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The Miracle Worker

Drama / Biography
106 min / 1962
Rating: 9/10

The one sentence synopsis is: seven-year-old Helen Keller, blind and deaf from a sickness as a baby, learns to communicate through the discipline and unpitying love of her teacher Anne Sullivan.

But this teacher has more to over come than just her student’s disabilities. Helen’s parents have let their own restrain them from disciplining Helen – she does whatever she wants, even eating off everyone else’s plates during meals. When Miss Sullivan won’t have that, Helen has a fit… and her parents do too! But her new teacher won’t give in to any of their tantrums because she knows to do so would leave Helen trapped in a dark, silent world.

It certainly ain’t easy – in once scene Sullivan ends up playing defensive linebacker, just to get the charging Helen to stay in her chair. The scuffle goes on for ten minutes at least, with Helen even managing to flip Sullivan!

But this isn’t an action comedy – these are the dramatic actions of a teacher eager to reach a spoilt child who is in desperate need of help.

Like many a Hollywood version, there are liberties taken, mostly for reasons of length. For example, while the film has Helen’s father writing the Perkins Institute for the Blind for help, the family first consulted a specialist, who referred them to Alexander Graham Bell (yes, the telephone gentleman), who then referred them to the Institute.

Cautions

The biggest abridgment is probably Anne Sullivan’s back story. I suspect audiences of the day probably knew something of it before buying a ticket, because while some of it is shown in flashbacks here, it might be hard to figure out, based just on the film. There is one scene where Anne shares her time in an asylum. After losing most of her sight as a child, then losing her mother, and being abandoned by her father, she was sent to a poorhouse/hospital with her younger brother, who died soon after. It gets worse – that hospital was investigated for atrocities. When she mentions the atrocities to Helen’s parents, she lists among them that there was some who kept “after girls, especially the young ones,” a reference, I think, to pedophiles. Horrific, but quickly stated, and it will go over the heads of any young teens watching. (Anne was eventually rescued, and sent to the Perkins Institute for the Blind where her rough manners garnered her a rough landing. But she did learn, and graduated as valedictorian.)

The only other concern would be for something not even in the film. Helen’s accomplishments earned her countrywide name recognition, which she used to popularize causes, including socialism and even eugenics (not excusable, but many others were caught up too). So don’t lionize the woman. However, this film doesn’t cover Helen’s adult life.

Conclusion

What it does cover is a remarkable student/teacher relationship, and importance of discipline in raising a child (Proverbs 13:24). That’s what makes this such a powerful and important watch – can you believe it, but Hollywood is preaching here that love isn’t simply a feeling, and it certainly isn’t just giving in to whatever demands a child makes!

The story has been retold many times, but this 1962 version won two Oscars and remains the very best (and far better than the forgettable 2000 Disney remake). It is very good. Tearjerker, fantastic discussion-starter, and a black and white film that our whole family, 11 and up, enjoyed. I’d suspect this might be a hard sell to boys, but if you preview some of the 10-minute defensive linebacker scene, it might get them hooked too.

Check out the trailer below.

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Drama, Movie Reviews, Watch for free

Meet John Doe

Drama 1941 / 122 min Rating: 7/10 Director Frank Capra is probably best known for It’s a Wonderful Life, but that only became his best-known film later on. He actually had 13 films nominated for Oscars, including Meet John Doe in 1941. As in It's a Wonderful Life, Capra’s Roman Catholic upbringing is evident in the general Judeo-Christian ethic running through Meet John Doe. That doesn’t mean Capra's films are always theologically orthodox – we know angels don’t get their wings when a bell rings – but there is a moral depth to many of them, including this one here, that is almost unknown today. Set in the Depression, the story revolves around a reporter, her editor, and a derelict, and the politician who is trying to take advantage of them all. When a round of layoffs at The New Bulletin leaves columnist Ann Mitchell out of a job, she decides to go out with a bang. For her last column, she submits a letter from an unemployed “John Doe” who is threatening to jump off the roof of City Hall on Christmas Eve to protest society’s degeneration. The letter is actually a fake, concocted by Mitchell to express her own disgust, but it causes a sensation. Readers flood the newspaper with letters, some of them marriage proposals from concerned women, some job offers, but all wanting to know, “Who is John Doe?” When Mitchell’s editor finds out the letter is a fraud, he hires her back to prevent the public from learning about the deception. Then he takes things one step further, hiring a derelict former baseball player (played by Gary Cooper) to take on the role of Doe. What starts as a deception soon takes a positive turn. When the paper’s new “John Doe” begins making public appearances his simple speeches encourage a helping spirit among his listeners. John Doe Societies spring up spontaneously to enable neighbors to help one another. Doe becomes the leader of a huge, helpful movement… that’s built on the lie of his false identity. Things come to a climax when a conniving politician threatens to expose this lie, unless Doe endorses him. Caution Some have called this a Christian film, even though it came out of Hollywood. That claim is made because God's second greatest commandment, "To love your neighbor as yourself" (Mark 12:31), undergirds the whole movie. It's worth noting then, and sharing with any others in the family watching it with you, that the film largely divorces the Second Greatest Commandment from the First. We hardly hear about God, and the need to "love the Lord our God with all your heart, soul, and mind and with all your strength" (Mark 12:30). That makes this more humanist than Christian – Man-focused, rather than God-focused – but there is one scene which shifts it in a Godward direction, at least in part. To avoid spoilers I'll share the words, but not tell you the speaker or context: "You don’t have to die to keep the John Doe idea alive. Somebody already died for that once, the first John Doe, and He’s kept that idea alive for nearly 2000 years. It’s He who kept it alive in them. And, He’ll go on keeping it alive forever and always.” A powerful profession, but isn't it curious how Jesus is not actually mentioned by name? And this reference also doesn't talk about the real reason Jesus came, and what He accomplished. It presents Him more as an example to follow than as the One who suffered and died to take away the punishment for our sins. So... this is a near miss, but not really a Christian film. That said, it is a film Christians can really enjoy, understanding the truth of what is said here, and being able to fill in for ourselves what was not. Conclusion At just over 2 hours long, the pacing is slower than us modern folk are used to. But just be sure to make a little extra popcorn: this is a classic for a reason. That said, this is not the first movie I'd show anyone not already used to black and white films. Also, with suicide an ongoing topic throughout, this is not a film for younger viewers...but it wouldn't catch their attention anyways. So who should see it? This is a film for anyone who wants to peek into another culture and another time, to learn what they thought was important, and admirable, and worth fighting for. Meet John Doe is in the public domain, so you can watch it, for free, below. ...