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Drama, Movie Reviews

Grace Unplugged

Drama 2013 / 102 minutes RATING: 7/10 This is a story about two prodigals. The first, Johnny Trey, was a one-hit wonder pop star who got into drugs and girls, before finding God, finding a good church, and repairing things with his wife. His rise, fall, and rise again is over by the end of the opening credits and the rest of the film is about his daughter Grace, who is every bit as musically talented as her father. Grace plays with her dad in the church worship band, but likes doing things her own way, and she doesn't have a good gauge on when and where to do so. So when she busts out a solo performance in the middle of the church worship time, her dad gives her a hard stare. About fifteen minutes in, Johnny's old agent, "Mossy," comes calling. It turns out an Australia Idol contestant has won their version of the show singing Johnny's old hit, Misunderstood, and that's got folks interested in Johnny Trey once again. But Johnny isn't all that interested in returning to his rock and roll life, and turns down Mossy's offer for a tour and new album. Grace is listening to all of this. When she gets in one more fight with her dad, she decides to send Mossy her own demo of the song, and when he likes it, Grace takes off to LA to try and make it on her own. Cautions Parents will know where this story is going the moment Grace takes her prodigal turn but may have some concerns about how graphic Grace's fall will be. They don't need to be too worried. It's all handled with a lot of care, aided by the fact that while Grace is turning her back on her dad, she isn't as bold in her rejection of God. When a handsome celebrity wants Grace to come back to his place, she makes her excuses not to go. And when Music executives talk about trying to make use of her sexuality, and a fellow pop star talks about how "your body is the biggest asset you have" Grace won't go along with them either. She does get into drinking, but it's shown in a couple of quick montage shots, and younger kids won't even understand that what she's drinking is alcohol. In other words, she's shown to be sinking, but we don't spend a lot of time in her sinkhole. That makes Grace Unplugged less realistic than it might have been, but more appropriate for the young teen audience it is aimed at. The only sin we do see her committing a lot is her general disrespect for her father. Language concerns are limited to a few instances of "gosh." Conclusion This is a better than average Christian film, with decent production values (comparably to a Hallmark), and a musical star who can actually sing. I also really appreciated how they could tread into dark territory with care. There's even some subtly, the filmmaker repeatedly taking the time to show rather than simply tell his story. For example, at one point dad and daughter play a song together – It is well with my soul – that symbolizes Grace hasn't left God behind. They play just the music and don't sing the words, but the director knows his Christian audience will be familiar with the hymn, so he is content to leave it unnamed. I would have loved to score it higher, but one problem with any prodigal story is in making the prodigal likable and that doesn't really happen here. It isn't an impossible task – we are the prodigal after all – but for too much of this film Grace Trey is too bratty to really root for. They needed to make her more relatable, because the whole "got a recording contract at a major label" isn't something the rest of us have ever experienced. What is relatable is the whole rebellious teen versus parent who manages to say the right thing exactly the wrong way time after time. That makes this a decently entertaining film that could also foster a good conversation or two with your own teens. I'd recommend it for 12 and up. Check out the trailer below. ...

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Articles, Movie Reviews

200+ movies King David might watch

Great minds think alike, and the same month I was first compiling this article two of those great minds belonged to a missionary in Brazil and an evangelist in California. The evangelist, Ray Comfort, passed along a story, first told by Jeremy Archer, about a man who invited all sorts of folks into his house to meet his family. Often the visitors would talk crudely and angrily with each other, teaching his children words he'd rather they not know. But these visitors could also get his whole family laughing so the man decided to focus on the good they did, rather than the bad. Over time the man could see the visitors were having an impact on his family, and it wasn't a good one. He found that his own children were now using crude language and making coarse jokes. What was worse, the visitors were behaving outrageously, even taking their clothes off right there in front of his family! That's hard to believe, isn't it? Why didn't the man just kick them out? Why didn't he protect his family from their influence? Well, it turns out this man had some sense, and as the visitors started getting naked the man acted. Together with his family, the man finally "turned off the television." That same month the missionary, Rev. Ken Wieske, expressed the same concern, titling a Facebook post "David vows to get rid of his TV." Underneath he included the text of Psalm 101 which reads (in part): I will ponder the way that is blameless. Oh when will you come to me? I will walk with integrity of heart within my house; I will not set before my eyes anything that is worthless. The pastor's point was clear: most of what's on TV is worthless and if King David were here on earth today, he might well pitch his TV right out of the palace. Of course, it isn't quite as easy as that. Today we also have computers, and smartphones, so getting rid of the TV isn't going to restrict our access to fluff and filth that's so readily available. So let's take this a step further. Yes, much of what's on TV (and on YouTube, Facebook, etc.) is worthless. But some of it isn't. Some of it is quite good. Excellent even! So if we were to make the same promise King David makes in Psalm 101 – to put away all that is worthless – what sorts of films and videos might we still watch? I've got some suggestions, and I've listed them under 10 categories, with 20 or more movie recommendations in most categories. My hope is that this list can help families find something worth watching. With over 235 suggestions I'm also hoping there will be something for everyone. There's just one documentary included here, but you can find a whole bunch more in our list of "100+ documentaries that make learning a joy." Title, year, and length are included and, if there's a review available on ReformedPerspective.ca, I've indicated that by making the title all caps and clickable. I've also included an entertainment rating. This is out of 10, and in my books, a 7 is a solid mark, while 8 is something special, and 6 is still watchable but there is some notable flaw (maybe some corny writing, or a bad bit of acting, that sort of thing). The only reason I've included a few films that rate as low as 6 is because they have something about them that makes them valuable viewing – oftentimes their educational value. I'll note also, that a 7 for a children's film means that this target audience will think it a 7, and not adults. The same is true of a black-and-white classic. If you hate anything B&W, then you probably won't like one with a solid 7 rating (though maybe you'd be swayed by one with an 8, 9, or 10). One other note: none of these films and videos take God's name in vain. That's important. While a degree of violence and even sexual content of some sort can be appropriate on screen, the way God's name is abused on film just isn't. More than 40 of the films below have the tag "FREE ONLINE" and can be viewed for free by clicking on the link provided. ANIMATED VIDEOS (12) This mix of shorter videos (whether standalone or TV series) can be ideal when mom wants to take a nap but doesn't want the kids sitting in front of the TV forever. Anne of Green Gables, Vol. 1-3 – 2003, 150 minutes – 7/10 ADVENTURES IN ODYSSEY – 1991-2003, 27 min x 17 episodes – 7/10 Curious George – 2006-2021, 30 min x 170 episodes – 8/10 THE GRUFFALO – 2009, 27 minutes – 8/10 Horton Hears a Who – 1970, 30 minutes – 7/10 JUNGLE BEAT – 537 minutes – 10/10 – FREE ONLINE LIFE AT THE POND – 2004-2009, 30 min x 5 episodes – 8/10 LOST AND FOUND – 2013, 24 minutes – 8/10 A Show about Anthem Lights – 2022-, 12 min x 20 episodes – 7/10 VEGGIETALES – only some are recommended – 7-8/10 Wallace and Gromit in Three Amazing Adventures – 1989-1995, 85 minutes –  7/10 THE WAY THINGS WORK – 2001, 300+ minutes – 8/10 ANIMATED "TORCHLIGHTERS" SERIES (9) There are 20+ videos in the Torchlighter series, and the nine below are all great. While I haven't seen the whole series yet, there are a couple I haven't included for two different reasons. The first was on St. Patrick. While legends abound, little firsthand material on Patrick's life exists, making it hard to separate fact from fiction. That difficulty should have been acknowledged. Then, in the one on Augustine, an animated Jesus makes an appearance, and while I'm not wholly sure of the wrongness of visually depicting Christ, I am also not sure of its rightness, so I haven't recommended it. There are four more, I haven't yet watched, which I suspect might be good: The Robert Jermain Thomas Story, The George Muller Story, The Gladys Aylward Story, and The Richard Allen Story. THE CORRIE TEN BOOM STORY – 2013, 34 minutes – 7/10 – FREE ONLINE THE ERIC LIDDELL STORY – 2007, 31 minutes – 6/10 – FREE ONLINE THE HARRIET TUBMAN STORY – 2018, 30 minutes – 7/10 – FREE ONLINE THE JIM ELLIOT STORY – 2005, 30 minutes – 6/10 – FREE ONLINE THE JOHN BUNYAN STORY – 2006, 30 minutes – 8/10 –FREE ONLINE THE JOHN NEWTON STORY – 2021, 30 minutes – 7/10 – FREE ONLINE THE MARTIN LUTHER STORY – 2016, 34 minutes – 7/10 – FREE ONLINE THE RICHARD WURMBRAND STORY – 2008, 30 minutes – 6/10 – FREE ONLINE THE WILLIAM TYNDALE STORY – 2005, 32 minutes – 6/10 – FREE ONLINE ANIMATED FILMS (27) It seems like cartoons used to be safe for kids, though boring for adults. Today, with the appearance of obscene animated fare like “South Park” and “Family Guy,” many cartoons are unsuitable for children, and for that matter, adults. But there has been a change for the better too – movies like “Curious George” and “Meet the Robinsons” show that some animated fare can keep the kids happy, and entertain their parents as well. AN AMERICAN TAIL – 1986, 87 minutes – 9/10 BALTO – 1995, 78 minutes – 7/10 Chicken Run – 2000, 84 minutes – 8/10 CURIOUS GEORGE – 2006, 88 minutes – 8/10 CURIOUS GEORGE 3: BACK TO THE JUNGLE – 2015, 81 minutes – 7/10 CURIOUS GEORGE: ROYAL MONKEY – 2019, 86 minutes – 7/10 Finding Dory – 2016, 97 minutes – 7/10 Finding Nemo – 2003, 100 minutes – 8/10 FOX AND THE HOUND – 1981, 83 minutes – 8/10 THE MANY ADVENTURES OF WINNIE THE POOH – 1977, 74 minutes – 9/10 Meet the Robinsons – 2007, 95 minutes – 8/10 MINISCULE - 2014, 89 minutes – 7/10 Monsters Inc. – 2001, 93 minutes – 9/10 Monsters University – 2013, 104 minutes – 8/10 PAW PATROL: THE MOVIE – 2021, 86 minutes – 8/10 PAW Patrol: The Mighty Movie – 2023, 87 minutes – 8/10 THE PEANUTS MOVIE – 2015, 88 minutes – 8/10 SGT. STUBBY: AN UNLIKELY HERO - 2018, 84 minutes – 8/10 THE SUPER MARIO BROS. MOVIE – 2023, 92 minutes – 7/10 TANGLED – 2010, 100 minutes – 9/10 TOY STORY 1, 2, 3, and 4 – 1995-2019, 81-103 minutes – 8/10 Up – 2009, 96 minutes – 9/10 Wall-E – 2008, 98 minutes – 9/10 WINNIE THE POOH – 2011, 63 minutes – 8/10 See also Leo Da Vinci: Mission Mona Lisa, Long Way North, and The Secret World of Arrietty in Foreign Films, and Animal Farm, Boxcar Children, Boxcar Children: Surprise Island, and The Hobbit, Lord of the Rings, and The Phantom Tollbooth in Based on a Book, Tintin: Destination Moon in Children. BASED ON A BOOK (25) It's always hard to live up to the book, but some of these get awfully close! 20,000 LEAGUES UNDER THE SEA – 1954, 127 minutes – 7/10 THE ADVENTURES OF ROBIN HOOD – 1938, 101 minutes – 8/10 The Adventures of Sherlock Holmes – 1939, 82 minutes – 7/10 ANIMAL FARM – 1954, 72 minutes – 7/10 THE BOXCAR CHILDREN – 2013, 81 minutes – 7/10 THE BOXCAR CHILDREN: SURPRISE ISLAND - 2018, 82 minutes – 6/10 THE GIVER – 2014, 97 minutes – 8/10 THE GOSPEL BLIMP - 1967, 38 minutes – 8/10 – FREE ONLINE Ivanhoe – 1952, 107 minutes – 7/10 THE HOBBIT – 1977, 77 minutes – 7/10 The Lion, the Witch, and the Wardrobe – 1979, 95 minutes – 7/10 The Lion, the Witch and the Wardrobe – 2005, 125 minutes – 8/10 Little Women – 1949, 121 minutes – 8/10 LITTLE WOMEN – 1994, 118 minutes – 9/10 THE LORD OF THE RINGS (ANIMATED) – 1978, 133 minutes – 7/10 THE MAN IN THE IRON MASK – 1939, 113 minutes – 6/10 – FREE ONLINE THE PHANTOM TOLLBOOTH – 1970, 89 minutes – 7/10 POLLYANNA – 2003, 99 minutes – 8/10 PRIDE AND PREJUDICE – 2003, 104 minutes – 8/10 THE PRINCE AND THE PAUPER – 1937, 118 minutes – 8/10 Prince Caspian – 2008, 154 minutes – 8/10 Rascal – 1969, 85 minutes – 7/10 The Silver Chair – 1990, 155 minutes – 6/10 SWALLOWS AND AMAZONS – 2016, 96 minutes – 7/10 SWISS FAMILY ROBINSON – 1960, 126 minutes – 8/10 See also The 3 Worlds Of Gulliver and Lassie Come Home in Children. BLACK & WHITE CLASSICS (19) These have all stood the test of time and are still being watched again and again. 12 ANGRY MEN – 1957, 96 minutes – 9/10 THE AMAZING ADVENTURE – 1936, 62 minutes – 7/10 – FREE ONLINE THE ABSENT-MINDED PROFESSOR – 1961, 96 minutes – 8/10 Adam's Rib – 1949, 101 minutes –  8/10 CASABLANCA – 1943, 103 minutes – 10/10 Citizen Kane – 1941, 119 minutes – 7/10 HIGH NOON – 1952, 85 minutes – 9/10 I Remember Mama – 1948, 134 minutes – 7/10 It Should Happen to You – 1954, 87 minutes – 7/10 The Man in the White Suit – 1951, 85 minutes – 7/10 THE MAN WHO SHOT LIBERTY VALANCE – 1962, 123 minutes – 8/10 MEET JOHN DOE – 1941, 122 minutes – 7/10 – FREE ONLINE Mr. Deed Goes to Town – 1936, 115 minutes – 7/10 Mr. Smith Goes to Washington – 1939, 129 minutes – 8/10 Ninotchka – 1939, 110 minutes – 8/10 SEA HAWK – 1940, 127 minutes – 8/10 THE SIGN OF ZORRO – 1958, 90 minutes – 8/10 THE SHOP AROUND THE CORNER – 1949, 99 minutes – 9/10 The Tin Star – 1957, 92 minutes – 7/10 See also Roman Holiday in For Mom and Dad. BLACK & WHITE SILENT CLASSICS (6) As a subcategory to the above are a half dozen silent film selections. If you've never gotten into silent films, be sure to start with the comedies – there the overwrought acting just adds to the funny. And Buster Keaton is the best! THE GENERAL – 1927, 80 minutes – 8/10 The Gold Rush – 1925, 96 minutes – 7/10 GRANDMA'S BOY – 1922, 56 minutes – 7/10 – FREE ONLINE SEVEN CHANCES – 1925, 56 minutes – 8/10 SHERLOCK JR. – 1924, 44 minutes – 8/10 – FREE ONLINE Steamboat Bill, Jr. – 1928, 70 min – 7/10 BIOGRAPHICAL (17) Most of these are Christian biographies, and being true gives them a leg up on fictional Christian fare that too often concludes with “happily ever after” endings, more fairytales than our one true faith. It’s simply a fact that here on earth bad things often happen to good, faithful Christians. I will also note that while many of these are great, others are merely okay (ranking only a 6), but are still included here because of their educational value. THE CASE FOR CHRIST – 2017, 113 minutes – 7/10 C.S. LEWIS ONSTAGE – 2018, 76 minutes – 7/10 – FREE ONLINE C.S. LEWIS: THE MOST RELUCTANT CONVERT – 2021, 93 minutes – 9/10 END OF THE SPEAR – 2006, 108 minutes – 7/10 FINAL SOLUTION – 2001, 102 minutes – 8/10 – FREE ONLINE GOD'S OUTLAW: THE STORY OF WILLIAM TYNDALE – 1988, 93 minutes – 6/10 – FREE ONLINE GOSNELL: THE TRIAL OF AMERICA'S BIGGEST SERIAL KILLER – 2018, 93 minutes – 8/10 Hellen Keller – 2005, 30 minutes – 6/10 THE JACKIE ROBINSON STORY – 1950, 77 minutes – 7/10 – FREE ONLINE JOHN HUS: A JOURNEY OF NO RETURN – 2015, 55 minutes – 7/10 – FREE ONLINE MARTIN LUTHER – 1953, 105 minutes – 7/10 – FREE ONLINE The Miracle Worker – 1962, 106 minutes – 9/10 SABINA: TORTURED FOR CHRIST, THE NAZI YEARS – 2022, 115 minutes – 7/10 – FREE ONLINE THE SPIRIT OF ST. LOUIS – 1957, 135 minutes – 7/10 TORTURED FOR CHRIST - 2018, 77 minutes - 8/10 – FREE ONLINE UNBROKEN: PATH TO REDEMPTION – 2018, 98 minutes – 8/10 THE WRIGHT BROTHERS – 1996, 27 minutes – 7/10 See also I Can Only Imagine and Unsung Hero in For Mom and Dad. CHILDREN (23) This is fare for younger children – not a lot of tension here. And that means, while the kids will probably like it, mom and dad might not. Because children often watch their favorite videos repeatedly, even dozens of times, it’s all the more important to make sure what they do watch is the good stuff. THE 3 WORLD'S OF GULLIVER – 1960, 99 minutes – 7/10 BACK OF THE NET – 2019, 86 minutes – 7/10 BUDDY DAVIS' AMAZING ADVENTURES: – I Dig Dinosaurs – 2011, 26 minutes – 7/10 – FREE ONLINE – Swamp Man – 2012, 45 minutes – 7/10 – Extreme Caving – 2013, 58 minutes – 7/10 – Alaska – 2015, 25 minutes – 6/10 – Ice Age – 2017, 25 minutes – 7/10 – Safari – 2021, 30 minutes – 7/10 THE CREATION ADVENTURE TEAM – 2001-2002, 40 min x 2 episodes – 7/10 – FREE ONLINE THE DEFENSE OF NEW HAVEN – 2016, 82 minutes – 7/10 – FREE ONLINE DUDE PERFECT: BACKSTAGE PASS – 2020, 84 minutes – 8/10 – FREE ONLINE INCREDIBLE CREATURES THAT DEFY EVOLUTION I, II, & III – 2006, 47 minutes – 7/10 LASSIE COME HOME – 1943, 90 minutes – 8/10 A LEGO BRICKUMENTARY – 2015, 93 minutes – 7/10 MISTY – 1961, 91 minutes – 7/10 THE NEWTONS' WORKSHOP – 1997, 226 minutes – 7/10 ODD SQUAD: THE MOVIE – 2016, 67 minutes – 7/10 PATTERNS OF EVIDENCE: YOUNG EXPLORERS – 2020, 190 minutes – 7/10 – FREE ONLINE THE RUNNER FROM RAVENSHEAD – 2010, 81 minutes – 7/10 – FREE ONLINE THE SPARKY CHRONICLES – 2003, 28 minutes – 7/10 – FREE ONLINE SPACE BUDDIES – 2009, 84 minutes – 7/10 Tintin: Destination Moon – 1992, 83 minutes – 7/10 THE WILD BROTHERS (8 episodes) – 2015-2020, 28-30 minutes each – 7/10 FAMILY FUN (30) These are films that mom and dad can also look forward to watching. But that does mean that some of them have action or drama that may be too intense for your youngest children. So be sure to research age-appropriateness. BABES IN TOYLAND – 1961, 105 minutes – 7/10 A BEAR CALLED WINNIE – 2004, 90 minutes – 7/10 BEYOND THE MASK – 2015, 103 minutes – 8/10 BORN FREE - 1966, 95 minutes – 8/10 CITY OF EMBER – 2008, 95 minutes – 7/10 CONDORMAN – 1981, 90 minutes – 7/10 The Court Jester – 1956, 101 minutes – 8/10 Emil and the Detectives – 1964, 98 minutes – 7/10 THE FIGHTING PRINCE OF DONEGAL – 1966, 110 minutes – 7/10 GRACE UNPLUGGED – 2013, 102 minutes – 7/10 Greyfriars Bobby – 1961, 92 minutes – 8/10 Hangman's Curse – 2003, 106 minutes – 8/10 THE INCREDIBLE JOURNEY – 1963, 89 minutes – 8/10 JACK AND THE BEANSTALK – 1952, 83 minutes – 7/10 THE JENSEN PROJECT – 2010, 95 minutes – 8/10 JOHNNY TREMAIN – 1957, 80 minutes – 7/10 The Last Chance Detectives – 1994, 50 min x 3 episodes – 7/10 THE LEGEND OF 5 MILE CAVE – 2019, 90 minutes – 7/10 MY FRIEND FLICKA – 1942, 89 minutes – 7/10 Old Yeller – 1957, 84 minutes – 9/10 THE SECRETS OF JONATHAN SPERRY – 2008, 96 minutes – 6/10 – FREE ONLINE Shark Boy and Lava Girl 3D – 2005, 93 minutes – 7/10 STORM: LUTHER'S FORBIDDEN LETTER – 2017, 105 minutes – 7/10 – FREE ONLINE SWITCHED – 2020, 104 minutes – 6/10 THE SWORD AND THE ROSE – 1953, 92 minutes – 7/10 THE THREE INVESTIGATORS IN THE SECRET OF SKELETON ISLAND – 2007, 91 minutes – 7/10 TIME CHANGER – 2002, 99 minutes – 7/10 – FREE ONLINE UNITARDS – 2010, 107 minutes – 8/10 A WEEK AWAY – 2021, 97 minutes – 9/10 Who is Simon Miller? – 2011, 85 minutes – 7/10 "HALLMARK-Y" (10) Before they got woke, Hallmark made a lot of films appreciated for being safe and good, and though they were rarely great there were a few of those too. Sometimes they'd even be based on Christian books. Not all of these are from Hallmark, but they are all of that sort. AN AMERICAN IN AUSTEN – 2024, 84 minutes – 7/10 EXTRAORDINARY – 2017, 86 minutes – 6/10 – FREE ONLINE GOOD SAM – 2019, 90 minutes – 8/10 HIDDEN PLACES – 2005, 86 minutes – 6/10 LOVE'S LONG JOURNEY – 2005, 88 minutes – 7/10 A ROYAL CHRISTMAS – 2014, 87 minutes – 7/10 SARAH, PLAIN AND TALL – 1990, 98 minutes – 8/10 Seasons of the Heart – 2003, 99 minutes – 8/10 THE ULTIMATE GIFT – 2006, 114 minutes – 7/10 UNLEASHING MR. DARCY – 2016, 84 minutes – 7/10 See also Roman Holiday (For Mom and Dad). FOR MOM AND DAD (23) These are films intended for an adult audience, movies and videos to enjoy with your better half...and sometimes with the older kids too. 2081 – 2009, 25 minutes – 8/10 – FREE ONLINE ALLEGED – 2011, 93 minutes – 8/10 Anastasia – 1956, 105 minutes – 7/10 AUDACITY: LOVE CAN'T STAY SILENT – 2015, 50 minutes – 7/10 – FREE ONLINE The Caine Mutiny - 1954, 124 minutes – 7/10 COURAGEOUS – 2011, 129 minutes – 7/10 FREEDOM – 2014, 94 minutes – 7/10 THE HOBBIT TRILOGY – 2012-2014 – 7/10-8/10 I CAN ONLY IMAGINE - 2018, 110 minutes - 8/10 The Lord of the Rings Trilogy – 2001-2003 – 10/10 LIKE DANDELION DUST – 2009, 104 minutes – 8/10 ROBERTA – 1935, 106 minutes – 7/10 ROMAN HOLIDAY – 1953, 118 minutes – 8/10 The Second Chance – 2006, 102 minutes – 7/10 THE SONG – 2014, 116 minutes – 9/10 SOUND OF FREEDOM – 2023, 131 minutes – 8/10 TO SAVE A LIFE – 2010, 120 minutes – 8/10 UNSUNG HERO – 2024, 112 minutes – 8/10 A VOW TO CHERISH – 1999, 84 minutes - 8/10 – FREE ONLINE SPORTS (10) These are a mixed lot, with Woodlawn definitely for older audiences, and Going to the Mat something for a younger age group. FOREVER STRONG – 2008, 109 minutes – 7/10 – FREE ONLINE GOING TO THE MAT – 2004, 82 minutes – 8/10 THE HORSE IN THE GRAY FLANNEL SUIT – 1968, 113 minutes – 7/10 HANS BRINKER OR THE SILVER SKATES – 1962, 90 minutes – 8/10 MERCY RULE – 2014, 119 minutes – 7/10 NEVER GIVE UP – 2023, 79 minutes – 6/10 OVERCOMER – 2019, 119 minutes – 7/10 The Pistol: The Birth of a Legend – 1991, 104 minutes – 7/10 TWELVE – 2019, 92 minutes – 7/10 WOODLAWN - 2015, 123 minutes - 9/10 See also The Jackie Robinson Story in Biographical, and Extraordinary in "Hallmark-y," and the documentary Long Short: the Kevin Laue Story. WAR FILMS (20) The Second World War might have been the first major conflict in which film could play a role, presenting stories intended to encourage those on the frontlines and at home. The most inspiring World War II films show ordinary, average people doing extraordinary, heroic things (many of whom were our parents, grandparents or great grandparents, hiding Jews or otherwise putting themselves at risk simply because they knew it had to be done). Many of the best World War II films were made during the war – they have a completely different feel, because no one at the time knew what the war’s outcome would be! BATAAN – 1943, 114 minutes – 8/10 Decision Before Dawn – 1951, 119 minutes – 7/10 DESPERATE JOURNEY – 1942, 107 minutes – 8/10 Destination Tokyo – 1944, 135 minutes – 8/10 Edge of Darkness – 1943, 119 minutes – 7/10 The Fighting Seabees - 1944, 99 minutes – 7/10 FLYING TIGERS – 1942, 104 minutes - 7/10 THE FOREIGN CORRESPONDENT – 1940, 120 minutes – 7/10 THE GREAT DICTATOR – 1940, 125 minutes – 8/10 Hail the Conquering Hero – 1944, 101 minutes – 7/10 Objective Burma! – 1945, 142 minutes – 7/10 RUN SILENT, RUN DEEP – 1958, 93 minutes – 8/10 SABOTEUR – 1942, 109 minutes – 7/10 Sahara – 1943, 98 minutes – 7/10 Sands of Iwo Jima – 1949, 100 minutes – 7/10 THE SILVER FLEET – 1943, 88 minutes – 7/10 They Were Expendable – 1945, 135 minutes – 7/10 To Be Or Not To Be – 1942, 99 minutes – 8/10 Twelve O'clock High – 1949, 132 minutes – 8/10 Why We Fight – 1942-45, 417 minutes – 7/10 See also Sgt. Stubby (Animated Films), Belle and Sebastian (Foreign Films), Sea Hawk and Casablanca (Black and White Classics). BONUS #1 - FOREIGN FILMS (10) Part of the pleasure of watching films set in foreign locales is that they provide a peek into unfamiliar cultures. Most of us will never be able to visit Mongolia or Iran but we can get an insight into the cultural life of those communities by watching their films. ANTBOY - DENMARK – 2013, 77 minutes – 7/10 – FREE ONLINE Belle and Sebastian – FRANCE – 2013, 99 minutes – 7/10 Children of Heaven – IRAN – 1997, 87 minutes – 7/10 Godzilla – JAPAN – 1954, 96 minutes – 7/10 LEO DA VINCI: MISSION MONA LISA – ITALY – 2020, 82 minutes – 8/10 LONG WAY NORTH – DENMARK – 2015, 81 minutes – 7/10 NOT ONE LESS – CHINA – 2000, 106 minutes – 7/10 THE RED BALLOON – FRANCE – 1956, 34 minutes – 7/10 – FREE ONLINE THE SECRET WORLD OF ARRIETTY – JAPAN – 2010, 95 minutes – 8/10 The Story of the Weeping Camel – MONGOLIA – 2003, 87 minutes – 7/10 BONUS #2 - TV SERIES (2) With TV series, it isn't possible to evaluate the whole run, so some of these will be rated by season, and other just by the first episode or three. SUE THOMAS F.B.EYE – 2002, 41-minute episodes (57 in all) – 8/10 – FREE ONLINE Danger Man (Season 1) – 1960-62, 25-minute episodes (39 in all) – 8/10 This post first appeared on www.ReelConservative.com. RP has also done an issue of the magazine on movies you can find here....

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Drama, Movie Reviews

Sarah, Plain and Tall

Drama / Romance 1990 / 98 minutes Rating: 8/10 In 1910, Jacob Witting, a Kansas farmer and widower, places a newspaper ad asking for a woman interested “in making a difference” in the lives of his two small children, Anna and Caleb. Sarah Wheaton responds to his ad and agrees to a one-month visit. She brings with her a cat, a collection of seashells and a streak of stubbornness that is the young widower’s match. When Sarah arrives she quickly learns that while Jacob's wife Katherine died six years ago, he is still grieving. He's packed away all his wife's pictures, and blankets, and anything else that reminds him of her. And he hasn't sung since her death. But little Caleb loves to sing and Sarah does too. Anna isn't as quick to warm up to her, but when Sarah arranges to have Katherine's pictures hung back up, she starts to win the little girl over too. Sarah's love for the two children, and her better understanding of what they need pits her against their father, so when the month is done, will Jacob even want her to stay? Or will he start to love her as his equal... and his match? Caution No real cautions to offer. This does deal with the topic of losing a mother, and the children worry that they might lose Sarah at month's end, so there is some tension here that younger viewers might find harder to deal with. Especially when the neighbor goes into labor early and the delivery is not an easy one. But it comes to a beautiful resolution. This is very much a film for the whole family. Conclusion This is based on the book by Patricia MacLachlan which won the 1986 Newbery Medal for best American children's book of the year. It's a loyal rendition, as the screenplay was written by MacLachlan too, and I think it's one of those rare times where the film really does equal the book. It’s a wonderful quaint, quiet, and beautiful flick, sure to bring a tear to your eye. That means some boys might have a bit of trouble sitting through it during the early going, and maybe it just isn't for them. But if they can be settled, with their own bowl of popcorn perhaps, then I can't imagine a lovelier film for a family movie night. ...

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Family, Movie Reviews

Good Sam

Drama / Family / Romance 2019 / 89 minutes RATING: 8/10 Kate Bradley is a TV news reporter following the "bummer beat" in New York City, covering fires and other tragedies. That's left her a little cynical, and her boss is worried that it's also left her more than a little jaded about the dangers she risks to get her stories. So when a story breaks about an anonymous good samaritan leaving a bag of $100,000 outside a financial-strapped older lady's door, Kate's boss decides to give her this safer assignment. Kate isn't happy about her new beat, and presumes there has to be some sort of angle behind the good deed. As she tells her cameraman, "It's hard to believe that there's somebody out there doing good deeds and expecting nothing in return." But when the money keeps coming the mystery only deepens; "Good Sam" leaves a second bag of cash with a doctor who isn't in any sort of need. The third recipient, a carpenter who'd been laid up with an injury, has no connection to the first two. And the news just keeps getting better when folks who've heard about Good Sam start acting like him, and starting their own Good Samaritan clubs, to do anonymous good deeds in their neighborhoods. Good Sam would have been too sugary-sweet if it'd keep on this track, but we find out that Kate's cynicism isn't baseless: a tech programmer claims to be Good Sam, but Kate quickly exposes him as a fake. And that's not the only dirt that Kate uncovers. I appreciated a romance angle that was less predictable than most. Kate gets two love interests, both pretty stalwart sorts... or so it seems. Kate's father is a US senator, and when she meets charming hedge fund manager Jack Hansen she initially turns him down, as she has a rule against dating anyone in her father's political circles. Eric Hayes is a firefighter Kate keeps bumping into in her day job. He is as brave as he is private... or might the right word be secretive? Which of these two will she end up with? That's another mystery, and viewers are left in suspense for most of the movie. Cautions No language or violence concerns to share. There is some kissing, right at the end, but exchanged in a public park. The more notable caution is for what the movie doesn't have – this is a part of Netflix's "Faith and Spirituality" category, but it isn't either. While the original Good Samaritan story (Luke 10:25-37) teaches us what it means to live out the Second Greatest Commandment, this one avoids any mention of God. Conclusion The moral of the story trends in a humanist direction – people aren't as bad as we think as they will sometimes do things for completely unselfish reasons. However, the Calvinist in me can recast this in a more orthodox direction, seeing it as an illustrated of how the world is broken but not utterly depraved, and the cyclical Kate has no right to be so in the face of the many undeserved blessings she (and we) receive daily. While this is just a Hallmark-ish kind of romance, I'd give it two thumbs up for being way better than the average sort. The acting is solid throughout, the mystery and romance will keep most viewers guessing for the first three quarters of the film, and the lack of problematic content make this one you can watch with almost the whole family (though I don't know if it'll grab the under 8s). That makes Good Sam a pretty rare treat. ...

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Drama, Movie Reviews

The Great Dictator

Drama / War / Black and White 1940 / 125 minutes Rating: 8/10 Long before Hitler adopted it, Charlie Chaplin made the "toothbrush mustache" famous. Once Hitler adopted it, you might wonder why Chaplin still kept it. Might this 1940 film be the answer? Chaplin had been planning to take on Hitler even before World War II began, and his mustache helped him manage a fantastic impersonation of history's most infamous dictator. Chaplin plays two parts here, the hero and the villain. Adenoid Hynkel, the "Phooey" of Tomainia, a satiric take on Adolph Hitler, the Führer of Nazi Germany, The Jewish barber who fights for Tomainia during the First World War, and then loses his memory for the next 20 years When the barber leaves the hospital to finally return home, he opens up his barbershop, not knowing two decades have passed. He also doesn't understand why a man is painting the word "Jew" on his shop window, and goes outside to stop him. The barber was a soldier just yesterday in his own mind, so he won't stand for this! But two stormtroopers against one barber isn't a fair fight. Thankfully, the fight stops underneath the heroine's apartment window, allowing the beautiful Hannah to make good use of her frying pan, applying a solid "bong" to each stormtrooper's head. This being a Chaplin film, the poor barber gets a misaimed blow too, resulting in a hopscotching staggered dance up and down the street. From the moment we see Chaplin playing both parts, we know that the barber is going to save the day by replacing the "great dictator." But what a ride it is, getting there! Hitler isn't Chaplin's only target either. Benzino Napaloni, the Diggaditchie of Bacteria (think Benito Mussolini, il Duce of Italy), comes by for a visit, and the two compete to see who can be the more self-important. That this comic takedown came out right when Hitler seemed to be unstoppable says something about Chaplin's bravery and his outrage. He wanted the world to know who Hitler really was, even if he needed to use a fictional country, title, and name to do so. It might be worth noting that while Chaplin is best known for his silent films, this is a "talkie." Cautions The only caution would be the topic matter: war and the murderous megalomaniac who started it. But this is also black and white, and satire rather than drama, so some of the most shocking material has been muted by the format. Still, this could be a bit much for the very young. However, if kids know anything at all about the Holocaust, they'll likely be old enough to see The Great Dictator. Conclusion My daughters aren't the target demographic for a 1940s black and white World War II film that stars a talking 1930s silent film star. I was so sure they wouldn't be up for this one that, instead of trying to foist it on them for a family movie night, I decided to watch it on my own while they were busy with friends. But a few minutes in our youngest, 9, wandered by, sat down, and never left. The other two and my wife showed up midway, and after a bit of recap to clue them in, they all enjoyed the second half. So, a good film for the whole family? Maybe... if they're an adventurous bunch. My youngest told me that it helped a lot that I was there to explain some the World War II references being made. She already knew about the Holocaust, so she wasn't surprised that the Jews were mistreated, but to see it, even in this muted manner, did get her indignant. It's one thing to hear about people being picked on and singled out for persecution, and quite another to see even a bit of it. Overall, I would give this two very enthusiastic thumbs up! The film is available in both clear high resolution, and also in a variety of cheap knock-offs, so be sure to get the good one. There's even a colorized version that looks intriguing. Most libraries will have a version on DVD, and you should be able to rent it from places like Amazon. Check out the trailer below. ...

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Drama, Movie Reviews

Like Dandelion Dust

Drama 104 minutes / 2009 Rating: 8/10 Like Dandelion Dust pits two families against each other for the custody of Joey, a six-year-old boy they both claim as their own. The Porters are a troubled couple – in the film’s opening scenes we see a drunk Rip Porter being taken to jail for beating his wife Wendy. The Campbells couldn’t be more different – Jack and Molly have the big house, the sailing yacht and the happy family life. And they have Joey. But the Porters are Joey’s biological parents. Wendy discovered she was pregnant soon after Rip’s arrest and imprisonment, and she decided to give Joey up for adoption. She also decided not to let Rip know about the pregnancy or adoption, so he only learns about Joey seven years later, after his release from prison. Since Rip didn’t know about Joey, he never gave his consent to the adoption. When Rip decides he wants Joey back from the Campbells, it turns out he has the law in his favor. So the big question in this film is, what would you give up for your children? The Campbells don’t seem to have any legal means to keep Joey; should they explore illegal options? The Porters are in the right legally, but are they morally right to take Joey back? This is simply great storytelling, and while it occasionally treads close to melodrama, the superb acting – anchored by Academy Award winner Miro Sorvino (Wendy) – keeps it from straying over the line. Cautions The theme of domestic violence means this film earns its PG-13 rating, thought it is only briefly shown. A second caution relates to the first: the physically abusive relationship between Rip and Wendy Porter is treated too lightly – Wendy quickly forgives Rip. While that is due in part to the nature of the medium (in a two-hour film they don’t have the time to draw things out) the seriousness of spousal abuse means this turn-around – from abuse to forgiveness – happens too fast. Yes, we need to forgive one another, but repentance also needs to be genuine. A man who hits his wife has done something grievous and must prove that his repentance is a clear turning away from sin, and not just a brief interruption of it. Conclusion Like Dandelion Dust is based on a Karen Kingsbury novel of the same name so viewers will be surprised at the muted Christian presence. While several characters are Christian, and we see some scenes take place in church, Dandelion isn’t trying to be a sermon. There is no one doing a gospel presentation. Instead, this is simply a good night’s entertainment that will engage both your mind and your emotions. Although I'd suggest it for adults only because of the nature of the topic matter, I heartily recommend it. ...

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Family, Movie Reviews

The Three Investigators in The Secret of Skeleton Island

Family / Drama 91 minutes / 2007 Rating: 7/10 The Three Investigators started as a book series that ran from 1964-1987 and included more than 40 books. I own many of them, and hope to pass them on to my kids, so when I discovered there was a movie, I knew I wanted to see this one. It lived up to my expectations. Jupiter Jones, Pete Crenshaw and Bob Andrews are a team of juvenile detectives that "have never lost a case." Jupiter is the "Sherlock Holmes" of the group, always able to put the pieces together. Pete is the athletic, fearless "muscle" (or, at least, as much as a 13-year-old can be) while Bob is the researcher extraordinaire, their very own version of Google, always ready with a pertinent fact. The team has their headquarters secreted away in Jupiter's aunt and uncle's salvage yard, complete with secret entrances and research materials and old case files. When Pete's dad invites them to come visit him at his new job site building an amusement park on an island in South Africa, the Three Investigators set out on what they think will be a nice vacation. But, like the book series, events quickly take what seems to be a supernatural/mystical turn - a fearsome mythical beast appears to be haunting Skeleton Island. But, again like the books, there turns out to be a logical explanation, and it is up to Jupiter Jones and his team to figure out what sort of beast it might be, and what secrets it is hiding. Cautions In films starring children, parents are mostly absent, and that holds true here too. While the Three Investigators are only 12 or maybe 13 or 14, they are portrayed as smarter and more capable than the adults around them. And because they are smarter this gives them a reason to ignore parental authority - Pete's dad orders them home, but they decide they have to keep investigating instead. So this is a not-so-subtle challenge to parental authority, and authority figures overall. There is minimal violence (some folks get scratched by the beast and a man is hit in the head with a flower pot) but there is enough peril and tension to make this a film that would scare children. I would recommend it for 11 and up. Conclusion This will be enjoyed by anyone who grew up reading the Three Investigators series and now wants to point their kids to it. The feel and spirit of the books is captured quite effectively, even if the film doesn't have that much to do with the book of the same title. ...

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Final Solution

Drama 2001 / 102 minutes Rating: 8/10 This is the true story of Gerrit Wolfaardt, a church-going, Mein Kampf-reading young man who was taught from the pulpit that white South Africans were God's new chosen people. And the nation's blacks? Gerrit saw their existence as a problem that could be solved with some inspiration from Hitler. He offers up his own diabolical "final solution": if black townships could just be stirred to violence, that could be used as the excuse for the white government to come in force and wipe them all out. Gerrit's wickedness is amplified by his charisma, strength and confidence. Girls notice him, and other young men are willing to listen to him. Older, equally wicked men see potential in him, and ask Gerrit to share his final solution plans. This all has him very sure of his purpose. And that's when God uses a girl, and a black pastor, to break him down completely. This is first and foremost the story of Gerrit's transformation, but it's also the story of how a black pastor can befriend the man who wanted to kill him. One man repented, but reconciliation wouldn't have been possible without forgiveness. While viewers are taken back and forth through about three decades of time, most of the film takes place in a church. The story begins with three carloads of men, all of them very much like the young Gerrit, raiding a black township and shooting whoever they can. But their intended victims aren't as helpless as they hoped: the townsfolk start shooting back, the cars crash, and now the raiders are running for their lives. One young man manages to escape his pursuers and makes for a church. There the black pastor holds off the mob that's crying for this raider's head. An American television reporter happens to be at the church, there to report on the apartheid in South Africa, and being on camera also encourages the mob to take a more reasonable turn. They are invited into the church, so long as they promise to do so peacefully. There a negotiation takes place, the pastor calling for the raider to be turned in to the police, and the mob spokesman still arguing for his blood. It's into this exchange that the older, changed Gerrit Wolfaardt inserts himself. He too is visiting the church, the pastor now an old and much loved friend. To argue for peace, Gerrit starts to share his own story, how he was transformed from little more than a Nazi to a truly God-loving man. The bulk of the movie is then told as a flashback to show us how that change took place. Cautions The big concern here is violence. Numerous people are shot when three car loads of apartheidists go on a shooting rampage through a black township. Then when the blacks start shooting back, we see one of the attackers caught and "necklaced" – a car tire is thrown over his body, pinning his arms, and gasoline is poured over him and lit. This scene lasts a good 20 seconds, and the whole township raid lasts about 5 minutes. That means this is not one for the kids. But for adults, knowing as we do that movies are not real, that might make these scenes less shocking than they otherwise might be. I think it also helps that none of this is presented in a "slo-mo" violence-glorifying fashion. Conclusion If you can endure the 5-10 minutes of violence, this is quite the film. It's not only the story of how God can change a man, but how God is the only hope for any genuine reconciliation. Even as it is a powerful statement, I think the idea of what reconciliation involves would have been the one aspect I wish they'd explored more. God's church is front and center here, but what Jesus has done for us isn't as evident. So the forgiveness Gerrit seeks, and is offered, doesn't entirely seem to make sense. I mean, from a secular perspective, forgiving great wrongs hardly makes sense: why forgive, if it seems only to benefit the very person who wronged you in the first place? What do you get out of it? But it's because we are all debtors that we can understand how we are imitating our Savior when we forgive others. That doesn't come out as clearly as I would have liked, but it's not hard for Christian viewers to fill that in. So this remains a true story powerfully told – one of the better Christian films you'll see. And bonus: you can watch it for free below. (And should that become unavailable you can also view the full movie for free on RedeemTV though you will need to sign up for a free account.) In addition, you can also watch a free 45-minute documentary on Gerrit Wolfaadt's life called From One Blood. ...

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Drama, Movie Reviews, Watch for free

2081: Everyone will finally be equal

Drama 2009 / 25 minutes RATING: 8/10 “The year is 2081, and everybody was finally equal. They weren’t only equal before God and the law you see; they were equal every which way. Nobody was smarter than anybody else. Nobody was better looking than anybody else. Nobody was stronger or quicker than anybody else…" In 2081 a “golden age of equality” has been ushered in by the “Handicapper General” whose job is to assess everyone’s abilities and, if they have any advantages, to then assign them “handicaps” to take them away. In the film’s opening scene, we meet George who, being a little stronger than most, is sunk down in his easy chair by the heavy weights he’s been assigned to sap his strength. He’s also outfitted with earphones that hit him with piercing sounds to make it impossible for him to use his higher-than-average IQ. Meanwhile, his wife Hazel sits comfortably on the couch, knitting. She hasn't been outfitted with any handicaps because she's been deemed to have no advantages. So they are equal. But is it an equality we want to have? Hazel and George are now just as fast, just as strong, and just as able to do math as one another. But this is an equality of the lowest common denominator. To bring this equality George's gifts had to be diminished until he was at Hazel's level. And for the government to bring about this type of equality, it had to treat them quite differently: Hazel is free, while George is in chains. Surely this isn't what we mean by equality, is it? There must be some other, better sort? While the film doesn't really direct us to the equality that is worth pursuing, the Bible does. In passages like Leviticus 19:15, Ex. 23:3, 1 Timothy 5:21, and James 2:8-9 we're pointed to a type of equality that involve treating all alike, not favoring the less advantaged over the rich, or the rich over the poor. Instead of endorsing 2081's equality of outcomes, God tells us to extend an equality of treatment. 2081 is so short I don't want to give any more of the plot away. But if you're looking for a great conversation starter, this is a fantastic film to watch and discuss, though be sure to do so with a Bible in hand. You can watch the trailer below, and to watch 2081 for free, follow this link (you do need to sign up to their email list, but they won't spam you, and you can always unsubscribe). Questions to consider In 2081 equality is said to have been achieved. But has it really? Are Hazel and George and Harrison equal to the Handicapper General? Can you think of any historical examples where governments brought a form of equality to the masses, that they didn't want to share in themselves? Does the Bible support an equality of outcomes or an equality of treatment (aka, an equality of opportunity)? See Leviticus 19:15, Ex. 23:3, 1 Timothy 5:21, and James 2:8-9. How is Hazel’s situation improved by George being handicapped? Why would she hate it if he removed his handicaps? How does Ex. 20:17 apply here? Is income inequality (2 Chronicles 1:12; Ex. 20:17) something that God calls on Christians to fight? Is poverty (Prov. 19:17)? What was Harrison Bergeron hoping to accomplish? If no one remembers his speech then did he die for anything? If we take an unsuccessful stand for what is right why could that still be worth doing? In what way is our measure of success different than that of the world's? In 2081 the government controls every aspect of people's lives. Why do governments grow? Who is it that's asking them to do more? What are the dangers of governments that get too big? (1 Samuel 8:10-22) ...

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Family, Movie Reviews

The Horse in the Gray Flannel Suit

Family / Romance 113 minutes / 1968 Rating: 7/10 Horses, humor, and a little romance will make this one a favorite among the preteen girls in your family. Frederick Bolton is a single dad (no mention is made of mom, and it's probably most logical to assume she died some years back) and an advertising executive, and trying to do his best to juggle his responsibilities. So when his daughter Helen asks him for a horse so she can stand a better chance in the horse jumping competitions, and his client wants an inventive way to promote their product, he hits on quite the creative solution. His daughter will get her horse, and they'll name it Aspercel, after his client's product, a remedy for upset stomachs. There is one hitch, though: to make the client happy, Aspercel will have to make regular appearances in the winner's circle, so as to get the publicity they're after. That's the crisis the movie pivots around. Helen is quite talented, and with a little help from her riding instructor, she's got just what it takes to win. But when she finds out that her dad's job depends on her winning, she can't handle that pressure. And, fortunately, her dad doesn't want her to have to deal with it either, even if it does cost him his job. This could have been a dumb movie if dear old dad hadn't stepped up... because it did take him a bit of time to do so. But a loving, if occasionally clueless, father he is indeed. But how is everything going to turn out all right in the end? Well, I won't give it all away, but I will share that the riding instructor, Miss Suzie Clemens, is both willing and able to ride to the rescue! Cautions One odd moment in the film occurs near the end, when Suzie gratefully plants a big kiss on one man, right before she becomes engaged to another. We're not the only ones confused, but the confusion lasts only for a few moments, and perhaps we have to write it off as different cultural habits? Conclusion If you're wondering about the odd title, it doesn't come from anything in the film itself. The horse never wears a gray suit or anything else gray either (though I guess he's kind of a speckled gray himself). The title is borrowed from a movie of 12 years earlier, The Man in the Gray Flannel Suit. Why they borrowed it, I don't know, as the two films are completely unrelated, and intended for different target audiences too. Some critics faulted The Horse in the Gray Flannel Suit for predictability, and it is guilty as charged. But for a family film, that's not such a bad thing – the kids will know where it's going and enjoy the ride. There is also fodder here for parents to discuss how competitive is too competitive, and how sports can't be allowed to take over our lives. So, overall, a nice night's entertainment. While the DVD is readily available (maybe at your local public library) there doesn't seem to be a trailer available online....

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Drama, Movie Reviews

A Royal Christmas

Drama / Romance 87 minutes / 2014 RATING: 7/10 How would you react if you found out that the wonderful, thoughtful, fun, quiet someone you were dating was secretly royalty? That's the premise, in this fun-for-the-whole-family Hallmark outing. Emily Taylor is a young talented clothes designer, who comes by her skills from growing up in the family's tailor shop. Leo James is her long-time boyfriend – it's been almost a year now! – who suddenly reveals that he is actually the crown prince of the tiny kingdom of Cordinia. And he's inviting Emily to come visit the kingdom for Christmas. The one hitch? Queen Isadora (played by Jane Seymour of Dr. Quinn, Medicine Woman) is dead set against her son marrying a commoner. So will Emily win over the frosty queen? Will she find a way to fit in with dukes and countesses? Can she learn the ways of royalty without losing the spark that makes her special? And will the lonely queen find someone to love? If you've seen any of these kinds of films before, you can already answer all of these questions. But that doesn't make it any less fun to watch. Caution The one caution would be a passing mention that years ago the prince once went skinny-dipping with a duchess. It was a weird inclusion, and totally not in keeping with the tone of the rest of the film (maybe it was something innocent when they were just little kids?). The only other concern is that this is yet another movie with "Christmas" in the title that makes no mention of the reason for the season, Christ. Not surprising from Hallmark; still disappointing. Conclusion When I came up with my own film rating scale, what I had in mind for a 7 was a typical Hallmark film, one that was entertaining, but where the acting wasn't all that noteworthy in either a bad or good direction. That's exactly what we have here. A Royal Christmas was enjoyed by all in our household, from 9 all the way up to mom and dad. Shucks, if grandma and grandpa had stopped by, I'm sure they would have liked it too. It's not amazing, but it sure is nice. When we watched this, we weren't aware that the royal/Christmas plotline was a whole genre on Hallmark, but we've checked out a few since. If you want more of the same, Crown for Christmas (2015) and Royal Nanny (2022) both offer a small twist on the theme. ...

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Drama, Movie Reviews

To save a life

Drama 120 minutes; 2010 Rating: 7/10 To Save a Life is about teen suicide... and also premarital sex, abortion, underage drinking, cutting, bullying, divorce, divorce's impact on children, adultery, drug use, gossip, and Christian hypocrisy. It's a realistic look into the teen party culture, and consequently, we see some students smoking pot, a couple about to engage in sex, lots of drinking, and a lot of immodest dress. This description might make the film seem too much like today's typical teen fare - partying kids, and the fun they have. But here's the twist: To Save a Life is about being willing to stick out instead of fit in, being willing to reach out, to walk our talk, to take responsibility for our sins, to be willing to forgive, and to take God and what He says in His Word seriously. High school senior Jake Taylor is the star guard on the school's basketball team. He has what everyone wants: the looks, the friends, the prettiest girl in school. Roger Dawson is on the other end of the social spectrum. He wonders if anyone would even notice if he just disappeared. In despair, he walks into school and pulls out a gun in a crowded hallway. As he swings the gun barrel towards his own head, only one student speaks up - Jake - but it's too late. Roger kills himself. That's how the film begins, and the rest is about how Jake reacts to Roger's suicide. It haunts him because the two of them used to be friends. But Jake ditched Roger soon after they both started high school, when Jake got in with the popular kids. Roger needed a friend. Jake was too busy pursuing the "high school dream" to care. Guilt-ridden, Jake first turns to alcohol, and then to sex to try to forget. But those are only short-term diversions. Eventually, he ends up in a nearby church, attending the youth service. But here, too, he isn't finding what he hoped - the group is full of youth who aren't walking their talk. He knows many of these same church kids are smoking pot during school, or are part of the same party scene he's running from. In disgust, he shouts out a challenge to the group: "What is the use of all this if you aren't going to let it change you?" Sure, some of the kids aren't genuine, but some are, and Jake's angry challenge stirs things up. They start meeting for lunch at school and start reaching out to others on the outside to come join them. They befriend the friendless. Cautions When this was first released it was quite a controversial film in Christian circles. Not many Christian films earn a PG-13 rating. But while the film's realistic portrayal of teen depravity means this is not a film for children, this "grit" has been used with care and restraint is evident. Still, there are reasons parents might want to preview this film before watching with their teens. In addition to the intense topic matter, here are some more specific cautions to consider: Immodest dress. Some of the girls are wearing outfits that would look much nicer, and much warmer, with a coat on. One student says "dammit" and another says "hell." There may be another instance or two of such curse words, but no one takes God's name in vain. A couple, with the boy shirtless, are shown on a bed kissing, clearly about to have sex (which is not shown). One boy is shown cutting his arm (not much gore, but we do see a little blood). A boy kills himself by shooting himself in the head. We see no blood or gore, but it is an emotionally intense scene. This is a complex movie because of the sheer number of issues it takes on and because it takes on so much, it does breeze over some issues, and deals with some others in an overly simplistic way. This includes God's gospel message. Viewers might leave with the impression that God's gospel message is meant as good news for this life - that if we follow what He says, things will start going better for us here and now. This is the "Gospel as a self-help guide" error common to many Christian films and novels. It isn't explicitly stated in To Save a Life so I don't want to dwell on it. The truth is, things do often start going better for us when we follow God's will. His law can act as a fence around us; when we stay within its bounds we are safe from many things that might otherwise harm us. At the same time, serving God can come at a cost - think of the many martyrs around the world. And in the high school setting, especially in a public school but even in Christian ones, serving God can cost you friends and popularity. That's a point that To Save a Life touches on, but also glosses over. Conclusion This would have rated higher if the acting had been better – sometimes it is quite good, but the star himself is decidedly average. (It may interest some that commentator Steven Crowder, in a minor role here as best friend, does a pretty solid job.) What this is, first and foremost, is a message film, and on that front, it is powerful. How do Christians do high school differently?  As To Save a Life shows, oftentimes we don't do it differently at all - we're involved in the same drunkenness, the same rebellion, the same quest to fit in. Our peers matter to us more than our parents, and more than God. But what if we lived as lights? What if God, and what He thought, mattered more to us than what our friends thought of us? What if we did unto others as we would like them to do unto us? Then we might do high school quite differently. To Save a Life explores what that difference might look like, and while the film is gritty at times, it is a great resource for parents and their teenage children. It is an enjoyable film, but more importantly a challenging one. Parents: use it to challenge your kids. ...

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The Hobbit: the film trilogy

AN UNEXPECTED JOURNEY 2012 / 169 min (also a 182-min version) Rating: 8/10 THE DESOLATION OF SMAUG 2013 / 161 min (also a 186-min version) Rating: 8/10 THE BATTLE OF THE FIVE ARMIES 2014 / 144 min (also a 164-min version) Rating: 7/10 Bilbo Baggins was quite content puttering around his garden, sitting in his armchair, and reading his books – he wasn’t looking for adventure. But then a tall wizard and a dozen dwarves asked this small hobbit to come help them battle a huge dragon. It was the sort of offer any respectable hobbit would refuse...and Bilbo did. “An adventure?.... Nasty, disturbing, uncomfortable things. Make you late for dinner….We do not want any adventures here, thank you!” But something was stirring inside this quiet soul. Might he be an adventurous sort after all? The next day Bilbo surprises even himself by taking the dwarves up on their offer. Off he goes, on a long journey to the Lonely Mountain where the fearsome dragon Smaug guards his stolen hoard of treasure. On the way the company meets trolls, giants, horse-sized spiders, orcs – lots and lots of orcs! – and a kingdom’s worth of elves. But why did they want this little hobbit to come with? The dwarves don’t know; they agreed because the wizard, Gandalf, insisted. And Gandalf isn’t entirely sure himself. The is the best explanation he can offer: “I don't know. Saruman believes it is only great power that can hold evil in check, but that is not what I have found. I've found it is the small things; everyday deeds of ordinary folk that keeps the darkness at bay... simple acts of kindness, and love. Why Bilbo Baggins? Perhaps it is because I am afraid... and he gives me courage.” Book to film This is the second time that director Peter Jackson has adapted a J.R.R. Tolkien story to film. The first, the Lord of the Rings trilogy, was one of the few movie adaptions to live up to its source material: three exceptional books became three of the best movies ever made, even as they remained quite loyal to the original story. This time around a great book has been transformed into three films, and while the films are quite good, they hardly resemble the book. Oh yes, all the major plot elements are still there, but because Peter Jackson had to stretch the book into three films he added lots of extra bits. A few of those bits are sweet like a love story between elf and dwarf, but most are violent: two enormous battles have been added and numerous skirmishes. The Hobbit was a children’s tale, a sort of kinder, gentler version of Tolkien’s Lord of the Rings adventure. But there is nothing kinder or gentler about this film version – children shouldn't see it. So anyone loyal to the book will have good reason not to like the films. But if we forget the book they came from, and think of these films simply as adventure movies, then they are rollicking tales! Cautions The biggest caution concerns the violence because there's lots of it. It is mostly of a bloodless sort, which is why, despite the films’ enormous death toll, they still managed a PG-13 rating. But there is just so much of it! Fearsome villains are one reason this is not a film for children! Very little of it is realistic – it struck me as being video game-ish – but the most disturbing aspect is when it is played out for comic effect. When this band of brothers fights because it must, that is brave and heroic, and we can cheer them on. But what are we to think when Gandalf slices through an orc’s neck so cleanly his head remains in place? We get a quick look at the orc’s confused, distressed facial expression before Gandalf gives his head a tap to send it rolling off. This is meant to get a laugh, but it just gave me the creebles. Death as comedy? I should also note that while I haven’t watched the extended versions, I have heard that the violence in the extended version of the last film, The Battle of the Five Armies, would be enough to get it an R-rating. I could add some cautions about the occasional bit of juvenile humor (there are a couple of snot jokes, etc.) but since no child should be watching this anyway, and teens and adults aren’t going to be impacted, that will suffice. The only other caution concerns the magic that pops up throughout the film. Some of it is of the dark sort. The villain behind the scenes, causing many of the company’s problems, is the Necromancer, who had nine undead soldiers doing his bidding. He is demonic-looking. Now God condemns witchcraft (Deuteronomy 18:10-12, Leviticus 19:26, 20:6) and the casting of spells, so it’s not a big deal to show a villain making use of magic – they are supposed to be bad! More problematic is when the heroes do it too, and a lot of them do, with Bilbo Baggins even dabbling in what seems to be the dark arts after he finds a magic ring that turns him invisible but which also whispers wickedly – once the ring even tries to convince Bilbo to murder someone! So what should we think of heroes who use magic? That would be a discussion worth having with your kids. Bilbo's use of the ring highlights the dangers of dark magic - in The Hobbit we get only a glimpse of the sort of temptation this ring will pose in the later Lord of the Rings trilogy, but it's enough to know this ring is not some cute play toy but rather an ever-present and enticing lure. Conclusion There is also a lot to love here: the company is courageous, and Bilbo Baggins grows in bravery through the film. Our heroes are quite heroic! Many of the themes are admirable, and even biblical, like: money can corrupt a man has no greater love than that he is willing to lay down his life for another loyalty doesn’t mean blindly following love can require us to confront a friend vengeance can blind us bravery doesn’t mean not being afraid a small weak fellow putting bigger stronger sorts to shame (1 Cor. 1:26-29) It wouldn’t be hard to find many others. So overall I’d rate this as an above-average action-adventure that isn’t suitable for children, but might be enjoyed and discussed with older teens. For a film version of The Hobbit that you can share with children, consider the animated one which I review here. ...

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Animated, Drama, Movie Reviews

The Toy Story franchise is for adults

Animated / Drama 1995, 1999, 2010, and 2019 / 81, 92, 103, and 100 minutes Rating: 8/10 Animation is usually for kids. And a story that's all about toys would seem best suited to children too. That’s why, when I saw the original Toy Story in the theater with a group of my college-age friends, we all thought it was kids’ fare...though the sort that adults could enjoy too. When I tried watching it with my own kids 25 years later, I came to a different conclusion: that this movie franchise has always been directed first and foremost at adults. All the evidence is there: a children’s film has children in the main roles, and a film for adults stars adults. What about Toy Story? In the original, there’s Andy, the little boy who owns the toys. He’s a child, but the film isn’t really about him. It turns out Toy Story is populated almost exclusively by adults…or, rather, toys, as voiced by adults. Woody is front and center, a Western sheriff with a pull string on his back that makes him say “Reach for the sky, pardner!” He and his fellow toys are limp and lifeless when people are around, but spring to life – as every child has always suspected – the moment we leave. Some of the brilliance of Toy Story is in the toy cast’s very different personalities: we’ve got a timid Tyrannosaurus Rex, a wise-cracking Mr. Potato Head, a loyal Slinky-Dink Dog, and a flirtatious Little Bo Peep lamp. Shucks, even the Etch-a-Sketch is quite the character, trying regularly to “outdraw” Sheriff Woody. The biggest personality of them all is the newest arrival. For his birthday, Andy has gotten a Buzz Lightyear – a spaceman action figure – that replaces Woody as his favorite. Woody is jealous, but what really drives him nuts is that Buzz doesn’t even understand that he’s a toy. Buzz thinks he’s landed on an alien planet, and that the other toys are the friendly locals. Woody is normally a pretty stand-up toy, but in a bout of exasperated jealousy, he gives Buzz a shove. He meant to bump Buzz off the bureau, where he’d get stuck (and maybe forgotten for a while) in the gap between the bureau and the wall. But instead, he sends Buzz right out the second-story window into the bushes below. Woody, more concerned with what the other toys will think of him than actual concern for Buzz, tries to rescue the spaceman. But things just go from bad to worse and they end up in the next-door neighbor’s house, in the clutches of Sid, a boy whose parents don’t supervise him like they should. Why is it dangerous to be around Sid? Because he blows up his toys… and now Woody and Buzz may be next! That’d be quite the problem for a bunch of children to solve. Fortunately, all these toys are, in as far as toys can be, adults. Woody, Buzz, Little Bo Peep, and Mr. Potato Head are voiced by adult actors and have adult personas (as most toys do). Their problems are also adult problems, as becomes increasingly evident in successive films. In the first, Woody has to teach Buzz his purpose in life: to be there for their owner. In the follow-up, Woody wrestles with what it means to grow old and start to break down. In the third, the gang is wondering what they’re meant to do, now that Andy has grown up. This is ultimate-meaning-of-life material, which is pretty heavy, even if it’s only on a toy scale. The films also feature events that, if viewed through the eyes of a child, would be downright traumatic. Adults don’t flinch when Sid blows up one of his army men. But for kids, who have watched these toys come to life, this is too close to seeing somebody getting blown up. The second film actually begins with Buzz dying – the evil emperor Zurg has gotten the best of the space ranger, hitting him with an energy beam that disintegrates Buzz’s top half, leaving only his legs still standing, but now smoking. It turns out that this is only Buzz Lightyear the video game character getting blown up, and the toy version is still fine. But kids don’t know that when it happens. Even more adult, in film #3 the whole gang, facing their certain incineration, are forced to come to an acceptance of death (though they are rescued at the last possible moment). Finally, in the franchise’s most recent chapter, a pretty but psychotic doll wants to rip Woody’s voice box right out of his stuffing. Finally, add in some minor innuendo throughout – when Mr. Potato Head travels down the Barbie aisle in a toy store he has to remind himself “I’m a married spud, I’m a married spud.” It’s tame, and infrequent, but not kid stuff either. Toy Story is meant for adults. Cautions If I was recommending this for children, there would be all sorts of little nits that could be picked. For example, when one toy talks about how much he trusts Woody, Mr. Potato Head takes off his lips and presses them to his butt – adults understand, though my kids missed it. A bunch of alien toys in one of those coin-operated toy dispensers view the claw that comes down as “our master” and speak of it in a worshipful manner. They’re basically a cult, and make for a weird, if fortunately brief, addition. And for kids, it'd be important to note the overall tension throughout. If you're watching any of them with children, there could be parts where you'll need to hit the fast-forward button because it'll be simply too much for the under-ten crowd. (The scariest moment of all might be in the first film, when we discover that Sid, in addition to blowing up his toys, has spliced a number of different toys together. After Woody and Buzz get trapped in Sid's bedroom, they get surrounded by his freaky creations, including the creepiest toy you’ll ever see: a mute Mechano spider topped with a shaved doll’s head. We soon learn that these monstrosities are all friendly, but for a while there it's downright disturbing. I think even adults could get the kreebles in this scene.) But as far as adults are concerned, the only caution would regard the company behind the franchise. Pixar films spent a couple of decades making films that were artistic, entertaining, and still generally safe – language and sexuality concerns were minimal, and violence was of the cartoonish sort. But the Pixar of the 1990s and early 2000s has now transitioned into a woke company that encourages homosexuality and transsexuality. So the warning is, don't presume that what Pixar creates next will be generally safe. Conclusion Twenty-five years ago Toy Story was groundbreaking: it was the first feature film to be animated entirely by computer. Successive films continued to push animation advancements; however, Toy Story’s success was never about the spectacle. What made Pixar special (before it became woke) was the attention to detail in every aspect of their storytelling. They knew their cinematic history and borrowed from the best that had gone before. So, for example, Buzz and Woody are a classic odd couple, and it doesn't matter that we all know right from the start that they're destined to become the best of friends by film's end – the joy is in the craftsmanship of the journey. Throw in some loyalty and love, daring-do, and more than a little nostalgia and wistfulness, and what's delivered are films to savor, at least in the moments when the action slows down. And while these are best appreciated by adults, I'd recommend them for as young as 12. Look below for the trailers for all four films. ...

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Drama, Movie Reviews

Hidden Places

Romance / Drama 2005 / 86 minutes Rating: 6/10 In the Depression of the 1930s, the young widow Eliza Wyatt is trying to help her father-in-law keep their orange farm going. But when he dies suddenly of a heart attack, Eliza doesn't know what to do. She has two children to support, and her only other help is her Aunt Batty. But between the four of them, there's just too much work, too little time, and too pressing a deadline, with a mortgage payment coming due. Then along comes Gabe, a First World War veteran, wandering the rails and backroads of the country, heading away from his home, but towards nothing in particular. They can't afford to pay him. But he ain't looking for much more than a roof above his head. Based on a Lynn Austin novel of the same name, this is a pretty typical Hallmark film, different from the others primarily in that it does have some Christian overtones. I liked this more than my wife, and I think that might have been the orange grove setting, and learning a little bit about how they brought the harvest in way back then. Caution Like many a Christian film, the source of hope and security in this film doesn't seem to be God, but faith. Am I splitting hairs? I don't think so. Even as God is referenced repeatedly – the family reads the Bible together, and Gabe leads them in a prayer – when anyone speak of the importance of "having faith," it seems to be more about keeping up the positive self-talk than an encouragement to put their trust in the almighty Creator of the universe. Conclusion If you're looking for a "safe" film, this fills that bill, but it isn't a keeper. I picked this up on DVD for a couple bucks at the local Christian thrift store, I got my money's worth, and now I'll be donating it back. The trailer below hits the plot points of this leisurely-paced film. ...

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Drama, Movie Reviews

End of the Spear

Drama 2005 / 108 minutes Rating: 7/10 This review first appeared in the January 2006 issue How does a Christian group succeed in presenting a major motion picture in secular theaters? How do they present a true story about the Truth setting an entire native tribe free…and do it without the director and producer of the film taking too much dramatic license? I must admit to being a bit disappointed when I viewed The End of the Spear during its opening weekend - it wasn’t quite the Christian story I had been hoping for. But then I spoke with a friend of mine from Wycliffe Bible Translators who had met Steve Saint, the author of the book from which the film was made, and I became much more sympathetic to the challenge he faced. This movie is based on the true story of five missionaries who went to Ecuador back in the 1950’s to the Waodani tribe (known to most as the Aucas), a fierce homicidal “Stone Age” tribe. Many people are acquainted with this account via the famous book Through Gates of Splendor by Elisabeth Elliot, the wife of the missionary Jim Elliot. Jim Elliot is also well known as the author of the quote: “He is no fool who gives what he cannot keep to gain what he cannot lose.” The missionaries reached out to the tribe but all five men were speared to death. Later on some of their wives and a sister went back and lived with the tribe, teaching them about Christ, and many were converted, giving up their violent ways. A church still exists there today, with Steve Saint, the son of the slain missionary Nate Saint, living among them. One movie becomes two The original goal was to make just one movie – The End of the Spear. But Steve Saint wasn’t willing to give in to the moviemakers’ desire to take dramatic license and change the actual events of the real story. In the end a compromise was made – first they made a true-to-life documentary. Afterwards, Steve consented to their taking some dramatic license in another film as long as it was still close enough to reality. The documentary, entitled Beyond the Gates of Splendor, was released to DVD in October 2005. It gives the entire story of the missionaries, from their days in Wheaton College until current times. The family members of the five missionaries are interviewed, along with several members of the Waodani tribe. Their faith in Christ and eagerness for their mission will no doubt be an inspiration to all who view this film. As for The End of the Spear, the story is told from the point of view of the natives, with less emphasis on the missionaries themselves. It focuses on what they thought and learned. It isn’t intended to be a “tract,” but rather, as one local commentator put it, it’s supposed to tell a true religious story “without beating people over the head with it.” An obscured message The major disappointment is that the name of Jesus Christ is never mentioned. We learn that the missionaries wanted to teach the people to give up spearing one another, and they would not kill the Waodani because those people were not ready for Heaven. God is referred to by His Waodani name, and the fact that He had a Son who “was speared but did not spear back” is mentioned. A converted Waodani woman shares with her tribe the fact that God left “carvings” for them to follow – in other words, information directly from Him on how He wanted them to live. But when the tribesman asks to see the carvings, no Bible is quoted from or shown. There is also a scene when the missionaries are afraid, yet they do not even pray! We learn that those who listened to the missionaries became peaceful, and near the end we do see that the “Gospel” has been translated into Waodani. But is all of this enough to accurately explain the transforming power of Christ that took place? There are enough pieces to the message/puzzle there for someone to take it and elaborate on it later. I couldn’t help but think of urban gang violence and revenge when the Waodani were spearing each other repeatedly at the beginning of the film. The clue is there: the same message that helped this tribe could help others. In fact, according to the movie's promotional materials, it was this hope for spreading the Gospel message that convinced the Waodani to put aside their embarrassment regarding their history and give permission for it to be told. But what could we really learn about the change of heart that took place in these people? Basically, we discovered that when the tribe learned about God’s Son not retaliating their lives were changed. I was left thinking that based only on what was in the film it would be possible for secular viewers to think of (the un-named) Christ as a Gandhi or any other non-divine “good teacher,” and remain happy and un-offended. At the end of the credits the filmmakers could have added, “no non-Christian positions were harmed in the making of this film.” To those of us who believe in the Truth, it is sad that the entire story of God’s redeeming love could not have been spelled out more clearly. We can hope that there is enough interest from the film to lead people to watch the documentary afterwards. Some final considerations A few other factors regarding the film should be mentioned. The scenery in both films is absolutely breathtaking, and especially so on the big screen where I saw it. Another factor to consider is the native dress. Missionaries have to deal with that, and while the Beyond the Gates of Splendor documentary showed the more authentic dress (read: almost naked), The End of the Spear film actually covered the people more than was authentic. If there is any time when one might say that nudity is acceptable, this would be it. Still, I found it rather disturbing, watching the thonged naked behinds of men running through the jungle for two hours. It’s something to consider before taking the whole family to see the film. There is no greater arrogance in our society today than for someone to state that he has the Truth. So, even in a movie telling the story of the Truth transforming the lives of many, Christ’s name and most tenets of the missionaries’ faith were carefully avoided. It reminded me of some brands of diet ice cream – where the basic substance is there but I find myself searching for the missing flavor. It was better than nothing, but it left me disappointed. “I am not ashamed of the gospel, because it is the power of God for the salvation of everyone that believes….” Romans 1:16a ...

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Drama, Movie Reviews, Watch for free

And then there were none

Drama 1945 / 97 minutes Rating: 7/10 The film is based on the Agatha Christie mystery of the same name, one of just three English novels to sell oner 100 million copies (the other two are the first Harry Potter title, and The Hobbit). However, as popular as the book was, the film improves on it, with a new conclusion the author added because she thought the film's original wartime audience would appreciate a happier ending. The story begins with 8 guests invited to a mansion on an isolated island. They are all strangers to each other, and none knows their host, Mr. Owens, who has yet to arrive. The only other people on the island are the two servants, Mr. and Mrs. Rogers. After dinner Mr. Rogers puts a record on, as he has been instructed by the absent Owens to do, and on it is a voice accusing everyone present, including the servants, of being murderers who have escaped any punishment for their crimes. That's quite the shock to them all, and all the more so when one of them admits he is indeed a murderer, and then, after taking a drink, promptly keels over and dies. He's been poisoned, and it seems their "host," Mr. Owens, has invited them here to exact his own form of justice on them all. But how has he done it? After all, it's clear there is no one else on the island. That's when the remaining 9 realize that one of them must actually be Mr. Owens. From then on it is a murder mystery and not so much a whodunit as a whoisdoingit, as others are also killed, though almost always off screen. Cautions There are a lot of mysteries on TV today that revel in the darkness, and the gore, and the violence of murder. Another sort is about the investigator methodically, and sometimes brilliantly, putting the pieces together so as to bring the bad guy to justice. We should stay clear of the former because it presents evil as good, while the latter can be enjoyed. While And Then There Were None is gore-free, and has the violence taking place off-screen, it isn't clear for almost the whole film long whether there even are any good guys. So one caution would be that while this isn't dark like some of today's murder shows, it also isn't a heroic tale like Basil Rathbone's Sherlock Holmes. It is somewhere in the middle, and that might be too much in the wrong direction for some...though I would not agree. The other caution would be that the only character to quote Scripture is a hypocrite. But she isn't the only one. Conclusion Director René Claire demonstrates that is possible to "tell and not show" violence and still keep things suspenseful. Though this it is tame by modern standards, the suspense means it is still only for only adults, and only those who appreciate a good mystery. The copyright for And Then There Were None was allowed to expire, so it is now in the public domain. That's why you can watch it, for free, in black and white below. A colorized version is also available for free, here. ...

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