Most Recent
The Rest
Book Reviews, Graphic novels
Manga Classics: Anne of Green Gables
by L.M. Montgomery adapted by Crystal S. Chan 308 pages / 2020 Anne is an orphan girl living in the Prince Edward Island of the 1870s, sent by mistake to the home of an aged brother and sister who need help with the farm work. The mistake is, they asked for a boy. Instead, they got the imaginative, effusive, emotional, red-head Anne. And once they meet, they can't let her go. While Lucy Maud Montgomery was a Canadian author, and Anne of Green Gables (first published in 1908) a very Canadian story, it's always been incredibly popular in Japan too. So it makes sense that her story would be given a manga treatment. Thankfully, the adaptation is faithfully done, and at 300 pages, given the space it needs to tell the story well - only a very few scenes are given an abridged treatment. If you're unfamiliar with manga, the style does take some getting used to, in the first place because the Japanese read right to left. That means what would be the back of the book to us, is the front of the book to them. Even though this is in English, it's still formated in that "reverse" style. Another feature that will strike readers as unusual is the way manga will sometimes depart from a semi-realistic style of drawing to something much more cartoonish, and then go back to realistic all in the space of a few frames, or even in the same frame. So, for example, while Anne's strict and controlled adoptive "mother" Marilla is depicted with realistic eyes, the emotional Anne has eyes in all sorts of styles. Most often they are doe-sized, but when she is angry or perturbed, they become big black dots, and sometimes she is drawn with no eyes at all. If that strikes you as very strange, just consider how a Western reader will know that a lightbulb over a character's head means they have an idea. That's a bit of cartoon "emoticon shorthand" to let readers know something without spending a lot of words on it. Manga has its own, different cartoon emoticons, and they do need to be learned. But just like the lightbulb, they aren't hard to figure out. Cautions Cautions here are only the same ones that we'd have for the original source material. At one point Anne is being taught how to pray, and her first prayer, while not exactly disrespectful, certainly isn't what it should be. But the point is, she doesn't know how to talk to God, and still has to be taught, so I don't think this should be much of a concern. Then there's also Anne's stubbornness. When a classmate, Gilbert Blythe, calls her "Carrots," Anne breaks her chalk slate over his head. You'd think that would make them even (or put Anne in need of apologizing to him) but Anne resolves to never speak to Gilbert again. And she keeps to that pledge for years! The book shows this to be ridiculous, and I only mention it here because this comic format makes Anne accessible to a younger audience that may need a little parental guidance to recognize just how bad Anne's stubbornness really is. Finally, in an afterword to the story, the adapter Crystal Chan notes that she is a feminist who "loves the elements of feminism in Anne of Green Gables." "Feminist" is sometimes synonymous with supporting "a woman's right to choose" so that might have parents concerned about whether this ideology is hidden within. But there is no need for worry: whatever sort of feminist the adapter might be, she has stuck closely to the original 100-year-old material (unlike the recent Netflix adaptation). Conclusion This is a fantastic, faithful, adaptation of a great book. Teens should skip straight to the original, but for younger readers, or the reluctant sort, this will be a great way to introduce them to this dynamic lass. If you do intend to get a copy, be sure you get the "Manga Classic" version, as there is another comic, that one by C.W. Cooke and Tidalwave Productions, that only tells part of the story, ending abruptly and with no conclusion coming. I've included its cover image to the right here, to make it easier to identify what not to get. Don't accidentally get that one while you're searching for this manga adaptation....
Book Reviews, Graphic novels, Teen non-fiction
Luther: Echoes of the Hammer
by Susan K. Leigh illustrated by Dave Hill 2011 / 144 pages I think this is the perfect complement to Luther: the graphic novel, which might be the more exciting of these two Luther comics, but which also plays a little looser with the details. Meanwhile Luther: Echoes of the Hammer is a more reliable history lesson, even as it isn’t as dramatic. I tested this graphic novel on two of my nephews with mixed results. The older one, heading to grade 10, was happy to take a look, and thought it would be a great way to learn about Luther. The other, two years younger, seemed to think it was too much biography and not enough comic book for his tastes. As far as comics go, this one is quite an involved, even heavy, read. Interspersed throughout are explanations of key events, like the Diet of Worms, key terms, like “indulgences,” and key figures, like Charles of Spain, the Holy Roman Emperor. These one or two-page insertions really add to the narrative and make this a highly educational comic. However, a few of these insertions will also trouble informed Reformed readers. In one list of Luther’s adversaries, Calvin is numbered among them! While it is true Calvin and Luther had their differences, it is surprising to see Calvin listed as an opponent. Especially when, some pages later, we find Erasmus listed as one of Luther’s supporters! While Erasmus was, like Luther, critical of the Roman Church, he never left it, and this led to strong, vitriolic disagreements with Luther. In fact, Luther once called Erasmus, “the very mouth and organ of Satan.” It is downright silly, then, for the authors to list Erasmus as a friend if they are going to list fellow Reformer John Calvin as an adversary. The only other quibble would be the overestimation the authors have of Philip Melanchthon, describing him as “a great Reformer, second only to Martin Luther.” Second? Really? How can they overlook Calvin like that? Those quibbles aside, this is an impressive book. The writing is crisp, succinct and engaging. The artwork is attractive and while only half the book is color (the other half being black and white) it worked. Many of these pictures are also instructive, worth the proverbial thousand words. For example, in the pages covering Luther’s visit to Worms, illustrator Dave Hill shows us the man’s quiet passion, his many supporters, and his opponents marshaled together. This gives us a good understanding of the setting, and thus a better understanding of the courage it took for Luther to stand up for what he knew to be true. Older teens will enjoy it, and many an adult too. (Also worth a mention is that the same team of authors and illustrators have created a sequel, focused on his wife – Katie Luther is a little shorter, and a little less involved, but also quite enjoyable.) To get a sampling of what's inside click here....
Graphic novels, Teen non-fiction
Luther: the graphic novel
by Rich Melheim illustrated by Jonathan Koelsch 2016 / 72 pages I’ve reviewed other “comic biographies” and never enjoyed one more. Luther is scripted like a movie, has witty dialogue with actions scene interspersed, and the artwork is of the same quality you would find in Marvel or DC comics – it is fantastic! Educational comics, as a genre, are valuable in that they make learning history a lot less painful. But very few of these educational graphic novels are the sort that a teen would just pick up and start reading. Luther is the exception. I don’t want to over-hype it – a kid who reads nothing but superhero comics will still find this a bit of a stretch – but it really is as good a comic as you will find. Cautions Since this is intended for teens, I’ll note a few cautions. The word “crap” is mentioned three times, “ass” once, and “old fart” once. But when you consider this is a comic about the notoriously potty-mouthed Luther, this is really quite tame. I’ll also note there is a depiction of Christ on the inside back cover of the book that is not part of the story, but rather part of an ad for other comics by the same publisher. Also: the comic treats as fact, the famous conclusion to Martin Luther’s speech at the Diet of Worms where he is said to have declared: “Here I stand. I can do no other. God help me. Amen.” There is some dispute as to whether he ever said these words. Conclusion The comic has several strengths including the overall picture it gives of the happenings going on in the broader world that made it possible for Luther to both spark this Reformation and live into old age and die a natural death. I’ve always wondered why the Emperor didn’t just have him killed. Perhaps it was because, as we learn in this comic, Charles V was busy contending with Turkish expansion and might not have wanted to risk alienating any of his German princes. Another strength is that while this account is sympathetic, it does note one of Luther’s weaknesses: that sometimes Luther’s pen got the best of him and he could write some “terrible and hateful words” denouncing Jews, Calvinists, and Anabaptists alike. Overall this is a comic that teens and adults (who aren’t embarrassed to be seen reading a comic) will certainly enjoy. It is available at Faith Inkubators....
Book Reviews, Graphic novels
Canada at War: a graphic history of World War II
by Paul Keery, illustrated by Michael Wyatt 176 pages, 2012 Halfway through Canada at War, I realized it was filling in an odd gap in my education. I had read about the Dutch experience of World War II in great kids’ books like Anne de Vries’ Journey through the Night and Piet Prins’ Scout series, and a love of classic war films like Casablanca and Twelve O’Clock High had given me a good sampling of the American perspective. But I don’t know if I've ever seen the war through Canadian eyes. Canada at War is a “graphic history” – otherwise known as a comic – but it would be a mistake to dismiss this as fluffy kids’ stuff. It is weighty and well-researched and would be best understood as an illustrated history textbook. It includes chapters on: Canada before the war Canada’s early defeats defending Hong Kong from the Japanese and attacking German-held Dieppe, France The creation and impact of Canada’s Air Force The Canadian Navy’s seemingly impossible task of protecting the Atlantic supply chain from U-boat attacks The costly lessons our Army learned in Sicily and Italy The joint invasion of Europe The Canadian role in the liberation of the Netherlands and the final defeat of Germany Author Paul Keery, and illustrator Michael Wyatt do a masterful job of explaining, in just 176 pages, how Canada went from having next to no military to, in the space of just five years, becoming the third most powerful fighting force in the world. And they give readers a good understanding of just how much we owe the 1 million men who served. Cumulatively the pictures are worth many thousands of words. Descriptions can’t quite convey the information available in a picture of a sailor waste deep in water on a leaky Corvette assigned to protect otherwise defenseless supply ships on their way to Britain. There is also a lot packed into a single frame, when we see a bomber pilot relaxing at his home base, happy to have survived another bombing run, but knowing that he has only a 1 in 4 chance of living through to the end of his tour. The style of the visuals is also striking: it’s a mix of quite realistic computer animation and solid simple lines. Illustrator Michael Wyatt shows us action and lots of it, including planes being blown apart and submarines being sunk. However, Wyatt uses great restraint, showing the results of war – the blood, death, and destruction – without dwelling on the gory detail. This bloody detail is most often muted, either by being obscured (oftentimes by making use of silhouette images) or by being skipped right over. For example, in one exchange we see a soldier with blood on his face, but only learn how it happened from the caption. But as should be expected in a “graphic history” of World War II, there are a few “graphic” frames. That said, Canada at War is intended for a young adult readership, and these pictures are unlikely to shock them. I've included a few of these frames immediately below this review so that parents can evaluate the visuals for themselves. This is an impactful book that will give this generation a far better understanding of what their grandparents and great-grandparents endured to give them the Canada they see today. ...
Book Reviews, Graphic novels
A Family Secret
by Eric Heuvel 2009 / 64 pages It’s Queen’s Day in the Netherlands, and the celebrations include nationwide rummage sales. So young Jeroen heads to his grandmother’s house to see if she might have anything she’s willing to give him to sell. And like grandmothers everywhere, she is quite obliging to her young grandson and sends him upstairs to the attic to let him see what he can find. In his searching Jeroen discovers his grandmother’s old scrapbook… and while paging through it uncovers a secret she has kept to herself for more than 60 years. His grandmother then tells him the story of how World War II divided her family. She was best friends with a Jewish girl named Esther, and along with her mother and one brother didn’t want anything to do with the Germans. But while this brother fought in the resistance - the Dutch Underground - her father chose to work with the Nazis, and her oldest brother decided to go fight for Germany on the Russian front. This is an amazing graphic novel, drawn in the style of Tintin, and published by the Ann Frank House and the Resistance Museum of Friesland. It’s gripping enough for adults, but for children, this is an absolutely amazing way to teach them about World War II, the Dutch Resistance, and the Holocaust. I'd particularly recommend this as a book for grandparents to give their grandchildren. Every year we set aside a day to remember the sacrifice of those that fought for our freedom. Giving this book to a grandson, and talking with them afterward about the war - about why some fought the Nazis, why some did nothing at all, and why some even joined them - is one very good way to ensure we never forget. There is a sequel of sorts called The Search in which we learn more about Esther. It is also very good, but if you are only going to buy one, should get A Family Secret. I'd recommend it for 11 and up. ...
Book Reviews, Graphic novels
Treaties, Trenches, Mud, and Blood
by Nathan Hale 128 pages, 2014 A few decades ago a cartoonist decided to tell the story of the Jewish Holocaust in World War II via an animal metaphor. He made the Jews mice, and the Germans cats, the good folk dogs and the collaborators were pigs. It was a dark story, of course, but the use of the animals made it slightly less gritty, and thus more bearable. In Treaties, Trenches, Mud, and Blood, author Nathan Hale has done something similar for World War I. Each nation is assigned an animal: the Germans are eagles, the English are bulldogs, the Belgians are lions, the Ottomans are otters, the Russians bears and the Americans get stuck being bunnies, because eagle has already been taken. Hale does a good job of laying out the facts, and detailing the slaughter that amounted in the millions, but also lightening things up with doses of humor whenever he can. I knew the basic facts of World War I already, but learned a lot from this overview. Of course a comic, particularly one presented in metaphor form, shouldn't be regarded as an authoritative source, but it does provide a useful overview. Now if I want to find out more, I've now learned enough to know what I might want to read more about. This book is one of in a series of "Nathan Hale's Hazardous Tales" referencing both the author Nathan Hale, and the more famous American spy Nathan Hale who lived 250 years ago, and who appears in this series as the narrator. A couple cautions to share: this is a historic account that details the death of millions, so even though it is in animal/comic form parts of it would be too much for the very young. I'm not talking about gore - there isn't any - but rather the story itself. Also a language advisory: a couple of "good heavens"s pop up, a "holy moley" and in one instances a character says, "ye gods" (page 73). I'd recommend this for children 12 and up, though some kids might be able to handle it as young as 10....
Book Reviews, Graphic novels
Owly: The Way Home & The Bittersweet Summer
by Andy Runton 2004 / 160 pages This is two stories in one, and at about 80 pages each, they have room for some real fun. In the first, we get introduced to Owly, who, as you may have guessed, is an owl. The forest creatures are afraid of him because, well, he’s an owl, and they know that typically owls eat creatures like them. But not Owly. He’s a kinder gentler owl, and all he wants to do is feed his fellow birds seeds. Sadly, no one trusts him, and Owly is all alone… until the night of the big storm! Then Owly finds a worm, half-drowned, and nurses it back to health. Worm, realizing he hadn’t been eaten, trusts and befriends Owly, which is the start of something beautiful. It’s never really explained what Owly does eat, but we can be certain that it isn’t cute little worms! In the second story, Owly and Worm meet a couple of hummingbirds and have a great time until the little speedsters have to head south for the winter. But don’t worry, they’ll be back come Spring! It’d be more accurate to call these “talkless” rather than “wordless” because, even as the dialogue between Owly and his worm friend is limited to symbols and punctuation marks – a question mark when one of them is puzzled and an exclamation mark when they are excited – there’s the occasional shop sign or even a whole encyclopedia page entry on hummingbirds that does require the reader to be able to actually read. If you’re considering getting this for your school library, you’ll be interested to know there are two editions of this story, the first in black and white with this symbol-based dialogue, and the second, now titled simply Owly: The Way Home (2020) that is in full-color and adds in a minimal bit of verbiage between the characters. While I really like the original near-wordless version, it was sometimes a bit hard to decipher what Owly and his pal were saying to each other, so the second editions are probably the best way to go. Everything in this series seems to be gentle and kind including Just a Little Blue (1st edition 2005 /2nd edition 2020, 130 pages), Flying Lessons (2005/2021, 144 pages), A Time To Be Brave (2007/2022, 132 pages), and Tiny Tales (2008, 172 pages)....
Book Reviews, Graphic novels
The Arrival
by Shaun Tan 2007 / 128 pages I am an immigrant of sorts, having moved across the border to the US, and while it was easy enough to adapt it did give me a small bit of insight into what my parents and grandparents must have experienced when they moved from the Netherlands to Canada decades ago. While I didn’t have to learn a new language, my children are going to learn an entirely different history. They say “zee,” not “zed.” And almost everyone I know seems to have a gun in their home. Small differences. My parents had to deal with much bigger ones, and for their parents it was stranger still. It was hard to ask for help because they didn’t know the language. They needed help because things were done differently here. Fortunately, they weren’t the first – others from the “old country” had come before, so there was some help to be had. This may be an overly long introduction to a book that has no words. To cut to the chase, Shaun Tan’s graphic novel may be the very best possible way to share the immigrant experience with the second and third generations. It tells the story of a father who leaves his country, his wife, and his daughter, to head overseas to find a better place for them all. It is a very strange world that he finds. One of the first things we notice is that even the birds look different. In fact, the reader will notice that these birds don’t look like any birds anyone has ever seen. It only gets stranger in the pages that follow: the man encounters a mystifying immigration process, and documents that are written in a language that doesn’t look like any that the reader will know. The buildings, the food, the transportation – there is a uniqueness to it all. This new country looks like no real country on earth. So what is going on here? The first time I read this graphic novel I didn’t understand what was happening and stopped reading about halfway through. This time around a helpful niece alerted me to the fact that this was about the immigrant experience, so what the artist was doing, by making everything just slightly peculiar, was creating a world where the reader would feel the same sort of discomfort and confusion that a new immigrant would feel upon arrival. That little insight was a big help, and turned this from a mystifying, even frustrating story, to an absolutely brilliant one. I will admit to being a bit slow on the uptake here, as the title, The Arrival, should have provided me the only clue I’d have needed. But in my defense, Shaun Tan’s creation is utterly original so I have not ever read anything like it. We follow the father as he sets out to find a job, finds an apartment, tries to get the coffee machine (if that’s what it was) to work, and tries to figure out where to find food and what sort of food he likes. Along the way he meets several helpful people, including people who had immigrated years before, and were happy to help someone newly arrived. So the book is, on the one hand, about the immigrant experience, and on the other is a story about the impact we can have in helping strangers. The young father would have been lost but for the kindness of strangers. This is a large book, both in the number of pages, and in the size of the pages – 128 pages and about a foot tall – with scores of details to discover on every page. So even though it is wordless, this is a good long read. I would recommend this to immigrant grandparents as a gift they could give to the grandchildren, and one they might want to "read" with them. I would also recommend it to anyone who loves art - this is a beautiful book. Finally, I would also recommend it to students who are struggling readers. This is a book with dimension and depth, even though it doesn't have words. So it requires something of the reader - it can stretch them - even as it makes things a bit easier by doing away with dialogue....
Book Reviews, Graphic novels
The Bug Zapper: The Ant Arrives!
by Tom Eaton 2018 / 108 pages Bug Zapper is a superhero that fights a bevy of bug-themed villains like Mean Mosquito, Butterfly Bob, and the Black Ant. His powers are the ability to jump really far – I think he's jumping and not flying – and, like his namesake, a nasty jolt of electricity that stops bug villains in their tracks. This is more of a gentle spoof of the superhero genre than a genuine batman or spiderman-type comic. Yes, villains do get zapped, but no one gets really hurt. Artist and author Tom Eaton makes good use of bright colors and simple lines – the drawings strike me as a little Peanut-esque – to create a comic book that'll draw kids in. It's hard to walk by this without picking it up for a peek. There are two books so far – Bug Zapper and Bug Zapper: The Ant Arrives! – and both my Grade Three daughter and I thought the second was the better of the two with just a bit more action and humor. But the first has the Bug Zapper's origin story, which every Bug Zapper fan will want to know. And the first also has an interesting plotline about bias in reporting. Robert, an elementary student who would love to be the Bug Zapper's sidekick, also writes about him for the school newspaper. Amber, the daughter of one of Bug Zapper's archnemeses, also goes to the school and accuses Robert of being biased for writing such a nice piece about a hero while saying nothing nice about villains. Then the teacher gives Robert an assignment to write his next article about a supervillain! But does being unbiased means saying nice things about both sides? That's what Amber thinks. But Robert knows that good journalism is more about being fair, trying to share the truth as accurately as he can. That's some pretty weighty material for a comic that's otherwise just lighthearted fun! And Tom Eaton pulls it off well. I would think this best for Grades One to Three, but the video version will let you gauge how it matches up with your children. You can find another video and color sheets at bugzappercomics.com. ...
Book Reviews, Graphic novels
The Hobbit: an illustrated edition of the fantasy classic
by J.R.R. Tolkien adapted by Charles Dixon illustrated by David Wenzel 1990 / 133 pages There's a hierarchy so unfailingly true it could be carved into stone: the book is always better than the movie, and the movie better than the graphic novel adaptation. But this otherwise unfailing rule does have an exception! I'm not going to start talking all crazy and tell you that this comic is better than the book – that has never been and never will be! – but it is better than the film! It is even better than many a book, paling in comparison only to its original source material. For those unfamiliar with the epic tale, this is the story of Bilbo Baggins, the titular hobbit, which is basically a human-like creature though half the size, and with twice the hair on their feet. Hobbits are homebodies so Bilbo isn't exactly sure how he joined a dwarfish expedition to steal back their treasure from an enormous talking dragon. Small and retiring though he might be, Bilbo is big in character, and while he doesn't think himself brave, in meeting up with trolls, goblins, giant spiders, and the even more gigantic dragon, he ends up doing many a brave thing. This is an old fashioned epic tale with good eventually triumphing over evil...but not without paying a price. That's the original, and the 133 pages of this graphic novel adaptation provide the space to capture it all. Illustrator David Wenzel has given this a classic look for this classic tale - there's a reason that in the 30 years since this adaptation first came out, no one has even attempted to improve on it. Its size and depth do mean this isn't for the casual comic fan, but for fantasy fans 14 and up, this will be such a treat!...
Book Reviews, Graphic novels
It goes without saying: Peanuts at its silent best
by Charles Schultz 2005 / 160 pages There seems something almost wrong with using a multitude of words to recommend a wordless book so let me hit just a few highlights and be done. This is Snoopy and the gang but with not a word spoken in this 50-year collection of "Peanuts pantomime strips." The brilliance manifests in at least three different ways. This is all ages. With no words to struggle over, my 6-year-old, still-learning-to-read daughter enjoyed this just as much as me. Might it be a gem for a reluctant reader? This is unique. We're all used to the regular puns that populate the newspaper comics page and know what to expect, but the sight gags here are humor of a whole different sort, and that curveball is sure fun. This is art. Author Charles Schultz does a lot with a little - not just wordless, but his artistic style is also sparse, and it is amazing to see what he can communicate with just a few lines here and there. I'll only add that if you enjoy It Goes Without Saying, you might be interested in Garfield Left Speechless. It doesn't have the same charm – Garfield is sometimes meanspirited in a way that Snoopy never is – but it has some of the same slapstick creativity. (For a twist, check out the website Garfield minus Garfield ...although this one will be above kids' heads.). ...
Book Reviews, Graphic novels
Freiheit! The White Rose graphic novel
by Andrea Grosso Ciponte 110 pages / 2020 I grew up reading stories about the Dutch resistance during World War II, and it was only years later that I realized the Germans had their own committed dissenters. Freiheit! is the story of one such group, "The White Rose." These university students wrote and distributed pamphlets urging Germans to rise up and actively resist their government. The problem, they said, was not that everyone supported Hitler, but that too few opposed him – too many were being silent bystanders. "We are your guilty conscience" their pamphlets declared, as the group tried to prod their fellow Germans to oppose Hitler, not just in thought, but in deed. The White Rose story doesn't have the happy ending we'd want: within a year the group's leaders - all of them 25 or younger - were caught and executed by the Gestapo. But their bravery inspired others, and when the Allies got a hold of their pamphlets they ended up using quotes from the final one in a flyer, and dropped five million copies of it as leaflets over Germany. Today that willingness to stand up to wicked leaders, no matter the cost, continues to inspire. That's the appeal of this graphic novel – this is good food for our own young men and women. The White Rose's pamphlets, translated and printed in the back of this graphic novel, make it clear that there were some Christian underpinnings to what they were doing. Andrea Grosso Giponte's art style is effective, and unlike anything I've seen before, at times photo-like, but of the low-resolution newspaper sort, and with the sort of angles and shadows that made me feel like I was watching an artsy spy movie. Check out the book trailer below to see what I mean. The story is a bit jumpy, so this isn't a graphic novel for pre-teens. It requires some work from the reader because the author isn't holding our hand, explaining every last thing. He expects us to think through and fill in what must have happened between those jumps. It is worth the effort. I'd recommend this for 16 and up, not because of any content cautions, but only because of the effort it requires. If Freiheit! is of interest, you may also enjoy The Faithful Spy, about German pastor Dietrich Bonhoeffer and a plot to kill Hitler. ...
Book Reviews, Graphic novels
Kitten Construction Company: meet the house kittens
by John Patrick Green 70 pages / 2018 The author of Hippopotamister is back with another charming treat for early readers. The story begins with "the city of Mewburg preparing for a big project..." They are building a new mansion for the mayor, and to get it started the city planner has to find the right architect. He has a few candidates to chose from, and the first up has a brilliant design. But there is a problem: the architect is a cute kitten! "Sorry," he tells little Marmalade, "I regret that you are just too adorable to be taken seriously." When Marmalade goes off to drown his sorrows in a saucer of warm milk, he meets another kitten dealing with the very same problem: no one is giving him a chance, because he's just so cute. The two decide that maybe they can team up. When they get hired on to help at a big construction project, they think that maybe their luck has turned. But they soon realize that they aren't being given actual work - just busy-work projects. That's when they decided that if no one else will take them seriously, they'll go out on their own. And that's how the Kitten Construction Company is born! The kittens get to show their talents when the official mayor's mansion falls to pieces, and they can then take the media and their mayor to see their own, gorgeous, and fully upright, version. That's when everyone has to acknowledge that cute isn't the opposite of capable. While most of the book's intended audience won't realize it, the author is kindly and gently poking fun at discrimination. He's making the lesson gentle, by making the source of discrimination "cuteness" rather than skin color or gender but what comes through is that treating people based on how they look rather than what they can do is ridiculous. He's also not hammering kids over the head with the lesson, feeling free to divert from the lesson to bring in some funny cat jokes. The sequel deals with a similar anti-discrimination theme when the kittens get the call to design and build a bridge. As everyone knows, cats don't like water, so they'll need some help with this job. And standing ready are...the Demo Doggos. Dogs? Marmalade isn't sure. Will that be, as the title asks, A Bridge Too Fur? ...
Book Reviews, Graphic novels
Snow White
by Matt Phelan 216 pages / 2016 This is Snow White inventively reimagined as a 1920s Depression-era American tale. The "king" is a stock trader who has managed to survive the stock market crash. The stepmother is still a queen, but this time of the Ziegfield Follies, a popular Broadway show. The mirror is now a stock ticker, and the seven dwarves are seven street-smart kids. Prince Charming? Well, I shouldn't give too much away! Though over 200 pages, this is a very quick read, because it is much more pictures than text - several times there are stretches going on for pages, where there are no words at all. I first thought it would be hard to pick exactly who'd be the ideal audience. Fairytales are typically for children, but this seemed too somber to attract little ones – done in a black and white, it has a dark, noir style...all but for the last few pages with their happily-ever-after full-color conclusion. Some of the historical touches only adults would pick up on, but how many of them would pick it up? It's listed as for teens at my local library, but our Christian school library also got it, and there it seems more of a tween hit - my own tweens have taken it out a few times already. Cautions There are no real cautions to offer - if a child is old enough to read the original, then they will be old enough to read this one. There is a drop or two of blood here and there, but no gore. The worst is probably the pig or cow heart we see in full color at one point (in keeping with the original story). And there are no language concerns either. Conclusion This is an inventive, and very intriguing tale, done with style. Adults can't help but appreciate it, but it's really tweens who will most enjoy it....
Book Reviews, Graphic novels, Teen non-fiction
The life of Frederick Douglass
A graphic narrative of a slave's journey from bondage to freedom by David F. Walker Illustrated by Damon Smyth 2018 / 173 pages Frederick Douglass lived his first 20 years as a slave, then spent the next 25 speaking against the evils of slavery. After the American Civil War and the emancipation of American slaves, he spent his last 30 years fighting the bigotry that still lingered. And in his final decade, defying all social expectations of the time, he married a white woman, Helen Pitts. While a graphic novel biography can't do this complicated figure full justice – the man himself wrote three separate autobiographies in the attempt – the size of this one, and the evident research backing it make for a very good introduction to its subject. As we follow his life, from plantation to town, to escape to the North, we get to meet along with him key figure in the American battle to end slavery. He knew Harriet Tubman, the lady who repeatedly ventured to the South to bring slaves to freedom in the North. John Brown hid at his house after the white abolitionist's unsuccessful attempt to start the Civil War some six years before it eventually began. Douglass was both an opponent and then an ally to Lincoln, due to largely Lincoln's vacillating opposition to slavery. Later he became a friend and then an enemy of women's rights advocate Susan B. Anthony, the change of relationship due this time to a compromise by Douglass when he decided to support black's voting rights even when they no longer came as a package deal with women's voting rights. This is quite the story, and it is well told. CAUTIONS Its important readers understand that some of what's depicted is deduction, and not clearly established fact. But a read of the introduction will help readers tell what's what. A word of warning is due for at least a couple uses of the "n-word" in the book, though with the topic matter, that is as you might expect. There is also some partial nudity. None of it sexual, and it could even be described as modestly done: one scene is a black woman being whipped, naked from the waist up, but her front is either away from view, or hid in the shadows. There are also three completely naked slaves shown, but all are hunched over, in a seated, almost fetal position with arms wrapped around their knees so no genitals are shown, though the top of one's buttocks is. The overarching concern would be the brutality. There is no gratuitous violence - but there is violence. Finally, while we get to hear Douglass debate with himself about how slavery should be fought, and whether violence was warranted or not, and whether it was right to compromise on the women's vote, we aren't offered any other perspective. So readers will have to apply their own biblical lens to this for themselves. Altogether that would make this a book for older teens maybe 14 and up. CONCLUSION The target audience for this book, teens, aren't always fans of history books, perhaps because they've been exposed to too many of the wrong sort, texts that make it all about dates and names. What a joy it is, then, to discover a page-turning biography like this. The Frederick Douglass we meet here, while not exhaustively explored, is fleshed out, and consequently memorable. We've now met him, and won't forget him....
Book Reviews, Graphic novels, Teen fiction
Animal Farm: The Graphic Novel
by George Orwell (& Odyr) 2019 / 172 pages For those that don’t know the original, Orwell wrote his allegory in World War II to highlight the dangers of creeping totalitarianism. Instead of a country, his setting is that of a farm, and instead of an oppressive government, things are run by Mr. Jones, who treats Manor Farm’s “citizens” – the pigs, horses, sheep, chickens, and more – like they were animals! One night, Old Major, a pig respected by all, tells the others of his vision of a better world in which Man is overthrown and all the animals are free to benefit from their own labor. Two legs are the enemy, and all on four legs, or with wings, are treated as equal. The animals embrace his vision, and when the old pig dies peacefully in his sleep, three younger pigs take it upon themselves to develop and expand on Old Major’s vision. They craft “Animalism” and appoint themselves as leaders of the movement. When the animals rebel against Farmer Jones, they successively drive him off and take over the farm. The story that follows has clear parallels to that of the 1917 Russian Revolution, that began with noble-sounding aims – freedom from oppression, equality of all – but which quickly evolved into simply another form of totalitarianism. The animals find that, though they are free of the farmer, they aren’t free of having to follow orders. The pigs have them working harder than before, and they are fed no better. Their swine leaders are soon living in the farmer’s house and eating well. But they deserve it, right? After all, they need to be properly provided for, so they can provide direction! It soon becomes evident that while “all animals are equal…some animals are more equal than others.” CAUTIONS Because this is a graphic novel, there are a few pages of violent content depicted. But Odyr’s is a think-line, smudged-pastel style, leaving the gory details mostly a blur. So while these pictures might be a bit much for a child, they are nothing that would disturb a teen. The only other caution I’ll offer concerns the lesson being learned. Orwell was no Christian, so even as he makes a case against the godless tyranny of totalitarian rulers the world over, he isn’t able to offer a better alternative…so it is fortunate he doesn’t even propose one. However, that means Christian readers will have to do that work for themselves. We can agree with Orwell about the problem: that man has a bent for tyranny and that larger the government the more they can insert themselves into our lives (1 Samuel 8:10-22). But we also know there is a proper, though limited, role for government, specifically to punish evil (Romans 13:1-7). CONCLUSION This is a brilliant adaptation of Orwell’s classic work, with a mix of colorful and also stark images that will grab any reader’s attention. Odyr has made Animal Farm accessible to age groups and casual readers that might otherwise never read it. While I highly recommend this as a gift for teens, it would be a waste to hand it off to your son or daughter and then leave it at that. Unless an adult helps them understand that message behind the story, they aren’t likely to see the real-world application, and will completely miss Orwell’s warning about the dangers of big governments of all sorts. ...
Graphic novels, News
This isn’t your parents' Katy Keene…or Archie Andrews
This February, Katy Keene will be the latest Archie comics character to get a modern updating. While the original Katy was a one-dimensional highly successful fashion model, in the new version she's an aspiring, but as of yet, entirely unsuccessful, fashion designer living in New York. What parents need to know is that this isn't the only updating that's been done. Katy Keene is being spun off of Riverdale, which re-imagined Archie and his gang as murderous, drug-running occultists. In what wasn't even the show's weirdest twist, they put Archie Andrews in a sexual relationship with his teacher Miss Grundy. While details about the new Katy Keene show are still scarce, from the trailer we do know one of her roommates will be a gay broadway dancer who, because he isn't tough enough for the male roles, auditions for a female role. And, as Deadline's Nellie Andreeva reports it, he's also "looking to take his drag career to the next level." (A new comic book Katy is also set to debut, but in that version she’ll live in Riverdale). This is just one of the notable changes Archie's gang has undergone in recent years. It began in the comics back in 2010 with the introduction of Archie's new gay friend Kevin Keller, who was then paired off via a same-sex “marriage” to an Iraq War veteran. Other changes have included: Jughead Jones declaring himself asexual Veronica Lodge starring in a spin-off comic as Vampironica, a blood-sucking killer another spin-off series, Afterlife with Archie, featuring a zombie Jughead trying to kill and devour his friends and family (with some success) yet another spin-off series, Chilling Adventures of Sabrina, featuring more occultism and a character by the name of Madam Satan What's tricky about all these changes is that in the comic digests this "new Archie" is often paired with "old Archie" stories. So sometimes the outside of the comic looks just like it always has, but inside a handful of the stories will have this "modern" twist. Parents who grew up reading the old Archie comics might be shocked at this new direction, but before we ask “Why were the former days better than these?” (Eccl 7:10) let’s remember rightly the Archie of old. I came across a few of my old Archie digests and, looking at them with adult eyes, I was struck by something: Archie was never a paragon of virtue. At best “America’s favorite teenager” could be described as an indecisive boy who led girls on (poor Betty!). But would it be a stretch to describe a guy who secretly dates two girls at the same time (sometimes on the same night!) as a player? A frequent storyline involved Betty and Veronica vying for Archie’s leering attention by wearing as little as the Comic Code Authority would allow. This was every timid teenage boy’s dream – two bikini-clad gorgeous girls after a goofball guy. As the comic’s creator, John Goldwater explained, he reversed “the common wisdom. Instead of ‘boy chasing girl,’ I would have girl chasing boy.” While sexual tension and romance were a constant theme, nuptials weren't mentioned – not for more than 60 years. In Archie’s world dating was simply a social activity, completely unrelated to finding a spouse. Archie and his pals had a lot of laughs and adventures too. But the subtext to the series was always dating, dating, and more dating and it always got that wrong, wrong, wrong. Now the new TV shows and comics are getting it wronger still....
Adult non-fiction, Graphic novels, Teen non-fiction
The Faithful Spy: Dietrich Bonhoeffer and the plot to kill Hitler
by John Hendrix 176 pages / 2018 The world “pastor” is not often paired with words like “plot” or “kill.” But when the Nazis took over Germany, and used nationalism and intimidation to silence its churches, and then set out to conquer the world, Pastor Dietrich Bonhoeffer had to do something. And he felt himself pulled to do what would once have been unthinkable to him: Bonhoeffer joined a conspiracy to kill his country’s leader, Adolf Hitler. At 176 pages, and text-dense, author John Hendrix has a lot of space to explore Bonhoeffer and his time. He starts with his birth and family life, before showing how World War I impacted the Bonhoeffers – one of Dietrich’s older brothers was killed – and how the runaway inflation that came shortly afterwards destroyed everyone’s savings. In 1921 a German could exchange 75 marks for 1 US dollar, but by the end of 1923 to get that same US dollar he would have to bring a wheelbarrow, or maybe a dumptruck, to carry the 4 billion marks that’d now be needed. Money, jobs, and hope were scarce, and this set the scene for the rise of Hitler. Germans wanted a way out, and Hitler presented himself as a savior. Meanwhile, Bonhoeffer was learning, via travels in Europe and America, that a love for one’s country doesn’t mean you have to support everything your government does. So when the Nazis, only a few months after they came into power, fired Jews from any government positions, Bonhoeffer was one of the few church leaders to speak out. He published a public paper called “The Church and the Jewish Question” in which he laid out an explicitly Christian justification for resisting the government. He described three ways the Church can and should respond to an evil government. Question the State and its methods: a True church must reject government encroachment on its beliefs Aid the victims of State actions: the Church has an unconditional obligation to the victims... Strike back: it is not enough to just bandage the victims under the wheels, but to put a spoke in the wheel itself! As you can tell, this “comic book” gets into some big and heady topics. What’s more, “how to deal with a hostile State?” is a topic of growing relevance these days. That makes this an important book, but also one that should be discussed between parent and child. There is some serious theology here, and while the general thrust is right on – we owe our allegiance first and foremost to God, even if that means resisting the State – what exactly it looks to live that out, back then and today, is a topic too weighty for a teen to work out on their own. This is a graphic novel worthy of both a teen and adult audience. The thought and research that’s has gone into it is evident throughout. Even the coloration of the book is fascinating, with Bonhoeffer consistently shown either in teal or with a teal background, the Nazis always highlighted with the use of red, and when death makes an appearance there is a predominance of black. I’d recommend The Faithful Spy for any teen who has begun to think on big issues, and anyone anyone interested working through what it means to live to God’s glory in tumultuous times. ...
Book Reviews, Children’s picture books, Graphic novels
Bolivar
by Sean Rubin 224 pages / 2017 New York is the busiest city in the world, and people there are simply too busy to notice much of anything going on around them. Except Sybil. Sybil is a little girl who does notice things. And she recently noticed that her next-door neighbor is, in fact, a dinosaur. Sybil keeps getting peeks at the mysterious, very large fellow next door. But try as she might, she can’t get the evidence she needs to prove his existence to anyone else. Her parents, her teacher, and her classmates all scoff. A dinosaur in New York? How ridiculous! Now in a secular book that tackles dinosaurs, you might expect some sort of reference to evolution. But nope, there’s none of that. This utterly charming graphic novel is, in one sense, simply a chase story, with Sybil tracking her prey through New York boroughs, the museum, the subway system, never quite getting near enough for the perfect photograph. But the enormous size of this book – 1 foot by 1 foot, with 224 pages – also gives author and illustrator Sean Rubin an opportunity to show off a city he clearly loves….even as he gently mocks residents for their self-absorption. With a girl and a dinosaur as the main characters, this is a fantastic book for boys and girls from Grade 1 on up (I loved it!). This might also be the perfect book for a reluctant reader. The big bright pictures will draw them in, and the size of the book will give them a sense of accomplishment when they finish it, while the limited amount of text per page means this is a book they can finish. Bolivar is a gorgeous goofy adventure and I can’t recommend it highly enough! It also has a very short sequel – Bolivar Eats New York is just one-tenth the size of the original – that our family is really looking forward to checking out. ...
Book Reviews, Graphic novels, Teen fiction
The Giver (the graphic novel adaptation)
by Lois Lowry adapted and illustrated by P. Craig Russell 2019 / 176 pages It's a hundred or so years in the future. War has been eliminated by muting mankind's emotions and by eliminating the conflict that comes when we have to make choices. Not only are everyone's jobs chosen for them, so is their spouse, and even the kids they will raise. 12-year-old Jonas has been given a unique role, being trained by The Giver to know and understand the past, so he can use that knowledge to advise the community in times of crisis. But as he becomes the best-informed citizen in his community he discovers things that horrify him – choices are also being made for the citizens as to who will live and who will die. My brother Jeff has done a great review of the book this is based on, so I'm going to focus on what makes this graphic novel different from the book. GRAPHIC NOVEL VERSION Most graphic novel adaptations are much shorter than the source material they are based on, in part because all the descriptive passages in the book can become pictures instead, and also because the plot is usually simplified. But this one is every bit as long as the original, with every scene in the book included. Jonas's discovery of color is a big theme in the novel. In the muted world in which they all live, citizens have lost the ability to see color, but as Jonas learns more about the past, he gains insight into the present and starts gaining the ability to see reds, and greens, and yellows. So first, adapter P. Craig Russell shares Jonas' muted world by depicting everything not simply in black and white – that would be a bit boring – but also with subtle splashes of blue. And as Jonas learns how to see more, we begin to see increasing flashes of vibrant color, to show his growing awareness of just how exciting and intriguing a place of discovery the world can be. It's fun to see in pictures this transition from dull to brilliant. In these sections, the comic might even be better than the book. But pictures also present challenges. It can be hard to visually depict what's going on in someone's head. To make up for that Russell carries over a lot of the text from the book. But he can't use all of it, which is why in the original the characters are all a little deeper, a little more realized. CAUTIONS And sometimes showing is more problematic than telling. In one scene in the book Jonas helps bathe the elderly. In the comic Russell has to use just the right angles to ensure all we see are the knees down or the shoulders and up. Nudity of a sort comes up in one other scene, which is the book's most troubling, even without the visual element. Jonas discovers that unwanted babies are killed via lethal injection, and even in muted pictures it's quite horrible. Russell is restrained, but the idea of murdering infants is so unpleasant that any pictures, even muted ones, just add to the horror. That said, the scene is not at all graphic. I'll also note that the baby is shown fully naked, with scant detail, but enough to tell that it is a boy. CONCLUSION This is every bit as good as the novel, though both have their different strengths. I'd recommend this to teachers as a slightly easier way for reluctant readers to access this book. But like the novel, and the film too, this comic needs to be discussed. Its teen audience needs to wrestle with the warnings given in this story – the danger of governmental control, the false compassion of euthanasia, the potential and peril of emotions – but they'll most likely need help. So this is a great conversation starter, but a guide will be needed. ...
Articles, Book Reviews
Learning about Luther: 10 titles your family will enjoy
Five hundred years ago a learned monk drew up 95 pointed arguments and asked for a debate. What he got was a revolution. Fast forward five centuries, and on the very same evening that others are dressing up as demons and celebrating death, at least a few kids are putting on brown bathrobes and dressing up as a round Reformation giant. On Oct. 31, each year, we remember Luther posting his 95 theses, and we celebrate the man's courage, his insight, and his love for the Lord. Largely overlooked are his faults. Oh, yes, we know about his attempts at self-justification, and his crass insults, and even his anger, but in the books and films that are recommended below, Luther’s darkest side is hardly raised. Maybe it comes from a desire not to speak ill of the dead. After all, when we reminisce about our Great Aunt Ditty we fondly recall how she loved to sew doll clothes for all her grandchildren, but we don’t bring up the disagreeable face she made whenever a particular ethnic group crossed her path. The fifth commandment would seem to encourage us to talk only about what was good and praiseworthy about our dearly departed. That’s a good approach for the Great Aunt Dittys of the world, but something more is needed when it comes to Christian heroes. Then there is a reason to acknowledge both the good and the bad. As Calvin said, our hearts are idol factories – so much so that we can take the proper respect (Heb. 13:7) we have for one of God’s servants and twist and pervert it into something that blocks our view of God. We go from respecting the man, to worshipping the legend, and getting angry if anyone dares mention his faults. But acknowledging his flaws guards us against hero worship. It also keeps us from being blindsided by the critics who want to attack the good God did through him. When we understand that even a man after God’s own heart like David – giant-killer and slayer of tens of thousands – was also an adulterer and a murderer, we aren’t going to put him on a pedestal. And then we won’t have to worry about critics trying to knock him off that pedestal. It’s important, then, to acknowledge that Luther said some dreadful things about the Jews. In his earliest writings he was kind and winsome, trying to evangelize to them. But in his later years he concluded that God was done with the Jews, and he wrote a 60,000-word treatise called On The Jews And Their Lies. In it he encouraged that their synagogues and homes be burned, their books and money taken, and their rabbis killed if they didn’t stop teaching. He also repeated, as true, lies about Jews poisoning wells and kidnapping children. This is Luther at his worst, writing a book that Nazis reprinted. So how do we handle Luther’s dark side? We acknowledge it and clearly identify it for the sin that it is. And then we continue our 500th anniversary party. This was never supposed to be all about the man, but rather the wonderful truths he rediscovered about God’s grace and mercy and love. And when we understand our hero’s failings, then how can we help but glorify God all the more, appreciating how He can use fallen, frail, sinful sorts like Luther – and like you and me – to accomplish his glorious ends? ***** It’s been said there are more books about Martin Luther than on any other human being. But some are dry and dusty. Some need a forklift to pick up. And some need a dictionary in hand just to get through them. These aren’t the kind of books we’re after. Our focus is on engaging, and readable. So we're suggesting novels, pictures books and comics that parents will enjoy reading to their kids. And there's a movie, novels, and non-fiction for mom and dad, that they can finish in a quiet evening or two. These aren’t big books, and these aren’t long movies, but they are intriguing. My hope is that you’ll find a good match for everyone in your family. CHILDREN’S BOOKS Martin Luther by Simonetta Carr 2016 / 62 pages This is the perfect book for any 4th grader and up looking to do a school project on the Reformer. Like other entries in Simonetta Carr's series of "Christian biographies for young readers" Martin Luther is a gorgeous book. It is a beautifully bound, with thick pages, and includes 12 full-page paintings among its 44 illustrations. It is also well-researched, and wonderfully detailed. After reading more than a dozen works on Luther I was pleasantly surprised to still be learning so many new things from a children's book. For example, I don't think I'd ever before heard that Martin had a special relationship with his young brother Jacob, nor that Jacob might have been with him when Luther was "kidnapped" on his way home from the Diet of Worms. And it was interesting to learn that Luther's famous "brand" – the Luther rose – was designed for him at the request of his protector, John Frederick of Saxony. What makes this book special is how much Carr has managed to pack in its 60 pages. But that also means that even though this is a picture book, it is probably too much for children in Grades 1 or 2. I think the best bet is Grade 4 and up. Overall, Carr gives a generous assessment of Luther, focussing on his strengths. But she is willing to at least note his faults, the biggest of which is what he wrote about the Jews in his later years. Carr makes brief mention of it, noting that he "wrote against the Jews" and there is no "excuse for writing what he did." I'd recommend this as a wonderful educational resource, and by that I mean that while it makes learning easy, this isn't the type of frothy, brightly-colored picture book that young children will pick up simply for entertainment. It will need a teacher's or parent's prompt. Thunderstorm in Church by Louise A. Vernon 1974 / 132 pages It isn't easy being the son of a giant. In Louise Vernon's children's novel, we get to hear Luther's story told from the perspective of his young son Hans, who is worried that he won't measure up to his father. Though I'm a bit outside the intended demographic, I found it a very fun read, and I think that's because, with one of his offspring acting as the narrator, this is a really unique look at Luther. Hans reveals to us a father who is both funny and furious - a man of quick temper who also laughs a lot. Having Hans narrate also allows Luther to teach us, as he instructs his son, some of the truths that he uncovered about God's grace – that we don't have to buy the forgiveness that God freely offers. Some reviewers have faulted the book for being too dialogue-driven, and there is a lot of talking. But Vernon inserts a few actions scenes as well, like when the town's bullies want to teach the son of the famous Doctor Luther a lesson or two. If your child is a reader, this is a book that could be enjoyed simply as entertainment – it is fun, even if it has some slower sections. As an educational tool, the age-level this is aimed at – as young as Grade 3 – may have to be alerted that this is a fictionalized biography, and that this means only the general facts are true, but many of the details are just a matter of imagination. Overall, Thunderstorm in Church is a wonderful book that could make for a nice night time read with your kids. Also worth a mention Old Testament historian Paul L. Maier’s picture book Martin Luther: A Man Who Changed the World is simply gorgeous, and a wonderful introduction to the man for younger readers. RC Sproul also has a great picture book for younger children called The Man Who Wanted to Pray, about Luther teaching his barber how to talk to God. And what the barber learned from Luther, our children can learn from the barber. I should note that there is one picture of Jesus, with his face mostly, but not entirely obscured. GRAPHIC NOVELS Luther by Rich Melheim illustrated by Jonathan Koelsch 2016 / 72 pages I've reviewed other "comic biographies" and never enjoyed one more. Luther is scripted like a movie, has witty dialogue with actions scene interspersed, and the artwork is of the same quality you would find in Marvel or DC comics – it is fantastic! Educational comics, as a genre, are valuable in that they make learning history a lot less painful. But very few of these educational graphic novels are the sort that a teen would just pick up and start reading. Luther is the exception. I don't want to over-hype it – a kid who reads nothing but superhero comics will still find this a bit of a stretch – but it really is as good a comic as you will find. Since this is intended for teens, I'll note a few cautions. The word "crap" is mentioned three times, "ass" once, and "old fart" once. But when you consider this is a comic about the notoriously potty-mouthed Luther, this is really quite tame. I’ll also note there is a depiction of Christ on the inside back cover of the book that is not part of the story, but rather part of an ad for other comics by the same publisher. Also: the comic treats as fact that famous conclusion to Martin Luther's speech at the Diet of Worms, where he is said to have declared, "Here I stand. I can do no other. God help me. Amen." There is some dispute as to whether he ever said these words. The comic has several strengths including the overall picture it gives of the happenings going on in the broader world that made it possible for Luther to both spark this Reformation and live into old age and die a natural death. I’ve always wondered why the Emperor didn’t just have him killed. Perhaps it was because, as we learn in this comic, Charles V was busy contending with Turkish expansion and might not have wanted to risk alienating any of his German princes. Another strength is that while this account is sympathetic, it does note one of Luther's weaknesses: that sometimes Luther's pen got the best of him and he could write some "terrible and hateful words" denouncing Jews, Calvinists, and Anabaptists alike. Overall this is a comic that teens and adults (who aren't embarrassed to be seen reading a comic) will certainly enjoy. Luther: Echoes of the Hammer by Susan K. Leigh illustrated by Dave Hill 2011 / 144 pages I think this is the perfect compliment to the other Luther comic reviewed here. Whereas Luther is the more exciting of the two, it plays a little looser with the details. Meanwhile Luther: Echoes of the Hammer is a more reliable history lesson, but it isn't as dramatic. I tested this graphic novel on two of my nephews with mixed results. The older one, heading to grade 10, was happy to take a look, and thought it would be a great way to learn about Luther. The other, two years younger, seemed to think it was too much biography, and not enough comic book for his tastes. As far as comics go, this one is quite an involved, even heavy, read. Interspersed throughout are explanations of key events, like the Diet of Worms, key terms, like “indulgences,” and key figures, like Charles of Spain, the Holy Roman Emperor. These one or two-page insertions really add to the narrative and make this a highly educational comic. However, a few of these insertions will also trouble informed Reformed readers. In one list of Luther’s adversaries, Calvin is numbered among them! While it is true Calvin and Luther had their differences, it is surprising to see Calvin listed as an opponent. Especially when, some pages later, we find Erasmus listed as one of Luther’s supporters! While Erasmus was, like Luther, critical of the Roman Church, he never left it, and this led to strong, vitriolic disagreements with Luther. In fact Luther once called Erasmus, “the very mouth and organ of Satan.” It is downright silly, then, for the authors to list Erasmus as a friend if they are going to list fellow Reformer John Calvin as an adversary. The only other quibble would be the overestimation the authors have of Philip Melanchthon, describing him as “a great Reformer, second only to Martin Luther.” Second? Really? How can they overlook Calvin like that? Those quibbles aside, this is a impressive book. The writing is crisp, succinct and engaging. The artwork is attractive and instructive – many of these pictures are worth a thousand words. For example, in the pages covering Luther’s visit to Worms illustrator Dave Hill shows us the man’s quiet passion, his many supporters, and his opponents marshaled together. This gives us a good understanding of the setting, and thus a better understanding of the courage it took for Luther to stand up for what he knew to be true. Older teens will enjoy it, and many an adult too. Also worth a mention The same folks who created Luther: Echo of the Hammer, created a sequel, focused on his wife. Katie Luther is a little shorter, and a little less involved, but also quite enjoyable. YOUNG ADULT FICTION The Story of Martin Luther by Danika Cooley 2015 / 231 pages This is a treat! The target audience is teens, but like any fantastic book, adults are sure to enjoy it too. In fact, this is the perfect book for any adults who feel a need to know more about church history but are a little reluctant to get started. That's how I'd characterize myself. As a student I hated history – learning dates and names seemed pointless. Now I understand it is important to know where we came from, and I want to learn more....but I have no interest in learning it from a dry, dusty tome. That's why this was such a treat. In the hands of a talented writer, it doesn’t take much to make Luther's life exciting. As doubt-filled as he was early on, the Reformer was bombastic after he understood that forgiveness is a gift given, not earned. This is a man who: was condemned by the pope as a heretic had 200 knights pledge to protect him didn't want to marry lest he quickly leave his wife a widow was kidnapped masqueraded as a knight helped formulate the German language cared for Plague victims ended up marrying a nun And it would be easy to go on and on. While much of the day-to-day dialogue is fictionalized, a strength of the book is the many genuine quotes that are interspersed throughout (these are identifiable by the endnote numbers after such quotes). One example: in a debate at Lepzig University, Johann Eck hits Luther with a stinging question: "Are you the only one who knows anything? With the exception of you, is all the church in error?" It stung because Luther, plagued by self-doubt, had been wondering this very same thing. But Luther also knows that God's truth doesn't depend on Luther being brilliant. Nope - God can spread his truth using even the dumbest of beasts, as Luther notes in his reply: "I answer that God once spoke through the mouth of a donkey." Another strength is how the book reveals more of the man – warts and all – than many other biographies. While Cooley largely skips over Luther's love of scatological insults (this is a book intended for younger readers, after all) she does share how Luther's anger stung not only the pope, but allies as well. She has Luther attempt to justify himself: "It is precisely because of my outbursts that the Lord has used me! I never work better than when I am inspired by anger; for when I am angry, I can write, pray, and preach well, for then my whole temperament is quickened, my understanding sharpened." There is a time and place for anger, and God made good use of Luther's righteous anger. But later, as Luther aged, it seems he came to indulge in anger, and that got him and others into trouble. Cooley shares how Luther's anger cost him friends. And it was in his anger that he wrote his tract condemning the Jews, who were already facing persecution. So he used his influence for great good, but his anger meant that at times his influence also caused great harm. When Lightning Struck! would make a great present to just about any reader, particularly if they have even the slightest interest in church history. I'd even recommend this to teens who have the same bad attitude towards history that I once did. For them, this might be a bit of a gamble, but if you can get your son or daughter to promise to read through the first 60 pages, that should have them hooked. Luther in love by Douglas Bond 2017 / 320 pages Luther in Love shows us the Reformer from the perspective of his better half. The story begins with 62-year-old Luther spending an evening in his chair. He's not in the best of health – worn out from a lifetime of controversy and conflict – and his dear wife knows that it can't be long before he is gone. So she has given herself a bittersweet project to complete. Others have written accounts of the Reformer, but always from one extreme or the other - either thinking him "the spawn of Satan" or "a living angel." She wants the world to know the real man, and she's going to record his story as he remembers it. But Katie doesn't want her husband to know what she's up to, so even as she's prodding him about the past, and has paper and quill at the ready, he thinks she's busy keeping track of the family finances and other business matters. It's a great premise and let's Bond explore Luther's life through the appreciative, but far from naive, perspective of his helpmeet. After all, who knows a man better than his wife? One strength of the book is the thorough research evident throughout - we are immersed in Luther's world! And then there is Bond's writing – this is the fourth fictionalized biography Bond has written about Reformers, and he is a master of this form. Again and again I had to get up to find my wife and read sections to her that were simply too exciting, or too sweet, not to share. Some of that sweetness comes up when the couple is teasing and debating each other. Bond gives us a wonderful look at how two souls can grow old together and continue growing in love for one another. It's a book about Luther, but it's also a model for marriage. Of the many books I've read about Luther, this is one of the biggest. But it might just be the fastest read. That's why I'd recommend it to anyone and everyone, teens and up. It is funny, entertaining, informative, sweet, challenging, and more. Also worth a mention Christine Farenhorst’s new novel, Katharina, Katharina is the Reformation as it happened far from the walls of Wittenburg. While Luther never makes an in-book appearance, he is still a central figure – Farenhorst gives us an intriguing look at this monk and his work by showing us how he was being debated and discussed by the regular folk of his day. MARTIN AT THE MOVIES Torchlighters: The Martin Luther Story 2016 / 34 minutes The strength of this film is its short length. At just 34 minutes, it can be shown in the space of a single school period. For the pre-teens this is intended for, that might be just the right length, with the quick pace, and colorful animation sure to grab most students’ attention. But the biggest weakness of this short film is….its length. It is far too short to tell this story with the gravitas it needs – Luther’s spiritual wrestling is dealt with in just 7 minutes! It also ends abruptly, with Luther busy translating the Bible into German in Wartburg Castle. The narrator then spends just a single minute summing up the whole of the second half of Luther's life. And then the credits role. I should note a couple of inclusions that might have been better left out. Luther is told that the very night he nailed up his 95 Theses, his long-time protector, Duke Frederick, had a dream about a monk writing on a church door with a quill that was so long it extended all the way to Rome "where it toppled the crown off of a lion." This is presented as the reason Frederick was willing to defend his rebellious trouble-making monk: God had told him ahead of time that his monk was going to topple the pope. But while the movie portrays this as fact, there is reason to think this might just be a popular myth. Also, at the film's conclusion, there is a passing, two or three second shot of a title page illustration from one of Luther's books depicting Christ on the cross, with Luther and John Frederick I, Elector of Saxony kneeling below. I make mention of it, for any who consider this a violation of the Second Commandment. That said, this is a great film for children who don't yet have the attention span for a longer Luther film – it will certainly keep most children engaged, and does give a good overview. Check out the trailer here. Martin Luther 1953 / 105 minutes What sort of film is Martin Luther? The sort that gets produced by a church, and yet gets nominated for an Oscar – solid theology paired with high production values. How often has that happened? It does get off to a slow start; the first couple of minutes are more documentary than drama. But when we get introduced to Niall MacGinnis as Luther, his brilliant portrayal sweeps us into the story. We follow along, starting with his tormented time in the monastery, and continue all the way through to his marriage to an ex-nun. MacGinnis captures all the contradictions of the man – even as the Reformer stands before the Diet of Worms strong and defiant he is distraught and trembling. This is certainly among the best Christian films ever made. As a caution I will note that while there is nothing graphic in the film (it is G-rated), some scenes are psychologically intense. I think that would just go over the heads of most children, but for some young sensitive sorts, Luther's spiritual turmoil might be too much. This is a black and white film, which is a mark against it in many minds. But if you're considering showing this to your class or to your family, here's the secret to helping them get into it: make the sound your priority! In a dialogue-driven film it's the sound, much more than the visuals, that really matters. I still remember watching this with my Grade 6 classmates, years ago. The screen was small – minuscule by today's standards – but this big box TV had great speakers. There was no fuzziness, no straining to understand what was being said – we could all follow it. And after 30 minutes or so, we were all hooked. There are quite a number of films about Martin Luther, with at least a half dozen dramas, and more than a dozen documentaries. The best known is probably the 2003 Luther that played in major theaters, and starred Joseph Fiennes (of Shakespeare in Love fame). It is a wonderful film (and in color!) but marred by an instance or two where God's name is taken in vain. As well, it focuses a little more on Luther's external struggles with the powers that be, and a little less on his own internal struggles. That makes for more action, but less of a theological focus – more about Martin, but God somehow fades into the background. So the 1953 Martin Luther is the better educational film. This would be great for a family movie night. I've seen kids as young as 7 enjoy it, though with younger children you're going to want to break it into a few "chunks" so it's spread out over two or three nights. But for those 12 and up, so long as they are "forced" to give it a half hour ("No, you can't check your smartphone while watching this") it will grab them and give them a good understanding of the amazing work God performed through this man. Watch the trailer here. ADULT NON-FICTION The heroic boldness of Martin Luther by Steven J. Lawson 145 pages / 2013 My brother Jeff called this “a book that every Protestant minister should read….because it uses the story of the first Protestant minister, Martin Luther, to show what Protestant ministers should be doing with the word of God.” To be clear, this isn’t so much a biography as it is an examination of Luther’s “conviction about the Word” and his approach to preaching. Before the Reformation, church services were dominated by the Mass, and by rituals, but Luther and others made preaching central. And not just preaching, but biblical preaching that was willing to be controversial, not for controversy’s sake, but because apostasy needed to be challenged, and sin needed to be named. There was a need to have God’s Word set loose. Author Steven Lawson thinks that’s just as true today, so he’s hoping that Luther’s example – his respect for Scripture, his practice of reading through the whole Bible twice each year, his passionate delivery off the pulpit – can inspire others to go and do likewise. That makes this a book that might seem like it would only be for ministers. But while it does definitely have particular relevance for them, all of us can learn from Luther’s zeal to grow in the knowledge of his Lord. Martin Luther’s 95 Theses by Timothy J. Wengert 2015 / 90 pages If you want to understand Luther and the reforms he began, can there be a better place to start than his 95 theses? When I first got my copy in the mail, I was struck by how short it was. This is the Pope-shaking document that God used to start it all? Shouldn't it be...heavier? And if we were to take out the introduction, commentary, and study guide, Luther's 95 theses only amounts to 13 or 14 pages! Thankfully, Timothy Wengert stretches it out to (a still slim) 90 pages so he can present Luther's pivotal work in the right context. He uses his introduction to set the scene, explaining how the doctrine of indulgences evolved from bad to worse. He also includes two other documents – Luther's letter to the Bishop of Mainz in which he respectfully asks the bishop to consider the theses, and Luther's "Sermon on Indulgences and Grace" written a year later, in 1518, which was an explanation of his 95 theses intended for the common people. In the theses themselves, Wengert fills almost half of each page with footnotes to clarify Luther's more difficult points. So this is a short, but intense read – it will take some effort to work through it, but not all that much time. And to make the going a little easier, Wengert has sprinkled in all sorts of fascinating facts. Did you know Luther may never have posted his theses to the church door? The first published account of this particular detail occurs in 1546, four months after Luther's death. If he did post them he probably used wax, not nails. Luther's 95 theses were not the first he had written. This was a common communication form among students and professors, and just one month before, in Sept 1517, Luther composed 97 theses against scholastic theology. Outside of God's Word, Luther's 95 theses might be the key document that our Father used to reform his Church. It isn't long. It is an education. Also worth a mention John Piper’s The Legacy of Sovereign Joy is about Luther, Calvin and Augustine, and the joy the three found in knowing God better. It is short, at just 150 pages, and an informative encouraging read. It’s also free as an e-book here....
