Transparent heart icon with white outline and + sign.

Life's busy, read it when you're ready!

Create a free account to save articles for later, keep track of past articles you’ve read, and receive exclusive access to all RP resources.

White magnifying glass.

Search thousands of RP articles

Articles, news, and reviews that celebrate God's truth.

Open envelope icon with @ symbol

Get Articles Delivered!

Articles, news, and reviews that celebrate God's truth. delivered direct to your Inbox!





Red heart icon with + sign.
Documentary, Movie Reviews, Watch for free

Life's Story: the one that hasn't been told

Documentary 2004 / 58 minutes Rating: 7/10 This is a gorgeous investigation of how Creation evidences its Creator. Life's Story was filmed in more than ten countries and it takes us under the ocean waters too. We're introduced to lions, parrotfish, dolphins, giraffes and so many more critters, exploring the genius apparent not only in their bodies, but in their instincts, and even in their relationship with other animals. So, for example, we learn how the parrotfish feeds on the algae that grow on coral formations – this fish needs the coral to serve as its shelter and food source. But the coral also needs the parrotfish to clear away the algae, which otherwise might grow unchecked, and choke off the coral. This symbiosis – two creatures needing each other in order to survive – is a testament to God's intertwined design. It's also a problem for evolutionists to explain, because if each needs the other, then which evolved first, the coral or the parrotfish? God's genius is showcased with one illustration after another, even delving into the creative ways different animal babies are born. Did you know a giraffe baby is born with its mother still standing up, and the afterbirth functioning as a kind of elastic cord to slow the baby's 6-foot descent to the ground? How cool is that? And there's loads of knowledge bombs like that spread throughout. Caution At one point early on the narrator declares the "debate over the origins of life has raged for 150 years, but now, finally, the debate is over." Though he states it quietly, and his British accent adds some gravitas to it, this is hyperbolic. Evolutionists still exist, so the debate continues, even if it really shouldn't (Rom. 1:20). Other overstatements like this mean that as fun as this could be to watch with your family (while pointing out the hyperbole to the kids), it is not the film you'd show your college classmate who's skeptical about the case against evolution. They'd be better off watching Evolution's Achilles' Heels and Dismantled instead. Conclusion A handful of overstatements are what demote this down to being a good, not great, documentary. In its favor it has impressive footage – we're getting close enough to count the lion's teeth, and diving down deep into an underwater world we'd otherwise never see. Viewers will also love all the insights into the intricacies of these critters which are sprinkled liberally throughout. The narrator's calm voice is at times almost sleep-inducing, but the stunning visuals will wake you back up. And if you enjoy this one, be sure to check out the sequel: Life Story 2: the reason for the journey. Another mark in its favor? You can watch it for free below. ...

Red heart icon with + sign.
Animated, Movie Reviews

Adventures in Odyssey: The Knight Travellers

Animated / Children's 17 x 27 min episodes / 1991-2003 Rating: 7/10 Back in 1987, Focus on the Family started a radio drama series for Christian families called "Adventures in Odyssey," and it is still running today, more than 900 episodes later. It also spawned 17 animated episodes, the first of which is The Knight Travellers. It's clear from the start of the first episode that viewers are expected to have some familiarity with the radio original, as main characters John Avery Whittaker ("Whit" for short) and Eugene Meltsner aren't really introduced. For those that don't know, Whit is a lovable grandfatherly figure and an inventor and Eugene is his geeky, cheerful, and probably early twenties, assistant. In this first episode, some bad guys have stolen his "Imagination Station" invention which Whit designed to allow people to travel back in time, at least in their imaginations, to find out what life was like back then. However, the bad guys have turned it into a "Manipulation Station" so they can use it to control people's minds and get rich. As regularly happens, Whit gets some pint-sized help, this time from 10-year-old Dylan Taylor and his dog Sherman (who aren't from the radio dramas). Cautions If you are familiar with the radio show, then it won't surprise you that these videos can have some tension to them. In this episode, Dylan has to contend with a crocodile, a giant boa constrictor, and a smooth-talking, and iron-mace-swinging, evil knight. In the next episode, Dylan and the new neighbor girl have an ongoing argument that continues on through the episode and ends in a hospital trip. In Episode 3, Dylan's disobedience leads to a runaway mower destroying some prize flower gardens. Everything turns out all right in the end, and, of course, lessons are learned. But the sibling arguments, the menacing villains, and the narrow escapes, will be too much for some sensitive viewers. This series is meant to teach lessons, and there are a couple morals to the initial story. The first – that true treasures are not found in toy catalogs or toy stores but come from God – is true enough. But the second moral is problematic. Whit tells the main bad guy that: "Our hope lies in something you can never control or conquer. Our _______" If you would have filled in that blank with "Our God" then you understand why Whit's answer – "Our faith" – is misdirected. Without God to preserve us, our faith would be conquerable. It is Jesus who is unconquerable. That's a point worth raising with your kids. Also problematic is the third episode, where Dylan is initially irresponsible, so the lesson here is responsibility. What goes unaddressed is how Dylan, in an attempt to make up for past mistakes, risks and almost loses his life to save some bird eggs. This is presented as brave, but in treating his life as of no more importance than that of a bird, Dylan is actually being irresponsible. These instances underscore how, even though this is a Christian show, there is a real need for parental guidance and discussion – they can't be treated as "hit play, and walk away." Conclusion I've watched the first half dozen episodes, and the animation and writing is comparable to Hanna-Barbera productions like The Flintstones or The Jetsons. While this is too childish for teens, parents who remember Adventures in Odyssey from their youth will enjoy this for the nostalgia, and their younger kids - those who can handle some tension - will too. I'd rate all of the episodes we've seen a 7 out of 10. There were two "seasons" to the animation series, and while it doesn't seem too important to watch them in order, The Knight Travellers does introduce us to Dylan so it is probably the best place to start. The episodes all seem to be 27 minutes, so in total there's about seven hours' worth of viewing. Original Series (1991-1998) 1 – The Knight Travellers 2 – A Flight to the Finish 3 – A Fine Feathered Frenzy 4 – Shadow of a Doubt 5 – Star Quest 6 – Once Upon an Avalanche 7 – Electric Christmas 8 – Go West, Young Man 9 – Someone to Watch Over Me 10 – In Harm's Way 11 – A Twist in Time 12 – A Stranger Among Us 13 – Baby Daze Series 2 (2000-2003) 1 – The Last Days of Eugene Meltsner 2 – Escape from the Forbidden Matrix 3 – The Caves of Qumran 4 – Race to Freedom You can see The Knight Travellers trailer below. You can find the show on DVD or as a download at Apple TV and Christianbooks.com. And it is also streaming on Amazon.com. ...

Red heart icon with + sign.
Animated, Movie Reviews

The Boxcar Children

Animated / Children's 2013 / 81 minutes Rating: 7/10 The Boxcar Children is the first title in a popular and still expanding children's series of books. And just like the book, the film is about four children - two brothers and two sisters - who have lost their parents, and have been told they will have to live with their grandfather. But Henry, Jessie, Violet, and Benny don't know their grandfather at all, and imagine that, because he never came to visit, he must be a cruel man. So they run away. The first part of the story is about how they get by, day to day, all on their own. It's when they find an old, long abandoned, railway boxcar that things start looking up for them. Then the older brother can go into town to do odd jobs, and the other three can start setting up the boxcar as a real home for them. This is a children's story so, of course, it has a happy ending. And I don't think I give away too much to say it involves their cruel grandfather not being cruel at all. CAUTIONS The only cautions would concern language: in one instance a character says "holy mollie" and in another someone utters "oh my gosh," but that is the extent of it. CONCLUSION While there are a few moments of tension – especially early on when they are being chased by a couple who wants to put the children to work in their bakery – this is a pretty gentle movie. The plot is also simple, and I say that not as a criticism, but only to note this is more of a children's film than something the whole family will enjoy. Mom and dad won't mind too much, but I don't expect teens will enjoy sitting through it. But if you have children who have been reading the Boxcar Children series, then this will be a treat. The first book in the series, The Boxcar Children, was published in 1924, but the series really started gaining in popularity in 1942, when it was reissued. The author, Gertrude Chandler Warner, went on to write a total of 19 stories about the four siblings (and I've been told that these 19 are much better than the more than 100+ that have followed). There's no Christian content in the book or the film but as you might expect from a story written almost 100 years ago, there's nothing all that objectionable either. So it is a good safe film that kids will love, and parents won't mind. And now there is a sequel, The Boxcar Children: Surprise Island, which we review here. ...

Red heart icon with + sign.
Family, Movie Reviews

Johnny Tremain

Historical drama / Family 80 min / 1957 RATING: 7/10 Walt Disney clearly loved American history, and Johnny Tremain is another of his homages to it (The Swamp Fox and both Davy Crocketts being a few of the others). The setting is 1773 Boston, just weeks before the Boston Tea Party protest: on May 10, 1773, colonists who were masking their identities by dressing up as "Indians" boarded ships carrying tea, and threw the cargo into the harbor. This was a protest against a tea tax that had been imposed by the British Parliament. The Tea Party's actions stirred the pot, angering Parliament, which then passed further laws, described in the colonies as the "Intolerable Acts" which in turn angered more colonists. That's how the British Tea Party was an early precursor to the American Revolution that began two years later. So Boston is a busy place, as the story starts, but our hero Johnny is too busy to care much. He has his own concerns: his master is getting older, and losing some of his skills. Johnny seems to feel that if he is going to make his own name in the silversmith trade, he may need to take on jobs his master refuses to do. However, when he tries to complete a complex job while his master is away at church, it goes badly for him: breaking the Sabbath costs him the use of one of his hands which he badly burns on molten silver. The accident also costs him his trade, as a one-handed apprentice isn't much use. With his options limited, Johnny falls in with the "Sons of Liberty," becoming a revolutionary not so much out of principle, as out of friendship: these are the only people willing to give him a job. But as he gradually becomes acquainted with one of the movement's leaders, like Paul Revere and Samuel Adams, he gets won over to the cause and starts working as a secret courier. Cautions America is sometimes said to revere God, country, and guns, and not necessarily in that order. That might well be true of Walt Disney too, and comes out in this film in small ways, like how the most overtly Christian character is also the most joyless – the silversmith makes worship all about duty, not love. Still, God is not mocked. Other cautions include lots of gunplay but shown from a distance, which greatly mutes the impact. The most notable caution would be the "fight for liberty" this movie celebrates. Is it liberty, or is it simply rebellion? I don't know what to think about the American Revolution. The Canadian in me says, "You rebelled over a tax?" – that hardly seems warrant enough for a Christian to take up arms! But some American brothers have explained/argued that it wasn't so much a rebellion against the King as against the British Parliament. And, so their argument goes, the British Parliament imposing a tax on the colonies was akin to Alberta imposing a tax on Manitoba: it was an action they didn't have the jurisdiction to impose. What a viewer concludes about the rightness or wrongness of the American Revolution will greatly impact what they think about the film. Conclusion As a Canadian, watching this more for entertainment than education, this was a pretty good, and family-friendly, adventure film. There are brave folk taking their stands based on principles that they hold more dearly than their own lives. And that's an example we can learn from, especially when we have our Canadian government trying to penalize spreading His Truth to homosexuals. It might well be that we will need to risk much for what matters more. And American kids who have read the book in elementary school (where it has been a staple for decades) may really enjoy seeing how the story unfolds on the big screen. So, one thumb up. Johnny Tremain Trailer...

Red heart icon with + sign.
Animated, Movie Reviews

The Lord of the Rings animated "trilogy"

Peter Jackson wasn't the first to put J.R.R. Tolkien's books on film. Two decades before the first of Jackson's live-action/CGI films hit theaters, three animated versions were crafted in the space of three years, and by two different animators. The first two are well worth checking out. The third is not. THE HOBBIT Animated 77 minutes / 1977 Rating: 7/10 The Hobbit was the first Tolkien book to be filmed, in 1977. Director Authur Rankin chose a particularly cartoonish style of drawing that made it clear from the start that this was intended as a children's film. But his work had some humor to it – just as the source material does – which makes it pleasant enough viewing for adults too. Our hero Bilbo Baggins is a Hobbit, creatures that look much like humans, though they are half as tall and have far hairier feet. Normally Hobbits like nothing better than to stay close to home, but when the wizard Gandalf brings 12 treasure-seeking Dwarves to his doorstep Bilbo signs up for the adventure. And with the help of a magic "ring of power" Bilbo finds, he helps his new friends fight Orcs, Elves, and even a dragon. At 77 minutes long, readers of the book may be disappointed as to just how much the film condenses the story. However, as children’s films go it is quite a nice one, and a good introduction to Middle Earth. There are some fairly frightening bits, including attacks from trolls and goblins, and giant spiders and a "Gollum" that want to eat our heroes. But the animators have softened some of the villainy – e.g., the spiders have fuzzy bunny ears, and the goblins look vaguely cat-like – to tamp down quite a bit on the scariness. That meant my 8-year-old, not a fan of anything remotely tense, was able to endure these bits of action and really enjoy the overall film. So, while this isn't suitable for the very young, school-age kids will generally be able to handle it (though, as always, parents will want to preview this to see how suitable it is for their children). This is a children's film, which is in keeping with the intended audience of the original book. For them, the elementary school crowd, this might even rate an 8 (one of my girls even gave it a 9) but I've rated it a bit lower because it doesn't work as simply a children's film. This isn't one you can pop in the DVD drive and get back to loading the dishwasher - the scary moments mean that mom and dad will have to come along for the ride. And for them, this is only going to be okay. THE LORD OF THE RINGS Animated 133 minutes / 1978 Rating: 7/10 A year after The Hobbit was released, another animator, Ralph Bakshi, decided to try his hand at The Lord of the Rings.  The story begins with an aging Bilbo Baggins passing on his magic ring to his nephew Frodo. Shortly after, the wizard Gandalf shows up to warn Frodo of the ring's danger. It turns out this ring is so powerful that whoever holds it could use it to rule the world. This is why the evil Sauron wants it, and why the good Gandalf knows that it must be destroyed – this all-encompassing power is too much of a temptation for even the best of men to contend against. It is up to Frodo, who as a little Hobbit is far less tempted by the pull of power, to take the ring deep into the enemy's lands to destroy it in the lava of the mountain where it was first forged. And on the journey he has the company of hobbits, men, an elf, a dwarf, and a wizard to help him. Animator Ralph Bakshi used a style of animation that involved filming scenes with real actors and then tracing over each frame of film to create a line-drawing picture of it. This "rotoscoping" allowed Bakshi to incorporate the endless possibilities of animation with the realism of live-action. The realism also meant that this is a scarier film than The Hobbit. The lurching Ringwraiths (see the picture) are freaky, and some of the combat scenes, especially at the very end, are quite bloody. Though this is animated, it is not for children. There is one major flaw with the film: it is only half of the story! The director planned it as the first part of a two-film treatment, but the second film was never made, so things wrap up abruptly. While it lacks a proper ending, the story it does tell is intriguing. THE RETURN OF THE KING Animated 97 minutes / 1979 Rating: 4/10 This is sometimes treated as a sequel to Ralph Bakshi's film, but it isn't. Arthur Rankin directed, and he returned to the cartoonish animation style of The Hobbit. And while the events in this story do, loosely, follow after the events of the Bakshi film, Rankin seems to have been envisioning this as a sequel to The Hobbit, so he begins with an overview of everything that took place between it and The Return of the King. Or, in other words, it begins with a quick summary of two 500-page books – as you might expect this overview doesn't do justice to the contents of these enormous tomes, and the continuity of the story is completely lost. If a viewer isn't already familiar with the books he'll have no idea what's going on. Things don't get any better once the overview is complete - there is no flow to the story. Huge plot elements are skipped over, and random snips of scenes are stitched to other scenes with stilted narration and cheesy ballads. In addition, Frodo Baggins twice calls on God to help him. Some might argue this could be an appropriate use of God's name, but in the context of a fantasy world in which God is never otherwise mentioned, this seems a misuse. In short, The Return of the King is a dreadful film that is not worth anyone's time....

Red heart icon with + sign.
Family, Movie Reviews

Swallows and Amazons

Drama / Family 2016 / 96 minutes RATING: 7/10 I remember my older brother reading Arthur Ransome's Swallows and Amazons to me when I was very young, and being charmed by it. It was a story of four children - two brothers and their two sisters – making up their own adventures during a summer holiday on the lake, fighting off imaginary pirates and pretend sharks. It was a gentle book. That's why I thought it would make for a gentle movie to share with the family. But while a lot of the book's charm made it to the silver screen, the filmmakers decided that in addition to the children's imagined peril, they had to add some of the real kind – spies! The four Walker children are on a lake for the summer, in 1935 Britain, and they have their parents' permission to take the Swallow, a small sailboat, out to explore a densely wooded island and camp there. But they are not the first to land on the island: a sign, surrounded by animal bones, warns that it belongs to the "Amazons." This is all loyal to the book – the Amazons are a couple of girls with a sailboat of their own, and the two groups get to pretend to be rival pirate gangs. But the island is also home to a real life spy. And there are a couple of other suspicious sorts following him. For a small little island, there's quite the population on it! The additions of the spies adds to the excitement, but brings tension to a story that didn't really have that before. So, if you like the book, you probably aren't going to appreciate this adaptation – it's like adding a couple of spies to Winnie-the-Pooh. Exciting, yes, but not at all in keeping with the spirit of the original story. However, if you don't know the book, or can at least forget it for a bit, this is quite the adventure. There are chases scenes on the water and through the woods, and even through and on top of a train. We see spies following each other, Walkers following spies, and spies following the Walkers. I don't want to give the impression this is all action – there's also the calmer fun of the Walkers learning how to camp, create fire, and catch and cook their own food. It still has the charm of the book. Just with tension added. CAUTIONS There is a bit of language, with one spy saying "Damn it" in his native language, and the movie not so helpfully subtitling the translation for us. The siblings also call each other various names including "duffer" and "idiot." And one girl says, "shut up" a number of times. The only other concern would be some behaviors that we wouldn't want our own children to model. There are a few times where the children do something hazardous (like sailing a boat at night) against their mother's expressed wishes. So mom and dad might have to pause the movie here and there to ask what the Walker children should have done. CONCLUSION While Swallows and Amazons was far too scary for my 8 and under young'uns, I think some 10-year-olds and anyone 12 and up would find this just the right level of exciting for them. It's great movie night material for families with older children, and it's bound to inspire either a camping or sailing request. Jon Dykstra blogs on movies at ReelConservative.com....

Red heart icon with + sign.
Family, Movie Reviews

Misty

Family / Drama 1961 / 91 minutes RATING: 7/10 If you have girls in your home there's a good chance you've already heard of Marguerite Henry and her most famous book Misty of Chincoteague. It's the story of two orphans who, after coming to live with their grandparents, fix their minds on buying a pony named Phantom. But it's not going to be easy. First, Phantom is a wild pony, running loose on the neighboring island of Assateague, and to this point no one has been able to catch her. If she is caught, it'll cost the two children $100 to buy her and they don't have any money. And last but not least, Phantom is three years old already, and their grandfather says that no one can gentle a pony that's been wild that long. These two have their work cut out for them! This is a faithful adaptation of the book, and quite the sweet film. The grandparents are loving and kind, but no pushovers. The kids are energetic, a little mischievous, but respectful. It's just good old-fashioned family entertainment. CAUTIONS Language concerns are limited to a few instances of "gee." At one point bets are placed on a horse race between the nearby islands' fastest ponies. The grandfather gets caught up in this and seems to even travel to another island to find more people to bet with. Overall this is a minor element in the film, amounting mostly to an opportunity for jokes. But children need to be told that we should never seek to become wealthy at another's expense – that's what's wrong with gambling. CONCLUSION The moral of this story is an old-fashioned one, and while powerful, it is gently presented: "love is not possessive; love seeks the best for the other." I'm not going to spoil things by telling you how that moral is learned, but if you have a sensitive daughter or two, there might be a little crying at the end of this one...though it certainly ends on a happy note. Sweetest quote: When the town mistakenly concludes the grandfather has fallen on hard times, he hugs his grandchildren and exclaims: "They think I'm poor? I'm the richest man on this whole island!" This is reprinted with permission from ReelConservative.com....

1 2