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Virginia Lee Burton: Queen of nostalgia

A mom reading Katy and the Big Snow to her daughters might remember her own parents reading the same book to her. Since they first came out in the 1940s, Virginia Lee Burton’s books have been enjoyed by three generations. These are classics! 

But there’s more to the nostalgia, because even when they were brand new, they likely had a timeless feel because, rather than being about Burton’s present, they were a look back, celebrating a not-so-distant past that seemed calmer, simpler, better.

The idyllic yesteryear that Burton presents is just a bit before her own childhood, in the transition period between the late 19th and early 20th century. It’s a curious time to pick as the wistful pinnacle of civilization. It’s an age in which mechanization is already in place, so why is Mike Mulligan and His Steam Shovel worth celebrating, but the diesel shovels that followed are somehow threatening? But that is the pinnacle she picks, not only in Mike Mulligan and His Steam Shovel, but Maybelle the Cable Car, and then again in The Little House.

While these stories are all quiet laments at the technological advances that were revolutionizing the Western way of life, they are also a hubbub of activity, with all sorts of machines at work, and so much to see on every page. This busyness is then contrasted by the happy, calm conclusion to each story.

While it’s fun to take a peek at the past from someone who really appreciates the age she’s depicting, parents might remind their children of what the Preacher says in Ecclesiastes 7:10: “Say not ‘Why were the former days better than these?’ For it is not from wisdom that you ask this.” To romanticize the past can sometimes be to overlook the many blessings God is showering on us right now.

Recommended

Burton’s four most popular are available separately and also in a compendium together. They are wonderful!

Mike Mulligan and His Steam Shovel
1939 / 48 pages
Mike Mulligan and his beautiful red steam shovel, Mary Anne, do a lot of digging in this story: cutting canals, lowering hills, straightening curves. But as technology advances, and new electric, diesel, and gasoline shovels come along, no one wants to hire a steam shovel. But instead of sending Mary Anne to the junkyard, Mike takes her to a small town looking to dig the cellar for their new town hall. He tells them that Mary Anne can do the job in a day, or they won’t have to pay him. The real fun here is not in finding out whether she gets the job done in time, but in the sweet way the story ends, with Mary Anne and Mike finding new jobs to keep them both busy.

The Little House
1942 / 44 pages
The story starts with a solid little house in the country that can just see the lights of the city on the horizon at night. But as the decades pass, the city approaches and then engulfs the little house, making her sad. But when the first owner’s great-great-granddaughter comes across it, she decides to move the solid little house to a new spot, out in the country once more.

Katy and the Big Snow
1943 / 40 pages
A big red crawler tractor named Katy can push dirt in the summer, but when winter comes, she’s the only one strong enough to push through all the snow. When a “big snow” hits, and all the plow trucks get stuck, and the snow piles up to three feet, five feet, and even more, then it’s time for Katy to save the day. She clears roads for ambulances, fire trucks, the police, the mailman, the phone and electric company, and then even clears the runway for a plane that otherwise would have crashed. Katy saved the day!

Maybelle the Cable Car
1952 / 52 pages
Maybelle is a cable car who spends her days going up and down San Fransisco’s steepest streets, and she’s been doing so for decades. But now the city wants to do away with all the cable cars and replace them with big new buses. Will Maybelle be out of a job? No, because a campaign by citizens to keep the money-losing cable cars wins the day. Yay? What this presumes is that, so long as the majority says so, it’s okay to use tax dollars for non-necessities of all sorts, including wistful ones. Parents might have to talk their children through this one, to ensure little ones don’t walk away with that lesson.

Take it or leave it

Fun to read once or twice, these don’t need to make the cut for personal or school library shelves.

Calico, the Wonder Horse
1941 / 67 pages
A peaceful Western county is disrupted by a gang of bad guys. The wonder horse Calico disguises herself with a black mud bath so that Stewy Stinker, leader of the gang, will mistake her for his horse. When he does, she gives him a wild ride to jail. He escapes and makes plans to hold up the stagecoach only to discover that it is full of presents for the town’s children for Christmas Eve. Stinky starts crying because “I didn’t know I was that mean… holding up Santa on Christmas Eve. I’m never going to be bad anymore.” So the bad guys all decide to be good. This is a fun exciting story, but this people-are-only-bad-because-they-are-misunderstood turn at the end obscures that there is real evil in the world, people who are fully determined to be wicked, and they must be fought and not coddled.

Choo Choo
1937 / 48 pages
A hard-working train engine, Choo Choo takes a bratty turn and decides she wants to go out on her own, so she runs away. After a misadventure, causing all sorts of mishaps as she flies through crossings and even leaps over an open train drawbridge, Choo Choo eventually runs out of steam and is left all on her own at the end of an abandoned line. Fortunately, her conductor, engineer, and fireman go after her, find her, and bring her home, much to Choo Choo’s relief – she’s learned her lesson and pledges never to run away again.

Don’t bother

The second book below made this category on, admittedly, a bit of nitpick, but the first earned its spot, being nothing but propoganda.

Life Story – At 80 pages, this is Burton’s biggest book by far, and all of it a godless evolutionary account of how life on earth originated. We move through millions of years of history until, in the concluding pages set in Burton’s time, there is on display, her wistful longing for a simple, country life.

The Emperor’s New Clothes – Burton illustrated this Hans Christian Anderson classic. As much as I like the story, what I’m looking for in an illustrated version for children is for the Emperor’s nakedness to be strategically and artfully obscured. Burton almost pulls it off, but on the last page we have a naked butt, and yes, it is a cartoonish naked butt. However, she’s already shown in previous pages that this nudity is unneeded. For this tittering age group, one naked butt is one too many.

Conclusion

If one could overdose on Virginia Lee Burton that might lead a child to romanticize the past, and maybe even take an anti-progress, almost Luddite turn. But Burton didn’t write all that much, so this isn’t much of a concern.

Instead we can just enjoy her timeless books for the lovely look back that they are. We can dig up our own old copy, and point out all the action going on, the favorite bits that we recall from so many years ago “when your grandpappy used to read this to me.” Burton at her best offers up stories that will endure at least long enough for you to read them to your grandchildren too.

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Articles, Book Reviews, Children’s picture books

Jan Brett: picture books' peak

What sets Jan Brett (1949- ) apart as a picture book illustrator is how much she packs into every page. There’s always lots going on right there in the middle of her double-page pictures, and then there's even more to see toward the edges – Brett’s trademark is to use the side and bottom borders to give hints to the attentive child of what might be coming next. So, for example, in The Mitten, the small picture on the right-hand border of every two-page spread gives us our first glimpse of the next animal to try to squeeze into the already crowded mitten. What sets Brett apart as an author is the creative twists she brings to otherwise familiar fairytales. Goldilocks, the Gingerbread Man, Cinderella, and the Big Bad Wolf are all taken to new settings, with the most unusual reimagining being Cinderella as told with chickens. RECOMMENDED All of her books are 32 pages, and all are aimed at the pre-school to Grade 2 age group (though older children will certainly enjoy revisiting them for years to come). But which Brett should you begin with? And which would make ideal gifts for the kids or grandkids, or purchases for the school library? With more than 40 books so far, there’s certainly lots to enjoy. What follows are my recommendations grouped by theme. FOUR SETS OF MITTENS I couldn’t track down which is Brett’s most popular book, but in that she’s written three sequels to it, I’d think Brett’s favorite has to be The Mitten. The Mitten: a Ukrainian folktale (1989) After his grandmother knits him some snow-white mittens, Nicki loses one in the forest. But one boy’s loss is a mole’s gain, who finds it just the perfect size to crawl into and stay cozy and warm. A passing rabbit has the same thought, and, despite there really being no room, joins the mole, only to have a hedgehog, owl, and more squeeze in. The charming story has a fun twist at the end when Nicki recovers his lost mitten. The Hat (1997) Hedgie gets a woolen sock stuck to her head, and the other animals use the rest of the drying laundry to fashion their own hats. The Umbrella (2002) This retelling of The Mitten takes place in the jungle and begins with a little frog trying to find refuge in a little boy’s lost umbrella. But it isn’t too long before he has a lot of very close neighbors. Cozy (2020) An Alaskan Muskox named Cozy becomes a refuge for cold animals seeking shelter. It starts with some lemmings, then a snowshoe rabbit, and so on. The attentive young reader will notice that this is another retelling of The Mitten but with its own creative twists. HEDGIE’S BOOKS Hedgie the hedgehog makes frequent appearances in Brett’s books, showing up in at least twenty of them. Most often it’s somewhere in the background (he’s carved into a bedpost in Goldilocks and the Three Bears) but in The Hat above, and in the books below, he has a bigger role. Trouble with Trolls (1994) A little girl, Treva, has to contend with some troublesome trolls who really want her pet dog for their own. Though she outsmarts them in the end, children might feel a little sorry for the trolls, who just wanted a pet. But the observant child will notice that, though they don’t deserve it, by story’s end, the trolls do end up with a wonderful pet. Guess who it is!  Hedgie’s Surprise (2002) Hedgie helps a hen stop a thieving Tomten (a Danish gremlin) from taking her eggs so that she can have a family. The borders are done as needlepoint for added charm. The Snowy Nap (2018) Hedgie puts off hibernation long enough to see the farm in wintertime. FAIRYTALES WELL (RE)TOLD There is a reason the same fairytales we heard as kids are still being told – they are classics for a reason. But Brett’s taken on the challenge of improving on them, and in these four her success is obvious. The first three here are all versions of Goldilocks and there’s something to love about each one. Goldilocks and the Three Bears (1987) What sets this faithful retelling apart is the detailed, gorgeous pictures - there is so much to see! And the author also explains (which few other versions do) how the Papa and Mama bears could tell Goldilocks had been on their chairs and beds.  The Three Snow Bears (2007) An Inuit girl, Aloo-ki, ends up at the igloo house of a family of polar bears. She’s less destructive than in the original, and the bears are more forgiving. The arctic landscape brings added charm. The Mermaid (2017) This time Goldilocks is a mermaid visiting the home of the three octopuses. The ending is a little happier than it usually is – the little one gets a gift from “Goldilocks.” Beauty and the Beast (1989) To save her father, a girl agrees to live with a beast and his animal servants. That’s always made this my least favorite fairytale – what sort of loving father would let his daughter sacrifice herself for him? But while Brett’s version still includes this troublesome opening, the artwork makes it special. An observant child will notice the paintings shown on the castle hallway walls reveal what the animal servants used to look like back when they were human. Town Mouse · Country Mouse (1994) When a pair of country mice switch places with two city mice, they both learn that there’s no place like home. An added element to this version: a city cat and a country owl both intent on getting dinner.  Gingerbread baby (1997) While the title character is full of sass, this is a kinder, gentler twist on the classic Gingerbread Man tale. The 3 little Dassies (2010) Brett has taken The Three Little Pigs to Africa, swapping in dassies (gopher-like creatures) as the architects, and an eagle as the windbag. It’s a little scarier than its source material because the eagle actually catches the first two dassies, But never fear – in the picture borders we can watch as they are rescued by a friendly lizard even as the eagle makes his unsuccessful attempt at Dassie #3. THE REST OF THE BEST Among this potpourri are original stories from Jan Brett, as well as folktales from other countries. Annie and the Wild animals (1985) When a little girl’s pet cat goes missing, she tries to find a new pet from among the wild animals in the forest. What she discovers is that none of them are a good fit. Fortunately, her cat comes back...and she brings some surprises with her.  Fritz and the beautiful horses (1987) A scruffy pony wishes that someone would ride him but all anyone does is laugh at how he looks. But when the town’s bridge breaks, the sure-footed Fritz is able to do something the beautiful horses won’t – he can bring the town’s children through the river back to their parents. Hurray for Fritz! Berlioz the Bear (1991) A bear and his band of musicians are stuck on their way to the gala – their donkey won’t budge. Can the rooster, cat, goat, or ox get him to move? No, but children will enjoy seeing how something much smaller can change the stubborn beast’s mind! Daisy comes home (2002) Set in China, this is the tale of a quiet meek chicken who gets picked on by other chickens. But on an unexpected journey, she has to fight a monkey, a dog, and more, and her courage helps her stand up to the chicken bullies when she gets back home. Honey.. honey... Lion! (2005) The honeyguide bird and honey badger normally work together, with the little bird showing the badger where to find honey, and the badger breaking things open so they can both feast. But one day, when honey badger decides not to share, honeyguide knows exactly how to teach him a lesson. The Turnip (2015) Based on an old Russian folktale, the badger family can’t pull their giant turnip out of the ground, no matter how much help they get. But when a rooster tries it on his own, and, unnoticed to all, he gets some help from below - bears pushing the turnip up out of their den – the turnip finally comes out. TAKE IT OR LEAVE IT Armadillo Rodeo A near-sighted armadillo befriends a pair of red cowboy boots and follows wherever their owner takes them. It’s fine, but just not as interesting as Brett’s best. Cinders, a chicken Cinderella This is both a bizarre but enjoyable take on Cinderella, with chickens playing the principal parts. The only downside to this book is from a school library perspective: it has a double-page foldout in the middle, that’ll quickly get crumpled up. Gingerbread Friends In this sequel to Gingerbread Baby, the baby goes on a journey in search of friends only to find out that other baked goods can’t talk or dance. But when he returns home to find that his friend has baked him a whole bunch of gingerbread friends. Kids will probably appreciate this sequel, but parents will find it less creative than the first. Hedgie Blasts Off Hedgie goes to space to unplug a planet that shoots sparkles, much to the alien tourists’ delight. There’s nothing all that wrong with it (aside maybe from the aliens, because aliens don’t actually exist… but, of course, talking animals don’t either). However, its simpler format (no border pictures) and science fiction elements make it different and just not as enjoyable as Brett’s usual fare. Mossy A unique turtle – she has a mossy garden growing on her back – is put on display in a museum. But Mossy pines to be back with the new friend (and budding romantic partner?) Scooty. To help the lonely turtle, the museum director releases her back into the wild. This is a gorgeous book, but its message about creature care is in line with environmentalism’s general “hands off” approach which stands in opposition to the “hands on” role God has assigned us as stewards. While this will go over kids’ heads I’m noting it because Brett is pointedly preaching here – there is a message to this book – and she’s directing that point to young impressionable readers. While I’d have no problem reading this with my children, it is one I would want to read with them. I’d tell them that, yes, it is important to address Mossy’s loneliness, but returning her to Nature wasn’t the only option – Scooty could also have been brought indoors. The Owl and the Pussycat Brett illustrates the poem by Edward Lear, about the romance of an owl and pussycat. As always, the illustrations are beautiful, but the story is very simple. It is in rhyme so there is that. Maybe one to get out of the library, but not one to buy. The Tale of the Tiger Slippers Tiger tries to throw out his old raggedy shoes that served him well as he worked his way to wealth, but no matter what he tries, they end up coming back. The story doesn’t have the usual Jan Brett spark, and because the tigers are dressed as people their clothing doesn’t allow Brett’s art to capture the real beauty of these animals. DON’T BOTHER Of the twelve books listed below, 8 have Christmas in the title, one is about Easter, and the other about Noah’s Ark. The problem here is not so much with anything in the individual titles but in what’s missing from all of them: God. His complete absence is so conspicuous it’s even noticeable to unbelievers – Publisher’s Weekly, in their review of On Noah’s Ark, noted how Brett: "omits the biblical framework…. There's no mention of God or his relationship to Noah, nor any reason given for the Flood.” If you read one of her Christmas books God’s absence won’t be as conspicuous since many a Christmas story skips over the real reason for the season, so that she does too doesn’t seem so glaring. But when an author writes eight books about Christmas and Christ never comes up, we have to wonder, what’s going on? In The Twelve Days of Christmas, Brett follows the song with “A Brief History” of the Twelve Days. She writes that: “The Twelve Days of Christmas are the days linking Christmas on December 25 and the Epiphany on January 6, when the three Magi offered the first Christmas presents – gold, frankincense, and myrrh.” Gifts to Who? The Magi get a nod, but Jesus is still ignored? Individually, Brett’s Christmas books are simply fluffy fun, but collectively they are a studious avoidance of any mention of the God who became Man. So, why bother with them? Christmas Trolls – Young girl teaches trolls that Christmas is about generosity. The Easter Egg – An Easter Rabbit becomes the focus of the season. On Noah’s ark - The boat itself is far smaller than the Bible describes and, contrary to Scripture, it says the mountaintops were not covered. The Wild Christmas Reindeer – Elf learns that reindeer respond better to kindness than bullying. Gingerbread Christmas - The Gingerbread baby and his band celebrate Christmas… with no mention of Christ. The night before Christmas - The classic poem, with Jan Brett’s art. The Twelve Days of Christmas - Brett notes that though the song is “named for this religious holiday” it “is actually quite pagan in tone.” The Animal’s Santa – A rabbit discovers that Santa is “truly, truly true.” Sigh. Home for Christmas - A young troll eventually learns there is no place like home. The Christmas in the title has no relevance in the story. Who’s that knocking on Christmas Eve? – A boy and his giant ice bear scare trolls away from a Christmas feast. Two others also worth giving a miss: Comet’s nine lives - On an island where dogs are people, but cats are just cats, we follow along as a cat (rather gently) dies eight times. The first dog – A cave boy turns a helpful wolf into his pet and names him “dog.” There’s a touch of evolution here in her presumption that this occurred 12,000-55,000 years ago. CONCLUSION If your kids are into picture books, then they’ll love Jan Brett – it’s as simple as that. Her detailed full-page illustrations are genius, wonderfully capturing the beauty of the many different animals she’s featured. There’s no one better. You can watch below as Jan Brett reads her book "The Mitten." ...