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Animated, Movie Reviews

An American Tail

Animated / Family 1986 / 80 minutes RATING: 9/10 This is the immigrant experience, set to music, and seen through the eyes of a 19th-century Jewish animated mouse family who decide to come to America after they'd been driven out of their Russian village by rampaging Cossack cats. I should end the review right there; what more do you need? But I can't help myself, because this is as brilliant as it is utterly unique! After escaping the Cossack cats, the Mousekewitz family takes a slow boat to their new land, surrounded by fellow immigrants from other countries. All of them have sad stories to share, usually involving how a cat ate their papa, or mama, or in the case of one Irish lad, his one true love (and all that was left of her was her tail!). After each story is shared the mice join together to sing of how much better they expect it to be in their new country: But there are no cats in America, And the streets are paved with cheese! Oh, there are no cats in America, So set your mind at ease! They're all so very hopeful, and that's when the storm hits. Little Fievel, the Mousekewitzes' boy, is washed overboard and presumed lost, and his family is forced to continue on without him. Thankfully (I don't think I could have taken it otherwise) Fievel has survived. He's battered, but unbroken, and travels the rest of the way in a bottle, arriving only a short time after his family. Will he be able to find them? There are so many mice in New York! And it doesn't help that they aren't even looking for him. Fievel soon discovers that there are cats in America. Fortunately, there are also mice here willing to fight for their freedoms. So it is, that Fievel, and unbeknownst to him, his family too, help with an audacious plan to force the cats onto a boat heading for Hong Kong. But even as they work on the same plan, Fievel and his family never quite cross paths. Fievel is making friends, though, whether it's a French pigeon helping with the construction of the Statue of Liberty, or a streetwise teen mouse who has Fievel's back, or even a cat who loves broccoli a lot better than mouse burgers. Cautions There are a lot of cats chasing mice throughout the whole story, and these cats are mean and scary. That, along with a brief encounter Fievel has with some creepy cockroaches, make this fare for children ten and up. Also, theres's a minor character, the politician Honest John, who always seems drunk. Fortunately, he's onscreen only briefly, and only a few times. Conclusion I was struck by how this had, for me, the feel of a 1940s wartime flick. Just like in those films, this celebrates America as a beacon of hope. The darkness it opposes isn't Nazis this time, but something not too different; An American Tail was made during the Cold War, when the USSR was at its most intimidating, and it's no coincidence that the main characters are coming from an oppressive Russia to find opportunity in America. While the Mousekewitzes discover that the streets aren't paved with cheese – that's too good to be true – there were opportunities in this new land that didn't exist in the old one. An American Tail is a surprisingly nuanced celebration of the immigrant, showing that it wasn't easy for those early settlers, whether man or mouse. So who'd enjoy this? I suspect it's so unique, so unusual, that excellent though it is, it might not appeal to the whole family. A Jewish Russian American mouse musical? Yup, that is odd, and maybe even weird. But it really couldn't be more wonderful! ...

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Family, Movie Reviews

Unitards

Family / Comedy 2010 / 107 minutes Rating: 8/10 The producers bill this as "High School Musical meets Napoleon Dynamite" but I'll have to take their word for it, not having seen either. I do know it is laugh-out-loud, tears-in-your-eyes funny in parts. When the vice principal charges Lewis Grady with building up school spirit, he decides to start a guys-only dance...thing (he isn't quite sure what it is, but he knows it isn't a dance team because that's what girls do). His two quirky friends are happy to help, even if they've got some misgivings about dancing in front of the whole student body. The three buddies bribe, beg, and bargain their way through the recruitment process, ending up with a group of a dozen or more. But it's one thing to get a group together, and another to get that group dancing together, especially when the guys have more than their share of left feet. But with a little help from mom and some friends on the school's award-winning girls' dance team, they start figuring things out. Right before their first public performance, Lewis rallies the troops with an inspirational speech that is comic gold. He reminds them of the dream most every student has had, of showing up to school in nothing but your underwear. "This is that day," he tells them: "The majority of the kids out there feel like they're showing up to school half-naked every day. Today is for the nobodies, for the average, I-don't-even-matter kids." Lewis wants his group to be an inspiration to the ordinary guys and girls out there in the audience, showing them you don't have to be awesome at something to do it, you just have to be willing to ignore the peer pressure and embrace the joy. The villain of the piece is the teacher who runs the girls' dance team. She thinks the boys are making a mockery of dance, and she wants them shut down, and she's used to getting her way. While that adds some drama to the story, this is mostly just goofy dance numbers, and quirky friends, showing how fun can be had when you ignore the mockers and set out to be encouragers. Cautions The biggest caution would just be the film's name. Unitards are a one-piece garment that dancers (especially ballet) often wear, but there is also an implicit, never made explicit, reference here to "tard," short for retard, with the joke being that any boys in a dance group are sure to have that word directed their way. It's in bad taste, but that it isn't made explicit makes it easier to overlook. While the dancing is modest by worldly standards, there is a lot of it, and it isn't the formal sort you might see in a "Pride and Prejudice" film. This is more the jump and bounce and shake and wiggle type of dancing toddlers through teens do. That includes some butt-wiggling moves that are a brief part of one or two of the dance productions. It's slightly sexually suggestive, but incidentally, rather than provocatively so. And when paired with the students' generally modest dress, it is quite tame. Conclusion Director Scott Featherstone combined elements of his own school experience with what his son Sam (who plays Lewis Grady) and friends were experiencing to come up with the script. Then he held auditions at his son's school to get all the actors. That's why the acting is solid enough, even though these are not professional actors. What they are is high school students playing high school students so it's not a stretch. And because the director and scriptwriter was a parent who knew the actors, some of these kids are almost certainly playing versions of themselves. What makes this worth watching is just how sweet it is. High school can be a tough time for many, and what we have here is a prescription for how your kids can make it better for others, and maybe themselves. Lewis Grady's friends poke fun, but they don't tear down. The guys do look goofy dancing, but they're also being brave, and some of the school's girls are smart enough to appreciate and encourage that bravery. This is high school as we wish it could have been, and would still like it to be for our kids: full of challenges, yes, but not full of naysayers, mockers, and killjoys. ...

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Family, Movie Reviews

Babes in Toyland

Family /Musical 1961 / 105 minutes Rating: 7/10 Babes in Toyland stars all your children's nursery rhyme favorites. There's Little Jack Horner, Simple Simon and the pieman, Jack and Jill, Little Bo Peep and her sheep, and of course, Mother Goose herself. That might make this the perfect way to introduce your little ones to the musical genre. Our story begins with preparations for a wedding. Tom (as in, "Tom, Tom, the Piper's son") and Mary (quite contrary) are going to get married and the whole village is so excited they just have to dance and sing! There has to be a villain, of course, and the black-hatted, black-caped, black-elevator-shoe-clad Barnaby Barnacle is such an over-the-top meanie that only the youngest of children might be scared by him. He knows something Mary doesn't – that when Mary is married, she's going to inherit a large sum, so Barnaby wants to marry Mary, instead of Tom! To that end, he hires two henchmen – the very large Gonzorgo, and the entirely silent Roderigo – to, first, kidnap Tom and throw him into the sea, and then steal Mary's sheep so that, impoverished and alone, she'll be forced to marry Barnaby. Crooks that they are, the two henchmen instead sell Tom to the gypsies so as to get paid twice. And that sets the scene for Tom's eventual return. But there are still sheep to recover, and that leads to an almost "second chapter" for the film where Tom and Mary head into the ominous "Forest of No Return" to search for the sheep. There they find "the Toyman" who is a Santa-like figure, making toys for girls and boys. Further hijinks ensue, with Barnaby still trying to marry Mary, but this time using all sorts of toys and gadgets from the Toyman's workshop to try to put an end to Tom. When he gets his hands on a shrinking ray he thinks he can finally cut Tom down to size. It turns out, though, that even pipsqueak Tom, with the help of a toy army, is more than a match for Barnaby! Cautions Not much to note here: the talking trees in the Forest of No Return were the only truly scary characters for my sensitive 7-year-old, and it helped to assure her that they turn out to be not so bad after all. Also, Tom briefly plays the part of a gypsy fortune-teller, and that might have been problematic if it wasn't all just a prank on Barnaby. Conclusion The acting is over-the-top and the characters are all from nursery rhymes so the target audience is clearly children. But there's so much color and energy and action that older kids and parents will enjoy it too. ...

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Drama, Movie Reviews

The Song

Drama / Musical 2014 / 116 minutes RATING: 9/10 The Song destroys all the expectations we have for Christian films. It has great acting, a great script, an even better soundtrack...and also infidelity, abortion, suicide, drugs, and more infidelity. It's far better than most any Christian film you've seen, but also much grittier. It is based on, but does not pretend to be, the story of King David and Solomon. The setting is Nashville, with Jed King (played by Alan Powell) an aspiring country singer who hasn't yet measured up to the status of his superstar father. But he also hasn't fallen into any of his excesses either.  When he meets Rose, the manager of a winery, Jed writes a special song for her that turns into his first major hit. From there we see him rise to spectacular heights. Like Solomon before him, he has it all. And like Solomon (and his superstar father), that's not enough – he falls to temptation, in his case involving the lead singer of his opening act. That doesn't explain how very different this film is from the typical Christian fare, so let's focus on two things that make it remarkable. The first is the outstanding pairing of story with biblical narration. All the "Solomonic texts"– Ecclesiastes, Proverbs, and the Song of Solomon – are quoted regularly and impactfully. Jed is learning some hard lessons through the film, and he shares them, warning us of the ways of the adulterous woman and the futility of having it all when it is all going to turn to dust in the end. Remarkable, too, is the music. It's another fantastic pairing, this time of story and song: the musical performances are worth the price of admission right there! While praising it as highly as I can, I will add that this was a hard film to watch the first time, since, being familiar with both David and Solomon's stories, my wife and I knew that at some point Jed's happy story was going to take a devastating, self-sabotaging turn. We actually ended up watching it in two nights, the first with all the fun romantic joking and giddiness of Jed convincing Rose to be his wife. We shut it off right before Jed was set to make his stupid devastating decisions (it wasn't hard to tell when that was going to happen). Then the next evening, we could start with that ugliness, ride it out, and then enjoy the end of the movie, where we got to see his life impacted by undeserved but gratefully received grace. CAUTIONS Even though we don't really see anything objectionable, the mature topic matter means this is not a film for children. Underscoring that point, it begins with a two-minute overview of the lowlights of David King's life. We see Jed's father singing on the Grand Ole Opry and later catching his bandmate's wife swimming naked in a lake (the water obscures her), paralleling David seeing Bathsheba. While King David kills Uriah, in the film the husband, upon learning of his friend's and wife's betrayal, commits suicide. Thankfully this is all covered in a quick montage in the opening minutes. CONCLUSION Some films are gritty for the sake of being gritty. This is gritty for the sake of being true. But it is also funny, romantic, rousing, thought-provoking, and toe-tapping for the same reason: because that's what life is like too. I don't know if I gave The Song the pitch it deserves, so I'm linking to a few other reviews so you can get a second and third opinion. Plugged In – conservative Christian review Variety – a secular take If you want to dig into the film further, here's a list of some of the biblical references throughout the film. You can check out the unique trailer below, a more conventional one here, and a great musical clip here. You can rent the film online at Amazon and other online streaming services. ...