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Adult fiction, Book Reviews, Teen fiction

The Winter King

by Christine Cohen 351 pages / 2019 15-year-old Cora lives in a time of horses, and swords, and meat pies. It's also a time of poverty, and bitter winters, and threadbare clothing, and not enough food to make it through to Spring. To make things even worse, ever since Cora’s father was killed, the village has treated her and her family as if they are cursed, and as if that curse is contagious. But no matter, Cora is resourceful, and she’ll do just about anything to ensure her family lives through the winter. But how does a young girl stand up, by her lonesome, to the village god, the tyrannical Winter King, who is taking their food? I didn’t know quite what to think of this book in the early stages. While the village other villagers were religious, Cora was not. And she was the hero. So how was this a Christian book, then, if the god in the story seemed to be the bad guy? Well, as one reviewer noted, this is a very Protestant book in that Cora rejects a false religion in favor of the true one. She rejects the false representation of the Winter King that the village’s religious authorities maintain. But then she uncovers a book that tells a very different story about this King, presenting instead, a God who loves. CAUTIONS Cora is bitter and sometimes manipulative, and so driven to keep her family fed that she does stuff that she should not. There's good reason for her desperation – death is reaching for her whole family – but that it is understandable makes it tricky ground for the younger reader to tread. This is not a heroine in a white hat, and for the pre-teen, or even younger teen reader, used to simpler morality tales, they might not have the discernment skills yet to be able to cheer on a hero whose actions are not always praiseworthy. I feel like I'm making Cora sound darker than she is. There is surely darkness in her – but there is also a darkness around her that she is fighting, futilely at first. And then hope comes. CONCLUSION From the cover to even the way the pages are laid out, this is a gorgeous book, with a deep and satisfying story. I'd recommend it for 15 and up, but I know adults will find this has real depth to it that they'll enjoy exploring. ...

Adult fiction, Book Reviews, Teen fiction

The Seraph’s Path

by Neil Dykstra 2019 / 475 pages Maybe I should have gotten someone else to review this, what with me sharing the same last name as the author. But this is a fantasy title, so I had to take a peek. And once I got started I wasn’t going to hand it off. Besides, the two of us aren’t actually related. I know Neil, but only well enough to recall he is the superior volleyball player, and nowhere near well enough to have had an inkling he could serve up something like this. It’s remarkable! The Seraph’s Path has quite the cast of characters, but it is mostly the story of Dyrk, a young horse trainer who wants to make something of himself, in part, because his parents don’t seem to think about him much at all. Our story begins with Dyrk determined to enter a competition his father won’t even let him watch. Somehow he finagles his way in, and reaches the final round, a free-for-all among 16 mounted soldiers-in-training, with the last man standing guaranteed entry into the King’s own College. I won’t tell you what happens, but I will say that for every good thing that happens to Dyrk something bad soon follows…and vice versa. The wonder of fantasy fiction is that anything can happen. Young children can open a wardrobe and get transported to a world of talking beasts. Or little fellows with hairy feet can be trusted with a mission that the most powerful could never accomplish. Or a horse trainer can suddenly find himself delivering the mail mounted on a flying tarn. The problem with fantasy fiction is just the same: anything can happen. That means if the author doesn’t have a tight hold on the reins the story can run amuck, and quickly lose all connection with the real world. If you haven’t read much fantasy, you might think a world of dragons, gryphons, and flaming swords couldn’t possibly ring true. But the author has pulled it off. In The Seraph’s Path, Dyrk doesn’t understand the opposite sex, and he’s prone to dig himself deeper via ongoing procrastination, and then he can’t figure out how best to ask for forgiveness. There’s something very real about this made-up world. I was also impressed with how patient the author is and I’ll give one example. In this world, the god Arren is served by seven Seraphs. Dyrk sends his prayers via those angelic servants because he thinks Arren is too holy to approach directly. If that strikes you as Roman Catholic-esque, I’d agree. But isn’t Dyrk our hero? So how can he, via his repeated prayers, be teaching us something so very wrong? Well, a few hundred pages in Dyrk has his first encounter with people who talk to Arren directly. And he doesn’t know what to think about that.  By the end of this book, the issue is still unresolved, but our hero has been given something to think about. Caution I can only think of one caution worth noting. At one point a key character faces sexual temptation, and while the passage is not lurid – there’s nothing here that would make grandma blush – it is sad and realistic enough that pre-teen readers might find it distressing. Conclusion Dykstra has engaged in some downright Tolkien-esque world-building, with not only exotic creatures and nations to discover, but layer upon layer of legend and history shaping the events. If you never made it through The Hobbit, or you haven’t read a fantasy book with a glossary in the back to help you keep track of the characters, then this might be too intense a read for you. But if you want a whole new world to explore, and a story that’ll not only entertain but really get you thinking, you’re going to love The Seraph’s Path. I finished this nearly 500-page tome in 3 days, and the only downside to it was the cliff-hanger ending. So I was very happy to discover that the 700-page sequel, The Seraph’s Calling has just been released. I look forward to finding out what happens next! You can buy both books at Amazon.com and Amazon.ca....

Adult fiction, Book Reviews, Teen fiction

Devilish correspondence: Lord Foulgrin’s and Screwtape’s letters

THE SCREWTAPE LETTERS200 pages / 1942by C. S. Lewis &LORD FOULGRIN'S LETTERS208 pages / 2001by Randy Alcorn Some 75 years ago, as C. S. Lewis reports it, he intercepted correspondence between two devils, the one a senior demon and the other his student being taught how best to tempt and attack Man. While Lewis refused to share how he’d come by these letters, the published correspondence was eye-opening, giving insight into how the Devil can twist not only our weaknesses, but even our strengths, to his devilish ends. So, for example, we get to listen in as the experienced tempter Screwtape teaches his charge, Wormwood to sidetrack prayer, either by making it perfunctory – perhaps done regularly, but with little to no thought – or by making it feelings, rather than God, focused. Either diversion will do. While Lewis wrote (or discovered) The Screwtape Letters during World War II, it remains as insightful and as helpful as ever. But it was also a book worthy of imitation, and nearly 60 years later Randy Alcorn did just that, with his Lord Foulgrin’s Letters. However, while Lewis stuck strictly to devilish correspondence, Alcorn alternates between letters and story chapters – it is half mail, and half narrative. The narrative sections make Alcorn’s book a little more accessible for a teen audience, while, on the other hand, Lewis’ is the more insightful, which also makes it the most satisfying of the two for adults. But both are excellent. One caution: both books have an Arminian flavor, and, as my brother Jeff points out, “whether this Arminian tendency is simply the devil’s mistaken understanding is not clear, but Lewis at least seemed to be Arminian in his other writing.” That means, while both books can serve as a warning of the devil’s many means of attack, there’s at least a few that Lewis and Alcorn overlook. I understand that some might find the devilish focus of both books disturbing. It might seem wrong since Christians don’t normally want their children reading books about demons. What makes Alcorn’s and Lewis’ books different from the devilish taint that exists in so much of today’s entertainment (Hellboy, Sabrina the Teenage Witch, DC Legends of Tomorrow, etc.) is that Lewis and Alcorn expose, but don’t celebrate, the darkness. They are equipping readers to be aware of the Devil, not asking them to join him. That’s quite the difference indeed. Below is a 8 minute adaptation/preview of Lewis's "The Screwtape letters." ...

Adult fiction, Book Reviews, Teen fiction

3 provocative, powerful, PG-rated, dystopian novels

The best dystopian books warn us of an undesirable future that seems far too likely for our peace of mind. The most famous examples are 1984 and Brave New World and while these are very important books, both have sexual content that make them problematic to discuss in a high school setting. But there are fantastic alternatives that are every bit as challenging and thought-provoking and yet don't bring in the sexual content. The most "explicit" of the three below is Time Will Run Back in which sex is mentioned but only in the context of the government mandate that no one can pair up for longer than a month, lest they form familial bonds that compete with the bonds they should have to the State. Nothing titillating here. What we're left with are provocative PG-rated stories and that'll allow parents and teens to enjoy and discuss them together. ***** WINTERFLIGHT by Joseph Bayly 1981 / 216 pages In this dystopian novel, Joseph Bayly takes us to a not-so-distant future in which abortion for disabled children is mandatory, euthanasia is compulsory soon after 75, and Christians are so confused about Romans 13 they think God wants them to submit to even these demands. When Jonathan and Grace Stanton's six-year-old son Stephen falls off his bike, they don't know what to do. The fall was minor, but their son has hemophilia and he needs treatment. But the law says he shouldn't exist: had his condition been diagnosed prenatally the State would have required that he be aborted. Stephen survived only because he mother never visited a doctor during her pregnancy, and when the time came a friend helped her have a home birth. Now the Stanton's wonder what the State might do, even six years later, if they bring their son in to see a doctor. Do they dare find out? Winterflight was written almost 40 years ago, but it got my heart racing – it all seemed far too probable for my liking. Abortion is already being used to "cure" genetic disabilities like Down Syndrome and while it isn't mandatory, pressure from doctors and culture are such that in some countries 98% of Down Syndrome children are killed before birth. When it comes to killing the elderly, we don't demand their deaths at 75, but we are already exploring the cost savings that can be had from their early departure. In countries where euthanasia has been legal longer, there are regular reports of involuntary killings. In Canada, attempts are already being made to make involvement on some level mandatory for all doctors. But what hits closest to home is Bayly's portrayal of the confused Christian response to these government abuses. When Grace's elderly father is told he must report soon to be euthanized, their misunderstanding of Scripture has them thinking that they need to obey the governing authorities even in this, since those authorities are appointed by God (Romans 13:1). But at the same time, in saving their son, the Stantons show that on some level they do understand we must sometimes defy the State. Is their confusion realistic? We'd never march ourselves off to the local euthanasia clinic just because the government demanded it. But why would we resist? Do we understand on what biblical basis we could reject such demands from the "governing authorities"? During World War II there was confusion on this point among some good Reformed Dutchmen. Among those who joined the Resistance, some felt guilty about it because they were worried that in acting against the Nazis they were resisting God's chosen rulers. The confusion persists today. Even as we know the government shouldn't mandate euthanasia – even as we recognize that there are limits to their power – many Christians will still turn to the government asking it to solve our problems. We understand the government has limits, and yet we'll also ask them to do more and more. We are confused. And that's what makes this book such a fantastic read - the discussion it'll prompt is one we need to have. Cautions There are just a couple cautions to note. First, there is a small bit of language – I think "damn" might be used two or three times. Second, without giving away the ending, when the book was first published some Christians misunderstood the ending as being prescriptive – they thought the actions of the book's confused Christians were what we should do. So it's important to understand that's not so. These are confused Christians, under enormous pressure, acting in a confused way and the author is not endorsing their actions. In fact, the book is primarily about warning us not to do as they do. Conclusion This is a fantastic dystopian novel, as prophetic as they come, and certainly unlike any other Christian fiction you've read. The topic matter is weighty, but because there's nothing graphic this could be appropriate for as young as early teens. However the younger a reader might be, the more they'll need a guide to steer their interaction with the story, and particularly the not-at-all happy ending. It would also make great book club material, with fodder for some fantastic discussions. ***** TIME WILL RUN BACK by Henry Hazlitt 368 pages / 1951 As novels go, this is intriguing. As economics textbooks go it is downright amazing. Like 1984... In Time Will Run Back author Henry Hazlitt envisions a future in which the communists won and have been in power for more than 100 years. As Henry Hazlitt himself acknowledges, his novel bears some similarities to 1984 (published two years earlier) since both take place in a dystopian future in which the government manages every aspect of citizens' lives. But Hazlitt didn't read 1984 until after he had finished the first draft of his own book, so no plagiarism was involved. Instead, as Hazlitt puts it, authors like Orwell, Aldous Huxley (and his Brave New World) and himself were: plagiarizing from the actual nightmare created by Lenin, Hitler and Stalin....All the writers had done was to add a few logical extensions not yet generally foreseen. In Hazlitt's envisioned future the government has not only taken over the capitalist West, but they've wiped away any memory of capitalism, even editing Karl Marx's books so that no one could deduce from them what sort of economic system it was that Marx was writing against. Into this setting Hazlitt places the ultimate outsider. The world dictator's son, Peter Uldanov, has grown up far away from his father, isolated on a Bahama island. When his mother and father split, he agreed to let her take Peter, so long as she agreed not to teach Peter anything about history, politics or economics. So when the world dictator calls his now adult son to Moscow and informs Peter that he is to succeed his father as dictator, father first has to bring son up to speed in these three key areas. Peter's education takes up the first third of the book, though there is some palace-intrigue as well: the second-ranking member of the ruling Politburo is eager to see Peter dead, but doesn't want to be caught doing the deed. ...and Screwtape Letters This first third bears more than a passing resemblance to C.S. Lewis' The Screwtape Letters, with Peter's teacher filling the role of the elder Screwtape explaining to his younger devilish charge why they do things the way they do them. For example, at one point Politburo member Adams and Orlov, the editor of the world's state-approved and only remaining newspaper, explain to Peter how what is carried in the paper has nothing to do with the truth, but instead has to do with what is useful for the masses to hear. It turns out "what is useful" can be hard to determine. "It is for the Politburo to decide, for example, whether we shall say that the production record is very bad, in order to exhort and sting everyone to greater output; or whether we shall say that it is very good, in order to show how well the regime is doing and to emphasize the blessing of living under it." "These decisions are sometimes very difficult," Adams put in. "We often find that a zigzag course is best. For example, if goods are shoddy and fall apart, or if too many size nine shoes are made and not enough size eight, or if people cannot get enough to eat, there may be grumbling and complaints – or silent dissatisfaction. We must make sure that this unrest does not turn against the regime itself." "Therefore," said Orlov, "we must lead the complaints. We must ourselves pick scapegoats to denounce and punish." In the middle third of the novel Peter takes on the role of the ultimate benevolent dictator. He wants to help his citizens, so he tries desperately to figure out ways to make socialism work. He has the help of his country's greatest minds, and near absolute power, so he is in the best sort of situation to make it work. But try as he might, they can't make it work. The biggest trouble Peter keeps running into is trying to figure out the value of what they are making. They have no money (since no one buys anything, but is instead given what they need) so they can't use price to calculate how valuable one product might be compared to another. And if they can't calculate value, then they also can't determine if the country is producing more overall this year vs. the last. Sheer tonnage is one proposed measure – that could use that to compare how much grain they grew from one year to the next. But even this falls short, because grain can come in different qualities. How then should they evaluate things if one year more grain is produced but of a lower quality, and in another year there is less but of a higher quality? Which was the better year? After ruling out tonnage as a helpful means of measuring output, one alternative after another is proposed only to have the shortcomings of each then exposed. The alert reader will see where this is leading: what this socialistic  economy lacks are markets in which the value of a product is assessed by consumers as a whole. In the final third of the book Peter gets more desperate and more radical in his efforts to make real improvements and give citizens real freedom, and he ends up discovering some economic principles that really help: open competition, property ownership, and the rigorous prosecution of cheats and swindlers. To help his citizens he is forced to invent capitalism! Conclusion Though the book is most obviously about communism, the warning Hazlitt offers here - that freedom and prosperity cannot co-exist with an economic system that prioritizes equality of distribution – is directly applicable to communism's democratic twin, socialism. This book sat on my shelf unread for many years because I didn't believe a world-renown economist could also be a credible novelist. I was wrong. There is a conversation here and there that gets bogged down by the economic lesson Hazlitt is trying to teach, but overall this is not just readable, but engaging and entertaining, able to stand up to comparisons with 1984 and Brave New World, which themselves are not read for their wonderful prose, but rather for their insightful investigations of human nature in the face of tyranny. So this is a readable, intriguing and important novel with a few slow bits. And as an economics textbook, there is none better – Hazlitt makes a strong and compelling case for the free market. The e-book can be had for free here. ***** THE GIVER by Lois Lowry 1993 / 208 pages The Giver is a book that is not specifically Christian, but has been studied in Christian schools and is stocked in our Christian school library. Why? Lois Lowry's novel is a brilliant dystopia - a vision of the future where things have gone horribly wrong. What makes it so brilliant is that in the brief space of a children's novel, Lowry shows, as dystopian novels always do, how the desire to make a utopia leads to disaster. The original Utopia (which literally means "no-place"), by Thomas More (an English Catholic writing around the time of the Reformation), is a vision of an ideal, perfectly regulated society, where people live their lives with leisure and work balanced, and the wealth is fairly shared among all. All these features are appealing, but given human nature, any attempt to build society through regulation will result in the stomping out of individuality and the oppressive power of whatever authority we trust to organize everything. Basically, there is a kind of idolatry of human systems and power. Of course, we know that idols always disappoint, and idols always demand horrible sacrifices. That's what's going on in The Giver. Lowry builds up a picture of an ideal, well-organized society where everyone has his or her specific role set by 12 years old. All the angst of adolescence in our society has been taken care of through this selection of each person's career by the community, as well as by the suppression of the disruptive disturbance of teenage hormones. The result is a village in which there is no significant crime; in which each person is given a specific role and, in return, has all his or her needs are met from cradle to grave by the community; and in which both the physical storms and emotional storms have been subdued by technology. This "sameness," as the narrator calls it, has been maintained for generations. Even the memory of the relative chaos of our own society has been wiped out, but the elders of the village have ensured that the past is not entirely lost, so that in the event of crisis, the elders can learn from it. This is where the main character, Jonas, comes in. At twelve years old, he is given the unique role of the Receiver of the community. What does he receive? The memories of the village before the "sameness" - from the Giver. Jonas's unique knowledge enables him to see what a terrible place our own world is - with war and other suffering - but also what emotional ties like family and romantic love were lost with the oncoming of the "sameness." His own crisis comes when he sees what sacrifices his seemingly utopian village demands to keep its stability. Why would Christians want to read this? The Giver shows us both the beauty and the cost of human emotion and desire, but also the foolishness of playing God in trying to wipe both out by human power. What we need is not liberation from our own humanness, but liberation from the sin which has corrupted our humanness - by the death of Christ - and the redirection of our emotions and desire - by the work of the Spirit. Lowry may not explicitly put us before God's throne, but she does a fine job of knocking down one of the idols that serve as a stumbling block blocking our view of His glory. ...

Adult fiction, Book Reviews

The Man in the Dark

by Douglas Wilson 258 pages / 2019 Some books only merit a quick read, others should be slowly savored, and a select few are so good you just have to read them out loud to your wife. This is that third sort! Savannah Westmoreland, a self-assured school teacher, finds herself in the middle of a love triangle. Except that it wouldn't be accurate to call what the town's biggest businessman feels for her love. Desire...hunger...lust. But not love. And while the church's newly arrived pastor is interested, and seems a worthy sort, he can't get past the walls Savannah has set up. But events – and friends – conspire against Savannah, putting her repeatedly in the pastor's company. And even as he uses these moments to make a good case for his marriable merits, Savannah is still actively discouraging him. Why? Something from her past still has a hold on her. The pastor is trying to get around this obstacle, but the businessman is trying to discover exactly what her secret is so he can use it to control her. This is Douglas Wilson's third novel, but first romance. It is the second of his books that I've read out loud to my wife, the other being Flags out Front. That's really the highest praise I can give a book. But lest you think Wilson is only a two-hit wonder, I'll share that his other novel, Evangellyfish, won Christianity Today's 2012 best fiction award. This man knows how to tell a story. As you might suspect of a book written by a Reformed pastor, there is a lot of theology, from the dinner table conversations to the metaphor underlying the whole story. But conversations about God are a great way to learn about God, and even though the book has a pastor right in the mix, this is not a sermon disguised as a story. This is, instead, great fiction telling something true. And if you think the ending a tad contrived, I might agree with you. But I'd also invite you to consider what the author is saying about this God of wonders that we serve. And speaking of truth-telling, I should own up that as much as I enjoyed reading this out loud to my wife, she didn't get to hear the whole story. That's because when she fell asleep I just had to keep reading. ...

Book Reviews

Honoring God's name in Christian fiction

"I didn't expect the person killing me to yawn with boredom." As opening lines go, this has to be one of the best. It's from Dr. James Dobson's novel, Fatherless and while I hadn't expected much from this psychologist's first try at fiction, after skim-reading the opening chapter in the bookstore I was pleasantly surprised and bought the book. But I soon came across a surprise of a different sort. On page 171 a character used God's name as an expletive. He wasn't talking to God, or talking about God; this was God's name as an exclamation mark. Three replies That wouldn't have been surprising in a secular novel. But why would a Christian author take God's name in vain? While you won't find the F-word in any Christian fiction, it isn't all that rare to find God's name abused. In the past I've run across this with several other Christian novelists. When I asked three of them why they did it, I got three very different responses. 1. Heard My first letter was to an author who has written a couple dozen popular novels. He said no one had ever pointed this out to him before – none of his readers, none of his editors. He promised that, going forward, he would certainly not do it again. An encouraging response...but also an indicting one. Of the thousands of Christians reading his book, none had ever mentioned it? It seemed that a big reason God's name is being dishonored among Christians is because we aren't willing to speak up about it to each other. 2. Wrong I couldn't find contact information for the second author, but an opportunity came up when I attended one of his lectures. At the coffee break I came forward to ask him about it privately. I was as tactful as I could be, but this was an unavoidably confrontational situation: I was telling him he had done something wrong. His response was gracious: "Can you show it to me?" We found the page, and he read it over. The character was a detective who as a young boy had grown up in the church, but who as an adult had abandoned belief in God. And yet here he was, near the end of the novel giving insincere "thanks" to God. The author explained that I had missed some of the subtleties in the story. He showed me that at this point in the book the detective was no longer the agnostic he had been. While there wasn't any big conversion scene, a reader who was paying more attention than me would have realized that the character was genuinely thanking God. It was a great lesson, very kindly delivered: before correcting an author about his mistake, it is important to be sure something really does need correcting. That said, in most cases it is pretty clear. 3. Misunderstood The third author asked if I objected when there were other sins in a story. He said that if a Christian author could only write about nice characters doing nice things there would be no stories to write. Good point, and I wrote back that I had no problem with murders or many others sins taking place in a Christian novel. When a character is murdered, no actual murder takes place, and readers aren't generally left thinking that murder is no big thing. Now, it is possible for characters' fictional sins to become real ones. That's why, while a Christian novel can involve adultery, those scenes must be handled in a very different fashion than they are in a Harlequin romance. There is no place for "steamy" scenes in God-honoring fiction; a Christian writer shouldn't be tempting his readers to covet or lust. Similarly, when a character takes God's name in vain, a sin is happening. As we read these passages, whether in our heads or aloud, God's name is being used as if it were an expletive or maybe a word whisper (just something to say in place of "um" or "ah"). This treatment contributes to the belittling of God's name. These passages contribute to the overall impression that hallowing God's name isn't all that important, that it is only as "holy" as any other swear word. Actually God's Name doesn't even get the same "reverence" as the N-Word – that has to be used with care. The F-word, too, can't just be thrown around in every situation. Maybe if you're a sailor, but not if you're a Christian author. However, God's Name can be interjected in mixed company: sailors or saints, no one objects. To put it another way, I wasn't objecting to the depiction of sin – I was objecting to the committing of it. When a character takes God's name in vain then a commandment really is being broken...and not by the character. It's the author who is using God's name in a way that God never intended: as a substitute for the F-word, or some other swear word. God allows us to use his holy Name to talk to Him, or about Him. But God's name shouldn't be used simply because a story's heroine stubbed her toe and the writer wants the audience to understand that it really really hurt. The author is using God's name in vain when he inserts it simply because he lacks the creativity or patience to think up another interjection. When it is appropriate to abuse God's Name Douglas Wilson has pointed out there are situations in which fictional character can appropriately misuse God's name, so long as the intent is to honor God. And he cites Jesus' storytelling as his example: In the famous parable of the Pharisee and the tax man praying the Temple, the Lord said this: “The Pharisee stood and prayed thus with himself, God, I thank thee, that I am not as other men are, extortioners, unjust, adulterers, or even as this publican.” (Luke 18:11). He uses the name of God, but He is clearly not communicating with God. This is not a true prayer. The Lord is explicit – this particular prayer bounced off the ceiling, fell to the floor, and has rolled into the corner. It was a clear breach of the Third Commandment. “The sins forbidden in the third commandment are, the not using of God’s name as is required; and the abuse of it in an ignorant, vain . . . superstitious, or wicked mentioning . . .” (Westminster Larger Catechism 113). In short, this fictional depiction is a high violation of the Third Commandment, committed by a character in a bit of prose composed by the Lord Jesus Himself. We therefore have to do more than simply say that the sinful use of God’s name in prose is automatically a violation. ....any sin whatever may lawfully be portrayed by a Christian writer. If his intentions are scripturally healthy (and if he is competent), he is not entailed in the sins he is portraying, because nobody ever heard the Lord’s parable and came away wanting to be more like that Pharisee. The story is devastating, both to the Pharisee and to the sin being committed. While casual abuse is always sinful, there is a deliberate way authors can abuse God's Name that does still honor Him. So, for example, one character might abuse God's name so that another can question or correct him. Of course, not every instance has to be this obvious:  an author might decide that a congressman whose only god is ambition will sign off his speeches with: "May God save America." Like the Pharisee in Jesus' parable, the congressman is misusing God's name, but if the author is competent, then the story will be "devastating, both to the and to the sin being committed." God's Name will actually be honored. Competency is key However, as Wilson goes on to note, competency is key. As we learn in Proverbs 27:14, good intentions are not enough – it isn't enough that the author intends to honor God; he actually has to pull it off. That means if a character stubs his toe, and then makes mention of God, it doesn't much matter what the author intends, we know how most of his audience is going to understand this – just another instance of someone calling on God instead of dropping an F-bomb. No matter what the author intends, this type of usage reinforces our culture's casual contempt for what is holy, and it will have the effect of belittling God's Name. This is what the Third Commandment forbids. Conclusion I can't imagine that any Christian writer wants to violate the Third Commandment. That means that many who are dishonoring God's name are doing so for no other reason than no one has explained how wrong it is. That also means there is quite the opportunity for change. If we speak up, reaching these writers through their personal websites or their publisher's sites, there is every reason to believe they'll listen, and even be grateful for the correction...and even if they don't listen, God will be glorified simply by our defense of his Name....