

A Family Secret

by Eric Heuvel 2009 / 64 pages It’s Queen’s Day in the Netherlands, and the celebrations include nationwide rummage sales. So young Jeroen heads to his grandmother’s house to see if she might have anything she’s willing to give him to sell. And like grandmothers everywhere, she is quite obliging to her young grandson and sends him upstairs to the attic to let him see what he can find. In his searching Jeroen discovers his grandmother’s old scrapbook… and while paging through it uncovers a secret she has kept to herself for more than 60 years. His grandmother then tells him the story of how World War II divided her family. She was best friends with a Jewish girl named Esther, and along with her mother and one brother didn’t want anything to do with the Germans. But while this brother fought in the resistance - the Dutch Underground - her father chose to work with the Nazis, and her oldest brother decided to go fight for Germany on the Russian front. This is an amazing graphic novel, drawn in the style of Tintin, and published by the Ann Frank House and the Resistance Museum of Friesland. It’s gripping enough for adults, but for children, this is an absolutely amazing way to teach them about World War II, the Dutch Resistance, and the Holocaust. I'd particularly recommend this as a book for grandparents to give their grandchildren. Every year we set aside a day to remember the sacrifice of those that fought for our freedom. Giving this book to a grandson, and talking with them afterward about the war - about why some fought the Nazis, why some did nothing at all, and why some even joined them - is one very good way to ensure we never forget. There is a sequel of sorts called The Search in which we learn more about Esther. It is also very good, but if you are only going to buy one, should get A Family Secret.   I'd recommend it for 11 and up. ...

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Book Reviews, Graphic novels

Treaties, Trenches, Mud, and Blood

by Nathan Hale 128 pages, 2014 A few decades ago a cartoonist decided to tell the story of the Jewish Holocaust in World War II via an animal metaphor. He made the Jews mice, and the Germans cats, the good folk dogs and the collaborators were pigs. It was a dark story, of course, but the use of the animals made it slightly less gritty, and thus more bearable. In Treaties, Trenches, Mud, and Blood, author Nathan Hale has done something similar for World War I. Each nation is assigned an animal: the Germans are eagles, the English are bulldogs, the Belgians are lions, the Ottomans are otters, the Russians bears and the Americans get stuck being bunnies, because eagle has already been taken. Hale does a good job of laying out the facts, and detailing the slaughter that amounted in the millions, but also lightening things up with doses of humor whenever he can. I knew the basic facts of World War I already, but learned a lot from this overview. Of course a comic, particularly one presented in metaphor form, shouldn't be regarded as an authoritative source, but it does provide a useful overview. Now if I want to find out more, I've now learned enough to know what I might want to read more about. This book is one of in a series of "Nathan Hale's Hazardous Tales" referencing both the author Nathan Hale, and the more famous American spy Nathan Hale who lived 250 years ago, and who appears in this series as the narrator. I hope to review the series at one point, as it has both high and low points. Hale used much more discretion in Treaties, Trenches, Mud, and Blood, though there are a couple cautions to share here too: this is a historic account that details the death of millions, so even though it is in animal/comic form parts of it would be too much for the very young. I'm not talking about gore - there isn't any - but rather the story itself. Also a language advisory: a couple of "good heavens"s pop up, a "holy moley" and in one instances a character says, "ye gods" (page 73). I'd recommend this for children 12 and up, though some kids might be able to handle it as young as 10. OTHERS RECOMMENDED Donner Dinner Party 128 pages, 2013 The general gist of this tale is well known: the Donner party was a caravan of settlers heading to California that took an ill-advised short-cut and to survive the winter had to eat their dead. So this might not seem the sort of story that is well suited for a graphic novel account: too dark and disturbing. There is certainly something to that, but author Nathan Hale does ensure this is, at most, a PG-rated account - there is no gore of any sort, save one panel in which a man is stabbed and that is as muted as a stabbing can be. I enjoyed learning the true (or mostly true - the author fills in the gaps with his imagination) story behind the popular folk tale. But, unlike the previous story on World War I, there is no pressing reason to read this graphic novel. There is no real lesson to be learned (other than, as one survivor put it, "Don't take no cut-offs, and get where you're going as fast as you can") and the story of the Donner party has had no real impact on our culture or our world. So if you don't know much about it, well, you can still get by. But readers will get an idea of just how brave (and perhaps crazy) these first settlers were, to travel for months on end through wilderness and Indian lands and without even really knowing what they were in for. So my overall recommendation would be to get Treaties, Trenches, Mud, and Blood before you get this one. But while there is no pressing reason to get this one, there are no real reasons not to, and it is an interesting slice of American history well and quite delicately told. You can get a copy from Amazon.com by clicking here. Big, bad, Ironclad 128 pages, 2012 About the American civil war, and how the two sides each had, for the first time, ironclad ships (that cannonballs would just bounce right off of) fighting each other. If you only have a passing familiarity with the US civil war you might not know that it wasn't just a land-based battle. One lesser-known aspect, investigated in this graphic novel, is the attempt by the North to use a naval blockade to stop the South from exporting their cotton. To break the blockade the South built a ship with an iron hull, a hull so strong that cannon balls would bounce off of it. When the Merrimack was put out to sea it was every bit as devastating as it's creators had hoped, and was hampered only by an underpowered engine. The North had heard rumors about the Merrimack long before she was completed and had gotten to work on their own ironclad ship. So not too long after the Merrimack set sail, the North's response, the Monitor was completed. This is a fascinating tale, with the whole civil war as a backdrop. While the information is well researched, the book itself is drawn in a very comical style, with one character, Gustavus Fox, actually presented as a uniform-wearing fox. So this is great for someone trying to get a good overview of events – at 128 pages it has the size to give us much more than a glimpse – but it wouldn't be the sort of book that would be cited in the bibliography of any paper. NOT RECOMMENDED One Dead Spy This is the first book in the series, and American spy Nathan Hale's first story is his own – when he first decided to become a soldier, his part in booting the British out of Boston, the story of the supply ship he seized - which coincides with the story of the early part of the American Revolution. That's the real thrust of the book, to give readers a look at how the war started. But at just 128 pages there simply isn't room for the whole story, so this tale ends with the end of Nathan Hale. Or rather, it ends with him on the gallows, telling stories to the Hangman and his British guard. It is the first story, but finds it's place here at the bottom because, unfortunately, the author includes an exact quote from a British General that begins with the general taking God's name in vain (page 57). That wasn't necessary. Alamo All-Stars 128 pages, 2016 "Remember that Alamo!" - many of us have heard this rallying cry, but don't know what it is we're supposed to remember. This is the story of the stand that a 200 (or so) Texans took against a Mexican army many times that size in 1836. The Texans took their stand in a makeshift fort at the Alamo mission, and after a 13 day siege the Mexicans wiped the smaller Texan force out, leaving only a few women and slaves alive to spread the story in the hopes it would break down resistance to Mexican rule. It did the opposite - among those killed were the infamous Jim Bowie and famous Davy Crockett, and their deaths helped spark a revolution which saw the Mexicans defeated and Texas declaring its independence (10 years later Texas joined the United States). Hale does another fine job here of teaching history while keeping things very interesting, but in two instances (page 99 and 103) he again depicts God's name being taken in vain, both involving historical quotes. The Underground Abductor 128 pages, 2015 This would best be described as a biography of Harriet Tubman, an American slave who helped dozens and eventually hundreds of other slaves flee to freedom. She worked with many others, who would shelter the slaves as they went from one stop to the next in their journey from the slave-holding southern states to the freedom found that was to be found in Canada. These escape routes that slaves would take, traveling from safe house to safe house, came to be known as the Underground Railroad...even though very few trains were involved in their transport, and none of it was really underground (though a few secret cellars were involved). This is a fascinating story, but there is some strange mysticism included: Harriet Tubman, after recovering from a severe head injury, would claim to get visions from God. But more troubling is that this book, like One Dead Spy takes the Lord's name in vain. In this book it happens at least a couple times, which is why it, also, is near the bottom of this list. Blades of Freedom 128 pages / 2020 This is a grim history of Haiti presents Christianity as just another religion, akin to Voodoo. It has blood aplenty, and a naked butt. And it also repeatedly takes God's name in vain....

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Book Reviews, Graphic novels

Owly: The Way Home & The Bittersweet Summer

by Andy Runton 2004 / 160 pages This is two stories in one, and at about 80 pages each, they have room for some real fun. In the first, we get introduced to Owly, who, as you may have guessed, is an owl. The forest creatures are afraid of him because, well, he’s an owl, and they know that typically owls eat creatures like them. But not Owly. He’s a kinder gentler owl, and all he wants to do is feed his fellow birds seeds. Sadly, no one trusts him, and Owly is all alone… until the night of the big storm! Then Owly finds a worm, half-drowned, and nurses it back to health. Worm, realizing he hadn’t been eaten, trusts and befriends Owly, which is the start of something beautiful. It’s never really explained what Owly does eat, but we can be certain that it isn’t cute little worms! In the second story, Owly and Worm meet a couple of hummingbirds and have a great time until the little speedsters have to head south for the winter. But don’t worry, they’ll be back come Spring! It’d be more accurate to call these “talkless” rather than “wordless” because, even as the dialogue between Owly and his worm friend is limited to symbols and punctuation marks – a question mark when one of them is puzzled and an exclamation mark when they are excited – there’s the occasional shop sign or even a whole encyclopedia page entry on hummingbirds that does require the reader to be able to actually read. If you’re considering getting this for your school library, you’ll be interested to know there are two editions of this story, the first in black and white with this symbol-based dialogue, and the second, now titled simply Owly: The Way Home (2020) that is in full-color and adds in a minimal bit of verbiage between the characters. While I really like the original near-wordless version, it was sometimes a bit hard to decipher what Owly and his pal were saying to each other, so the second editions are probably the best way to go. Everything in this series seems to be gentle and kind including Just a Little Blue (1st edition 2005 /2nd edition 2020, 130 pages), Flying Lessons (2005/2021, 144 pages), A Time To Be Brave (2007/2022, 132 pages), and Tiny Tales (2008, 172 pages)....

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Book Reviews, Graphic novels

The Bug Zapper: The Ant Arrives!

by Tom Eaton 2018 / 108 pages Bug Zapper is a superhero that fights a bevy of bug-themed villains like Mean Mosquito, Butterfly Bob, and the Black Ant. His powers are the ability to jump really far – I think he's jumping and not flying – and, like his namesake, a nasty jolt of electricity that stops bug villains in their tracks. This is more of a gentle spoof of the superhero genre than a genuine batman or spiderman-type comic. Yes, villains do get zapped, but no one gets really hurt. Artist and author Tom Eaton makes good use of bright colors and simple lines – the drawings strike me as a little Peanut-esque – to create a comic book that'll draw kids in. It's hard to walk by this without picking it up for a peek. There are two books so far – Bug Zapper and Bug Zapper: The Ant Arrives! – and both my Grade Three daughter and I thought the second was the better of the two with just a bit more action and humor. But the first has the Bug Zapper's origin story, which every Bug Zapper fan will want to know. And the first also has an interesting plotline about bias in reporting. Robert, an elementary student who would love to be the Bug Zapper's sidekick, also writes about him for the school newspaper. Amber, the daughter of one of Bug Zapper's archnemeses, also goes to the school and accuses Robert of being biased for writing such a nice piece about a hero while saying nothing nice about villains. Then the teacher gives Robert an assignment to write his next article about a supervillain! But does being unbiased means saying nice things about both sides? That's what Amber thinks. But Robert knows that good journalism is more about being fair, trying to share the truth as accurately as he can. That's some pretty weighty material for a comic that's otherwise just lighthearted fun! And Tom Eaton pulls it off well. I would think this best for Grades One to Three, but the video version will let you gauge how it matches up with your children. You can find another video and color sheets at bugzappercomics.com. ...

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Book Reviews, Graphic novels

The Hobbit: an illustrated edition of the fantasy classic

by J.R.R. Tolkien  adapted by Charles Dixon illustrated by David Wenzel 1990 / 133 pages There's a hierarchy so unfailingly true it could be carved into stone: the book is always better than the movie, and the movie better than the graphic novel adaptation. But this otherwise unfailing rule does have an exception! I'm not going to start talking all crazy and tell you that this comic is better than the book – that has never been and never will be! – but it is better than the film! It is even better than many a book, paling in comparison only to its original source material. For those unfamiliar with the epic tale, this is the story of Bilbo Baggins, the titular hobbit, which is basically a human-like creature though half the size, and with twice the hair on their feet. Hobbits are homebodies so Bilbo isn't exactly sure how he joined a dwarfish expedition to steal back their treasure from an enormous talking dragon. Small and retiring though he might be, Bilbo is big in character, and while he doesn't think himself brave, in meeting up with trolls, goblins, giant spiders, and the even more gigantic dragon, he ends up doing many a brave thing. This is an old fashioned epic tale with good eventually triumphing over evil...but not without paying a price. That's the original, and the 133 pages of this graphic novel adaptation provide the space to capture it all. Illustrator David Wenzel has given this a classic look for this classic tale - there's a reason that in the 30 years since this adaptation first came out, no one has even attempted to improve on it. Its size and depth do mean this isn't for the casual comic fan, but for fantasy fans 14 and up, this will be such a treat!...

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Book Reviews, Graphic novels

Freiheit! The White Rose graphic novel

by Andrea Grosso Ciponte 110 pages / 2020 I grew up reading stories about the Dutch resistance during World War II, and it was only years later that I realized the Germans had their own committed dissenters. Freiheit! is the story of one such group, "The White Rose." These university students wrote and distributed pamphlets urging Germans to rise up and actively resist their government. The problem, they said, was not that everyone supported Hitler, but that too few opposed him – too many were being silent bystanders. "We are your guilty conscience" their pamphlets declared, as the group tried to prod their fellow Germans to oppose Hitler, not just in thought, but in deed. The White Rose story doesn't have the happy ending we'd want: within a year the group's leaders - all of them 25 or younger - were caught and executed by the Gestapo. But their bravery inspired others, and when the Allies got a hold of their pamphlets they ended up using quotes from the final one in a flyer, and dropped five million copies of it as leaflets over Germany. Today that willingness to stand up to wicked leaders, no matter the cost, continues to inspire. That's the appeal of this graphic novel – this is good food for our own young men and women. The White Rose's pamphlets, translated and printed in the back of this graphic novel, make it clear that there were some Christian underpinnings to what they were doing. Andrea Grosso Giponte's art style is effective, and unlike anything I've seen before, at times photo-like, but of the low-resolution newspaper sort, and with the sort of angles and shadows that made me feel like I was watching an artsy spy movie. Check out the book trailer below to see what I mean. The story is a bit jumpy, so this isn't a graphic novel for pre-teens. It requires some work from the reader because the author isn't holding our hand, explaining every last thing. He expects us to think through and fill in what must have happened between those jumps. It is worth the effort. I'd recommend this for 16 and up, not because of any content cautions, but only because of the effort it requires. If Freiheit! is of interest, you may also enjoy The Faithful Spy, about German pastor Dietrich Bonhoeffer and a plot to kill Hitler. ...

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Book Reviews, Graphic novels

Kitten Construction Company: meet the house kittens

by John Patrick Green 70 pages / 2018 The author of Hippopotamister is back with another charming treat for early readers. The story begins with "the city of Mewburg preparing for a big project..." They are building a new mansion for the mayor, and to get it started the city planner has to find the right architect. He has a few candidates to chose from, and the first up has a brilliant design. But there is a problem: the architect is a cute kitten! "Sorry," he tells little Marmalade, "I regret that you are just too adorable to be taken seriously." When Marmalade goes off to drown his sorrows in a saucer of warm milk, he meets another kitten dealing with the very same problem: no one is giving him a chance, because he's just so cute. The two decide that maybe they can team up. When they get hired on to help at a big construction project, they think that maybe their luck has turned. But they soon realize that they aren't being given actual work - just busy-work projects. That's when they decided that if no one else will take them seriously, they'll go out on their own. And that's how the Kitten Construction Company is born! The kittens get to show their talents when the official mayor's mansion falls to pieces, and they can then take the media and their mayor to see their own, gorgeous, and fully upright, version. That's when everyone has to acknowledge that cute isn't the opposite of capable. While most of the book's intended audience won't realize it, the author is kindly and gently poking fun at discrimination. He's making the lesson gentle, by making the source of discrimination "cuteness" rather than skin color or gender but what comes through is that treating people based on how they look rather than what they can do is ridiculous. He's also not hammering kids over the head with the lesson, feeling free to divert from the lesson to bring in some funny cat jokes. The sequel deals with a similar anti-discrimination theme when the kittens get the call to design and build a bridge. As everyone knows, cats don't like water, so they'll need some help with this job. And standing ready are...the Demo Doggos. Dogs? Marmalade isn't sure. Will that be, as the title asks, A Bridge Too Fur? ...

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Articles, News

This isn’t your parents' Archie Andrews

Back in 2015, Archie Andrews and his gang were official re-imagined for a new TV series called Riverdale – the fun-loving flirtatious teens were now murderous, drug-running occultists. In what wasn't even the show's weirdest twist, they put Archie Andrews in a sexual relationship with his teacher Miss Grundy. Jughead is a zombie? This is just one of the notable changes Archie's gang has undergone in recent years. It began in the comics back in 2010 with the introduction of Archie's new gay friend Kevin Keller, who was then paired off via a same-sex “marriage” to an Iraq War veteran. Other changes have included: Jughead Jones declaring himself asexual Veronica Lodge starring in a spin-off comic as Vampironica, a blood-sucking killer another spin-off series, Afterlife with Archie, featuring a zombie Jughead trying to kill and devour his friends and family (with some success) yet another spin-off series, Chilling Adventures of Sabrina, featuring more occultism and a character by the name of Madam Satan What's tricky about all these changes is that in the comic digests this "new Archie" is often paired with "old Archie" stories. So sometimes the outside of the comic looks just like it always has, but inside a handful of the stories will have this "modern" twist. Old Archie is better but has problems too Parents who grew up reading the old Archie comics might be shocked at this new direction, but before we ask “Why were the former days better than these?” (Eccl 7:10) let’s remember rightly the Archie of old. I came across a few of my old Archie digests and, looking at them with adult eyes, I was struck by something: Archie was never a paragon of virtue. At best “America’s favorite teenager” could be described as an indecisive boy who led girls on (poor Betty!). But would it be a stretch to describe a guy who secretly dates two girls at the same time (sometimes on the same night!) as a player? A frequent storyline involved Betty and Veronica vying for Archie’s leering attention by wearing as little as the Comic Code Authority would allow. This was every timid teenage boy’s dream – two bikini-clad gorgeous girls after a goofball guy. As the comic’s creator, John Goldwater explained, he reversed “the common wisdom. Instead of ‘boy chasing girl,’ I would have girl chasing boy.” While sexual tension and romance were a constant theme, nuptials weren't mentioned – not for more than 60 years. In Archie’s world dating was simply a social activity, completely unrelated to finding a spouse. Archie and his pals had a lot of laughs and adventures too. But the subtext to the series was always dating, dating, and more dating and it always got that wrong, wrong, wrong. Now the new TV shows and comics are getting it wronger still. ...

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Book Reviews, Graphic novels

Snow White

by Matt Phelan 216 pages / 2016 This is Snow White inventively reimagined as a 1920s Depression-era American tale. The "king" is a stock trader who has managed to survive the stock market crash. The stepmother is still a queen, but this time of the Ziegfield Follies, a popular Broadway show. The mirror is now a stock ticker, and the seven dwarves are seven street-smart kids. Prince Charming? Well, I shouldn't give too much away! Though over 200 pages, this is a very quick read, because it is much more pictures than text - several times there are stretches going on for pages, where there are no words at all. I first thought it would be hard to pick exactly who'd be the ideal audience. Fairytales are typically for children, but this seemed too somber to attract little ones – done in a black and white, it has a dark, noir style...all but for the last few pages with their happily-ever-after full-color conclusion. Some of the historical touches only adults would pick up on, but how many of them would pick it up? It's listed as for teens at my local library, but our Christian school library also got it, and there it seems more of a tween hit - my own tweens have taken it out a few times already. Cautions There are no real cautions to offer - if a child is old enough to read the original, then they will be old enough to read this one. There is a drop or two of blood here and there, but no gore. The worst is probably the pig or cow heart we see in full color at one point (in keeping with the original story). And there are no language concerns either. Conclusion This is an inventive, and very intriguing tale, done with style. Adults can't help but appreciate it, but it's really tweens who will most enjoy it....

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Book Reviews, Graphic novels, Teen non-fiction

The life of Frederick Douglass

A graphic narrative of a slave's journey from bondage to freedom by David F. Walker Illustrated by Damon Smyth 2018 / 173 pages Frederick Douglass lived his first 20 years as a slave, then spent the next 25 speaking against the evils of slavery. After the American Civil War and the emancipation of American slaves, he spent his last 30 years fighting the bigotry that still lingered. And in his final decade, defying all social expectations of the time, he married a white woman, Helen Pitts. While a graphic novel biography can't do this complicated figure full justice – the man himself wrote three separate autobiographies in the attempt – the size of this one, and the evident research backing it make for a very good introduction to its subject. As we follow his life, from plantation to town, to escape to the North, we get to meet along with him key figure in the American battle to end slavery. He knew Harriet Tubman, the lady who repeatedly ventured to the South to bring slaves to freedom in the North. John Brown hid at his house after the white abolitionist's unsuccessful attempt to start the Civil War some six years before it eventually began. Douglass was both an opponent and then an ally to Lincoln, due to largely Lincoln's vacillating opposition to slavery. Later he became a friend and then an enemy of women's rights advocate Susan B. Anthony, the change of relationship due this time to a compromise by Douglass when he decided to support black's voting rights even when they no longer came as a package deal with women's voting rights. This is quite the story, and it is well told. CAUTIONS Its important readers understand that some of what's depicted is deduction, and not clearly established fact. But a read of the introduction will help readers tell what's what. A word of warning is due for at least a couple uses of the "n-word" in the book, though with the topic matter, that is as you might expect. There is also some partial nudity. None of it sexual, and it could even be described as modestly done: one scene is a black woman being whipped, naked from the waist up, but her front is either away from view, or hid in the shadows. There are also three completely naked slaves shown, but all are hunched over, in a seated, almost fetal position with arms wrapped around their knees so no genitals are shown, though the top of one's buttocks is. The overarching concern would be the brutality. There is no gratuitous violence - but there is violence. Finally, while we get to hear Douglass debate with himself about how slavery should be fought, and whether violence was warranted or not, and whether it was right to compromise on the women's vote, we aren't offered any other perspective. So readers will have to apply their own biblical lens to this for themselves. Altogether that would make this a book for older teens maybe 14 and up. CONCLUSION The target audience for this book, teens, aren't always fans of history books, perhaps because they've been exposed to too many of the wrong sort, texts that make it all about dates and names. What a joy it is, then, to discover a page-turning biography like this. The Frederick Douglass we meet here, while not exhaustively explored, is fleshed out, and consequently memorable. We've now met him, and won't forget him....

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Book Reviews, Graphic novels, Teen fiction

Animal Farm: The Graphic Novel

by George Orwell (& Odyr) 2019 / 172 pages For those that don’t know the original, Orwell wrote his allegory in World War II to highlight the dangers of creeping totalitarianism. Instead of a country, his setting is that of a farm, and instead of an oppressive government, things are run by Mr. Jones, who treats Manor Farm’s “citizens” – the pigs, horses, sheep, chickens, and more – like they were animals! One night, Old Major, a pig respected by all, tells the others of his vision of a better world in which Man is overthrown and all the animals are free to benefit from their own labor. Two legs are the enemy, and all on four legs, or with wings, are treated as equal. The animals embrace his vision, and when the old pig dies peacefully in his sleep, three younger pigs take it upon themselves to develop and expand on Old Major’s vision. They craft “Animalism” and appoint themselves as leaders of the movement. When the animals rebel against Farmer Jones, they successively drive him off and take over the farm. The story that follows has clear parallels to that of the 1917 Russian Revolution, that began with noble-sounding aims – freedom from oppression, equality of all – but which quickly evolved into simply another form of totalitarianism. The animals find that, though they are free of the farmer, they aren’t free of having to follow orders. The pigs have them working harder than before, and they are fed no better. Their swine leaders are soon living in the farmer’s house and eating well. But they deserve it, right? After all, they need to be properly provided for, so they can provide direction! It soon becomes evident that while “all animals are equal…some animals are more equal than others.” CAUTIONS Because this is a graphic novel, there are a few pages of violent content depicted. But Odyr’s is a thin-line, smudged-pastel style, leaving the gory details mostly a blur. So while these pictures might be a bit much for a child, they are nothing that would disturb a teen. The only other caution I’ll offer concerns the lesson being learned. Orwell was no Christian, so even as he makes a case against the godless tyranny of totalitarian rulers the world over, he isn’t able to offer a better alternative…so it is fortunate he doesn’t even propose one. However, that means Christian readers will have to do that work for themselves. We can agree with Orwell about the problem: that man has a bent for tyranny and that larger the government the more they can insert themselves into our lives (1 Samuel 8:10-22). But we also know there is a proper, though limited, role for government, specifically to punish evil (Romans 13:1-7). CONCLUSION This is a brilliant adaptation of Orwell’s classic work, with a mix of colorful and also stark images that will grab any reader’s attention. Odyr has made Animal Farm accessible to age groups and casual readers that might otherwise never read it. While I highly recommend this as a gift for teens, it would be a waste to hand it off to your son or daughter and then leave it at that. Unless an adult helps them understand that message behind the story, they aren’t likely to see the real-world application, and will completely miss Orwell’s warning about the dangers of big governments of all sorts. If you liked this, you may enjoy the 1954 animated film of the same name. It's better than the 1999 live action version in two ways: it doesn't take God's name in vain, and because it is animated and consequently less realistic, it comes off more clearly as the metaphor it is meant to be - there's no mistaking it for real life. Find my review here. ...

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Adult non-fiction, Graphic novels, Teen non-fiction

The Faithful Spy: Dietrich Bonhoeffer and the plot to kill Hitler

by John Hendrix 176 pages / 2018  The world “pastor” is not often paired with words like “plot” or “kill.” But when the Nazis took over Germany, and used nationalism and intimidation to silence its churches, and then set out to conquer the world, Pastor Dietrich Bonhoeffer had to do something. And he felt himself pulled to do what would once have been unthinkable to him: Bonhoeffer joined a conspiracy to kill his country’s leader, Adolf Hitler. At 176 pages, and text-dense, author John Hendrix has a lot of space to explore Bonhoeffer and his time.  He starts with his birth and family life, before showing how World War I impacted the Bonhoeffers – one of Dietrich’s older brothers was killed – and how the runaway inflation that came shortly afterwards destroyed everyone’s savings. In 1921 a German could exchange 75 marks for 1 US dollar, but by the end of 1923 to get that same US dollar he would have to bring a wheelbarrow, or maybe a dumptruck, to carry the 4 billion marks that’d now be needed. Money, jobs, and hope were scarce, and this set the scene for the rise of Hitler. Germans wanted a way out, and Hitler presented himself as a savior. Meanwhile, Bonhoeffer was learning, via travels in Europe and America, that a love for one’s country doesn’t mean you have to support everything your government does. So when the Nazis, only a few months after they came into power, fired Jews from any government positions, Bonhoeffer was one of the few church leaders to speak out. He published a public paper called “The Church and the Jewish Question” in which he laid out an explicitly Christian justification for resisting the government. He described three ways the Church can and should respond to an evil government. Question the State and its methods: a True church must reject government encroachment on its beliefs Aid the victims of State actions: the Church has an unconditional obligation to the victims... Strike back: it is not enough to just bandage the victims under the wheels, but to put a spoke in the wheel itself! As you can tell, this “comic book” gets into some big and heady topics. What’s more, “how to deal with a hostile State?” is a topic of growing relevance these days. That makes this an important book, but also one that should be discussed between parent and child. There is some serious theology here, and while the general thrust is right on – we owe our allegiance first and foremost to God, even if that means resisting the State – what exactly it looks to live that out, back then and today, is a topic too weighty for a teen to work out on their own. This is a graphic novel worthy of both a teen and adult audience. The thought and research that’s has gone into it is evident throughout. Even the coloration of the book is fascinating, with Bonhoeffer consistently shown either in teal or with a teal background, the Nazis always highlighted with the use of red, and when death makes an appearance there is a predominance of black. I’d recommend The Faithful Spy for any teen who has begun to think on big issues, and anyone anyone interested working through what it means to live to God’s glory in tumultuous times. ...

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Book Reviews, Children’s picture books, Graphic novels

Bolivar

by Sean Rubin 224 pages / 2017 New York is the busiest city in the world, and people there are simply too busy to notice much of anything going on around them. Except Sybil. Sybil is a little girl who does notice things. And she recently noticed that her next-door neighbor is, in fact, a dinosaur. Sybil keeps getting peeks at the mysterious, very large fellow next door. But try as she might, she can’t get the evidence she needs to prove his existence to anyone else. Her parents, her teacher, and her classmates all scoff. A dinosaur in New York? How ridiculous!  Now in a secular book that tackles dinosaurs, you might expect some sort of reference to evolution. But nope, there’s none of that. This utterly charming graphic novel is, in one sense, simply a chase story, with Sybil tracking her prey through New York boroughs, the museum, the subway system, never quite getting near enough for the perfect photograph. But the enormous size of this book – 1 foot by 1 foot, with 224 pages – also gives author and illustrator Sean Rubin an opportunity to show off a city he clearly loves….even as he gently mocks residents for their self-absorption. With a girl and a dinosaur as the main characters, this is a fantastic book for boys and girls from Grade 1 on up (I loved it!). This might also be the perfect book for a reluctant reader. The big bright pictures will draw them in, and the size of the book will give them a sense of accomplishment when they finish it, while the limited amount of text per page means this is a book they can finish. Bolivar is a gorgeous goofy adventure and I can’t recommend it highly enough! There's a much shorter sequel of sorts – just 24 pages – called Bolivar Eats New York that is only okay. Sybil challenges Bolivar to try something other than corned beef sandwiches, so together they sample the fare from a half dozen or so ethnic eateries in the Big Apple serving Italian, Muslim, and Jewish fare. ...

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