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Interview with an artist

Laura Kroesbergen’s hyperrealistic animals

Capturing a moment in pastel

*****

'A Whole New World'
15.5x21.5in.
This lion cub's inquisitive expression portrays the universal curiosity of the young - a good reminder to be ever curious about ourselves and those around us.

In her childhood, Laura Kroesbergen found she struggled with confidence in her relationships with people, but when she was in nature or with animals she could relax and be herself. Animals’ ability to tune into non-verbal cues and communicate through them seemed, to her, to bring them a softer, calmer way of life. And horses, in particular, inspired her with their majesty, and freedom. They became a major source of inspiration for her works in pastel.

Her pastel drawings are filled with the texture of hair on the horses’ necks, and veins outlining their muscles, as they gallop across the field or gaze wisely at you. Horses were her first drawing interest. However, after encouragement from her mother and others, she began to create drawings of other wildlife as well – prowling panthers, curious lion cubs, and guarded antelopes.

Her faith is an inescapable part of her work. As she explains,

“Since going through severe depression in my early 20s, I have come to recognize the value of life, and though my focus is still on the animal world, I now try to bring some of that ‘life essence’ into each drawing.”

'Night Prowler'
24x18in.
The black panther (aka the black leopard), is a melanistic leopard with a recessive gene that produces more pigment, thus creating the black coat. These leopards are mostly found in the forested areas of Africa and Asia, however, this particular leopardess lives wild in the African country of Kenya.

She intuits what makes living things tick, and translates that into her work. Detail is also important:

“Working in the field of hyper- or photo-realism also brings the unique experience of learning the subtle colors and intricate patterns our Creator has put into His creation. The more detail I dive into, the more detail there is to see. This gives me a beautiful glimpse of how infinite our glorious God is.”

For Laura, doing her absolute best is a big part of how she brings her faith into her work. This ties into the intricate detail and realism she always attempts to capture. “The attitude of, 'it's the best I can do,' if it's not realistic, is not something I allow for myself,” she says. She tries to combine the accuracy of a photograph with the added emotion or “essence” of what she’s drawing – essentially capturing a moment in time.

This influenced her choice of pastels as a medium. At first, she did all her drawings primarily in grayscale, because she found capturing color much more difficult. But after watching an online time-lapse video of an artist using pastels, she was surprised to find herself thinking, “I can probably do that.” To her delight, she found she was able to create beautiful hyperrealist drawings in pastel on her first attempt. She sees this as a major way God was working in her life at that time, as she was laid up with a fractured pelvis and was asking Him about what she could learn during her time of recovery.

'A Mother's Love'
18x24in.
This pastel painting captures a quiet moment between a zebra mother and son.

“Pastels are a great way for me to achieve more of a 'painterly' effect without having to switch to a wet medium…though trying out painting is on my list,” she explains. She is fascinated by how much color can be put out by a simple pastel pencil. And the paper she uses can hold many layers of pencil without getting too saturated, and it contains felt so she doesn’t need to use a fixative spray to keep the pastel from smudging.

She is currently not working as an artist full-time, though she did pursue this in the past, and continues to draw and create. “I do wonder in what ways God will have me use my skills in the future,” she says, “since this is a talent He has given me.”

You can see more of Laura Kroesbergen’s work at laurachristinefineart.com. She also does pet portraits, which you can view there. Or contact her by email with your questions about art-related things at [email protected].

 

Harma-Mae Smit loves to write and think about art, despite not being an artist herself. She loves how art can reflect the Creator Himself. Send Harm-Mae Smit suggestions for artists to profile at [email protected], including their contact information.

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Interview with an artist

Created to create: a practical person’s thoughts on creativity

I can vividly recall one spring afternoon many years ago when I came across an unexpected sight in the woods near my childhood home: an apple tree in full bloom, its delicate pink-tinged petals drifting down like snow. It was a moment of wonder, not only at the magical scene I had unexpectedly entered, but because I was the only one there to see it. All this beauty seemed wasted in its hiddenness. Why would God lavish such loveliness on a place where no one would notice? What does undiscovered beauty say about God? Many similar moments since then have made me ponder what this reveals about God: a Creator who cares about beauty for its own sake. He fashioned a world that is not only functional but beautiful. When one reads the detailed specifications for the temple and its articles, it’s clear that God values craftsmanship and artistry. Further reading reveals how He cares about skilled musicians and beautiful lyrics, good storytelling, and lyrical poetry (How differently we’d feel about the Psalms if they were written in prose!). All throughout creation, we see beauty for the sake of beauty, often with no apparent practical function. We marvel at this truth on clear nights when we look at the stars. “And He made the stars also,” the creation account tells us (Gen. 1:16), nearly in afterthought, as though the spontaneous flinging of innumerable flaming orbs throughout the universe by just a word requires no further elaboration. We wonder at the purpose of this vast universe, much of it unseen and unknowable. The Psalmist hints at a reason: “When I consider your heavens, the work of your fingers, the moon and the stars, which you have set in place…what are human beings that you care for them?” This Creator, Artist, Designer – the one who brings all this wondrous, breathtaking beauty into being so effortlessly – cares about insignificant you and me. Clearly, all this impractical, creative beauty reveals something about God’s character that we are meant to discover in the midst of our practical, everyday lives. Made in the Image of my Creator I am, by nature, a practical person. My background is in nursing, not art. I only recently took up painting as a hobby during Covid lockdowns when my usual routines slowed. But practically speaking, I struggled to find purpose for creativity. The impetus behind creating sometimes feels uncomfortably more like drive than pleasure. But even without outside motivation or practical reasons, I’m not alone in simply pursuing creativity for its own sake. Though this drive may reveal itself in a variety of ways, it all points to being created in the image of a Creator who loves to create. After the Storm: A storm rolling through Destin, Florida, left behind waves that were perfect for one of our family's favourite beach activities, boogie boarding. There are other reasons to lean into this drive to create. Andy Crouch in Culture Making reminds us that it is easy to slip into the role of consumer (and critic) of culture, rather than putting effort into a counter-cultural offering of our own. Christians are called not only to reject what is false, but also to offer something better. When we write a song, paint a picture, cook a delicious meal, cultivate a garden, craft a story, or build something skillfully, we have the opportunity to reflect goodness, truth, and beauty. Practicality: a good tool but a lousy master Practicality, for all its advantages, has its faults. At times, it can blind us to things important and valuable. Jesus’ followers and disciples were (relatably) concerned about practical things: feeding hungry crowds, keeping pesky children out of Jesus's way, staying afloat on stormy seas, managing the household and hostess duties. Jesus gently rebukes this way of thinking; not encouraging neglect of the practical necessities, of course, but reminding them and us that there were important things to see and learn in those moments that could be missed if focus was only on what was practical. When a woman poured out expensive oil on Jesus, the disciples were aghast. It seemed a waste; surely there were more pragmatic uses for the money spent on this costly, fragrant oil. But Jesus does not rebuke the woman for this extravagance; rather, He rebukes the disciples, saying, “She has done a beautiful thing to me.” This beautiful act continues to be told “as a memorial to her” ever since, just as Jesus said it would. Beauty has that ability to linger on in hearts and minds, inspiring others for generations to come. It’s easy, like the disciples, to get caught up in all our cares and concerns, the toiling and spinning of everyday. What will we eat, wear, and how will we get everything done? Jesus points out, “Life is more than food, the body more than clothes.”   Flower Girl: Her flower girl duties over, my young daughter explores the wedding venue, an old barn. Beauty pushes back the dark For those of us whose tendency is to focus solely on these practical things, He encourages us to consider the lilies of the field, “they neither toil nor spin, yet not even Solomon in all his splendor was dressed like one of these.” All this created beauty not only points to a creative God who loves beauty, but has the further purpose of reminding us of His great care and love for us. He adorns even the grass of the field with such beauty, which is "here today and gone tomorrow." He creates beauty that is fleeting, unnoticed, even unseen, like trees in full blossom in a forest or galaxies far away. How much more will He not care for us? Truly, the business of life can steal from our sight the beauty of these truths if we don’t take time to seek them out. Creativity encourages us to open our eyes to new perspectives, drawing us into new moments of awe and wonder. We find ourselves not only seeking beauty in a new way, but also finding it in unlikely places. Jesus made the startling announcement that “The kingdom of God is at hand,” then spent His ministry years fixing the broken, teaching the ignorant, reversing the curse, lighting the darkness. In the “already, but not yet,” we too can offer glimpses of this Kingdom. Andrew Peterson calls it "adorning the dark." I love the picture portrayed by this phrase: giving words to how we push back darkness through our creative endeavors; motivation to spur us on when inspiration fades. We offer our gifts of creativity and beauty to the Creator Who doesn’t see it as wasted effort. We dive into this opportunity to reflect the creativity of God, Whose image we bear. We accept His gracious invitation to create, knowing that though it may not always be practical, it is not without purpose. Artwork provided by the author. Find more of Holly’s art, and details about her new novel for young teens, on Instagram and on her website....

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Interview with an artist

Paula Roth loves painting her studio

Hawkins Pond was painted at sunset to capture light sparkling off the leaves of the trees surrounding the pond. I enjoyed the contrast of the shapes of each type of greenery from spikey and straight, to ribboned and round. It’s no surprise that someone who has lived in as many beautiful places as Paula Roth has, would be drawn to landscape as the subject for her art. This very same landscape has also become a studio for Roth who now takes her easel and paints outdoors to complete her colorful paintings on location. Roth’s life journey includes time in Nigeria, Colorado, Washington State, Michigan, and finally Ontario, where she married a Canadian. Paula and her husband Ray currently live in Tillsonburg, Ontario where they are members of Hope Reformed Church. Paula minored in art in college and graduated in 2003 with a B.A. and B.Ed. from Aquinas College in Grand Rapids, Michigan. She spent the first 20 years of married life teaching, finding particular fulfillment supporting students with unique learning profiles. “I learned patient perseverance, and hopefully grew in compassion.” Paula has since founded her home-based business, Early Bird Learning Consultant, to support children with learning challenges. Ruts & Paths was painted in August in Oxford County. I am often drawn to roads as they symbolize a journey. Life can feel uphill, and it takes faith and hope to see beauty in the midst of challenge. For Roth, art fulfills a need for creative expression and provides a sense of “balance and well-being.” The youthful dream of being an artist began when she was 9. A watercolor artist/neighbor, (also a Wycliffe Bible Translator), took her to buy her first art supplies. She also helped Roth set up a small studio in an old pioneer milking parlor on the property her family was renting at the time. The start was modest but exciting. The studio spaces have been even more modest since then. During her teaching career, Paula loved to teach art in the classroom setting, and enjoyed making beautiful bulletin board displays. After she left the classroom, to focus on special education, her creative outlets were mostly found at home where she made space for her creative work in corners of bedrooms, on desks, or at the kitchen table. Motivated in part by her parents’ mantra “You can always learn something new,” Paula is a lifelong learner. She has completed many art classes at Dundas Valley School of Art, including classes by mentors Marla Panko and Guennadi Kalinine. In 2008, Paula started illustrating for Open Windows, a Free Reformed publication for children creating collage images with paper. Then, about four years ago she discovered a passion for plein air painting. Currently, she is inspired by rural landscapes in Oxford County, ON. The dream of becoming an accomplished artist still captures Paula’s imagination. “If the Lord wills, I hope to keep taking courses, reading books about painting, and to be out in the field painting as often as I can.” Paula says, “Painting has taught me to be still. I lose all sense of time and am completely at peace. Pausing to observe, interpret, and represent creation makes me feel small and makes the Lord’s world feel gloriously large. When painting outdoors, I seek to capture a special moment in time, a scene that depicts the beauty, essence, and uniqueness of that location. Through my art I hope to share my enjoyment of my rural region and inspire others to appreciate its unique beauty too.” You can view more of Paula’s work at RuralHuesArt.com and Instagram.com/PaulaRoth.RuralHues. Morning Fog on Pigram Line was painted as the crops were ripening in the fall. The golden fields covered with dew and fog were enchanting. The saturated reds and fuchsias have drawn hummingbirds to my palate which makes time stand still for a few seconds....

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Interview with an artist

Rachel VanEgmond is exploring God’s general revelation

Oil on gessoed panel, 20” x 24”November 2024Vivid radiance, impossible complexity, awesome love. Creation sings the praise of its Creator to all who witness it. Artist Rachel VanEgmond attributes her love of nature to her childhood experience of growing up on a rural property near Grimsby, Ontario. Sharing time with loved ones in the great outdoors both nurtured her spiritual growth and cultivated artistic ideas. Raised in a Christian home and community, Rachel was the youngest of three siblings. She says her faith deepened when she started to “appreciate God’s love through Creation.” Her younger self was a “crafty child,” so it was natural that in high school she was drawn toward art as her favorite subject. That passion led Rachel to pursue a Bachelor of Fine Arts in Painting at OCAD (Ontario College of Art and Design) University in Toronto, which she successfully completed this spring. Rachel says of the experience at OCAD U: “It was a blessing to be able to learn technical skills and also decide what content I want to make and what message is worth expressing.” Oil on wood, 15” x 17” March 2025 When we take up the assurance in God that is vital for us, we are rewarded with peace and vibrance. Creation not only reveals God, but shines all the more brilliantly when we love Him. Rachel’s thesis for her Bachelor’s explored God’s “General Revelation,” the Christian belief that God reveals Himself in the natural world (see Rom. 1:18-20, Ps. 19:1-4). What interests VanEgmond the most is, in her words, “How the indescribable intricacy of the natural world speaks to attentive and diligent love.” The result of her study is an impressive collection of paintings featuring the lush interior of Canadian forests. Working on recycled wood with various types of paint, VanEgmond capably utilizes color and value and brushwork to illustrate light and depth and space. Viewing the series is like accompanying Rachel on one of her walks in the forest. As of writing this, the entire collection has almost sold out. Even though her own schooling is behind her Rachel is planning to head back to the classroom again in the fall. This time she’ll be a high school teacher, at King's Christian Collegiate in Oakville, Ontario. Here Rachel hopes to share her enthusiasm for art with her students. “Teachers have such a massive impact on their students, and it is really exciting to be able to spark some passion for art.” Teaching will be a dream come true for Rachel, who has always been a keen art student herself and who “absolutely loves working with youth.” In addition to teaching Rachel is looking forward to completing a few private commissions along with building her personal collection. Follow Rachel at Instagram.com to see more of her work. Oil on wood, 7” x 17”March 2025A haven is always made for the children of the LORD, even in the heaviest thicket....

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Interview with an artist

Ruth de Vos is quilting kids and creation

Textile art is perhaps not the typical career choice for someone with both science and engineering degrees, but Australian artist Ruth de Vos says there are “surprisingly many engineers-turned-artists in the world!” A New Thing200 cm by 150 cmThe eucalyptus tree is known by its fruit. A Christian life, too, is one of growth, of maturing in fruit-bearing faith. How beautiful when the transformation from old nature to new nature manifests in ways that cannot be contained internally, like the vibrant eucalyptus blossoms that cannot be contained within their hardwood shells, and burst forth exuberantly for all to enjoy. Ruth has enjoyed arts and crafts, particularly sewing, for as long as she can remember. It was in high school art class that Ruth was introduced to quilting as an art form, and she was hooked. She knew right away that this was something she wanted to pursue further. Ruth recalls, “I think I spent as much time on my art homework as on all my other subjects combined.” But it wasn’t until she became a mother in 2003 that she began playing with quiltmaking techniques more seriously. Children turned out to be a major inspiration and subject for her art as well. “As a mother, I was privileged to experience my little children discovering this wonderful world for themselves, and it often struck me how much joy and wonder they experienced around the little things that we can so easily take for granted as adults. I have put many, many stitches into capturing and sharing that childlike wonder through my artwork!” Ruth also loves to capture the uniquely beautiful Australian flora, where she finds “so much beauty in each leaf, nut and flower.” Not Even Solomon147 cm by 180 cmThese vibrant blossoms were dancing on their pale stems with no regard for the more sombre foliage surrounding them. The frivolity of the blossoms, contrasted with the line and form of the tough and sturdy leaves, displays the beautiful attention to detail in God's creation. It’s clear from the titles and descriptions of Ruth’s art that her view of the world is informed by her faith in Christ. A eucalyptus tree is a jumping-off point to consider fruit bearing in the Christian life. Vibrant blossoms remind Ruth of Scripture verses, and yet another piece reminds Ruth to “embrace the beauty and wonder of the world has made and trust in His provision and care.” Ruth lives with her husband and six children in the beautiful Perth hills of Western Australia, where they enjoy views of eucalyptus trees from every window. She works almost full-time in her home studio as a textile artist, quiltmaker, and illustrator. A drawing table is set up in her lounge. There is a vintage sewing machine, always ready to stitch, in the living room, and a “whole lot of sketching happens poolside while supervising my children during the summer months.” On any given day, Ruth says there are a million ideas floating around in her mind, so the challenge for Ruth is not so much where to find inspiration, but how to decide which idea to run with next. In 2007, Ruth won “Best of Show” at Western Australia’s QuiltWest. A year later, she held her first solo art exhibition. Some ten years after that, Ruth ran her first piecework workshop. More recently, Ruth launched Creative Piecework, a quiltmaking class. Indeed, there’s no shortage of ideas and avenues for Ruth to share her work with others. To find out more about Ruth and see samples of her work, and maybe learn more about quiltmaking, visit her website, or follow her on Instagram. Wind of His Words129 cm by 171 cmThis textile artwork is a response to the final chapters of the Book of Job, where God speaks from the whirlwind, reminding us of His sovereignty over all creation. The imagery of children playing in the rain captures the innocence and joy found in the natural world, even amid life’s storms. Just as God sustains the rain, the clouds, and the wind, He sustains us through every season of life. This piece serves as a reminder to embrace the beauty and wonder of the world He has made, trusting in His provision and care....

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Interview with an artist

Hetty Veldkamp’s landscapes began with a birthday

Interview with an artist ***** Lighthouse at Snug Harbour36" x 24”“Taken last year when a friend gave us a boat ride to Snug Harbour, near Killbear Park. As we were entering the harbor, the sun was low and casting a warm glow on everything. It was such a beautiful moment and i tried to capture it in this painting.” Years ago, Hetty Veldkamp retired from a successful career in graphic design to raise her family. But then, two decades later, a birthday gift she created for her husband launched her second artistic career, this time as a landscape painter. She’d always been drawn to art. When she was younger Hetty would often create pencil drawings, just for fun, based on photos from magazines or advertisements. Her high school art teacher saw potential in her work and encouraged Hetty to consider art as a career. After studying illustration and graphic design at Sheridan College, Hetty accepted a job as a graphic designer/coordinator with the Alberta government’s Public Affairs Bureau. She designed brochures, report covers, and logos for the various government departments. Then in the evenings Hetty would work on freelance projects or paint small watercolor paintings which she sold to friends and colleagues. “I was busy with everything art.” But when she and her husband decided to have a family, Hetty took a break from art-making. That break would last 25 years. For as long as she can remember Hetty has also been drawn to nature. She grew up beside the sea, living in a quaint fishing village in the Netherlands. She later settled in the rural Niagara Region in southern Ontario after immigrating to Canada with her parents. In the years that followed, Hetty and her family explored the many different regions of Ontario’s “cottage country” and Hetty became “hooked on the peace and beauty found there.” “I have always enjoyed the great outdoors, hiking, camping, and cottaging. The vistas of Northern Ontario, Kilarney, Algonquin, and Killbear Provincial Parks; Georgian Bay and the landscapes of northeastern Ontario are a real inspiration to me.” Lily on a Summer Day40" x 20"“This one was inspired while kayaking near a friend's cottage. It was summer and so peaceful, the lilies just seem so calm and serene. Lilies are a popular subject, and I paint them often.” For her, they all brought the words of Psalm 8 to mind; “How majestic is your name in all the earth!” It was those experiences and memories of those landscapes, previously painted by members of the famous Group of Seven, that inspired Hetty to pick up her brushes again. First she painted a painting as a gift to her husband for his birthday. She didn’t stop there. Many more paintings followed, some successful and some not so much. But Hetty persevered. She now has no problem selling everything she produces. Scenes of Ontario’s north feature prominently in her vast portfolio on her website. Judging by the number of paintings that are labeled “SOLD,” the scenes are popular with buyers too! Hetty lives and works in Richmond Hill, Ontario. Working primarily in oil paint she works to capture her love of the outdoors and the peace she finds there. “The lakes, trees, islands and rocks are beautiful; the ever-changing skies and water continue to inspire me.” I remember Hetty speaking at my high school for a career day – she was one of the people who inspired me to pursue illustration and design. I even studied at the same college as she did! You can see more of Hetty’s artwork on Facebook, Instagram, or at ArtByHetty.com. You can also email her at [email protected]. Jason Bouwman loves landscape painting too. Find his work at JasonBouwman.com and send him suggestions for artists to profile at [email protected]....

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Interview with an artist

Joanne Stoffels is on a treasure hunt

Kleanza Creek18” x 36"Acrylic on canvasClear, cool, shade and light; Kleanza Creek near Terrace, BC is a spectacular stop along the highway. The lighting in this scene challenged me. Interview with an artist ***** Smithers, BC artist Joanne Stoffels believes life is a treasure hunt for beauty. And she finds an endless source of inspiration right outside her window in ever-changing mountains, dramatic cloudscapes, tiny blue forget-me-not blooming in her garden, and in the fragile, fleeting beauty of the cherry blossom. Scanning for compositions and framing scenes through windows has become a way of life for Joanne: “My six children, all grown now, and my patient husband humor me as they are called once again to observe the magnificence and share the joy.” Stoffels “sees” paintings while singing the Psalms, or reading Scripture. She often feels as though a painting is just “waiting to burst forth from the edges of my imagination – abstract colours and shapes moving across the page.” The term gloryscope (something she picked up from pastor and author Paul Tripp) resonates deeply with Joanne and she hopes that her artistic creations will draw others closer to the wonders of the true Creator. Stoffels started to paint about 10 years ago, sticking mostly to subjects which she has personally experienced. Mountains, forests and the alpine feature prominently. “Many of my paintings are of places that hold a special memory. Some work is more representational, some leans more to ‘abstract landscape.’” Stoffels is curious about other artists’ experiences too. Especially in her first years of art, she explored the work of Emily Carr and the Group of Seven. “The writings of Emily Carr gave me a feeling of kinship, ‘trying to get that joyous worshipping into the woods and mountains, the works of the Lord.’” She admires the way the Group of Seven in particular have captured our immense, glorious country in a “bold and raw new kind of art.” Currently Joanne works when she can in her dining room/studio whenever inspiration strikes. “Our home has quite a creative, relaxed vibe to it. An easel might be up and the table littered with supplies for several weeks before we tidy it all up again, scrape paint from the table, and use it for guests or family dinner.” She sells her work privately and through a thriving artisan shop in Smithers, called Out of Hand. You can follow Joanne on Instagram @paintingsbyjoannestoffels. You can also connect with the artist by email at [email protected]. Also, some of her work has been transformed into stickers, available on her daughter Montana’s blueskyartshop.square.site store. Late Summer 12” x 36" Acrylic on canvas - This bright piece captures a late summer sunset from our driveway. In the evening the world melts into blocks of colour. If you have a suggestion for an artist you’d like to see profiled in RP please email Jason Bouwman at [email protected]. You can also follow Jason on Instagram: @jaybouwman....

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Interview with an artist

Jim Menken transforms tree trunks!

Interview with an artist ***** An 8-foot tall grizzly! When you think of a sculptor, the image of a chainsaw does not immediately come to mind. But for Ontario sculptor and carver Jim Menken, the chainsaw is the tool of choice for creating his masterpieces large and small. Menken has had a lifelong interest in art. But in 2003, while still working as a teacher, Jim saw a chainsaw carver at a local festival and became so enthralled with the process that upon arriving home later that day he carved a heron! And he literally has been carving ever since – transforming old trees, stumps and logs into beautiful works of art for a wide range of clients. Jim took up this new passion full time in 2005. He now lives and carves in the town of Mono in beautiful Dufferin County (about 1 hour north west of Toronto) on a property that is perfect for a chainsaw carver; isolated, and with no neighbors within earshot. He has never advertised once and the phone calls and emails have never stopped since. Jim considers this a gift – an answer to prayer. Jim is inspired by God’s creation and uses his God-given talents, a chainsaw and a few other tools to depict animals, people, and select objects as realistically as possible. Jim’s portfolio includes bears, beavers, birds of prey, critters and pets. Living close to the Bruce Trail and the breath-taking Hockley Valley, provides Jim with an endless stream of inspiration and interesting subjects to draw from. This commission was of a grandfather who'd played lacrosse in his younger days. Interestingly, Jim does not title his pieces! This is partly because Jim’s work is almost 100% commissioned. He does not create pieces and then try to sell them. Rather, Menken enjoys the challenge of commissioned works where the client picks the subject. Menken says his clients often have memories attached to their trees and will ask him to carve something to help preserve those memories. In this way Jim meets many different people from different backgrounds and his life and work intersect with many interesting stories. In 2005 Jim was commissioned to carve the veteran for Gage Park in Brampton. It was an existing tree in the park. The legion is close by and veteran Bill Bettridge was used as a model. Unfortunately, the tree had a bit of a seam in it, so it began to decay over time. In 2013 a replacement carving was commissioned. Last year the city commissioned a bronze sculpture modeled after Jim’s original carving which was returned to Jim who then passed it on to Bill's family. Jim has never set foot back in the classroom but he is available for chainsaw carving demonstrations throughout the year. In the winter he demonstrates ice carving and sculpture. Perhaps he’ll inspire the next budding sculptor to lay down the traditional tools and pick up a chainsaw instead. It appears you can take the teacher out of the classroom but you can’t take the classroom out of the teacher. Jim is married to artist Deb Menken, and has 3 grown children who are all artistic as well! He is a member of the Orangeville Canadian Reformed Church. Visit Jim’s website, JimMenken.com, to learn more about his work and you can also follow him on Facebook (@JimMenkenCarving) and Instagram (@jimmenken). If you have a suggestion for an artist you’d like to see profiled in RP please email Jason Bouwman at [email protected]....

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Interview with an artist

Julia Veenstra is expressing the world!

Interview with an artist **** Breakfast at Tiffany's48” X 72” - Acrylic on CanvasTiffany Falls is a waterfall in Hamilton. Water has the power to change its path! With God so do we! According to Hamilton-based artist Julia Veenstra, we all have a moment in time that comforts and reassures us when remembered. “Perhaps it's a smell that transports us back in time, stirring up emotions of all kinds,” Veenstra says. “I am attracted to those moments that create comfort, those scents that cause a rush of deep memories.” Julia was an observant child who took detailed notice of the world around her, especially on walks through different neighborhoods. “These moments shaped my understanding of wholeness and peace, both real and imagined,” she says. Julia later expanded her neighborhood explorations to worldwide travels. She has spent time in New York, Virginia Beach, Tanzania and Kenya. Having lived in various countries throughout her life – including a spell spent as a missionary in Tanzania and Kenya – Julia incorporates diverse influences into her impressionistic and representational style. Veenstra studied illustration at Sheridan College in Oakville, Ontario. In addition to illustration work, Julia freelanced as a fine art painter. After some time as a missionary in East Africa, where she illustrated educational materials and taught art at an international school, she came home to Hamilton. Upon her return to Hamilton, she began painting as an occupation in a rented studio space. Eventually she bought a building in the “artsy” James St. North area and ran a gallery there for 10 years! Cloud Watching36” X 36” - Acrylic on CanvasMuskoka islands are reminders of a day on the lake with friends! Always amazed at creation! Julia is currently opening a new gallery called Crown and Press – also in Hamilton. You can find Julia most often these days in her studio, a converted garage, at her home on Beach Boulevard in Hamilton. Julia says “I create because I was made to! Expressing the world I see around me is a form of worship and a thing that draws me daily to my brush and canvas.” Julia’s artistic journey has now led her to focus on capturing the vivid landscapes of her native Canada, for which she has gained national recognition. Veenstra is renowned for her lively composition and vibrant use of color. You can view more of Julia’s art and you can purchase originals, prints and a variety of art-inspired products at her website: https://juliaveenstra.com You can also connect with the artist at www.Instagram.com/jveenstraartist And if you have a suggestion for an artist you’d like to see profiled in RP please send us a note. Pictures have been graciously provided by the artist, and are used here with permission....