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Animal Farm: The Graphic Novel

by George Orwell (& Odyr)
2019 / 172 pages

For those that don’t know the original, Orwell wrote his allegory in World War II to highlight the dangers of creeping totalitarianism. Instead of a country, his setting is that of a farm, and instead of an oppressive government, things are run by Mr. Jones, who treats Manor Farm’s “citizens” – the pigs, horses, sheep, chickens, and more – like they were animals!

One night, Old Major, a pig respected by all, tells the others of his vision of a better world in which Man is overthrown and all the animals are free to benefit from their own labor. Two legs are the enemy, and all on four legs, or with wings, are treated as equal.

The animals embrace his vision, and when the old pig dies peacefully in his sleep, three younger pigs take it upon themselves to develop and expand on Old Major’s vision. They craft “Animalism” and appoint themselves as leaders of the movement. When the animals rebel against Farmer Jones, they successively drive him off and take over the farm.

The story that follows has clear parallels to that of the 1917 Russian Revolution, that began with noble-sounding aims – freedom from oppression, equality of all – but which quickly evolved into simply another form of totalitarianism. The animals find that, though they are free of the farmer, they aren’t free of having to follow orders. The pigs have them working harder than before, and they are fed no better. Their swine leaders are soon living in the farmer’s house and eating well. But they deserve it, right? After all, they need to be properly provided for, so they can provide direction!

It soon becomes evident that while “all animals are equal…some animals are more equal than others.”

CAUTIONS

Because this is a graphic novel, there are a few pages of violent content depicted. But Odyr’s is a thin-line, smudged-pastel style, leaving the gory details mostly a blur. So while these pictures might be a bit much for a child, they are nothing that would disturb a teen.

The only other caution I’ll offer concerns the lesson being learned. Orwell was no Christian, so even as he makes a case against the godless tyranny of totalitarian rulers the world over, he isn’t able to offer a better alternative…so it is fortunate he doesn’t even propose one. However, that means Christian readers will have to do that work for themselves. We can agree with Orwell about the problem: that man has a bent for tyranny and that larger the government the more they can insert themselves into our lives (1 Samuel 8:10-22). But we also know there is a proper, though limited, role for government, specifically to punish evil (Romans 13:1-7).

CONCLUSION

This is a brilliant adaptation of Orwell’s classic work, with a mix of colorful and also stark images that will grab any reader’s attention. Odyr has made Animal Farm accessible to age groups and casual readers that might otherwise never read it.

While I highly recommend this as a gift for teens, it would be a waste to hand it off to your son or daughter and then leave it at that. Unless an adult helps them understand that message behind the story, they aren’t likely to see the real-world application, and will completely miss Orwell’s warning about the dangers of big governments of all sorts.

If you liked this, you may enjoy the 1954 animated film of the same name. It’s better than the 1999 live action version in two ways: it doesn’t take God’s name in vain, and because it is animated and consequently less realistic, it comes off more clearly as the metaphor it is meant to be – there’s no mistaking it for real life. Find my review here.

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Book Reviews, Graphic novels, Teen non-fiction

The life of Frederick Douglass

A graphic narrative of a slave's journey from bondage to freedom by David F. Walker Illustrated by Damon Smyth 2018 / 173 pages Frederick Douglass lived his first 20 years as a slave, then spent the next 25 speaking against the evils of slavery. After the American Civil War and the emancipation of American slaves, he spent his last 30 years fighting the bigotry that still lingered. And in his final decade, defying all social expectations of the time, he married a white woman, Helen Pitts. While a graphic novel biography can't do this complicated figure full justice – the man himself wrote three separate autobiographies in the attempt – the size of this one, and the evident research backing it make for a very good introduction to its subject. As we follow his life, from plantation to town, to escape to the North, we get to meet along with him key figure in the American battle to end slavery. He knew Harriet Tubman, the lady who repeatedly ventured to the South to bring slaves to freedom in the North. John Brown hid at his house after the white abolitionist's unsuccessful attempt to start the Civil War some six years before it eventually began. Douglass was both an opponent and then an ally to Lincoln, due to largely Lincoln's vacillating opposition to slavery. Later he became a friend and then an enemy of women's rights advocate Susan B. Anthony, the change of relationship due this time to a compromise by Douglass when he decided to support black's voting rights even when they no longer came as a package deal with women's voting rights. This is quite the story, and it is well told. CAUTIONS Its important readers understand that some of what's depicted is deduction, and not clearly established fact. But a read of the introduction will help readers tell what's what. A word of warning is due for at least a couple uses of the "n-word" in the book, though with the topic matter, that is as you might expect. There is also some partial nudity. None of it sexual, and it could even be described as modestly done: one scene is a black woman being whipped, naked from the waist up, but her front is either away from view, or hid in the shadows. There are also three completely naked slaves shown, but all are hunched over, in a seated, almost fetal position with arms wrapped around their knees so no genitals are shown, though the top of one's buttocks is. The overarching concern would be the brutality. There is no gratuitous violence - but there is violence. Finally, while we get to hear Douglass debate with himself about how slavery should be fought, and whether violence was warranted or not, and whether it was right to compromise on the women's vote, we aren't offered any other perspective. So readers will have to apply their own biblical lens to this for themselves. Altogether that would make this a book for older teens maybe 14 and up. CONCLUSION The target audience for this book, teens, aren't always fans of history books, perhaps because they've been exposed to too many of the wrong sort, texts that make it all about dates and names. What a joy it is, then, to discover a page-turning biography like this. The Frederick Douglass we meet here, while not exhaustively explored, is fleshed out, and consequently memorable. We've now met him, and won't forget him....