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The Prince and the Pauper

Adventure
1937 / 118 minutes
RATING: 8/10

The swashbuckling Errol Flynn stars in one of the earliest, and still one of the best, film adaptations of Mark Twain’s classic tale of switched identity.

Our story begins on a murky evening in the London of 1537, with citizens raising a toast to the birth of Edward Tudor, the royal heir. His father, Henry VIII, warns the little babe that heavy weighs the crown. This same night, in the poorest corner of the London slums, another boy is born, by the name of Tom Canty. His father also has words for him, cursing the boy for being born healthy and strong, because “it’s only the sickly ones that can beg a farthing.”

Ten years later, the pair meet when Tom, fleeing a beating from his father, hides on the palace grounds. The pair are struck by their uncanny resemblance – the two could have been identical twins (and, in fact, identical twins Bobby and Billy Mauch play the roles). As part of their play, they swap clothes. Then, in a shock to both, they are mistaken for each other, and the guards throw the rag-wearing prince right out of the palace, leaving the bewildered Tom trying to get someone, anyone, to believe that he is not the prince.

Where does Errol Flynn come in? He plays Miles Hendon, a poor soldier, who mistakes Edward for addled when the boy insists he is royalty. The boy certainly seems addled. When news of the king’s death spreads among the peasants, he demands that they respect his royal highness – he is after all, their new king! That doesn’t go down well with any of them, and when one gent starts trying to beat the lad, others are more than willing to lend a hand. That’s when Miles comes to the rescue, whisking the boy away. Miles doesn’t believe the boy any more than the mob, but he is willing to humor him… for a time.

With the king’s death, a coronation is quickly scheduled. That means that in just days, unless the two switch back, Tom Canty will be crowned the new king!

Cautions

The cautions here concern violence, but it is all at a level that would bother only the very young. Errol Flynn dispatches one of the bad guys in a swordfight, but the fatal blow is hardly shown.

More notable is the beatings that John Canty gives his son Tom. While the blows aren’t severe – more shoving than any punching – it’s the notion of a father actually beating his son that will disturb some children. Midway through the film, when a priest tries to stop John from beating Tom (though this time it is actually Edward), we see John strike the man in the head with a stick, and the priest falls dead with a spot of blood on his temple. It’s not gory, especially in black and white,

So, this is no “Disneyfied” retelling, but the darker aspects are still greatly muted.

Conclusion

Adults may enjoy references to this history of the time; the story is fictional, but the background is straight history. Adults will understand that the reason King Henry VIII “hates priests,” as Edward shares with Tom, is because Henry booted the Roman Catholic Church out of England when the pope wouldn’t grant him an annulment from his first wife. Edward was his only surviving male heir and the son of his third wife who died in childbirth. And as the film also notes, there were still more queens afterward – Henry went on to have six wives in all.

But the real appeal is the pairing of Flynn and Twain – a great story with a great star.

At two hours long, this may test the patience of the younger Tik-Tok generation. But if your kids are able to sit still at all, and if you have an intermission ice cream break halfway through, and equip everyone with their own popcorn bowl, many a kid, 9 and up, should really enjoy it.

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Drama, Family, Movie Reviews

The Seahawk

Drama / Action 109 minutes / 1940 RATING: 8/10 While The Seahawk is set in 1585, and pitches Spain against England, this film was all about the politics of its day. Spain is clearly a stand-in for the Germany of 1940, and King Phillip could only have been more Hitler-esque if they had given him the small patch mustache. The story begins with Phillip laying out his plans for world domination. He demands from England that they refrain from building a fleet and offers his friendship, if they give in to his demands. Queen Elizabeth does her very best Chamberlain imitation, refusing to prepare for the clearly hostile Spain. She chooses to appease the tyrant, even as Phillip is building an armada. Then there is Captain Thorpe (Errol Flynn) with his own stand-in role. He has his own ship, which is part of an English privateer fleet, the Seahawks. Even as Elizabeth appeases Phillip, the Seahawks raid Spanish towns and sink Spanish ships. Thorpe is channeling at least a little Churchill, urging the queen – and through her, the nation of England – to prepare for war. That makes this film fascinating on two very different levels. It is a fantastic swashbuckling film all on its own, and it is also a wonderful bit of anti-Nazi propaganda, intended to rally the nation to resist. Queen Elizabeth concludes the film with a speech that is a clear call for America to come join the war. "When the ruthless ambitions of a man threaten to engulf the world, it becomes the solemn obligation of all free men to affirm that the earth belongs not to any one man, but to all men." Cautions There is a lot of fighting, with folks getting stabbed and shot. But there is no gore. Conclusion I had an opportunity to watch The Seahawk with a group of friends who, as a general rule, don't watch black and white films. A few exchanges struck them as a bit corny – acting in the 1940s did sometimes take a melodramatic turn – but the swashbuckling action and the self-sacrificial hero, the Second World War subtext, well, it swept away all their resistance. They simply couldn't help themselves: they had to love it! Jon Dykstra also reviews movies at ReelConservative.com where some of these reviews first appeared. ...