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Adult fiction, Book Reviews

Time will run back

by Henry Hazlitt 368 pages / 1951 As novels go, this is intriguing. As economics textbooks go it is downright amazing. Like 1984... In Time Will Run Back author Henry Hazlitt envisions a future in which the communists won and have been in power for more than 100 years. As Henry Hazlitt himself acknowledges, his novel bears some similarities to 1984 (published two years earlier) since both take place in a dystopian future in which the government manages every aspect of citizens' lives. But Hazlitt didn't read 1984 until after he had finished the first draft of his own book, so no plagiarism was involved. Instead, as Hazlitt puts it, authors like Orwell, Aldous Huxley (and his Brave New World) and himself were: plagiarizing from the actual nightmare created by Lenin, Hitler and Stalin....All the writers had done was to add a few logical extensions not yet generally foreseen. In Hazlitt's envisioned future the government has not only taken over the capitalist West, but they've wiped away any memory of capitalism, even editing Karl Marx's books so that no one could deduce from them what sort of economic system it was that Marx was writing against. Into this setting Hazlitt places the ultimate outsider. The world dictator's son, Peter Uldanov, has grown up far away from his father, isolated on a Bahama island. When his mother and father split, he agreed to let her take Peter, so long as she agreed not to teach Peter anything about history, politics or economics. So when the world dictator calls his now adult son to Moscow and informs Peter that he is to succeed his father as dictator, father first has to bring son up to speed in these three key areas. Peter's education takes up the first third of the book, though there is some palace-intrigue as well: the second-ranking member of the ruling Politburo is eager to see Peter dead, but doesn't want to be caught doing the deed. ...and Screwtape Letters This first third bears more than a passing resemblance to C.S. Lewis' The Screwtape Letters, with Peter's teacher filling the role of the elder Screwtape explaining to his younger devilish charge why they do things the way they do them. For example, at one point Politburo member Adams and Orlov, the editor of the world's state-approved and only remaining newspaper, explain to Peter how what is carried in the paper has nothing to do with the truth, but instead has to do with what is useful for the masses to hear. It turns out "what is useful" can be hard to determine. "It is for the Politburo to decide, for example, whether we shall say that the production record is very bad, in order to exhort and sting everyone to greater output; or whether we shall say that it is very good, in order to show how well the regime is doing and to emphasize the blessing of living under it." "These decisions are sometimes very difficult," Adams put in. "We often find that a zigzag course is best. For example, if goods are shoddy and fall apart, or if too many size nine shoes are made and not enough size eight, or if people cannot get enough to eat, there may be grumbling and complaints – or silent dissatisfaction. We must make sure that this unrest does not turn against the regime itself." "Therefore," said Orlov, "we must lead the complaints. We must ourselves pick scapegoats to denounce and punish." In the middle third of the novel Peter takes on the role of the ultimate benevolent dictator. He wants to help his citizens, so he tries desperately to figure out ways to make socialism work. He has the help of his country's greatest minds, and near absolute power, so he is in the best sort of situation to make it work. But try as he might, they can't make it work. The biggest trouble Peter keeps running into is trying to figure out the value of what they are making. They have no money (since no one buys anything, but is instead given what they need) so they can't use price to calculate how valuable one product might be compared to another. And if they can't calculate value, then they also can't determine if the country is producing more overall this year vs. the last. Sheer tonnage is one proposed measure – that could use that to compare how much grain they grew from one year to the next. But even this falls short, because grain can come in different qualities. How then should they evaluate things if one year more grain is produced but of a lower quality, and in another year there is less but of a higher quality? Which was the better year? After ruling out tonnage as a helpful means of measuring output, one alternative after another is proposed only to have the shortcomings of each then exposed. The alert reader will see where this is leading: what this socialistic  economy lacks are markets in which the value of a product is assessed by consumers as a whole. In the final third of the book Peter gets more desperate and more radical in his efforts to make real improvements and give citizens real freedom, and he ends up discovering some economic principles that really help: open competition, property ownership, and the rigorous prosecution of cheats and swindlers. To help his citizens he is forced to invent capitalism! Conclusion Though the book is most obviously about communism, the warning Hazlitt offers here - that freedom and prosperity cannot co-exist with an economic system that prioritizes equality of distribution – is directly applicable to communism's democratic twin, socialism. This book sat on my shelf unread for many years because I didn't believe a world-renown economist could also be a credible novelist. I was wrong. There is a conversation here and there that gets bogged down by the economic lesson Hazlitt is trying to teach, but overall this is not just readable, but engaging and entertaining, able to stand up to comparisons with 1984 and Brave New World, which themselves are not read for their wonderful prose, but rather for their insightful investigations of human nature in the face of tyranny. So this is a readable, intriguing and important novel with a few slow bits. And as an economics textbook, there is none better – Hazlitt makes a strong and compelling case for the free market. The e-book can be had for free here. Note to Teachers: How Time Will Run Back is better than 1984 and Brave New World Though 1984 and Brave New World are important books, they both have sexual content (Brave New World more so) that can make them problematic to discuss even in the high school setting. Sex is also discussed in Time Will Run Back but in a way that parents and teachers may find more palatable: brief mention is made of how the government manages even citizens' sex lives, mandating that no one can pair up for longer than a month, lest they form familial bonds that compete with the bonds they should have to the state. But this is sex at is most boring - nothing titilating here. I believe you'll find find Hazlitt's offering a worthy substitution for either of these other two - just as engaging, as insightful, as thought provoking, and without the sexual content....

Adult fiction, Book Reviews

Letters Along The Way, from a Senior Saint to a Junior Saint

by D.A. Carson & John Woodbridge 2022 / 373 pages Christians have long had the chance, in C.S. Lewis’s The Screwtape Letters, to eavesdrop on the correspondence between two demons, one young, and the other a senior demon intent on passing along the knowledge necessary to lead Christians to damnation. Now, in Letters Along The Way, we have the opportunity to read the mail exchanged between two saints, both intent on spreading the gospel to the world. We can follow along, by way of their correspondence, as senior saint Paul Woodson mentors Tim Journeyman on the path from unbeliever to church pastor.  Like Lewis, Carson and Woodbridge cover a broad range of topics. Reading straight through will allow you to fully experience the transformation of Journeyman. However you could also just pick and choose different letters to get a wealth of knowledge on that particular subject, ranging from pastoral training to communism – a helpful index highlights which letters talk about what subjects. (The reader should be mindful of some theological differences resulting from the authors’ Baptist point-of-view.)  Reading this cover to cover may be a slog for some, and they may prefer reading just this letter or that. Others will enjoy following the whole journey God is taking this fledgling Christian on, molding him into His instrument to spread the gospel. Readers may see parts of Journeyman reflected in themselves and may well form deep bonds with their new friend and mentor, Paul Woodson. Find a link to a free pdf version of the 1993 edition here....

Book Reviews, Graphic novels

The Comic Book Lesson

A graphic novel that shows you how to make comics by Mark Crilley 2022 / 156 pages Emily is a young artist with plans for a comic book - she wants the hero to be a "pet finder" coming to the rescue of any and all who have lost their furry friends. But it's one thing to have a story and the skills to draw it and yet another to know how to transform it into comic book form. So how can she bridge that gap? She just needs the right sort of mentor. What author Mark Crilley has given us is a story showing aspiring cartoonists how they, too, can learn what Emily wants to know – we get to come along for her journey as she meets three talented ladies who are willing to teach. First up is an encounter at the comic store: Emily discovers that the store clerk, a high schooler named Trudy, is a fantastic artist working on a comic project of her own. Emily's enthusiasm and persistence ensure that one impromptu lesson becomes more. Trudy teaches Emily things like pacing – how including adding a couple more frames can make a scene more dramatic – and how a character's eyebrows communicate more about their emotions than a smile or frown. Trudy is so impressed with Emily's work that she introduces her to Madeline, a friend who's already a published cartoonist. The lessons Madeline teaches include: the importance of a "broad" establishing shot before going in for close-ups, and the need to script a comic before you begin drawing it. Madeline, in turn, introduces Emily to her own cartooning mentor, Sophie, who has yet more to teach Emily, like the proper order for word bubbles, and the need to eliminate any possibilities of confusion. While I don't like to include spoilers, for the sake of young readers, I'm going to include one. During her time with Sophie, we find out why Emily was so earnest about her hero being a pet finder: because Emily wasn't able to rescue her own dog. Her loss is poignantly told, which made my one daughter sad enough that she stopped reading. I suspect though, that she might pick it up again. If your child is a sensitive soul, it might help to give them a heads up beforehand. Cautions I'm going to list a few cautions that aren't all that relevant to the mid to older teens this is aimed at, and I only include them because some 10-year-olds and even younger could really enjoy this comic, but with some parental guidance. This is one of the tamest, safest "how-to-cartoon" books you can find (Maker Comics: Draw a Comic is another, though it covers different ground). But parents need to know that comics today contain loads of weirdness. Whether it's the way women are depicted as impossibly buxom and skinny, or the heroic witches, ghosts, and demons that feature in more and more stories, or the queer agenda that's inserted in comics for even the youngest ages, there is a lot of twisted stuff out there. The Comic Book Lesson isn't pushing any of that, but in a few instances this secular work does "bump" into this weirdness. So, for example, Trudy mentions the "Electric Angel Nurse Mizuki" comic she's authored, and we're shown the cover depicting a nurse with wings. Madeline mentions she is writing a comic book about assassins for hire. A customer asks for a copy of Raina Telgemeier's Smile, which is a fine book, but whose sequels take a queer turn. And the 12-or-so-year-old Emily is depicted at a comic store and convention without her parents, which are weirder places than we'd want our 12-year-old to go without us. That's about it. Nothing too bad, but some of it worth a discussion, especially for younger readers. Conclusion Comics can combine not simply exceptional writing but outstanding art, doubling the creative potential to explore. That's why Christians really should dive into this medium. The Comic Book Lesson is a solid piece of "edutainment" that'll give young aspiring artists an introduction to the general approach needed to be able to expand and refine their skills. This is not so much a "how-to-draw" book – there are loads of other books like that – as it is a "how-to-decide-what-to-draw" book. It's about learning how to plan out panels and pages like cartoonists do. For more, watch the video below where the author gives an in-depth (20 minutes long) introduction to his book. If your child loves The Comic Book Lesson, they may be interested in the author's The Drawing Lesson, (2016, 138 pages) which also uses the graphic novel medium to teach, this time about shading, negative space, how to hold a pencil, and seeing things as an artist does. It's a great book, suited for 12 and up with no cautions or concerns other than one use of the word "Jeez." ...

Adult fiction, Book Reviews, Teen fiction

The Journey

A Spiritual Roadmap for Modern Pilgrims by Peter Kreeft 1996 / 128 pages This is an allegorical journey, reminiscent of John Bunyan's Pilgrim's Progress. But in this case, the pilgrim - the author Peter Kreeft - has Socrates as his guide. And instead of facing trials and temptations on the road, he runs into one Greek philosopher after another, every time there is a fork in the road. Each one of them offers up their own particular worldview for consideration and Kreeft then has the choice of either staying with them, and subscribing to their philosophy, or rejecting it, and continuing on his journey in search of Truth. Though these philosophies are ancient, they are also current. Take as example the first philosopher Kreeft and Socrates meet: Epicurus presents the "Eat, drink and be merry." He tells Kreeft that the Truth isn't even worth seeking after - not when there is so much partying to do! Today we might call this the Hugh Hefner philosophy - why think about things such as Truth and the purpose of life, when there is yet another woman to bed, more money to be made and spent, and more parties to attend. And indeed, when the pilgrim rejects this worldview, he notices that Epicurus bears a strong resemblance to Hefner. As he continues he meets more ancient Greeks, each with their own challenge to present, and each with their own modern-day counterpart. This is what makes the book a valuable tool. Just as Socrates is a guide to the pilgrim Kreeft as he is confronted with ten different errant worldviews, so too this book can serve as a guide to anyone bumping up against these worldviews today.  Some of the philosophers he meets include: The Skeptic The Cynic The Nihilist The Materialist The Relativist The Atheist The Pantheist and Deist It is a very well-written, fun read, but because the book is deliberately philosophical this slim volume could seem a bit intimidating to anyone not already familiar with ancient Greek philosophy. But you don't need to be able to tell Socrates from Plato to enjoy this book. All you need is an interest in learning to discern how these philosophies are still being practiced and promoted today. One note of caution: the author is Catholic, and in this book that comes out in an Armininan flavoring to some passages. But Kreeft is also a great thinker, and when he targets secular errors, as he does in this book, there are few writers his equal. He has a whole series of books that feature Socrates and his questioning method, including The Unaborted Socrates: A Dramatic Debate on the Issues Surrounding Abortion and the Best Things in Life, both of which I would also recommend. But Kreeft is also a dedicated apologist for the Roman Catholic church and has written innumerable books on that subject too, so I would not recommend all his books with equal enthusiasm and would warn off an undiscerning reader from most of them, these three excepted. That said, this particular title would be perfect for anyone in university, or heading there, as a great tool to help them see through and answer the secular worldviews they'll run into on campus....

Book Reviews, Teen fiction

The Revolt: a novel in Wycliffe's England

by Douglas Bond 269 pages /  2016 I was never a fan of Church history in school, but I've come to realize that this was really the textbook's fault. It was a series of dry and weary titles, with lots of dates and facts, but no story to them. So I owe a debt of thanks to Douglas Bond for reviving my interest in what is really a most important topic, and he has done so by telling great stories. Sometimes, as he has in this novel, that story-telling involves weaving in fiction among the facts, so I can just imagine someone saying, "But then you're not really learning Church history, are you? Not if lots of it is made up!" Ah yes, but I know more Church history than I once did, and it was painless! And what's more, Bond's fictionalized biographies – he's tackled Calvin, Knox, C.S. Lewis, and now Wycliffe – left me wanting to know more about these men. So after read a Bond book I've followed it up with reading non-fiction books about, or by, all of them. My old Church history textbook never inspired me to do that! In The Revolt, Bond takes on an early Reformer, John Wycliffe, who lived and died more than 100 years before Martin Luther nailed up his 95 theses. Like Luther, Wycliffe was a man very much on his own – he had followers, but not really colleagues. He was the trailblazer who decided that, contrary to what the Pope and Church have pronounced, the common people needed to hear the Bible in their own tongue. One thing he had going for himself is that he lived in a time when there were two popes at the same time, which made it easier to question the need for submission to the pope. Wycliffe doesn't actually show up until page 62, so this is more a book about the England of his time than about him. The story begins with a young scholar on the battlefields of France, where the English army is surrounded by a much larger French force. The scholar has been assigned the task of recording the events, so while everyone else has a bow, or a battle axe, or something with some sort of sharp steel end, he is armed only with his quill. It's a great beginning, and from then on we follow along with this scholar who serves as the story's narrator. Through him we meet peasants, other scholars, and finally Wycliffe himself. The Revolt is a novel most any adult would find an easy and enjoyable read. I'm not sure, though, that this would be a good book for a teenager who is only a casual reader. It is a very good story, but it's not the non-stop "thrill ride" that so many Young Adult books try to be these days. To put it another way, this is far from a heavy read, but it's also not a light read either. However, for anyone with any interest in Church history, this is an ideal way to learn more. I sure hope Douglas Bond keeps on coming up with these great fictionalized "biographies"! ...

Adult fiction, Book Reviews

The Last Disciple

by Sigmund Brouwer and Hank Hanegraaff 2004 / 428 pages It’s the year 65 AD, and Gallus Sergius Vitas is one of the last principled men in Rome. He’s also a confidant of Emperor Nero which means his daily life is conducted on a knife’s edge: indulging the emperor’s perverse demands might keep Vitas safe but would compromise the man that he is; yet to openly oppose the emperor would lead to his immediate introduction to the Coliseum’s lions. Our story beings with Vitas attempting this balancing act once again. Nero has dressed as a beast, his outfit comprised of lion and bear skins, complete with collar and a chain held by a servant. His night’s entertainment is to terrorize a group of prisoners while playing the part of a beast. Enjoying their fear, the emperor quickly works himself into a killing frenzy. Vitas sees this all from the shadows and can’t let it happen, knowing, though, that to oppose the emperor is to die. So Vistas yells at the chain-holding servant instead: “If the emperor knows you are involved in illegal torture, he will have you destroyed!” It is, as Brouwer writes: “an all-or-nothing bluff, pretending that he did not know Nero was inside the costume. Trusting that Nero would be too ashamed to admit it. Now. Or later.” Vitas’ bluff works, but not just because of his daring. An earthquake sends Nero scurrying away, convinced that the shaking ground is a sign of divine judgment. It’s a great opening, highlighting the depth’s of the emperor’s perversity, the heights of Vitas’ courage, and the certain presence of God even in these pagans’ lives. In less talented hands, the earthquake’s unlikely timing could have come off as cheesy, since in real life God more often uses “ordinary means” (like doctors’ talents or wise friends’ advice) than miracles to accomplish His ends. But miracles do occur, and Brouwer makes it believable. It’s a good thing too, as this is but the first miracle in a story that’s all about how God used miraculous means – the prophetic words in the book of Revelation – to warn his Church to flee the fall of Jerusalem in 70 AD. What Brouwer and his writing partner, theologian Hank Hanegraaff, have done here is write an alternative to Tim LaHaye and Jerry Jenkins’ popular Left Behind series. Where Left Behind places the beast of Revelation 13 in our near future, Brouwer and Hanegraaff place him in the first century, in the near future of those who first received John’s letter. And they identify the beast as Nero and the bloody empire he led. This “partial preterist” (partial past) interpretation of Revelation holds that the book was written before the fall of Jerusalem in 70 AD, and the city’s fall is a partial fulfillment of much of the prophecy in Revelation. This, then, is fiction meant to teach as well and entertain, and it does both brilliantly. Brouwer has crafted a story that takes us all around the Mediterranean, with Jews, Romans, and even troubled Christians wrestling with the question of “Who is Jesus?” There’s also political plotting, assassination attempts, sieges, gladiators, and just a touch of romance. The slowest bits are when theologian Hanegraaff has characters take a page or two to teach Vitas and others what a particular passage in Revelation means. If you’re reading it only for the story, these sections might drag, but they are well spaced out. And if you’re interested in learning about the partial preterist interpretation of Revelation, these will be your favorite passages. Cautions One caution: Nero’s depravity, though described with restraint, still means this is not a book for younger teens. If The Last Disciple series has you eager to read more of Sigmund Brouwer’s work, be aware that he is a proponent of theistic evolution, and also an Arminian. That doesn’t come up in this series (or his best book, Innocent Heroes, a treat for kids, teens, and parents alike) but it does come up in some others. Finally, readers should be aware that partial preterism probably isn’t the majority view in Canadian Reformed churches (though I’m not sure what the majority view might be, as Revelation seems to be only rarely discussed). Some do hold it though, and it's also held by Reformed pastors outside our circles such as RC Sproul, Douglas Wilson, and Jay Adams. Conclusion The Last Disciple is a great book, kicking off a great series. The cast of characters is large, so if you’re like me, make sure you get the whole trilogy – The Last Disciple, The Last Sacrifice and The Last Temple – right away, because if you wait too long between books, you may start forgetting who is who. I’d recommend this to anyone who enjoys historical fiction – Sigmund Brouwer has got skills. And if you’d love to have partial preterism explained, well, this is the most entertaining way you could ever learn about it!...

Book Reviews, Children’s picture books, Graphic novels

Lindbergh: The Tale of a Flying Mouse

by Torben Kuhlmann 96 pages / 2014 How did man first learn to fly? It seems we had a little help. This is the story of a little mouse who made the very first transatlantic flight, back when Charles Lindbergh was but a lad. As our story begins we learn what first motivated this mouse to seek the skies. In the late 1800s, another invention was becoming quite popular – the mousetrap! – which had this furry inventor seeking somewhere safer to live. Where could he go? Why not America, a place that welcomed immigrants of all sorts (whether man or mouse)? That was a good destination, but when he tried boarding a boat, he barely escaped the harbor cats. They were guarding the docks, and there was no getting past them. It was there, however, as the little mouse was hiding in the shadows, that he was "struck" by inspiration: "Suddenly wings flapped against his face! Ghostly creatures flew through the dark. They looked like mice, with tiny eyes and huge ears. But they flew with powerful black wings. The little mouse carefully studied the strange flying relatives, then scurried home..." Why not try flying to America using wings like bats! In the many pages that follow we see the mouse draft plans, secure supplies, evade owls, fail, try again, fail once more, and then finally make his way into the skies. What makes the book so special is the enormous, gorgeous, detailed pictures. I want to make the case that this should be shelved in the graphic novel section of the library, even though it isn't what most would think of as a graphic novel. There are no word bubbles, but there are whole sections where the story is told entirely by sequential pictures. It might be accurately called a picture book, but that makes it seem like it's for little children (what older kids read picture books?). This is not a children's story. That's in small part because it has a grim bit here and there – one mouse is depicted in a newspaper picture as clearly dead, caught in a mousetrap, which would be an unexpected jolt to readers in the lowest grades. It might also be too tense with the owls determined not simply to frustrate his flight, but to eat our little inventor. The bigger reason this is older fare is simply the length and depth of the story. The mouse draws schematics that deserve to be closely examined – there are echoes here of Leonardo da Vinci. And he is playing a cat and mouse game on a few levels, not simply with cats, but owls, and people too. So, yes, this visual feast belongs best in the graphic novel section where boys in Grades 4 and up will discover it and love it! Caution The only caution, other than age appropriateness due to the aforementioned grim bits, would concern not this book, but a sequel in the author's "Mouse Adventures" series. In the next book, Armstrong (2016), another mouse takes things even further, developing the first ever rocket to the moon so he can prove that it is not made of green cheese. It's another inventive story, and the only nit I have to pick comes afterward, in an appendix of sorts. There we're told that Galileo Galilei "contradicted the Church's view at the time and his work was banned while he found himself accused of heresy." This is true, but without context, it contributes to the popular idea of Science as the ultimate authority, especially over and above what the Church teaches from the Bible. What this overlooks is that the Church's problem here was its reliance on faulty science in the first place – Aristotilean science – rather than the Bible. Most kids aren't likely to even ingest this section of the book. But this particular lie is a pernicious one, used as a universal solvent to undermine clear biblical teachings on origins, sexuality and gender. While it's only a small mention of a potent lie, it is also delivered to a young audience, which is why I'd give this one a skip for a school library. I'd also skip on Einstein (2020), not because of specific problems, but because there were parts of this picture book/graphic novel that as an adult, I didn't even understand. I think this one was too ambitious, considering the target audience. Conclusion That said, this story is the very pinnacle of creative genius. It will teach children at least a little about what it took to first developed powered flight, providing as fun and wonderfully illustrated an introduction to the topic as you'll find. For more, take a look at the book's trailer below. And if your child enjoys this one, they'll likely also love the third book, Edison: the Mystery of the Missing Mouse Treasure (2018) in which a mouse invents underwater travel to recover the illuminating invention his ancestor created. ...

Adult fiction, Book Reviews

Once Upon a Wardrobe

by Patti Callahan 2021 / 285 pages The year is 1950, and an eight-year-old George Henry Devonshire has finished a book, just published, called The Lion, the Witch, and the Wardrobe. And now he wants to know Where does Narnia come from? George is old enough to know Narnia is not real, and yet at eight, he's somehow already wise enough to know that this story is about something very true. So where did it come from? Born with a weak heart, the young George has been confined for most of his life to his own room, and, on better days, to the rest of his house. But his older sister Megs loves him fiercely and comes home every weekend from university, so George is sure she'll help him figure this out. Megs, after all, goes to Oxford, where the creator of Narnia teaches. She should just ask him! It turns out though, that Oxford isn't simply one college, but dozens, and Megs is at an entirely different school than where Lewis teaches. She sometimes sees him walking about, but the quiet girl doesn't want to intrude on the great man with bothersome questions. And yet, for her brother, she promises to try. In the end, Megs doesn't so much manage to introduce herself to Lewis, as Lewis's brother Warnie introduces himself to her... and invites her for tea! What follows is only the first conversation of many. Megs keeps coming back because Lewis and his brother never seem to offer the simple answer that young George is after. Instead of sharing where Narnia came from, the two tell Megs stories about their growing up. Megs isn't into stories the way her brother is – her studies in math and physics don't leave her a lot of time, as she might put it, to waste on fiction – so even as she enjoys her time with the two men, she doesn't understand why they won't give her a more direct answer to relay to young George. Her brother loves the stories she brings home, but he keeps sending her back for more. George is aware, even though his parents and sister have tried to shelter him from the knowledge, that he does not have long to live on this earth. So there's an insistent edge to his questions: he needs to know where such beauty and truth comes from. Patti Callahan has married careful research with simply wonderful prose to create a fictionalized biography of both Lewis and his best-known book. I loved this so much I've given it to my mom and my wife, and I can't really give it higher praise than that. If you're looking for the serious sort of biography that tells you what the subject ate for breakfast on his 43rd birthday, you'll need to look elsewhere. But if you enjoy learning a little something from the fiction you read, or if you've ever wanted to know more about the man who gave us Narnia, you won't find a more charming introduction....

Adult fiction, Book Reviews

Greg Dawson and the psychology class

by Jay Adams 2008 / 149 pages This is a novel, but it'd be more accurate to call it a textbook masquerading as a novel – the goal here is education, not entertainment. Jay Adams' fictional protagonist Greg Dawson is a preacher who lives near a Christian college. Some of the students want to know the difference between the psychological counseling theories they are being taught and the biblical counseling Greg Dawson uses. Via a series of informal conversations with Pastor Dawson, the students learn that the psychology they’re being taught at their Christian college is built on secular counseling theories. They are asked to consider just how many different secular counseling theories there are. These theories claim to be built on insights into what Man is really like, and yet the different theories disagree with one another, and sometimes wildly. So how are we to evaluate them? Dawson points students to the Bible, asking them to examine how many of the theories line up with a biblical understanding of our inner nature. So long as these secular theories understand Man outside of our relationship with God how can they understand what Mankind is really like? Dawson asks them to also consider that most of these theories don't acknowledge our sinful nature, or understand our purpose here on earth. As the back of the book details, some of the other issues explored include: the difference between apologizing and forgiveness the place of evangelism and faith in Biblical counseling Is all truth God's truth? some specific issues such as depression, mental illness, and marriage Adams is only one of many experts to consult when it comes to biblical counseling. Others include Ed Welch, Heath Lambert, Wayne Mack, Paul David Tripp and David Powilson. But this book is an ideal introduction to the subject – the novel format makes for an easy, yet highly educational, read. And if you like this one, you'll be interested to know Jay Adams has written two other "Greg Dawson" novels: The Case of the Hopeless Marriage and Together for Good: Counseling and the Providence of God....

Articles, Book Reviews

Why is dystopian fiction worth reading?

In dystopian fiction we get a glimpse at some sort of looming, foreboding future: maybe it's humans devolving into separate castes (H.G. Wells' Time Machine), mass infertility threatening the end of mankind (P.D. James's The Children of Men), a domineering government repressing all but the elite (Glenn Beck's Agenda 21), or maybe killer robots overrunning the planet (Terminator). The word dystopia is coined from Ancient Greek and means simply "bad place." What makes this a genre worth considering is because the best dystopian fiction is prophetic in nature, warning us of the dangers of a particular ideology (or practice) by showing us the "bad place" we will end up at if we adopt it. Thus there are as many sorts of dystopian novels as there are ideologies. But not all of the warnings given are…credible. Far from prophetic The Canadian "classic" novel and current Netflix hit The Handmaid's Tale warns of a world in which the government uses the trappings of the Christian religion to sexually enslave women. That is so far from where we are, or could conceivably head, that the book isn’t useful – the author is completely wrong and there are no insights to gain from her. (That hasn't stopped the Left from embracing the novel, pretending that Trump's presidency is its very fulfillment.) That lack of credible threat is a problem with many of the teen fiction dystopian series (The Maze Runner, Divergent, and The Hunger Games) that have appeared over the last decade. They might be entertaining, but they aren't prophetic. If we look hard enough we might be able to find something, like The Hunger Games' warning against folks killing and getting killed for the entertainment of the masses. That does have relevance in a culture in which brutal MMA fights are now watched by millions (including ones in which women pummel women) and the NFL remains must-see TV even though it leaves most participants crippled in one way or another. But does that make The Hunger Games worth reading? No. Most teens aren’t likely to make that connection. More importantly, the series presents a dilemma that's likely to confuse its teen audience – the "hero" seems like she will have to either murder others or be murdered herself. Mature Christian will understand that it is better to suffer evil than to commit it, but will younger readers? Two that are each half right So what books do warn of credible threats? The top two would have to be: 1984 - Author George Orwell warns of the State using authoritarian power to so totally subjugate us that, if they insist, we'll say that 2+2 is 5...and believe it! If the idea of the State reconditioning people to spout obvious lies sounds too extreme to be credible, just consider what's happening to people today who say there are only two genders, there's no switching from one to the other, and you need one of each for marriage. Obvious truths, one and all, but if you say them – and we must – Big Brother will want to have words! Imagine what it might look like in ten years' time. Brave New World - Aldous Huxley warns of the State enslaving us not by force but by pleasure. Pain is taken away via the drug soma leaving the population in a generally happy stupor. Some clear parallels can be made to our meek, sheep-like society. Our cradle-to-grave State care leaves us dependent on the government to run more and more of our lives and that's how we like it. And our smartphones, Netflix accounts, opioids, and Twitter feeds leave many citizens in a soma-like stupor – celebrity-aware but politically-illiterate. These two books cover both sides of how we’re being hit today – the carrot and the stick. As Neil Postman put it: What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. Orwell feared those who would deprive us of information. Huxley feared those who would give us so much that we would be reduced to passivity and egotism. Orwell feared that the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of irrelevance. Orwell feared we would become a captive culture. Huxley feared we would become a trivial culture, preoccupied with some equivalent of the feelies, the orgy porgy, and the centrifugal bumblepuppy. As Huxley remarked in Brave New World Revisited, the civil libertarians and rationalists who are ever on the alert to oppose tyranny "failed to take into account man's almost infinite appetite for distractions." In 1984, Orwell added, people are controlled by inflicting pain. In Brave New World, they are controlled by inflicting pleasure. In short, Orwell feared that our fear will ruin us. Huxley feared that our desire will ruin us. The credible threat here isn't from one approach or the other, but from both together. A caution: both books have sexual content. While both books have sexual content, in 1984 it is shorter and boring – there isn’t much pleasure taken in it. (And that’s the point; the government doesn’t want sexual ties creating divided loyalties, so they’ve done what they can to make it boring). A great G-rated 1954 film-version does away with the sexual content, so it could be shared with older teens with little worry, while the book might require more maturity. But Brave New World, with its focus on the enticements of pleasure, has more sexual content, and while it's still not explicit, it might be something that a hormone-riddled teen boy could struggle with. The rating site Common Sense Media (family-friendly, but not specifically Christian) suggests that 1984 is for 16 and up, and Brave New World would be for 14 and up, but I would reverse those and maybe even hold off Brave New World for Grade 12 and up. (Interestingly, the kid's reviews on Common Sense Media also rates Brave New World as more problematic than 1984). Other warnings worth hearing In the other books, and films, that fill out this genre, the most common threat is probably killer robots (2001: A Space Odyssey; Prey; Terminator; The Matrix; etc.). Technological advances mean there’s a legitimate reason for concern here, but it shouldn’t be our principal concern. We differ from the world in that we understand that we should not fear “them that kill the body, but are not able to kill the soul” (Matt. 10:28). Our true battle is: not against flesh and blood, but against the rulers, against the authorities, against the powers of this dark world and against the spiritual forces of evil in the heavenly realms (Eph. 6:12). What Paul means here by “flesh and blood” is Man and all his deadly weapons...including killer robots. But if that's not where the real battle is at, then where should we focus our attention? Our concern is the Devil and all the means he uses – including false ideologies and philosophies – to confuse our understanding of God, or pressure us to reject Him, or try to keep us from learning about Him. With that in mind, some credible threats worth considering include: Lord of the Flies - William Golding warns us not to be naive about our sinful nature; Man, left to his own devices is no angel. The Giver - Lois Lowry warns again enforcing sameness in the name of equality (it is aimed at young readers, but adults can enjoy and be challenged by it too). Time Will Run Back - Henry Hazlitt warns against Communism specifically, but socialism in general. This would be for older teens, not because of problematic content (this is far "safer" than Brave New World or 1984) but simply because of the depth and breadth of the ideas therein. This is my own favorite dystopian novel because I found it by far the most educational. Fahrenheit 451 - Ray Bradbury warns of censorship, though I wonder if the type of censorship he warns about is far less likely than the creeping political correctness we actually face. There is content here too problematic for younger readers to handle. Winterflight - Joseph Bayly takes us to a not-so-distant future in which abortion for disabled children is mandatory, euthanasia is compulsory soon after 75, and Christians are so confused about Romans 13 they think God wants them to submit to even these demands (the Christian confusion in this book is almost too spot-on to take). Fatherless, Childless, Godless - James Dobson’s 3-book series warns against abortion’s results - a shrinking population. (One thing that bothers me about this series is how it occasionally takes God's name in vain. That happens in other books listed here too, but they aren't by Christian authors, and I expect more from Dr. Dobson.) This is a genre well worth exploring, though with care and caution. It's a big blank canvas that insightful writers can use to paint pictures of grim futures, all in the hopes that they, and we, will ensure such futures never come to be. Discussion questions With thanks to my brother Jeff, here are some discussion questions that can be used in groups or on your own to dig deeper into any dystopian novel. What is the threat the novel suggests will lead to the situation in the novel? How credible is this threat? If the threat is not credible, what might be a more likely or relevant threat in our own society? If the threat is credible, how do we see that threat in our society today? How does the novel suggest or imply we should prevent or deal with the threat? What might be a better way to prevent or deal with the threat? What does the novel suggests is the good aspect of our world being threatened? Is the novel right about that being a good aspect? Using the CREATION-FALL-REDEMPTION structure how does the novel's worldview compare and contrast to our Biblical understanding? What is the story's take on our purpose (Creation), on what is wrong with the world (Fall), and how we are to be saved (Redemption)? CREATION: Who does the author or narrator/protagonist think set up this ideal world that was somehow lost? Do they acknowledge God as the creator? Or do they idealize (or idolize) one of God’s gifts as more important than God Himself? FALL: Who or what caused the loss of the ideal world? Greed? The government? A particular ideology? Man's nature?  REDEMPTION: What does, or could, bring the ideal world back? Is God in Christ seen as necessary, or is some other solution offered completely outside of God’s help. This article first appeared in the November/December 2019 issue....

Articles, Book Reviews

Learning about Luther: 10 titles your family will enjoy

Five hundred years ago a learned monk drew up 95 pointed arguments and asked for a debate. What he got was a revolution. Fast forward five centuries, and on the very same evening that others are dressing up as demons and celebrating death, at least a few kids are putting on brown bathrobes and dressing up as a round Reformation giant. On Oct. 31, each year, we remember Luther posting his 95 theses, and we celebrate the man's courage, his insight, and his love for the Lord. Largely overlooked are his faults. Oh, yes, we know about his attempts at self-justification, and his crass insults, and even his anger, but in the books and films that are recommended below, Luther’s darkest side is hardly raised. Maybe it comes from a desire not to speak ill of the dead. After all, when we reminisce about our Great Aunt Ditty we fondly recall how she loved to sew doll clothes for all her grandchildren, but we don’t bring up the disagreeable face she made whenever a particular ethnic group crossed her path. The fifth commandment would seem to encourage us to talk only about what was good and praiseworthy about our dearly departed. That’s a good approach for the Great Aunt Dittys of the world, but something more is needed when it comes to Christian heroes. Then there is a reason to acknowledge both the good and the bad. As Calvin said, our hearts are idol factories – so much so that we can take the proper respect (Heb. 13:7) we have for one of God’s servants and twist and pervert it into something that blocks our view of God. We go from respecting the man, to worshipping the legend, and getting angry if anyone dares mention his faults. But acknowledging his flaws guards us against hero worship. It also keeps us from being blindsided by the critics who want to attack the good God did through him. When we understand that even a man after God’s own heart like David – giant-killer and slayer of tens of thousands – was also an adulterer and a murderer, we aren’t going to put him on a pedestal. And then we won’t have to worry about critics trying to knock him off that pedestal. It’s important, then, to acknowledge that Luther said some dreadful things about the Jews. In his earliest writings he was kind and winsome, trying to evangelize to them. But in his later years he concluded that God was done with the Jews, and he wrote a 60,000-word treatise called On The Jews And Their Lies. In it he encouraged that their synagogues and homes be burned, their books and money taken, and their rabbis killed if they didn’t stop teaching. He also repeated, as true, lies about Jews poisoning wells and kidnapping children. This is Luther at his worst, writing a book that Nazis reprinted. So how do we handle Luther’s dark side? We acknowledge it and clearly identify it for the sin that it is. And then we continue our 500th anniversary party. This was never supposed to be all about the man, but rather the wonderful truths he rediscovered about God’s grace and mercy and love. And when we understand our hero’s failings, then how can we help but glorify God all the more, appreciating how He can use fallen, frail, sinful sorts like Luther – and like you and me – to accomplish his glorious ends? ***** It’s been said there are more books about Martin Luther than on any other human being. But some are dry and dusty. Some need a forklift to pick up. And some need a dictionary in hand just to get through them. These aren’t the kind of books we’re after. Our focus is on engaging, and readable. So we're suggesting novels, pictures books and comics that parents will enjoy reading to their kids. And there's a movie, novels, and non-fiction for mom and dad, that they can finish in a quiet evening or two. These aren’t big books, and these aren’t long movies, but they are intriguing. My hope is that you’ll find a good match for everyone in your family. CHILDREN’S BOOKS Martin Luther by Simonetta Carr 2016 / 62 pages This is the perfect book for any 4th grader and up looking to do a school project on the Reformer. Like other entries in Simonetta Carr's series of "Christian biographies for young readers" Martin Luther is a gorgeous book. It is a beautifully bound, with thick pages, and includes 12 full-page paintings among its 44 illustrations. It is also well-researched, and wonderfully detailed. After reading more than a dozen works on Luther I was pleasantly surprised to still be learning so many new things from a children's book. For example, I don't think I'd ever before heard that Martin had a special relationship with his young brother Jacob, nor that Jacob might have been with him when Luther was "kidnapped" on his way home from the Diet of Worms. And it was interesting to learn that Luther's famous "brand" – the Luther rose – was designed for him at the request of his protector, John Frederick of Saxony. What makes this book special is how much Carr has managed to pack in its 60 pages. But that also means that even though this is a picture book, it is probably too much for children in Grades 1 or 2. I think the best bet is Grade 4 and up. Overall, Carr gives a generous assessment of Luther, focussing on his strengths. But she is willing to at least note his faults, the biggest of which is what he wrote about the Jews in his later years. Carr makes brief mention of it, noting that he "wrote against the Jews" and there is no "excuse for writing what he did." I'd recommend this as a wonderful educational resource, and by that I mean that while it makes learning easy, this isn't the type of frothy, brightly-colored picture book that young children will pick up simply for entertainment. It will need a teacher's or parent's prompt. Thunderstorm in Church by Louise A. Vernon 1974 / 132 pages It isn't easy being the son of a giant. In Louise Vernon's children's novel, we get to hear Luther's story told from the perspective of his young son Hans, who is worried that he won't measure up to his father. Though I'm a bit outside the intended demographic, I found it a very fun read, and I think that's because, with one of his offspring acting as the narrator, this is a really unique look at Luther. Hans reveals to us a father who is both funny and furious - a man of quick temper who also laughs a lot. Having Hans narrate also allows Luther to teach us, as he instructs his son, some of the truths that he uncovered about God's grace – that we don't have to buy the forgiveness that God freely offers. Some reviewers have faulted the book for being too dialogue-driven, and there is a lot of talking. But Vernon inserts a few actions scenes as well, like when the town's bullies want to teach the son of the famous Doctor Luther a lesson or two. If your child is a reader, this is a book that could be enjoyed simply as entertainment – it is fun, even if it has some slower sections. As an educational tool, the age-level this is aimed at – as young as Grade 3 – may have to be alerted that this is a fictionalized biography, and that this means only the general facts are true, but many of the details are just a matter of imagination. Overall, Thunderstorm in Church is a wonderful book that could make for a nice night time read with your kids. Also worth a mention Old Testament historian Paul L. Maier’s picture book Martin Luther: A Man Who Changed the World is simply gorgeous, and a wonderful introduction to the man for younger readers. RC Sproul also has a great picture book for younger children called The Man Who Wanted to Pray, about Luther teaching his barber how to talk to God. And what the barber learned from Luther, our children can learn from the barber. I should note that there is one picture of Jesus, with his face mostly, but not entirely obscured. GRAPHIC NOVELS Luther by Rich Melheim illustrated by Jonathan Koelsch 2016 / 72 pages I've reviewed other "comic biographies" and never enjoyed one more. Luther is scripted like a movie, has witty dialogue with actions scene interspersed, and the artwork is of the same quality you would find in Marvel or DC comics – it is fantastic! Educational comics, as a genre, are valuable in that they make learning history a lot less painful. But very few of these educational graphic novels are the sort that a teen would just pick up and start reading. Luther is the exception. I don't want to over-hype it – a kid who reads nothing but superhero comics will still find this a bit of a stretch – but it really is as good a comic as you will find. Since this is intended for teens, I'll note a few cautions. The word "crap" is mentioned three times, "ass" once, and "old fart" once. But when you consider this is a comic about the notoriously potty-mouthed Luther, this is really quite tame. I’ll also note there is a depiction of Christ on the inside back cover of the book that is not part of the story, but rather part of an ad for other comics by the same publisher. Also: the comic treats as fact that famous conclusion to Martin Luther's speech at the Diet of Worms, where he is said to have declared, "Here I stand. I can do no other. God help me. Amen." There is some dispute as to whether he ever said these words. The comic has several strengths including the overall picture it gives of the happenings going on in the broader world that made it possible for Luther to both spark this Reformation and live into old age and die a natural death. I’ve always wondered why the Emperor didn’t just have him killed. Perhaps it was because, as we learn in this comic, Charles V was busy contending with Turkish expansion and might not have wanted to risk alienating any of his German princes. Another strength is that while this account is sympathetic, it does note one of Luther's weaknesses: that sometimes Luther's pen got the best of him and he could write some "terrible and hateful words" denouncing Jews, Calvinists, and Anabaptists alike. Overall this is a comic that teens and adults (who aren't embarrassed to be seen reading a comic) will certainly enjoy. Luther: Echoes of the Hammer by Susan K. Leigh illustrated by Dave Hill 2011 / 144 pages I think this is the perfect compliment to the other Luther comic reviewed here. Whereas Luther is the more exciting of the two, it plays a little looser with the details. Meanwhile Luther: Echoes of the Hammer is a more reliable history lesson, but it isn't as dramatic. I tested this graphic novel on two of my nephews with mixed results. The older one, heading to grade 10, was happy to take a look, and thought it would be a great way to learn about Luther. The other, two years younger, seemed to think it was too much biography, and not enough comic book for his tastes. As far as comics go, this one is quite an involved, even heavy, read. Interspersed throughout are explanations of key events, like the Diet of Worms, key terms, like “indulgences,” and key figures, like Charles of Spain, the Holy Roman Emperor. These one or two-page insertions really add to the narrative and make this a highly educational comic. However, a few of these insertions will also trouble informed Reformed readers. In one list of Luther’s adversaries, Calvin is numbered among them! While it is true Calvin and Luther had their differences, it is surprising to see Calvin listed as an opponent. Especially when, some pages later, we find Erasmus listed as one of Luther’s supporters! While Erasmus was, like Luther, critical of the Roman Church, he never left it, and this led to strong, vitriolic disagreements with Luther. In fact Luther once called Erasmus, “the very mouth and organ of Satan.”  It is downright silly, then, for the authors to list Erasmus as a friend if they are going to list fellow Reformer John Calvin as an adversary. The only other quibble would be the overestimation the authors have of Philip Melanchthon, describing him as “a great Reformer, second only to Martin Luther.” Second? Really? How can they overlook Calvin like that? Those quibbles aside, this is a impressive book. The writing is crisp, succinct and engaging. The artwork is attractive and instructive – many of these pictures are worth a thousand words. For example, in the pages covering Luther’s visit to Worms illustrator Dave Hill shows us the man’s quiet passion, his many supporters, and his opponents marshaled together. This gives us a good understanding of the setting, and thus a better understanding of the courage it took for Luther to stand up for what he knew to be true. Older teens will enjoy it, and many an adult too. Also worth a mention The same folks who created Luther: Echo of the Hammer, created a sequel, focused on his wife. Katie Luther is a little shorter, and a little less involved, but also quite enjoyable. YOUNG ADULT FICTION The Story of Martin Luther by Danika Cooley 2015 / 231 pages This is a treat! The target audience is teens, but like any fantastic book, adults are sure to enjoy it too. In fact, this is the perfect book for any adults who feel a need to know more about church history but are a little reluctant to get started. That's how I'd characterize myself. As a student I hated history – learning dates and names seemed pointless. Now I understand it is important to know where we came from, and I want to learn more....but I have no interest in learning it from a dry, dusty tome. That's why this was such a treat. In the hands of a talented writer, it doesn’t take much to make Luther's life exciting. As doubt-filled as he was early on, the Reformer was bombastic after he understood that forgiveness is a gift given, not earned. This is a man who: was condemned by the pope as a heretic had 200 knights pledge to protect him didn't want to marry lest he quickly leave his wife a widow was kidnapped masqueraded as a knight helped formulate the German language cared for Plague victims ended up marrying a nun And it would be easy to go on and on. While much of the day-to-day dialogue is fictionalized, a strength of the book is the many genuine quotes that are interspersed throughout (these are identifiable by the endnote numbers after such quotes). One example: in a debate at Lepzig University, Johann Eck hits Luther with a stinging question: "Are you the only one who knows anything? With the exception of you, is all the church in error?" It stung because Luther, plagued by self-doubt, had been wondering this very same thing. But Luther also knows that God's truth doesn't depend on Luther being brilliant. Nope - God can spread his truth using even the dumbest of beasts, as Luther notes in his reply: "I answer that God once spoke through the mouth of a donkey." Another strength is how the book reveals more of the man – warts and all – than many other biographies. While Cooley largely skips over Luther's love of scatological insults (this is a book intended for younger readers, after all) she does share how Luther's anger stung not only the pope, but allies as well. She has Luther attempt to justify himself: "It is precisely because of my outbursts that the Lord has used me! I never work better than when I am inspired by anger; for when I am angry, I can write, pray, and preach well, for then my whole temperament is quickened, my understanding sharpened." There is a time and place for anger, and God made good use of Luther's righteous anger. But later, as Luther aged, it seems he came to indulge in anger, and that got him and others into trouble. Cooley shares how Luther's anger cost him friends. And it was in his anger that he wrote his tract condemning the Jews, who were already facing persecution. So he used his influence for great good, but his anger meant that at times his influence also caused great harm. When Lightning Struck! would make a great present to just about any reader, particularly if they have even the slightest interest in church history. I'd even recommend this to teens who have the same bad attitude towards history that I once did. For them, this might be a bit of a gamble, but if you can get your son or daughter to promise to read through the first 60 pages, that should have them hooked. Luther in love by Douglas Bond 2017 / 320 pages Luther in Love shows us the Reformer from the perspective of his better half. The story begins with 62-year-old Luther spending an evening in his chair. He's not in the best of health – worn out from a lifetime of controversy and conflict – and his dear wife knows that it can't be long before he is gone. So she has given herself a bittersweet project to complete. Others have written accounts of the Reformer, but always from one extreme or the other - either thinking him "the spawn of Satan" or "a living angel." She wants the world to know the real man, and she's going to record his story as he remembers it. But Katie doesn't want her husband to know what she's up to, so even as she's prodding him about the past, and has paper and quill at the ready, he thinks she's busy keeping track of the family finances and other business matters. It's a great premise and let's Bond explore Luther's life through the appreciative, but far from naive, perspective of his helpmeet. After all, who knows a man better than his wife? One strength of the book is the thorough research evident throughout - we are immersed in Luther's world! And then there is Bond's writing – this is the fourth fictionalized biography Bond has written about Reformers, and he is a master of this form. Again and again I had to get up to find my wife and read sections to her that were simply too exciting, or too sweet, not to share. Some of that sweetness comes up when the couple is teasing and debating each other. Bond gives us a wonderful look at how two souls can grow old together and continue growing in love for one another. It's a book about Luther, but it's also a model for marriage. Of the many books I've read about Luther, this is one of the biggest. But it might just be the fastest read. That's why I'd recommend it to anyone and everyone, teens and up. It is funny, entertaining, informative, sweet, challenging, and more. Also worth a mention Christine Farenhorst’s new novel, Katharina, Katharina is the Reformation as it happened far from the walls of Wittenburg.  While Luther never makes an in-book appearance, he is still a central figure – Farenhorst gives us an intriguing look at this monk and his work by showing us how he was being debated and discussed by the regular folk of his day. MARTIN AT THE MOVIES Torchlighters: The Martin Luther Story 2016 / 34 minutes The strength of this film is its short length. At just 34 minutes, it can be shown in the space of a single school period. For the pre-teens this is intended for, that might be just the right length, with the quick pace, and colorful animation sure to grab most students’ attention. But the biggest weakness of this short film is….its length. It is far too short to tell this story with the gravitas it needs – Luther’s spiritual wrestling is dealt with in just 7 minutes! It also ends abruptly, with Luther busy translating the Bible into German in Wartburg Castle. The narrator then spends just a single minute summing up the whole of the second half of Luther's life. And then the credits role. I should note a couple of inclusions that might have been better left out. Luther is told that the very night he nailed up his 95 Theses, his long-time protector, Duke Frederick, had a dream about a monk writing on a church door with a quill that was so long it extended all the way to Rome "where it toppled the crown off of a lion." This is presented as the reason Frederick was willing to defend his rebellious trouble-making monk: God had told him ahead of time that his monk was going to topple the pope. But while the movie portrays this as fact, there is reason to think this might just be a popular myth. Also, at the film's conclusion, there is a passing, two or three second shot of a title page illustration from one of Luther's books depicting Christ on the cross, with Luther and John Frederick I, Elector of Saxony kneeling below. I make mention of it, for any who consider this a violation of the Second Commandment. That said, this is a great film for children who don't yet have the attention span for a longer Luther film – it will certainly keep most children engaged, and does give a good overview. Check out the trailer here. Martin Luther 1953 / 105 minutes What sort of film is Martin Luther? The sort that gets produced by a church, and yet gets nominated for an Oscar – solid theology paired with high production values. How often has that happened? It does get off to a slow start; the first couple of minutes are more documentary than drama. But when we get introduced to Niall MacGinnis as Luther, his brilliant portrayal sweeps us into the story. We follow along, starting with his tormented time in the monastery, and continue all the way through to his marriage to an ex-nun. MacGinnis captures all the contradictions of the man – even as the Reformer stands before the Diet of Worms strong and defiant he is distraught and trembling. This is certainly among the best Christian films ever made. As a caution I will note that while there is nothing graphic in the film (it is G-rated), some scenes are psychologically intense. I think that would just go over the heads of most children, but for some young sensitive sorts, Luther's spiritual turmoil might be too much. This is a black and white film, which is a mark against it in many minds. But if you're considering showing this to your class or to your family, here's the secret to helping them get into it: make the sound your priority! In a dialogue-driven film it's the sound, much more than the visuals, that really matters. I still remember watching this with my Grade 6 classmates, years ago. The screen was small – minuscule by today's standards – but this big box TV had great speakers. There was no fuzziness, no straining to understand what was being said – we could all follow it. And after 30 minutes or so, we were all hooked. There are quite a number of films about Martin Luther, with at least a half dozen dramas, and more than a dozen documentaries. The best known is probably the 2003 Luther that played in major theaters, and starred Joseph Fiennes (of Shakespeare in Love fame). It is a wonderful film (and in color!) but marred by an instance or two where God's name is taken in vain. As well, it focuses a little more on Luther's external struggles with the powers that be, and a little less on his own internal struggles. That makes for more action, but less of a theological focus – more about Martin, but God somehow fades into the background. So the 1953 Martin Luther is the better educational film. This would be great for a family movie night. I've seen kids as young as 7 enjoy it, though with younger children you're going to want to break it into a few "chunks" so it's spread out over two or three nights. But for those 12 and up, so long as they are "forced" to give it a half hour ("No, you can't check your smartphone while watching this") it will grab them and give them a good understanding of the amazing work God performed through this man. Watch the trailer here. ADULT NON-FICTION The heroic boldness of Martin Luther by Steven J. Lawson 145 pages / 2013 My brother Jeff called this “a book that every Protestant minister should read….because it uses the story of the first Protestant minister, Martin Luther, to show what Protestant ministers should be doing with the word of God.” To be clear, this isn’t so much a biography as it is an examination of Luther’s “conviction about the Word” and his approach to preaching. Before the Reformation, church services were dominated by the Mass, and by rituals, but Luther and others made preaching central. And not just preaching, but biblical preaching that was willing to be controversial, not for controversy’s sake, but because apostasy needed to be challenged, and sin needed to be named. There was a need to have God’s Word set loose. Author Steven Lawson thinks that’s just as true today, so he’s hoping that Luther’s example – his respect for Scripture, his practice of reading through the whole Bible twice each year, his passionate delivery off the pulpit – can inspire others to go and do likewise. That makes this a book that might seem like it would only be for ministers. But while it does definitely have particular relevance for them, all of us can learn from Luther’s zeal to grow in the knowledge of his Lord. Martin Luther’s 95 Theses by Timothy J. Wengert 2015 / 90 pages If you want to understand Luther and the reforms he began, can there be a better place to start than his 95 theses? When I first got my copy in the mail, I was struck by how short it was. This is the Pope-shaking document that God used to start it all? Shouldn't it be...heavier? And if we were to take out the introduction, commentary, and study guide, Luther's 95 theses only amounts to 13 or 14 pages! Thankfully, Timothy Wengert stretches it out to (a still slim) 90 pages so he can present Luther's pivotal work in the right context. He uses his introduction to set the scene, explaining how the doctrine of indulgences evolved from bad to worse. He also includes two other documents – Luther's letter to the Bishop of Mainz in which he respectfully asks the bishop to consider the theses, and Luther's "Sermon on Indulgences and Grace" written a year later, in 1518, which was an explanation of his 95 theses intended for the common people. In the theses themselves, Wengert fills almost half of each page with footnotes to clarify Luther's more difficult points. So this is a short, but intense read – it will take some effort to work through it, but not all that much time. And to make the going a little easier, Wengert has sprinkled in all sorts of fascinating facts. Did you know Luther may never have posted his theses to the church door? The first published account of this particular detail occurs in 1546, four months after Luther's death. If he did post them he probably used wax, not nails. Luther's 95 theses were not the first he had written. This was a common communication form among students and professors, and just one month before, in Sept 1517, Luther composed 97 theses against scholastic theology. Outside of God's Word, Luther's 95 theses might be the key document that our Father used to reform his Church. It isn't long. It is an education. Also worth a mention John Piper’s The Legacy of Sovereign Joy is about Luther, Calvin and Augustine, and the joy the three found in knowing God better. It is short, at just 150 pages, and an informative encouraging read. It’s also free as an e-book here....