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Drama, Movie Reviews

Mr. Deeds Goes to Town

Drama/Romance 115 min / 1936 Rating: 8/10 Frank Capra is best known for his 1946 hit It's a Wonderful Life. But a decade earlier he won an Oscar for directing this story about small-town yokel Longfellow Deeds, who inherits the massive amount of $20 million (think half a billion today) and won't let it change him. Mr. Deeds is a salt-of-the-earth sort – he doesn't drink, won't smoke, plays a mean tuba, and makes his money writing those endearing greeting card messages – so big money, and getting dragged off to the Big Apple, won't get him to abandon his small-town values. He's also not looking for fame, so he has no interest in the reporters trailing after him. So where's the conflict in this story? Well, there are some big city lawyers who don't want Deeds looking too closely at how they've managed the fortune he's inheriting. But the real troublemaker is big city reporter Louise "Babe" Bennett, who isn't above trickery if it will get her a story. She appeals to Deeds' decency, pretending to be an impoverished damsel-in-distress who just happens to faint right in front of him. When he comes to her assistance, and falls for her charms, she uses her inside track to get scoop after scoop, without Deeds suspecting she's actually a journalist. But she starts coming around as she gets to know Deeds. And by the time he follows through with his plan to give the inheritance away – to one needy person at a time – she's determined to have his back, even if he isn't interested in her anymore. He'll need the help, as the big city men want to use his generosity to proves he’s insane and get him locked up. Cautions It's mentioned in passing that Deeds' late uncle, who he inherited the money from, was a womanizer who had as many as 20 women in the mansion at once. Deeds also gets into a dust-up, when a table of snobs invites him over just to make fun of him. Deeds also gets into the wrong sort of company, getting invited on a "bender" (think pub crawl) but while he's happy to go along, it's apparent he doesn't know what a bender is, and the next day he regrets accepting the invitation. That's about it. But while there's nothing much to worry about here, the 2002 Adam Sandler remake, Mr. Deeds, packs in some unfortunate additions – a dozen or so potty jokes, a foot fetishist, a pornographer, and at least a few instances of the Lord’s name being taken in vain. This is yet another instance where less is so much more. Conclusion This is a great film, still celebrated today for good reason. It's about a man sticking – with some hiccups – to his morals, even when everyone around is trying to tear him down. And while there are those "hiccups," they are delicately delivered, talked about rather than shown, making this one gentle enough for the whole family. But it is black and white. And it is 2 hours long. That means today's screen-scrolling dopamine-addicts might not have the attention span to enjoy this all-time classic. But for the rest of us, this 90-year-old film still has a lot to love and something important to say. Two thumbs up! ...

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Culture Clashes

Which conspiracies are true?

A quick survey of X or the top YouTube-influencer-content on the Right reveals that conspiracy theories have never been so widely spread or fervently believed. You can hear Tucker Carlson claiming that the atomic bomb was literally (not figuratively) created by demons; Candace Owens attempting to claim that Erika Kirk is tied to the assassination of her husband, and that Owens herself was the subject of an apparently shockingly inept assassination attempt commissioned personally by the Macrons (Israel was involved somehow, of course); and plenty more. The phrase “conspiracy theory” itself is, naturally, controversial. Originating in the 1860s and popularized in political theory circles by Karl Popper in 1945, it has been (wrongly) attributed to the CIA as an attempt to deflect questions surrounding the Warren Commission on the assassination of JFK after the already-common term was used in a 1967 memo discussing theories about the president’s murder. Nonetheless, the phrase has been used to dismiss anyone asking serious questions about powerful movements, ideologies, and politicians. Provable vs. theory There is, of course, such a thing as a conspiracy – legally speaking, “a secret agreement between two or more people to commit an unlawful act.” A conspiracy theory is the suspicion or belief that multiple parties have conspired to some nefarious end. Some conspiracy theories turn out to be true as we acquire evidence. Some remain merely theories, which is to say, the evidence is weak, circumstantial, or non-existent. Distinguishing between provable conspiracies and conspiracy theories is, in our chaotic, addictive digital age, essential. Many find it increasingly difficult to distinguish between the two; others, because of the loyalty they have for certain influencers, are merely unwilling. Lack of trust is warranted It must be noted that the rise of conspiracy theories was made inevitable by the collapse of trust in institutions. There were the widespread deceits from governments and medical institutions during Covid. As I wrote for The European Conservative a couple of years ago, the collusion of the press, medical institutions, and governments to push transgender ideology has been another major catalyst for the collapse of trust in institutions. When law enforcement puts out a mugshot of a bearded rapist and tells the public they are hunting for a woman, the effect on public trust is predictably devastating. In short, many conspiracies do turn out to be true. The need to discern, not rebound And how do we know? Because we acquire actual evidence. Our institutions and mainstream press have an evidentiary standard that has been corrupted by pernicious, wicked ideologies that they have adopted, and when we acquire information from those sources, we must factor in that bias and re-interpret (most notably, but not exclusively, with Orwellian reporting on abortion and transgender issues) through that lens. But our solution to this information landscape is not to abandon any evidentiary standard altogether, but to rigorously apply the evidentiary standard abandoned by the institutions and the press. Indeed, the phrase “trust the experts” has become something of a sick joke, after all the provable lies and ideologically motivated mistakes perpetrated by said experts. But many on the Right have not actually abandoned a “trust the experts” approach; they have merely replaced them with new experts, without wondering whether these replacements actually have any expertise at all or whether their own credibility is rooted in a fidelity to truth and an evidentiary standard. Influencers such as Owens and Carlson deliberately play into this, constantly dismissing their critics not by addressing their arguments but by implying that they are members of the discredited expert class. But what is their evidentiary standard? Candace Owens, of course, has quite famously claimed that she has received investigative tips in dreams; that she can just “feel” when things are “off”; that she “doesn’t know, but she know knows.” Anyone genuinely seeking truth should take a moment to actually review her record of blatant historical error and deliberate deceit; if that record does not bother you, then you should recognize that it is not truth or a genuine evidentiary standard that matters to you. If someone can be proven so consistently wrong and maintain your loyalty, you are doing precisely what the Left does with their own idealogues: Choosing to believe someone for reasons other than their actual track record. Many conservative influencers have proven just as hackish and agenda-driven as their progressive opponents. That should matter to those who care about the truth. Otherwise, we do not have principles—we have preferences. What does it look like when a conservative influencer applies the evidentiary standard to a conspiracy theory? Consider some of Matt Walsh’s recent episodes. As he has pointed out, those seeking the “truth” about Charlie Kirk’s assassination have spent almost no time looking into the LGBT activist actually arrested and charged with his murder – and he laid out precisely why he believes Owens, who is his friend, is dead wrong: Compare Walsh’s method of investigation to what Owens is doing on her show. One has an evidentiary standard; the other does not. (Dreams, feelings, and angry, compelling language do not count and certainly do not add up to truth.) Even more devastating was Walsh’s rebuttal of Owens’ ongoing character assassination of Erika Kirk, which he ended with a powerful and moving plea for moral decency, publicly begging Owens – who, again, is his friend – to stop what she is doing: Unanswered questions doesn’t mean any answer will do Let’s take another major story – the Jeffrey Epstein files. The mysterious sexual predator, connected to countless elite figures, has become a lightning rod for conspiracy theories because there are so many obviously unanswered and open questions. Did he really conveniently die of suicide? Who did he work for, if anyone? How did he get his money? How did he get away with his crimes for so long? Was he running a sexual blackmail operation on behalf of an intelligence service? These are genuine questions. They deserve real answers. But many major influencers are not looking to actually find answers – they are insisting that the files released thus far prove whatever they were saying before the files were released. Where the files do not prove their claims, they move the evidentiary bar, claiming that the most incriminating material has clearly been destroyed, or has yet to be released, or will never be released. In short, the actual evidence is only incidental to the claims they are making. If it appears to support their theories, they wave it about as evidence; if it does not, that, too, is somehow also evidence. In short: Evidence is evidence, but no evidence is also evidence. In a massive analysis published in February, for example, conservative journalists Alex Gutentag and Michael Shellenberger noted that although they had first believed that Jeffrey Epstein was connected to intelligence services (“particularly Mossad and the CIA”), their review led them to a different conclusion. After summarizing the case for intelligence connections and citing the most compelling evidence in favor of that conclusion, they write: But after having spent several weeks reading through the files and related investigations, it’s clear to us that the totality of available evidence does not support the picture of a government-backed sex blackmail operation. Rather, it suggests that Epstein primarily served his own interests. If Epstein was a slave to anything, it was to his passions and perversions. Ward’s claim that Epstein “belonged to intelligence” is not reliable. She said she heard it third-hand from an anonymous source. Her former Vanity Fair editor and colleagues told the New Yorker that her reporting was not trusted, and said that she had provided inaccurate quotations in the past. Long-held feelings shouldn’t be misunderstood as facts If that conclusion makes you instinctively irritated or defensive before you even read their analysis, ask yourself if you have become ideologically invested in a specific conclusion. If the connection or lack thereof of a dead sexual predator to an intelligence agency is something you deeply care about to the point that you will not consider any evidence to the contrary, your view is not based on “truth-seeking,” but something else – loyalty to a podcaster who has captured your attention, loathing for the countries you have been led to believe were involved, belief that no evidence can ever be trusted. The nature of many conspiracy theories also means that the very theory itself becomes a self-fulfilling prophecy. For example: Of course Epstein was an Israeli asset – that is precisely the sort of thing Israel does. And why do you feel that way? Well, in part because you have been told, for several years, by several prominent podcasters, that Epstein was an Israeli asset. A feeling that has become entrenched based on the theory now becomes a plausibility structure for the theory itself. Those consuming news and content in our chaotic information age must ask themselves a question: Why do I believe what I believe? Rebounding off a liar isn’t a way to the truth Every influencer these days – especially those on the Right – claim to be “truth-seekers,” while insisting that everyone who disagrees with them is lying or “one of them.” We know that progressives have biases, and we know that they lie: About gender ideology, about abortion, about the birth control pill, and countless other issues. But the solution to a corrupted evidentiary standard is not to replace it with a network of podcasters who abandon any evidentiary standard at all and merely replace progressive biases that are impervious to evidence with new biases that are equally impervious to evidence. If truth matters, we should pursue it. If evidence matters, then we should consider it – and the lack of it. If we are being led to conclusions through skillful narrative creation rather than proof, we should stop and consider where we are being led and why – because many influencers who identify as Christian have done more to confuse and corrupt their audiences than progressives ever could....

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Family, Movie Reviews

The Forge

Family / Christian drama 2024 / 125 minutes Rating: 7/10 Isaiah is a high school graduate, unemployed, still living with his mom, and spending his time playing video games. He's got no ambitions, and only starts looking for work when his mom delivers an ultimatum: get a job or get out. So he starts applying, as much to get his mom to stop bothering him as anything else. And that attitude gets in the way even as he's filling in his first application – some old guy starts chatting him up, and Isaiah doesn't have any time for him. “I’m just trying to see about a job, all right? What, you a salesman for this company?” But that old guy turns out to be the company president. Whoops! Isaiah thinks he's blown it, but this gentleman, Joshua Moore, is more than just the president of Moore Fitness – he's also the leader of The Forge, a mentorship group made up of older men who come together twice a week to share a meal with the young men they are deliberately discipling. And, Isaiah's less than impressive application marks him as a young man in need of what The Forge has to offer. So Isaiah ends up with a job, and a mentor, much to his mom's delight. That deliberate discipleship is the moral to this message movie. Young men are not growing up like they need to, and The Forge's producers want the older generation of Christians to step up and invest in their lives, and show them how it's done. Cautions There aren't many cautions along the lines of sex/language/violence concerns. But one of the Christian reviews encapsulated a concern with this title: "If You Want Young Men To Leave Christianity, Have Them Watch ‘The Forge.’" While the title is over the top, it makes a decent point: "This is clearly not a movie for the men who are lost; this is a movie for their moms. Worse, it’s a movie that will probably not inspire lost men to turn around, but rather push them further away. The film largely ignores putting us in Isaiah’s point of view or understanding his perspective...." So, if your son has worn a dent into the couch in your basement, this film isn't going to shake him up – he'll say the producers just don't really get him. But if you're an older man, wondering if there might be a way to help, this could be a challenge and an inspiration. Conclusion The Forge is the 9th faith-based film from siblings Alex, Shannon, and Stephen Kendrick. The Kendricks started their movie-making way back in 2003, with Flywheel, a quietly quirky story of a used car salesman whose life gets turned upside down when he bows his knee to God and now needs to reform his sleazy salesman ways. In it, and every film since, the Kendrick Brothers embraced the idea of using cinema to deliver sermons, and they did so unapologetically. Their storytelling suffered for their complete lack of subtlety – there are a lot of lectures delivered throughout The Forge – but they got their messages delivered to millions, and that's the point. So if you're looking for Oscar-winning acting or slick cinematography, you will have to look elsewhere (though their production values these days are on par with many a Hollywood production). If you're looking for a solid sermon, powerfully delivered, then The Forge may just be your jam. The appeal here is that it is a good sermon. Even in churches where older men are eager to get involved in the lives of the next generation, there's not likely to be the sort of deliberateness shown here. Is Isaiah's abrupt, and almost instantaneous turnaround realistic? Nope – in real life young men who have built up bad habits are going to have a hard time digging themselves out of those deep ruts. But are there young men who are, for want of a real-life mentor, turning to a Jordan Peterson, or maybe even a Nick Fuentes-type, because they are looking for someone to teach them what it means to be a man? Yup. So there is definitely a harvest in need of harvesters. ...

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Drama, Movie Reviews

They were expendable

Drama / War 1945 / 135 minutes RATING: 7/10 John Wayne stars as one of the WWII naval officers intent on proving that small, fast “PT boats” (basically motor boats) could be an effective fighting force. While many details are fudged, the overall initiative – to set wood-hulled PT boats up against much bigger ships – is a part of history. It starts in 1941, with Lieutenant John Brickley's experimental squadron of PT boats getting their first showcase in front of the senior command. Despite a great showing, the admiral is unimpressed. The boats are maneuverable, he concedes, but he'd prefer to be in something bigger and more substantial. To make matters worse, Brickley's own executive officer, Rusty Ryan (John Wayne) feels the same. He wants in on the fighting, and if these boats are going to be in the battle, he wants a transfer. When the Japanese attack Pearl Harbor, it's all hands on deck across the Pacific, except Brickley's Philippines-based squadron – their boats are relegated to mail and message delivery. But as the Japanese advance on the Philippines, the squadron's base is attacked, and the PT boats finally get their chance to show what they can do, taking on a Japanese cruiser. Cautions Considering this is a war film, it's remarkable how minimal the concerns are. Sure, there is some violence, but nothing graphic. We see bombs and torpedoes and ships exploding, but that's all at a distance. We see fire and smoke, but not bodies. Maybe the one warning I'll offer is that this does not have the typical happy ending of most films. It ends on a downbeat, because the US has just gotten kicked right off the Philippines, and everyone knows there is a lot more fighting to go... and in the short-term it isn't going to go well for the US. But the film also ends with hope – they will be back. Conclusion While this was released after World War II ended, it was filmed early in 1945 while the fighting was still ongoing, and it shows. This was made to inspire friends and family on the homefront to keep up their efforts and push through to the finish line. While this is a favorite film for many, it is slower paced because, despite all the action onscreen, it isn't really an action film. This is a tribute to all those behind the development of the PT boats, who pushed on despite plenty of resistance from their higher-ups, and it shows how these boats went on to play a vital role in the Pacific war effort. That slower pacing, and that it's black and white, mean this might be a hard sell as a family film... though dad could throw it onto the TV while the kids are around and not worry about what they might see. This is for anyone interested in history, and films that educate even as they entertain – They Were Expendable highlights a chapter of World War II history you've probably never heard of before. ...

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Animated, Movie Reviews

Finding Nemo

Animated / Family 2003 / 100 minutes RATING: 8/10 This is an ocean-crossing epic, with a father willing to travel to the ends of the earth to save his son, and a host of clever, quirky characters who respect and love him enough to offer whatever help they can. It's inspirational, hilarious, and the deep-ocean animation is gorgeous. But.... it is also dramatic in a way that little kids will not be able to handle, starting with a life-couldn't-be-better opening scene where we meet clownfish couple Marlin and Coral. They've just moved into their new home, on the edge of the reef, with its great view of the ocean, and they're eagerly awaiting the birth of their first batch of babies. 400 of them! Cue the ominous music, and the arrival of a barracuda that changes everything. Marlin tells his bride to run, but instead Coral heads to the little cave sheltering their brood of eggs. Marlin intervenes to try to save her, taking on the barracuda. But it's 10 times his size, and with a flick of its tail, it knocks Marlin out. When he wakes up, Coral is gone. And 399 of the eggs are gone too. There's just one left, and even it's cracked, but Marlin vows he will protect his little son, his little Nemo. That's the opener, not more than 5 minutes long, but it was why we didn't watch this with our kids until our youngest was over 10. The story never gets quite that scary again, but little kids won't know that, and could be on edge the whole film through, wondering if this scene or that is the one where Nemo or Marlin are going to get eaten too. But for an older crowd, this is quite the adventure. It is a rescue film, with dad Marlin needing to cross the ocean to save his son, after little Nemo gets scooped up by a scuba diver and deposited into a dentist office aquarium. Along for the ride is Dory, a Blue Tang fish ready to help, but whose memory isn't up to the task – she has short-term memory loss, repeatedly forgetting what just happened. That leaves Marlin frequently exasperated, but Dory's cheerful nature is also just what he needs to keep up his search. And even as Marlin is searching the seas for his son, Nemo is doing his very best to escape the aquarium, so he can make it back home to his dad. Cautions Nemo is such a cute fish, parents might expect his film to have only a Paw Patrol/Curious George level of tension. But as noted, there are some scary bits, starting right from the get-go when the barracuda attacks Nemo's parents, knocks out his dad, and presumably eats his mother, and 399 of his still-in-their-eggs brothers and sisters. Add in a scene with a creepy Anglerfish (see the trailer below), and a trio of sharks that go from fearsome, to friendly, and then back again, and there's tension here that little kids will not be up for. There is also some parental disrespect right at the start, where Marlin, who can't help but be overprotective (though, is it really overprotective when your wife and 399 other kids got eaten?) won't give Nemo room to grow and learn. So, in a fit of kiddish spite, he quietly tells his dad "I hate you" and then heads out into the open sea where he's not supposed to go, where he's promptly scooped up by a scuba diver, and taken away... necessitating the epic rescue journey his dad undertakes. So, some disrespect, yes, but the immediate consequence that follows highlights how Nemo's rebellion was not a good thing. Finally, there are a few instances of potty humor. Conclusion There's lots to love here, from a parental perspective – Finding Nemo highlights the benefits of teamwork and stick-to-it-iveness, and tackles disabilities in passing in a helpful way – Nemo has one fin smaller than the other and his disability is presented in a straight-forward manner that could spark some helpful conversations with kids. Then there's all the sea-life on display. It's not all that educational, because the hundreds of different fish on display show up for only a moment at a time, and we don't learn much of anything about them. But I could see this inspiring a kid to go check out some books on fish from their school library. Another attractive element, and one that stands in sharp contrast to so many other films: the dad here is the hero, with his risk-anything love for his son. That said, there's also a message here for parents to not be over-protective because kids need space to grow. That's true enough, but I'm not really a fan of children's films where it is the parents, not the kids, who have some learning to do. But with parents along for the ride, we can steer our littles to what Nemo needed to learn (that his dad would risk anything for him, and that his dad was right about the dangers out there). So, I'd recommend this as a film that parents and kids can both enjoy, but mom and dad should check out the first 5 minutes to gauge whether they think their kids will be able to handle it. I would save this for 10 and up. ...

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Drama, Movie Reviews

The Count of Monte Cristo

Drama 1934 / 107 minutes RATING: 8/10 This is based on the story by Alexander Dumas (who also authored The Three Musketeers), and while it is a rip-roaring story it takes place during the French Revolution, which many of us may not be all that familiar with. So let me give you a short backgrounder. The story begins in 1815, a year after the French Emperor Napoleon had been forced to abdicate and exiled to the island of Elba. In the opening scene we learn that Napoleon wasn't done yet, and was conspiring with his remaining loyalists to try to retake the throne. The twists in this story start early. Napoleon sends a letter to his followers via the captain of a French merchant ship, the Pharoan. Before the ship lands, the captain dies, but not before he entrusts the letter to his first officer, Edmond Dantès. Dantès knows nothing of politics, but loves his captain and promises to do as asked, completely unaware of who the letter is from, and the trouble the letter will soon cause him. When his ship arrives in port it sure seems like Dantès has everything going his way: he's met by his love, the beautiful Mercédès, and the ship's owner promotes Dantès to be the Pharoan's new captain. But good fortune is followed by bad. Three men join forces to conspire against Dantès, using the letter he carried as an excuse to throw him in jail as a conspirator against the King. The three men are: Danglars, who wanted to be the new captain instead of Dantès Fernand Mondego, who loves Mercédès too, but doesn't have a chance with her so long as Dantès lives Gérard de Villefort, the King's prosecutor, who discovers his own father was the intended recipient of Napoleon's letter, so he frames Dantès to cover up for his father's treachery. The three get Dantès thrown into the deepest and darkest of prisons. But wait, if he's in jail for supposedly supporting Napoleon, then won't he be freed when the Emperor does successfully (if only briefly) retake his throne? Yes indeed, except that de Villefort, to cover his own tracks, signs off on an official statement that says Dantès was killed while trying to escape. That, then, gives Mondego his opening to marry Mercédès, who only agrees to his proposal because her true love is dead, and her mother's dying wish was that she marry Mondego. But Dantès isn't dead. And in that deep dark prison he meets a fellow inmate, an Italian priest named Abbé Faria, who has been planning an escape for years... and it will take years yet before the two of them can finally complete their secret tunnel. But no worries – Dantès can pass the time plotting his very clever revenge against the three men who sent him here. But what does Abbé Faria think of his vengeful schemes? The priest rebukes Dantès' anger, and encourages him to instead seek God's justice, not his own personal revenge. When Dantès does finally get out, he re-enters French society under the guise of being the Count of Monte Cristo, and in that role befriends the three men who stole his ship, his wife, and more than a decade of his life. None of them recognize him, and no-one is ready for him. Cautions Dantès doesn't exactly seek vengeance, but he also won't let the three men continuing on as they have been, pursuing their own gain at the expense of others. But there does sometimes seem only a hairs-breadth of a difference between stopping the three, and getting revenge against the three. So, it is worth a discussion with any younger viewers how a text like Romans 12:17-19 would apply here: "Repay no one evil for evil. Have regard for good things in the sight of all men. If it is possible, as much as depends on you, live peaceably with all men. Beloved, do not avenge yourselves, but rather give place to wrath; for it is written, 'Vengeance is Mine, I will repay,' says the Lord." So how much is Dantès concerned with justice, and how much with vengeance? Conclusion The original 1844 story was so popular that it was filmed 5 different times in the days of silent cinema, with this sixth adaptation the first to feature sound. I get it. Watching it now, nearly two centuries after the novel was first penned, and almost a century after it was filmed, it was intriguing. I loved the unfamiliarity of the story, not being able to predict just where it was going to go – we just don't tell them like this anymore. So who would love this? If you have a young viewing audience who has never seen a black and white film, this might not be the one that wins them over. The plot is a bit complicated, especially at the start where it assumes you know at least a bit about Napoleonic times. But I showed this to my own kids who are, I won't say black-and-white film fans, but have appreciated a good number of them, and they, ages 12 though 16, gave this a thumbs up. So, a solid 8 for classic film lovers, and maybe only a 6 if you haven't watch B&W before. ...

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News

Hundreds of Reformed Christians gathered on Parliament Hill to protest Bill C-9

Last week, ARPA Canada hosted a rally on Parliament Hill calling on the federal government to halt Bill C-9, the Combatting Hate Act. Despite cold temperatures and blustery winds, approximately 400–450 people gathered on the Hill to show their concern about the legislation. Supporters travelled from across Ontario to take part, including more than 200 people who came from Southern Ontario by coach bus. With the help of local ARPA chapters, four coach buses were organized to bring supporters to Ottawa and back in a single day. For many participants, this made it possible to attend the rally who otherwise would not have been able to make the trip. We were thankful to have Rev. Joel Dykstra, Mr. Rod Taylor of the Christian Heritage Party, and Christine Van Geyn of the Canadian Constitution Foundation as guest speakers. The rally also drew the attention of federal lawmakers. At least thirteen Members of Parliament attended the event. Eleven MPs stood together on the podium when MP Jacob Mantle and MP Andrew Lawton spoke to those gathered. Planning for the event began in January, long before it was clear when Parliament would be addressing Bill C-9. Providentially, the rally took place during the same week that the House of Commons voted to end debate on the bill and move it forward in the legislative process. The bill will now return to the House for third reading, and a vote is expected on March 23 or 24. This brief delay provides Canadians with additional time to engage with their Members of Parliament about the legislation. We encourage everyone to contact their federal MP, whether by email or phone call. Information and action steps are available here. Our primary concern with Bill C-9 relates to an amendment during the committee stage. While the bill, as originally introduced, raised fewer concerns than previous hate-speech bills, a Justice Committee amendment removed the “good faith religious defense” from the Criminal Code. This defense had previously provided protection for those expressing sincerely held religious beliefs. Without that safeguard, there is concern that Christians and others could face greater legal risk for expressing biblical perspectives on moral and identity-related issues. Even beyond potential prosecutions, such legislation can create a “chilling effect,” where individuals choose to remain silent rather than risk legal consequences. For Christians, the concern is not merely political but principled. Scripture calls believers to love their neighbors while also speaking truth faithfully and with humility. The ability to express those convictions openly remains an important part of living out that calling in public life. Picture graciously supplied by ARPA Canada....

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Family, Movie Reviews

The Black Arrow

Drama / Family 1948 / 76 minutes Rating: 7/10 Sir Richard Shelton is a young knight returning from  three years away fighting in the latest installment in the ongoing "War of the Roses" (1455-1487). He is a loyal soldier for the House of York side, the side which, for the moment, is the winning side. And their rivals, those who supported the losing House of Lancaster, are now having their lands and manors taken, and given over to York supporters. If you're not a big English history buff, that's okay, because that's all you need to know. What surprised me at the start was that Richard, clearly our hero-to-be, is fine with Lancaster lands being taken, even when they belonged to a long-time friend and neighbor Sir John Sedley. Before Richard arrives home an arrow narrowly misses him, striking the tree trunk next to him. Attached to the black arrow is a poetic warning: Sir Richard Shelton best beware When to Turnstall Keep he goes Treachery is lurking there – Take the word of one who knows. One home he discovers his father has been murdered, and his uncle and three trusted advisors all tell him Sir John Sedley did it, angered at his lands being taken. But what of this treachery Richard has been warned of? Can he trust the word of these four men? While he's not sure who to believe inside the castle, outside of it there is a roving band of outlaws delivering more messages – some deadly – via their black arrows. So who are the bad guys? Who should Richard trust? The warnings from the Black Arrow band? Or his own uncle, who supports the House of York just as he does too? The choice might seem obvious... but then Sir John Sedley's daughter enters the scene. Now the question is, how can the daughter of the man who murdered Richard's father say anything that would sway him? This is a good story, and got a bit of depth to it, even it is is a very truncated version of the Robert Louis Stevenson (185o-1894) novel of the same name. Cautions As might be expected in a medieval swashbuckling epic with "arrow" in the title, there are lots of folk getting shot with arrows and also lots of knights and soldiers falling to the ground via a well-placed sword thrust. All these deaths are bloodless – there is no gore – but there are still quite a number of them. Kids 10 and up won't find it scary, but it might be for youngers. Conclusion There's some echos here of Robin Hood for sure, though this Black Arrow band laughs a little less. The film's short length, loads of action, touch of true history, and the fact it was based on a classic work of fiction means there's could be something for almost everyone in your family. Our family all liked it, but also weren't gripped by it. We liked it, but I don't know that we'll watch it again. I couldn't find a movie trailer, but did find the clip below where Richard is forced to duel his old sword-fighting instructor. It highlights how, even though this is a black and white movie, the strong crisp contrasts make this an attractive watch. There are colorized versions available, but they mar, rather than improve, on the original. ...

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Family, Movie Reviews

Snuf de Hond in Oorlogstijd (Sniff the Dog in Wartime)

Drama / Family 2008 / 95 minutes RATING: 8/10 If you came to this review as a huge fan of the Piet Prins' Scout series, this is not quite the movie you were looking for. It is based on Scout: the Secret of the Swamp, and like the book it has a Dutch boy named Tom who owns a beautiful, intelligent German Shepherd. And the two of them fight Nazis and aid the Canadian soldiers who have come to free the Netherlands at the close of Word War II. But while the book's Tom is a pleasant kid trying to deal with troubling times, in this film Tom is an orphan, angry at everyone after his parents were killed by German bombers. That's a way to give his character a bit more grit and depth, but does also make him less lovable. But it also gives his Friesan farmer uncle a reason to let him have a German Shepherd pup! Together the two of them set out to frustrate Nazi plans. But what can just a boy and his dog do against the German war machine? Well, more than you might imagine. They even have to contend with a collaborator pretending to be a Dutch loyalist. There was enough here of Piet Prins' original to win my approval and keep my interest. Cautions This is a a pretty tame story, but does involve a war, so the biggest caution would just be gentle hearts not realizing that there were wicked collaborators. However, this is in Dutch (no English dubbing) so it requires that viewers be old enough to handle the English subtitles. That means they'll need to be somewhere around 10, and that's probably old enough to deal with the reality of traitors too.. Conclusion This is hard to find, and not on streaming currently anywhere I can find. But that's always changing so here's hoping! If you do track it down, there are three more Snuf/Scout movies you may be interested in. Here they are, in order: Snuf de Hond in Oorlogstijd (2008) based on the book that, in English, was simply called Scout Snuf de hond en de jacht op vliegende Volckert (2008), based on Scout and the Flying Phantom Snuf De Hond en Het Spookslot (2010) which lines up loosely with Scout: the Haunted Castle Snuf de hond en de IJsvogel (2011), which I think is based on Scout: the Sailing Sleuths Our family has watched films 1 and 3, and really enjoyed both, even though we had to read the English subtitles throughout. We come from a Dutch heritage, so all these Dutch speakers sound very friendly and familiar. ...

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Drama, Movie Reviews

Bad Day at Black Rock

Drama 1955 / 81 minutes Rating: 8/10 John J. Macreedy wasn't looking to start anything. But when he steps off the train into a one-road town in the middle of nowhere, plenty of strangers seem eager to start something with him. And he doesn't know why. He also doesn't seem able to do much about it. Macreedy's come back from the war crippled, losing his left arm in the fighting in Italy. So how can he stand up to a town full of bullies and liars? There are multiple mysteries here – why is Macreedy here, and why is every one in the town so on edge about his appearance – but what makes this a film to see is maybe what it shows of manhood. There's a range of specimens on display, from the sheriff who's a coward and knows it, to the town doctor who isn't willing to stand up alone but whose conscience won't quiet down. Then there are the town bullies, as scared as they are scary. And Macreedy, who repeatedly demonstrates the valor in sidestepping a fight. But some fights can't be avoided, and what's going to happen then? Cautions One of the 1955 adverts for this said, "not suitable for children" and that caught me by surprise. There's no sex, no language, and only minimal violence, but yes, there is growing tension that kids maybe 12 and under won't know how to handle. Conclusion This is a "slow burn" film, taking its time to, bit by bit, amp up the tension. It'll be too slow for many in our Tik Tok generation, but it's a treat for any who like learning their history through film. This is about parts of the Americas that soldiers returned to after fighting in World War II. Sometimes there were fight still to be had back home too. The reason to watch this is Spencer Tracy as Macreedy, putting on a show as a man who has to handle a whole town on his own. Another reason: to see how earlier generations thought through an age-old struggle we still have today: the temptation to stay quiet and duck down at the exact moment when you're being called to step up and speak out. This is a film Christians can be inspired by, for sure. ...

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Drama, Movie Reviews

Beyond the blackboard

Drama / true story 2011  / 95 minutes RATING: 8/10 This is different sort of Hallmark – no royalty, no baking of any kind, and not a budding romance to be seen. Beyond the Blackboard  is based on the true story of Stacey Bess and her very first job as a teacher in one of the toughest settings imaginable. Bess was assigned to replace a teacher mid-school year, and was expected to cover Grades 1 through 6 in a public school so new and so neglected it didn't even have a name. Her students? The children of homeless parents sleeping in their cars, or being put up at a the city shelter in which her classroom was also housed. And on her first day she discovered the expectations for her students were non-existent – there were no text books, no curriculum, and hardly anything but a TV and VCT. She wasn't expect to teach; only babysit. But teach is what she was determined to do. And with the help of her very supportive husband, and despite the lack of support from the public school system administration, Bess transformed her classroom, and gave her students a chance at learning what they'd need to know to rise out of the poverty their parents seemed stuck in. Cautions There's two minimal concerns I'll list, and the first is just for the overall Hallmark gloss given to Stacey Bess's life. Her husband is incredibly understanding, even as her job takes more and more of her time, and her students turn into an obsession for her. Her own two children are incredibly well-behaved, and her homeless students only give her trouble her very first week – after that they become Bess's biggest fans, because they know how much she loves them. I kept waiting for the shoe to drop – some downturn to happen before the inevitable triumph occurs – but it never really happens. So... very suitable for kids, but they should be told that it couldn't have been this simple. The other caution would be that, even as this is a very low tension movie, what tension there is is mostly front-loaded. In the first couple minutes  we see Bess as a small girl in bed as we hear her parents off-screen yelling. Then we jump forward and hear her adult voice narrate that she quit school at 16 because her and her high school sweetheart married young. It isn't stated, but doesn't take a lot of reading between the lines to understand that she got pregnant before marriage. But... that happens, as we explained to our own kids. And kids under 10 probably won't even make that read. Conclusion While it opens with Bess starting her life off in a less than ideal way, that fits well with a story about others who are in less than ideal circumstances. This is fun inspiring story that's safe for the family. It shows how much one person can impact those around her.... at least if those others around her are interested in being helped. ...

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Adult fiction, Book Reviews

Sincerely, Stoneheart

by Emily Wilson Hussem 2025 / 240 pages Rating: GOOD/Great/Gift I can’t find my car keys! Can you relate to this panicked searching? If you don’t find your keys, you’ll be late for your appointment. Your kids are screaming at the door and you feel your self-control slipping as you flip pockets inside out and tear cushions off the couch. All the while, your keys are in your back pocket. In her book, Sincerely, Stoneheart, Emily Wilson Hussem relates this missing key experience to how many Christian women live: frantically searching for their identity, forgetting that God calls them his beloved. Hussem writes in the same flavour as CS Lewis’ Screwtape Letters – letters written fictitiously from a senior demon, named Stoneheart, to his apprentice Belphegora (a demon of sloth, distraction and false promises of wealth). The letters are about how best to lure a female subject living in today’s world away from the Enemy. Reading from this angle takes some mental alertness. For believers, “the Enemy” is their Heavenly Father. This and other positive vocabulary need to be flipped, as the believing reader digests the temptations communicated by the demon. However, this mental exercise helps one examine one’s heart. These letters illuminate where you may be giving the Devil a foothold. As the book’s subtitle reads, Sincerely, Stoneheart helps readers “unmask the enemy’s lies,” and, “find the truth that sets you free.” Hussem covers over 40 topics including: appearances, possessions, accomplishments and titles. One I found convicting was her noting that a woman scrolling through social media on her phone was in a remarkably similar posture to a child of God praying. How many times have I turned to my phone to answer a question or fill a heart longing, instead of sincerely praying to my Creator with folded hands? The topics covered best relate to an educated Christian wife and mother of young children but would apply in part to Christian women at large. The author’s heart is for women to embrace God’s unique gift of femininity and to have hearts at rest in their identity of being God’s beloved. By abiding in this relationship with God, through prayer and scripture reading, women can find healing for their past hurts, live abundantly in the present, and entrust their future to Him. This book is easy to read in small chunks and even out of order, making it approachable to moms familiar with interruptions. A study guide is also available. It could be used for personal reflection or a group study. It would also be helpful to husbands, fathers, pastors and elders who desire to understand the spiritual warfare many young woman face. Use this book to help you pray Ezekiel 36:26: “And I will give you a new heart, and a new spirit I will put within you. And I will remove the heart of stone from your flesh and give you a heart of flesh.”...

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Drama, Movie Reviews

Sight

Drama 2024 / 103 minutes RATING: 8/10 Sight is the remarkable true story of driven doctor Ming Wang, who has used his exceptional talents to restore eyesight to tens of thousands. But in the darkest corners of our world are those willing to steal even sight – in India a street beggar will make more money if they are legitimately blind. That's what we learn in the opening scene. Yes, this is a wonderful movie, but it sure doesn't start that way. In the opening two-and-a-half minutes, we see a woman buying acid, and then pouring it into the eyes of a little girl under her care. The first time I watched Sight, it was with my family because this was featured on the "safe" streaming site Angel.com. So this scene came as a shock, and we stopped right there. Who wants to watch a movie like that? But after reading a few more positive reviews I watched the rest on my own and was glad I gave it a second chance. If the first couple of minutes almost have the look of an R-rated film, the rest is just PG, and, unintentional pun and all, it really is a must-see. What makes it a great story is not only Ming's struggle to save people's vision, but his struggle to become a doctor while growing up in Communist China, right when tens of millions were starving and being killed. I didn't quite understand all that was going on in the flashback scenes – I think the producers were assuming viewers would know Chinese history a bit better than I did – and I did some research afterwards. Ming grew up in the shadow of Chairman Mao's "Great Leap Forward" (1958-1962) which was supposed to turn the country into an industrialized giant but which instead led to mass starvation and the deaths of between 15 million and 55 million citizens. Ming's teen years were during Mao's "Cultural Revolution" (1966-1976) when indoctrinated young men and women were set loose against their elders. They attacked whatever remnants of the pre-communist culture still remained – businessmen, professors, scientists, pastors and priests were targeted, 1-2 million more people were killed, and many millions more were exiled into the countryside. With teachers viewed with suspicion, schools were closed, right as a young Ming was about to head into high school. And, at least where he lived, the schools stayed closed for the next three years. So how did a kid growing up in a communist country, without access to an education, become the most acclaimed eye doctor in the world? You'll have to watch Sight to find out! Caution While we don't quite see the acid being poured into the girl's eyes – the camera pans up to just the step-mother as she pours the liquid – we do hear the brutal screams. If you're watching this with your family, just tell your kids how it begins, and then skip right over this scene and start at the 2:25 mark. There are also a couple of brief 10-second flashbacks to this opening scene, but because each of them are so clipped, they are far less horrifying. Other violent scenes are briefer. We see Ming's elderly wheelchair-bound neighbor getting kicked on the ground by communist goons, and later we learn the man died. Later we see Ming's mother showing evidence she has been beaten (though we don't see the beating happen). In a weird but pivotal scene, a teen Ming is hiding from a mob in a hospital laboratory closet, and notices a fetal baby in a jar. It's only a few seconds, but referenced repeatedly because it sparks an idea for how Ming can restore the girl's sight. Language concerns would be limited to one "my gosh." Conclusion There are some very good performances here, and while some reviewers critiqued this for having a predictable plot, I'd argue there is a surprise or two. The inevitable triumph is predictable, yes, but no more so than in any sports movie, and we still love seeing the champion pull it out in the end. So, I really liked Sight. I don't know if it is quite accurate to call this a Christian film, since Ming wasn't yet a Christian in the time period portrayed. But when the movie concludes, we meet the real Dr. Ming, and hear him profess his love for the Lord, and then you can look back and remember a few nods and hints in the film that are, I think, the filmmaker showing how God was making His presence felt in Ming's life even long before Ming realized. It might be worth a mention that the only characters speaking about God during the running time are a Roman Catholic sister and the young blind girl she brought to see Dr. Ming. But Ming himself, as I understand it, is actually Protestant. So who would enjoy this? I think most any adults would, if you fast-forward through the first 2.5 minutes. Sight is available on the Angel.com streaming service. There is a lot of other good content on this site, much of it Christian, but it is owned and operated by Mormons so if you sign up for a month, understand that not everything that presents itself as Christian on that site is actually Christian, since Mormons call themselves Christian. ...

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Animated, Movie Reviews

Chicken Run: Dawn of the Nugget

Animated 2023 / 101 minutes RATING: 8/10 Twenty-three years ago, Rocky and Ginger were trying to break out – they had to get off their farm to escape being made into chicken pot pies. This time, they have to break in to save their beloved little girl, Molly, from being turned into a bucket of nuggets. Dawn of the Nugget is that rare sequel that lives up to the original... and maybe even surpasses it. Rocky, Ginger, and their fellow chicken friend escapees have made a new and very safe life on an isolated island in the middle of a large lake and things couldn't be more idyllic. The only discontented citizen? Rocky and Ginger's young daughter, Molly, was born on the island and has never known anything else. Molly wants to see what's out there, across the water, and her mom's evasive answer – "there's nothing over there for us" – isn't doing anything to calm her daughter's wanderlust. And then the humans come a-knockin'. Across the water, the chickens see a new factory is being built, and not just any sort of factory – this "Funland Farms" facility is a chicken processing plant! Rocky and Ginger don't share this news with Molly because they think it'd be too scary for her, but in trying to protect Molly, they leave her completely in the dark about life outside of their island. That quickly becomes a problem when Molly sets off on her own, crosses over water, and ends up walking right up to a Funland Farms truck. She doesn't understand the danger, and quickly gets caught and tossed in with all the other captive chickens. Now, mom and dad have to organize a rescue mission, and here's where it gets super fun for parental viewers. There are all sorts of Mission Impossible and James Bond kinds of escapades, with laser-guided exploding robot ducks, brainwashed chicken minions, and an evil computer genius running the show. Cautions The main caution would be age-appropriateness. There are loads of cute animated characters here, which might have parents thinking this should be fine for their littles. But this is a rescue mission where the stakes are such that if they don't succeed, Molly and friends are going to be turned into bite-sized nuggets. That's definitely more peril than a normal kid flick. I think this is best for 10 and up, and I'll make my case by highlighting two scenes that happen pretty close to each other. Mrs. Tweedle is back – somehow the villain from Film #1 survived, and in this one she has another enormous fall. She lands in the giant metal funnel that sends chickens into the nuggetifier. As the machine starts gurgling, with this oversized human load, kids are going to wonder if we just saw Mrs. Tweedle get killed! And it takes a minute or two to learn that no, it isn't so – phew! She does emerge out the other end, breaded, but still entirely intact. Next, the now enraged woman goes all Jack Nicholson from The Shining as she uses her axe to peel back the roof of the chickens' getaway truck. It is only a moment, which minimizes the terror – I don't think any kids over 12 will be super scared, but all bets are off for the under 10s. Language concerns include a mention of "ye gods" and one instance each of "hell" and "blooming heck." I don't think this is trying to put us off of eating chicken, but when chickens are the good guys, and chicken nuggets are the worst thing imaginable, I can imagine that inadvertent vegan indoctrination is a possibility. Conclusion We all want to protect our own little chicks, but eventually they have to leave the nest, and we do need to get them ready! Like the original Chicken Run, this is a movie aimed squarely at parents, and what makes it special is that the moral to this story – don't helicopter-parent your kids – is one we can actually appreciate and learn from. How many Hollywood flicks can you say that about? Check out the trailer below. ...

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Documentary, Movie Reviews

Gender Transformation: the untold realities

Docudrama 85 minutes / 2023 Rating: 8/10 If there are two things this film confirmed for me, it is: Parents need to be our children's primary educators (Deut 11:18-20, Is. 38:19b, Eph. 6:4).  At some point, all teens feel awkward, disconnected, and confused, and to compound it, they'll get this sense that there is something different or wrong about just themselves, and that's why they don't fit in. And if mom and dad aren't making it plain that this feeling has been common to literally everyone who has lived before them, a teen may go look for belonging, help, and advice elsewhere, in all the wrong places A public school system that sets out to be deliberately godless is not neutral (Josh. 24:15, Matt. 12:30, Luke 12:49-53, 2 Cor. 6:14-16). In the best case scenario, children won't be told that God is dead, but for 6 hours a day they will be taught that He's irrelevant... to everything. And as this film details, at worst, teachers, school counselors, and school administrators will conspire with child protection services and the police to take your child from you because you are the enemy. Gender Transformation is a docudrama about the lies told to confused children about how they can change their biological sex. It is about the damage done to families when schools "affirm" a child in this delusion, and teach that same boy or girl that if their parents won't affirm them, then those parents are the real problem. This is also about the destruction being done to children's bodies when they are mutilated via irreversible surgeries and chemical experimentation. As a docudrama, we get interviews, but also re-enactments. One interviewee, lawyer Erin Friday, is very motivated to speak up because her own daughter was, for a time, caught up in trans "identification." The most compelling testimony is from parents like Friday, and like Abigail Martinez, whose child was taken from her, with the school, doctors, child services, and police all working against this mother. They acted against her daughter Yaeli, too, by feeding her delusion until she committed suicide. We also hear from various "detransitioners," with the most famous probably being Chloe Cole. These young men and women – still really just boys and girls – share how they got swept up in the lie but now see through it and desperately want to warn others. Their accounts, one after another, are devastating. What makes this all the more compelling are the dramatized parts – short scenes interspersed throughout showing, for example, Chloe Cole telling her mom that she doesn't get it, and that she sure isn't woke. We watch as one of her trans friends encourages her to keep going, and we sit in on counseling sessions, both with an "affirming" counselor and with another who doesn't want to rush into things. Cautions The dramatization can get a bit much when we're taken into the operating room, and the doctors' dialogue paints them as not simply monsters, but idiots, too, not caring how much bleeding was happening. No one was there to witness this conversation, so let's stick to the facts, which are more than outrageous enough already. It's worth noting, too, that this is an entirely secular production, put out by EpochTV, a media organization with Taiwanese roots, that is associated with the Falun Gong religion, but is maybe best known for what it is against: the Chinese Communist Party. In their opposition to Chinese Communism, they do often turn a sympathetic ear to Christian concerns, but here they make it about the money trail. Why are people trying to turn boys into girls and vice versa? They pitch Big Pharma, but miss out on the rebellion at the root of this. God tells us He made us male and female, and this is a twisted attack on His work and His sovereignty. There is also at least one instance of God's Name being taken in vain, and if this were just entertainment, that'd be a reason for me not to review it. But this is quite the eye-opening piece of education, and important viewing even with that notable flaw. Conclusion This is important for how eye-opening it will be – this exposes the evil that's going on in schools, and behind closed classroom doors. But in overlooking the spiritual root of the matter, it is limited in the solution it can offer. So, for example, the focus is on kids. But is cutting off healthy body parts like breasts and penises more sensible so long as it is done to adults? The problem with presenting only the practical problems is that it prompts only practical solutions – it could seem as if the issues highlighted could be solved with more consultation, better research, fuller explanations of the risks, and more parental involvement. But the issue isn't about why this is being done so badly, but rather why it is being attempted at all. Turning boys into girls is akin to telling someone they can become another species. It's a crazy notion that is being taken seriously, and why is that? Only because the world is shaking a collective fist at God. It's only when we recognize the spiritual reality that we can understand the real solution that's needed: Start with God, highlighting how He has made us male and female Afterwards, note how attempts to start with any other standard lead to nonsense. What even is a woman or a man, if gender has no connection to the biology God gifted us? Answer that, world, if you can. Despite its foundational spiritual shortcoming, Gender Transformation: the Untold Realities is worth watching for the facts it does lay bare. It can be rented for $4 US at GenderTransformation.com. ...

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Music

Music worth watching: a top 10

The only rules for how these videos were selected were that: no band could get more than one entry, and this specific song had to be solid – I haven't looked through the back catalogue of all these artists, so I'm not trying to endorse everything they've done. I do think this was special, though. I might expand this list periodically, but 10 seemed enough to get things going. Eight of the songs were on Spotify, if you want to listen there, though these really are worth a watch. ONE SHOT WONDERS (2) The one-shot video is an exercise in planning – once filming starts, it's supposed to never stop until the entire song is sung. While Ok Go didn't invent this genre, they might be the most proficient at it, and they're the band that the comic troop Studio C is spoofing in their own one-shot disaster. Two Christian artists have made the attempt too, and managed to do what Studio C didn't. These are wonderful... Allison Eide’s one-shot “In the Moment”  Christian artist Allison Eide got her friends together to create this epic, non-stop, one-shot video. Andrew Peterson's "Is He worthy?" This is a wonderful song with a video every bit as good. It probably isn't a true one-shot video, as the camera zooms in on the black piano at one point, which could have made for a nice scene break, but regardless, it feels like one. And whether it is or isn't, it is amazing! MORE THAN JUST PEP (3) These have some toe-tapping zip to them, but also truth worth hearing. Micah Tyler's "Praise the Lord" Into everyone's life a little rain must fall, yes. And we will praise God still. Matt Maher's "The Lord's Prayer" Don't let the heavy metal-ish way this begins throw you off - that's a little misdirection on an awesome song. Jenny Geddes Band's "Hold your peace" Who is the pot to question the potter? PERFECT WEDDING SONGS (2) Here's a couple for every couple out there. The Gray Havens' "Band of gold" I'll just say, love it, love it, love it :) Jimmy Clifton & Haddon's "Pinching pennies" These two are quite happy about being poor. But that's okay; they'll be fine, because they have such good women in their lives. RAP FOR THE MASSES (3) Not every musical genre is going to appeal to everybody, and Rap's reputation might have many wondering if there is just something inherently wrong with it. But some folks do Rap right... and even do it Reformed, as you can see below. Shai Linne's "Farm talk" Years ago, I showed my father-in-law a video by Shai Linne's wife, Blair Linne, called "The Perfection of Beauty." My father-in-law was a Rap skeptic beforehand, and while I can't say I won him over completely, that song had him re-evaluating. Shai Linne's video below doesn't have quite the same emotional pull as his wife's, but it is a story well told. Tedashii's "Make war" For a while there, Reformed pastors were making regular cameos in Rap songs. This time around, it's Pastor John Piper teaming up with Rapper Tedashii to call out any and all who are whining about, and not fighting against, their sins. Propaganda's "Life in 6 Words: The GOSPEL" This might be more spoken word than rap, but... close enough. And great stuff! JUST  BEAUTIFUL (1) It might not be you, but if you're watching this with someone, at least one of you is going to be bawling. Brian Suavé's "Winnie's Song" A dad shares his prayer for his little girl. FUTURE NOMINEES This didn't quite make the Top 10, but it might make the Top 12 when the list expands. And if you have nominees, please let me know. Josiah's Queen's "Dusty Bibles" If ever there was a song for our time... MercyMe's "So long self" If there was an oldie but goodies category... ...

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Family, Movie Reviews

The Court Jester

Musical comedy/Spoof 1956 / 101 min Rating: 8/10 In medieval England, the crown has been usurped, and the only surviving heir to the throne is a mere baby. So, who is left to stop the villainous new ruler, King Roderick the Tyrant? Some might think it'd be the brave Black Fox, a Robin Hood-like outlaw, who has his own band of merry rebels hiding out with him in the forest. But the hero of this story is an unlikely sort – Hubert Hawkins (Danny Kaye) is the Black Fox's minstrel, or, to say it another way, he's the outlaw band's entertainment director. This is a movie you might want to watch twice just to keep track of the convoluted plot. Hawkins ends up sneaking into the castle by taking the place of an internationally famous jester who was coming at the king's request. But little does Hawkins know, "Giacomo: the king of jesters, and jester to kings" is also secretly a highly sought-after assassin, and the king has summoned him to knock off the his remaining rivals. If you're still with me, that means the king thinks mild-mannered Hawkins is actually his paid killer. To add to the mayhem, Hawkins ends up getting accidentally hypnotized such that, at one snap of the fingers he thinks himself the greatest of all swordsmen, and at a second snap, he's back to his own defenceless self. Imagine the sword-fighting hijinks that ensue! Cautions The buffoon King Roderick does some leering early on, particularly in the direction of the heroine, Maid Jean. Thankfully, she escapes his attentions by claiming her father, his brothers, cousins, uncles, and aunts had all succumbed to "Brekenridge's scourge," but that "just because it runs in the family doesn't mean that everyone has it." Still, that bit of information cools his jets, and for the rest of the film, the king is afraid to even touch Maid Jean. Note also that a witch makes an appearance, but while she manages some hypnosis and attempts a poisoning, this doesn't get into any dark magics. Conclusion The Court Jester is a silly “Robin Hood” spoof of a story with Danny Kaye playing the bumbling jester/spy brilliantly. Check out the clip below for a sampling of Danny Kaye's mumbling, stumbling best. &...

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Book Reviews, Children’s fiction

Akimbo and the Lions

by Alexander McCall Smith 1992 / 66 pages Rating: Good/GREAT/Give Alexander McCall Smith is best known as the author of the The No. 1 Ladies' Detective Agency but it turns out he's written a number of children's books as well. And they are good. Really good! Akimbo is a boy who has access to all the coolest animals in Africa – his dad is chief ranger in charge of a wild game reserve, which means that from one book to the next Akimbo is having adventures with snakes and baboons and elephants and crocodiles, oh my! In Akimbo and the Lions he accompanies his father to trap a lion harassing a small village. But things don't go as planned – instead they trap a cub and scare the momma away. That means someone needs to take care of this wee little lion, and Akimbo convinces his dad that he is just the boy for the job! McCall does a wonderful job of balancing the tension in the book. There were moments where my 5 and 7-year-old were covering their mouths (and sometimes their eyes) but these moments didn't last too long. This is just a good old fashioned adventure, perfect for their age group. It is short – a book that can be read in an hour – exciting, sometimes sweet, with gentle humor along the way too. And in this first story, there is absolutely nothing to object to – Akimbo doesn't talk back to his parents, or teacher. No sex, no language, no weird philosophies. The only downside would be God's absence. In an adventure where God's creation has such a big role, it would be only natural to give God his credit for these wonderful creatures. But it seems that Akimbo and his parents are not Christians. And if I was going to add one other nitpick I'll also say this is not the sort of children's book that works equally well as an adult book (this is no Narnia, for example). The story is too simple and predictable for older folk. I only mention that because, since this is by a well known, and well-loved adult-fiction author, that might raise some expectations. But while these are very good kid's books, they are kid's books. There are five in all, in this order: Akimbo and the Lions Akimbo and the Crocodile Man Akimbo and the Elephants Akimbo and the Snakes Akimbo and the Baboons The others In addition to Akimbo and the Lions we've now read the other four in the series. Akimbo and the Crocodile Man was a bit scarier as there is an actual crocodile attack. It all turns out fine in the end, but that extra bit of tension means I was glad we did read things in order, starting with Lions before Crocodile Man – that order meant even in Crocodile Man's scariest bit, my girls understood that this sort of book was going to have a happy ending. Akimbo and the Elephants had Akimbo going behind his dad's back to stop ivory (which comes from elephant tusks) poachers. He has good intentions, but lies a number of times, and even steals some ivory to serve as bait for the poachers. We had to explain to the girls that Akimbo was doing something downright dumb here - that he should be talking his plan over with his dad. So while we enjoyed reading it together, I would have some reservations about my children reading this by themselves. In Akimbo and the Snakes we come along as Akimbo visits his Uncle Pete's snake farm for a month and learns what it means to "milk" snakes. My nine-year-old enjoyed learning more about snakes but said this was definitely a day time and not bedtime book. The only objectionable bit would be in the notes after the story where it briefly mentions that snakes are thought to have evolved from lizards. In Akimbo and the Baboons a "baboon lady" comes for a visit. This is a visiting scientist who has come to study that baboons, and Akimbo and his cousin Kosi get jobs as her assistants. The author believes in evolution, and while that only comes out clearly in a section in the back – "Brilliant baboon facts" where McCall notes baboons are not in the same genetic family as human beings – the scientist, Jen, notes a few times in the story, how the baboons are "a lot like us" or "just like us." True, in some ways, but when we read between the lines here, we can see this is about being similar in an evolutionary sense. I'm making much of this and will note my nine and under kids didn't even notice the evolutinoary angle. So if I was getting these for a school library, I would get the first two – two very enthusiastic thumbs up! – but maybe give the third a miss, and the fourth and fifth with a note about evolution in the front. What's the ideal age range? I'd think kids in Grades One to Three are sure to enjoy them. Akimbo and the Lions is available at Amazon.com and Amazon.ca....

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