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Book Reviews, Children’s picture books

Ella's big chance: a fairy tale retold

by Shirley Hughes 48 pages / 2003 Rating: Good/Great/GIFT This unique spin on the story of Cinderella is so good it improves on the original. Some of that is due to Shirley Hughes' artwork, charming as always. Then there is the setting: this is a "Jazz-Age Cinderella" pushing the story forward to the 1920s. Ella and her father run an elegant dress shop, making the finest of clothes. The evil stepmother, in this case, has some business acumen, turning the small shop into an even bigger success. But the greater the demand, the more work there is to do for poor Ella. The story follows along the familiar course of other Cinderella versions, but with pictures all the more stunning, and a twist at the end in which (SPOILER ALERT!) the love-at-first-sight duke finds his Ella but doesn't get the girl! This is really what sets this version both apart and above all others – none of the nonsense about knowing someone for an evening and then getting married when next you meet again. Nope, Ella ends up with the store's delivery boy, who has always been there for her and wanted to be so evermore. While Hughes' artwork is wonderful, the prose is superb as well. It flows so very naturally that, as I read this out loud to my girls, I felt as if I was one of those professional readers. I sounded good! But that is all to Hughes' credit, and not my own - there is a wonderful flow to each page of text. I will add one caution: there is one use made of the term "good heavens," which some view as a substitute oath and too much like a real blasphemy for their liking. Though I don't agree, I do sympathize and wanted to alert readers to its use. I would give this two very enthusiastic thumbs-up, and recommend it highly to anyone who has three- to ten-year-olds. While this is probably far more a girl than a boy book, I really liked it. I think other dads will enjoy reading it too. And if you're looking for another inventive spin on Cinderella, be sure to check out Jan Brett's Cinders: A Chicken Cinderella....

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Family, Movie Reviews

Jack and the Beanstalk

Children's 1952 / 83 minutes Rating: 7/10 Bud Abbott and Lou Costello star in their own version of this classic tale. The story begins with the desperate-for-work pair signing up for a night's work as last-minute babysitters. We get to the fairy-tale part when Costello asks the boy they are sitting to read him a story. Then, when we shift from the real world to the fairy tale, the film switches over from a sepia-toned black and white to full color, like happens in The Wizard of Oz. And also like Oz, the people populating this fairyland look awfully familiar. While the story continues on in the usual way, there are some wrinkles, including Jack (Costello) getting a buddy to come along for the adventure – Abbott is the village butcher who wants to retrieve his stolen cow. A princess and prince are two more additions, both of them kidnapped by the giant and held for ransom. This is the romantic angle, the two of them starting as strangers, unable to see each other in their adjoining cells, but falling in love as they talk and sing to one another through the bars. When we meet the villain of the piece, parents might be surprised to see that he's only 7 or 8 feet tall – big, sure, but are we calling that a giant? But that only shows this is intended for children, more than families. Sure, mom and dad can come along for the ride, and they'll like lots of bits of it too, but this is meant for the undiscerning younger viewer who isn't going to find fault with a short giant, a singing harp whose lips don't move, or duels done with bending rubber swords. They'll laugh the first, second, and third time that Jack trips or gets bonked on the head, even as mom and dad will get their main enjoyment vicariously, watching their kids. I should mention one joke that parents will have to explain. At one point Costello inadvertently mixes some gunpowder into the chicken feed, and while I won't give away what happens, kids who have never seen a powder horn will have to be clued into what just happened if they are going to get the joke. Cautions A minor caution would be that the boy they are babysitting is uppity...but mom and dad can point that out. The main caution is with the physical humor. The fights with the giant are all played to comic effect, and I think today's kids will get that. The only scene I found off-putting was in the black and white conclusion, where Abbott slaps Costello for sleeping on the job. Costello seems to feel no ill effects, but I mention it only because it happened in the "real" world and isn't the kind of thing you'd see in today's children's films – this is the slap in slapstick, and it just struck me as mean, not funny. Conclusion This is a good film for the kids, but in need of some parental guidance because of the slapstick. For the parents, it is a little slow, and a little too silly, but still enjoyable overall. The film's copyright has expired which has allowed all sorts of publishers to put out their own tweaked versions. That means you can find copies that are entirely black and white, and the different versions vary in length from 78 to 83 minutes. So be sure you find a good one. You can watch Jack and the Beanstalk in low resolution for free down below, but better quality versions are widely available on all sorts of streaming services. ...

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Book Reviews, Graphic novels

Snow White

by Matt Phelan 216 pages / 2016 Rating: GOOD/Great/Gift This is Snow White inventively reimagined as a 1920s Depression-era American tale. The "king" is a stock trader who has managed to survive the stock market crash. The stepmother is still a queen, but this time of the Ziegfield Follies, a popular Broadway show. The mirror is now a stock ticker, and the seven dwarves are seven street-smart kids. Prince Charming? Well, I shouldn't give too much away! Though over 200 pages, this is a very quick read, because it is much more pictures than text - several times there are stretches going on for pages, where there are no words at all. I first thought it would be hard to pick exactly who'd be the ideal audience. Fairytales are typically for children, but this seemed too somber to attract little ones – done in a black and white, it has a dark, noir style...all but for the last few pages with their happily-ever-after full-color conclusion. Some of the historical touches only adults would pick up on, but how many of them would pick it up? It's listed as for teens at my local library, but our Christian school library also got it, and there it seems more of a tween hit - my own tweens have taken it out a few times already. Cautions There are no real cautions to offer - if a child is old enough to read the original, then they will be old enough to read this one. There is a drop or two of blood here and there, but no gore. The worst is probably the pig or cow heart we see in full color at one point (in keeping with the original story). And there are no language concerns either. Conclusion This is an inventive, and very intriguing tale, done with style. Adults can't help but appreciate it, but it's really tweens who will most enjoy it....