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Interview with an artist

Created to create: a practical person’s thoughts on creativity

I can vividly recall one spring afternoon many years ago when I came across an unexpected sight in the woods near my childhood home: an apple tree in full bloom, its delicate pink-tinged petals drifting down like snow. It was a moment of wonder, not only at the magical scene I had unexpectedly entered, but because I was the only one there to see it. All this beauty seemed wasted in its hiddenness. Why would God lavish such loveliness on a place where no one would notice?

What does undiscovered beauty say about God?

Many similar moments since then have made me ponder what this reveals about God: a Creator who cares about beauty for its own sake. He fashioned a world that is not only functional but beautiful. When one reads the detailed specifications for the temple and its articles, it’s clear that God values craftsmanship and artistry. Further reading reveals how He cares about skilled musicians and beautiful lyrics, good storytelling, and lyrical poetry (How differently we’d feel about the Psalms if they were written in prose!).

All throughout creation, we see beauty for the sake of beauty, often with no apparent practical function. We marvel at this truth on clear nights when we look at the stars. “And He made the stars also,” the creation account tells us (Gen. 1:16), nearly in afterthought, as though the spontaneous flinging of innumerable flaming orbs throughout the universe by just a word requires no further elaboration. We wonder at the purpose of this vast universe, much of it unseen and unknowable. The Psalmist hints at a reason:

“When I consider your heavens, the work of your fingers, the moon and the stars, which you have set in place…what are human beings that you care for them?”

This Creator, Artist, Designer – the one who brings all this wondrous, breathtaking beauty into being so effortlessly – cares about insignificant you and me. Clearly, all this impractical, creative beauty reveals something about God’s character that we are meant to discover in the midst of our practical, everyday lives.

Made in the Image of my Creator

I am, by nature, a practical person. My background is in nursing, not art. I only recently took up painting as a hobby during Covid lockdowns when my usual routines slowed. But practically speaking, I struggled to find purpose for creativity. The impetus behind creating sometimes feels uncomfortably more like drive than pleasure. But even without outside motivation or practical reasons, I’m not alone in simply pursuing creativity for its own sake. Though this drive may reveal itself in a variety of ways, it all points to being created in the image of a Creator who loves to create.

After the Storm: A storm rolling through Destin, Florida, left behind waves that were perfect for one of our family's favourite beach activities, boogie boarding.

There are other reasons to lean into this drive to create. Andy Crouch in Culture Making reminds us that it is easy to slip into the role of consumer (and critic) of culture, rather than putting effort into a counter-cultural offering of our own. Christians are called not only to reject what is false, but also to offer something better. When we write a song, paint a picture, cook a delicious meal, cultivate a garden, craft a story, or build something skillfully, we have the opportunity to reflect goodness, truth, and beauty.

Practicality: a good tool but a lousy master

Practicality, for all its advantages, has its faults. At times, it can blind us to things important and valuable. Jesus’ followers and disciples were (relatably) concerned about practical things: feeding hungry crowds, keeping pesky children out of Jesus's way, staying afloat on stormy seas, managing the household and hostess duties. Jesus gently rebukes this way of thinking; not encouraging neglect of the practical necessities, of course, but reminding them and us that there were important things to see and learn in those moments that could be missed if focus was only on what was practical.

When a woman poured out expensive oil on Jesus, the disciples were aghast. It seemed a waste; surely there were more pragmatic uses for the money spent on this costly, fragrant oil. But Jesus does not rebuke the woman for this extravagance; rather, He rebukes the disciples, saying, “She has done a beautiful thing to me.” This beautiful act continues to be told “as a memorial to her” ever since, just as Jesus said it would. Beauty has that ability to linger on in hearts and minds, inspiring others for generations to come.

It’s easy, like the disciples, to get caught up in all our cares and concerns, the toiling and spinning of everyday. What will we eat, wear, and how will we get everything done? Jesus points out, “Life is more than food, the body more than clothes.”

 

Flower Girl: Her flower girl duties over, my young daughter explores the wedding venue, an old barn.

Beauty pushes back the dark

For those of us whose tendency is to focus solely on these practical things, He encourages us to consider the lilies of the field, “they neither toil nor spin, yet not even Solomon in all his splendor was dressed like one of these.” All this created beauty not only points to a creative God who loves beauty, but has the further purpose of reminding us of His great care and love for us. He adorns even the grass of the field with such beauty, which is "here today and gone tomorrow." He creates beauty that is fleeting, unnoticed, even unseen, like trees in full blossom in a forest or galaxies far away. How much more will He not care for us? Truly, the business of life can steal from our sight the beauty of these truths if we don’t take time to seek them out. Creativity encourages us to open our eyes to new perspectives, drawing us into new moments of awe and wonder. We find ourselves not only seeking beauty in a new way, but also finding it in unlikely places.

Jesus made the startling announcement that “The kingdom of God is at hand,” then spent His ministry years fixing the broken, teaching the ignorant, reversing the curse, lighting the darkness. In the “already, but not yet,” we too can offer glimpses of this Kingdom. Andrew Peterson calls it "adorning the dark." I love the picture portrayed by this phrase: giving words to how we push back darkness through our creative endeavors; motivation to spur us on when inspiration fades. We offer our gifts of creativity and beauty to the Creator Who doesn’t see it as wasted effort. We dive into this opportunity to reflect the creativity of God, Whose image we bear. We accept His gracious invitation to create, knowing that though it may not always be practical, it is not without purpose.

Artwork provided by the author. Find more of Holly’s art, and details about her new novel for young teens, on Instagram and on her website.

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Interview with an artist

Jordan Feenstra is copying His work

“I’m talking to you. Yes, your faith. Believe it, test it, prove it, show it, share it. Start small, take one step in faith. Your faith is your sharpest tool – don’t forget to use it. All you need to start is faith like a grain of mustard seed.” - JF Jordan Feenstra is back in British Columbia for the second time in her life. Jordan, who was born and raised in “small town” Ontario, first moved to BC as a teen to pursue a graphic design diploma in Vancouver. This move was temporary, however, she returned to the province in her late twenties, along with her husband and young daughter. Jordan describes herself as “a lifelong follower of Jesus, a wife, stay-at-home mom, designer, small business owner and adventurer.” Her favorite place to be? Outside. Her love of the outdoors makes the mountains, forests, and rivers of British Columbia feel like home. Feenstra is also the mind behind “A Thousand Elsewhere,” a boutique design firm offering handcrafted inspirational goods and creative services. Whether it's pen on paper, or paint on the kitchen wall, chalk, paint, markers, or pixels, Jordan has used it. Jordan has been hand lettering and drawing for as long as she can remember. But it was after studying graphic design in college that Feenstra challenged herself with a unique project – to hand letter a Bible verse every day for 5 months straight, and to then share a photo of the work to social media no matter what, mistakes and all. The purpose of the project was for Feenstra to refine her lettering and illustration skills while letting go of her need for perfection (a tendency she was struggling with at the time). The project was also intended to encourage Jordan to spend more time with God. “That project,” she says, “changed my life.” “Jesus, looking at the disciples said, ‘you are the salt of the earth.’ He didn’t say that they should be salty or that they needed to do something in order to become salt. Instead, at the moment of conversion, a believer becomes the salt of the earth.” - JF Feenstra continues to share her experiences through writing and hand lettered artwork on social media and her blog. As a mental health advocate, this includes sharing her experiences with anxiety and postpartum depression. In 2015 Jordan, together with her husband, completed the Life Renewal program – Jordan then founded A Thousand Elsewhere with the vision of helping others fight the same battles she once fought. It is now many years and thousands of creative explorations later and Jordan continues to, in her words, “share imperfect gospel-centric musings and creative meditations while living ‘a thousand elsewhere’ until she can spend a day in His courtyard” (from Ps. 84:10). “I don't consider myself an artist, but a creative,” Jordan says. “I think God is the original Artist, and we're all just copying His work.” She continues: “In my experience, pursuing a life outside of Jesus is in vain so I am poised to live a life that brings glory to Him (the original Creator, my inspiration), and brings others to Him. I am restless for His return and can think of no better way to spend ‘a thousand elsewhere’ than caring for my family, exploring creation and sharing His word in the form of creative meditations, goods and resources with the world around me along the way.” You can view more of Jordan’s art at Instagram.com/AThousandElsewhere, and visit Etsy.com/shop/AThousandElsewhereCa or her website, AThousandElsewhere.ca, to buy her artwork on shirts, hoodies, wall art, toques, greeting cards and more.   If you have a suggestion for an artist you’d like to see profiled, email Jason Bouwman at [email protected]...

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Interview with an artist

Simone Bos’s calming cubes of color

Ahmic Lake Island II30x40”"This painting features a bird’s eye view of the island just outside of Bells Bay on Ahmic Lake in Magnetawan, ON. This particular island finds itself in many of my lake paintings. The walleye fishing near this island is pretty good too." Thank you, dear readers, for all your suggestions of artists to profile in this column. One name that has been shared repeatedly with me is Simone Bos – a landscape painter from Cambridge, Ontario. Simone Bos has been painting seriously since 2017 and has been showing her artwork in local galleries since 2019. She currently works full-time as an artist, a dream she has had for over a decade. Simone admits that making her dream a reality has also meant accepting certain challenges. Working as a full-time artist involves long hours, significant risks and learning new skills required to successfully operate a business. All this “pushes me out of my comfort zone,” says Simone, “but I am growing and learning!” Simone is also grateful for the meaningful help she’s received along the way. Simone’s parents recently gifted her space in an extra garage which she transformed into a beautiful artist studio complete with plenty of natural light. Her new garage-studio is now used as a workspace, a showroom for her artwork and, at times, a classroom. Like many other Canadian artists, including some of those profiled in this column, Simone has been influenced by the Group of Seven and finds her inspiration in the wild Canadian landscape. She is particularly drawn to scenes in and around Ahmic Lake in Magnetawan, Ontario, as well as the local fields, farms, and country roads near her home in rural Cambridge, Ontario. “I paint places I know/love, which helps me to pull the feeling of the place from the photograph references I work from.” Simone uses “layered cubes of color” to evoke emotion. She explains: “the intentional use of brushstrokes as cubes and shapes gives rhythm and interest to the paintings, and allows for a calming, art-making experience.” Simone follows a rather structured process expressing her understanding of the “Master Artist’s” love for beauty and order. “The finished paintings capture the essence of the landscape featured in a unique, energetic, and yet orderly way. I believe that the viewers who connect with my artwork see this and the sense of calm that comes with experiencing a beautiful scene in nature is evoked also.” How Majestic30x40”"The sunsets on Ahmic Lake are always spectacular, but this one was particularly dramatic. A peaceful lake, with heavy clouds scattering the final sun rays. As the song of the same name by Citizens & Saints recognizes, 'how majestic is Your (God’s) name in all the earth.'” Simone has also been exploring art on a deeper level – understanding the structure and source of beauty and asking what it means to “engage with God in a meaningful way through .” A verse from Ecclesiastes is of particular interest to her. “He has made everything beautiful in its time. Also, he has put eternity into man's heart, yet so that he cannot find out what God has done from the beginning to the end.” (Ecc. 3:11) Simone believes that all beauty is from God and wants to encourage viewers of her work to reflect on this too. “The more I paint, the more my observational skills grow. I am able to notice more and more beauty in the natural world around me, which points back to a detail oriented, creative God. I am also learning to trust that God is the Lord of my business and has full control over it: over my sales, my opportunities, my successes, and failures. He is teaching me to trust Him.” You can see more of Simone’s beautiful work and connect with the artist on her website SimsArtStudio.com, and you can follow Simone at Instagram.com/SimsArtStudio and Facebook.com/SimsArtStudio. If you have a suggestion for an artist you’d like to see profiled in RP please email Jason Bouwman at [email protected]. In the picture above, Simone is displaying "Beauty Untamed" which she details is: "Old Man’s River Falls is a beautiful waterfall in Magnetawan, ON, near Ahmic Lake. In Autumn this scene is particularly spectacular, with white water rushing over black rocks, all framed by orange maples. I could sit and stare at this view for hours!...

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Interview with an artist

Deb Menken’s “thing” is she has no one thing

Interview with an artist "A New Creation gets its title from 2 Cor. 5:17. In it we see the new growth but behind the scenes is my return to more abstract work and a desire to reveal more of God and my faith in my work and art practice." ***** Deb Menken and her husband Jim live in the town of Mono, Ontario, where she works in her own home studio. “It is a very picturesque area on the edge of the Niagara Escarpment and has a vibrant arts community of which we both have surprisingly become members! I say surprisingly because it is not something that either of us had planned. God works in mysterious ways as they say!” Through her work Deb hopes to glorify God and add beauty and joy to others’ lives. Deb is a curious artist. Her painting process is spontaneous and imaginative and flows intuitively from the one question she’s always asking herself: “What happens if I do this…?” Deb has answered this question in many surprising and delightful ways but always in a way that reflects her love of color and texture. Menken has had a passion for creative arts her whole life but it wasn’t until 2015 that she decided to pursue the dream of learning to paint. "Lapping It Up is my impression of the area around Dorset and Lake of Bays in the Muskokas. The title is a play on words combining the water lapping up on the rocks and the viewer lapping up the beautiful scenery to be found in that area." Deb then spent the next several years experimenting as she searched for her "thing" – that elusive style or subject matter which she could claim as her own. Instead she discovered “having one ‘thing’ is not my thing!” Deb continues to explore the possibilities of what she can make paint do. This means mixing interesting color combinations and then layering color, shape and line on a canvas or panel until it results in something she is happy with. Deb is quick to point out “It’s possible to fiddle with these kinds of pieces forever and end up losing the initial spontaneity!” Her thing, if there is such a thing, is finding joy in the process of creating art, not the subject matter itself.  While she considers herself an abstract artist, she also loves to paint florals and landscapes with varying degrees of abstraction. Menken, who is now considered “mid-career,” wants to move her work in the direction of being inspired by the landscape without portraying it in a representational way. “I want to learn how to immerse myself in a landscape, examine how I respond to it, how it makes me feel and how to capture that feeling with expressive abstract artwork.” Menken’s work has caught the attention of a local arts council. Earlier this year, the Dufferin Arts Council awarded Menken a bursary to help her develop her skills. In 2024 Deb plans to travel to Newfoundland, alone, to spend at least 2 weeks exploring the beauty of the “raw landscape” there. Her goal with this retreat is to learn how to capture the feeling of the rocky maritime landscape in an abstract way and then apply this approach to other landscapes and subjects. True to form, Menken anticipates the painting done in Newfoundland will be mostly experimental in nature. It will be taken back to Deb’s home studio where it will form the basis for the creation of a new body of work. You can follow Deb and connect with her on Facebook and Instagram @debmenkenart. You can view more of her work on her website www.debmenken.com. If you have a suggestion for an artist you’d like to see profiled in RP please email Jason Bouwman at [email protected]. The title picture is of the artist in the Headwaters Gallery at the Alton Mill in Alton, ON and the painting beside her is “Mossy Morning.”...

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Interview with an artist

Hetty Veldkamp’s landscapes began with a birthday

Interview with an artist ***** Lighthouse at Snug Harbour36" x 24”“Taken last year when a friend gave us a boat ride to Snug Harbour, near Killbear Park. As we were entering the harbor, the sun was low and casting a warm glow on everything. It was such a beautiful moment and i tried to capture it in this painting.” Years ago, Hetty Veldkamp retired from a successful career in graphic design to raise her family. But then, two decades later, a birthday gift she created for her husband launched her second artistic career, this time as a landscape painter. She’d always been drawn to art. When she was younger Hetty would often create pencil drawings, just for fun, based on photos from magazines or advertisements. Her high school art teacher saw potential in her work and encouraged Hetty to consider art as a career. After studying illustration and graphic design at Sheridan College, Hetty accepted a job as a graphic designer/coordinator with the Alberta government’s Public Affairs Bureau. She designed brochures, report covers, and logos for the various government departments. Then in the evenings Hetty would work on freelance projects or paint small watercolor paintings which she sold to friends and colleagues. “I was busy with everything art.” But when she and her husband decided to have a family, Hetty took a break from art-making. That break would last 25 years. For as long as she can remember Hetty has also been drawn to nature. She grew up beside the sea, living in a quaint fishing village in the Netherlands. She later settled in the rural Niagara Region in southern Ontario after immigrating to Canada with her parents. In the years that followed, Hetty and her family explored the many different regions of Ontario’s “cottage country” and Hetty became “hooked on the peace and beauty found there.” “I have always enjoyed the great outdoors, hiking, camping, and cottaging. The vistas of Northern Ontario, Kilarney, Algonquin, and Killbear Provincial Parks; Georgian Bay and the landscapes of northeastern Ontario are a real inspiration to me.” Lily on a Summer Day40" x 20"“This one was inspired while kayaking near a friend's cottage. It was summer and so peaceful, the lilies just seem so calm and serene. Lilies are a popular subject, and I paint them often.” For her, they all brought the words of Psalm 8 to mind; “How majestic is your name in all the earth!” It was those experiences and memories of those landscapes, previously painted by members of the famous Group of Seven, that inspired Hetty to pick up her brushes again. First she painted a painting as a gift to her husband for his birthday. She didn’t stop there. Many more paintings followed, some successful and some not so much. But Hetty persevered. She now has no problem selling everything she produces. Scenes of Ontario’s north feature prominently in her vast portfolio on her website. Judging by the number of paintings that are labeled “SOLD,” the scenes are popular with buyers too! Hetty lives and works in Richmond Hill, Ontario. Working primarily in oil paint she works to capture her love of the outdoors and the peace she finds there. “The lakes, trees, islands and rocks are beautiful; the ever-changing skies and water continue to inspire me.” I remember Hetty speaking at my high school for a career day – she was one of the people who inspired me to pursue illustration and design. I even studied at the same college as she did! You can see more of Hetty’s artwork on Facebook, Instagram, or at ArtByHetty.com. You can also email her at [email protected]. Jason Bouwman loves landscape painting too. Find his work at JasonBouwman.com and send him suggestions for artists to profile at [email protected]....