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Search CATEGORY: Interview with an artist

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Interview with an artist

Jason Bouwman is finding hope in the desert

Antelope Canyon
Oil on birch panel | 12X16
May 2024
Antelope Canyon in Page, AZ. is possibly the most famous and most photographed slot canyon in the west, maybe the world. Surreal and enchanting. The abstract symphony of shapes beckons one deep into the canyon’s serpentine walls and across the narrow sandy stage where time-sculpted stone twirls gracefully in delicate light.

Jason Bouwman is a familiar name to many of us from his devotionals Just Thinking (available as a free e-book here) and Still Thinking (which can be purchased here) that sit on our shelves. Then there’s his coin designs for the Royal Canadian Mint, to this very “Interview with an Artist” column where he’s profiled many other Reformed artists, Jason has had many projects we might have seen. But let’s get to know the man behind the work a bit better, as well as his latest venture, the Arabah project.

Jason Bouwman is an artist whose personal philosophy is to “live artfully.” He’s done that by working in visual communications, through his company Compass Creative, as well as through illustration, graphic design, and landscape painting. And it is the latter being featured in his latest series of desert paintings.

It can be challenging for a creator to decide what their next big focus will be, but Jason knew a project focused on desert landscapes was next after he realized he’d been returning to the southwestern landscape throughout his whole life. From a cross-country road trip with his sister and parents to his honeymoon in California and Arizona, the deserts worked their way into his consciousness and his soul. “I've been in a season of life for which the desert seems to be an especially fitting metaphor for what I've been experiencing,” he says, “and so I wanted to explore it for personal reasons too.”

He explains, “There’s a feeling one gets when staring out that horizon under an endless sky that I still can’t explain. The desert is a place of jaw-dropping, awe-inspiring, otherworldly beauty. The plants and animals that inhabit this otherwise inhospitable landscape are some of the most inventive and resilient organisms you’ll ever see – as are the people who live there... I have also come to see the desert as a metaphor for certain seasons in my life – those seasons which have been disorienting, confusing, obscure, dry of emotion and seemingly directionless. Those times in life when I’ve been tested, challenged, humbled, brought low, brought to the end of myself so that I might experience more of God and His power and provision.”

Evening Drive with Mike
Oil on gessoed panel | 10X10
June 2024
I saw this scene on a road leading west out of Mount Pleasant, Utah early one evening. There was something nostalgic about it. It reminded me of photographs I used to see in National Geographic. It reminded me of a road trip our family took out west when I was a boy. It reminded me of Sunday evening drives down country roads with my parents. I shared some of that with workshop instructor Michael Workman and he said; “Paint that!” So I’m calling this “Evening Drive with Mike”

“Arabah” is referenced in the Bible. It describes a region of the Negev Desert bordering on present-day Israel, and deserts are a frequent landscape in biblical stories. The Arabah project mirrors the Exodus journey the Israelites took through the desert. The desert can be challenging, but it can also be beautiful, and Jason wants viewers of this project to be able to see both the struggle and the possible blessings found there. After all, as Jason says, not all wandering is a waste of time, and God’s own people were led through the desert, but not without purpose.

This project was also a little different because he has been collaborating with his daughter, Jamie, which Jason finds very rewarding. She brings a very different set of skills as a filmmaker, which gives this project a different dimension. “I'm often more excited about what she's doing than my own work.”

The goal is to create an art exhibit, a coffee table book, and a short film. Jason and Jamie have already been invited to show a few sneak previews at various events.

A big thing Jason’s been thinking about lately is the role of community, and the role the support of others can have in an artist’s life.

“I've been blessed by a community of people and patrons who are willing to take risks along with me in creating something new…. They invest time listening to my ideas and concepts, providing feedback about what they think is valuable or not (to themselves and the rest of the community), and commit to purchasing work before they see it completed.”

Both the patron and the artist benefit from this connection, the artist from the support and the patron from being able to participate in the art’s creation. This is something all Christians might be able to relate to, even if we’re not artists – the support and feedback from brothers and sisters around us are so important in doing the work God calls us to do.

Learn more about the Arabah Project and Jason’s other works at: JasonBouwman.com and Instagram.com/jaybouwman.

Boundaries
Oil on canvas | 24" X 36" | 2023
Growing, maturing and healing necessarily involves establishing boundaries. But unlike physical fences, human boundaries need to be communicated and respected to be effective - not least of all by ourselves. “Shaken, pushed around and mishandled but still longing to trust. This is faith too” - Justin McRoberts

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Interview with an artist

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Interview with an artist

Joanne Stoffels is on a treasure hunt

Kleanza Creek18” x 36"Acrylic on canvasClear, cool, shade and light; Kleanza Creek near Terrace, BC is a spectacular stop along the highway. The lighting in this scene challenged me. Interview with an artist ***** Smithers, BC artist Joanne Stoffels believes life is a treasure hunt for beauty. And she finds an endless source of inspiration right outside her window in ever-changing mountains, dramatic cloudscapes, tiny blue forget-me-not blooming in her garden, and in the fragile, fleeting beauty of the cherry blossom. Scanning for compositions and framing scenes through windows has become a way of life for Joanne: “My six children, all grown now, and my patient husband humor me as they are called once again to observe the magnificence and share the joy.” Stoffels “sees” paintings while singing the Psalms, or reading Scripture. She often feels as though a painting is just “waiting to burst forth from the edges of my imagination – abstract colours and shapes moving across the page.” The term gloryscope (something she picked up from pastor and author Paul Tripp) resonates deeply with Joanne and she hopes that her artistic creations will draw others closer to the wonders of the true Creator. Stoffels started to paint about 10 years ago, sticking mostly to subjects which she has personally experienced. Mountains, forests and the alpine feature prominently. “Many of my paintings are of places that hold a special memory. Some work is more representational, some leans more to ‘abstract landscape.’” Stoffels is curious about other artists’ experiences too. Especially in her first years of art, she explored the work of Emily Carr and the Group of Seven. “The writings of Emily Carr gave me a feeling of kinship, ‘trying to get that joyous worshipping into the woods and mountains, the works of the Lord.’” She admires the way the Group of Seven in particular have captured our immense, glorious country in a “bold and raw new kind of art.” Currently Joanne works when she can in her dining room/studio whenever inspiration strikes. “Our home has quite a creative, relaxed vibe to it. An easel might be up and the table littered with supplies for several weeks before we tidy it all up again, scrape paint from the table, and use it for guests or family dinner.” She sells her work privately and through a thriving artisan shop in Smithers, called Out of Hand. You can follow Joanne on Instagram @paintingsbyjoannestoffels. You can also connect with the artist by email at [email protected]. Also, some of her work has been transformed into stickers, available on her daughter Montana’s blueskyartshop.square.site store. Late Summer 12” x 36" Acrylic on canvas - This bright piece captures a late summer sunset from our driveway. In the evening the world melts into blocks of colour. If you have a suggestion for an artist you’d like to see profiled in RP please email Jason Bouwman at [email protected]. You can also follow Jason on Instagram: @jaybouwman....

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Interview with an artist

Jim Menken transforms tree trunks!

Interview with an artist ***** An 8-foot tall grizzly! When you think of a sculptor, the image of a chainsaw does not immediately come to mind. But for Ontario sculptor and carver Jim Menken, the chainsaw is the tool of choice for creating his masterpieces large and small. Menken has had a lifelong interest in art. But in 2003, while still working as a teacher, Jim saw a chainsaw carver at a local festival and became so enthralled with the process that upon arriving home later that day he carved a heron! And he literally has been carving ever since – transforming old trees, stumps and logs into beautiful works of art for a wide range of clients. Jim took up this new passion full time in 2005. He now lives and carves in the town of Mono in beautiful Dufferin County (about 1 hour north west of Toronto) on a property that is perfect for a chainsaw carver; isolated, and with no neighbors within earshot. He has never advertised once and the phone calls and emails have never stopped since. Jim considers this a gift – an answer to prayer. Jim is inspired by God’s creation and uses his God-given talents, a chainsaw and a few other tools to depict animals, people, and select objects as realistically as possible. Jim’s portfolio includes bears, beavers, birds of prey, critters and pets. Living close to the Bruce Trail and the breath-taking Hockley Valley, provides Jim with an endless stream of inspiration and interesting subjects to draw from. This commission was of a grandfather who'd played lacrosse in his younger days. Interestingly, Jim does not title his pieces! This is partly because Jim’s work is almost 100% commissioned. He does not create pieces and then try to sell them. Rather, Menken enjoys the challenge of commissioned works where the client picks the subject. Menken says his clients often have memories attached to their trees and will ask him to carve something to help preserve those memories. In this way Jim meets many different people from different backgrounds and his life and work intersect with many interesting stories. In 2005 Jim was commissioned to carve the veteran for Gage Park in Brampton. It was an existing tree in the park. The legion is close by and veteran Bill Bettridge was used as a model. Unfortunately, the tree had a bit of a seam in it, so it began to decay over time. In 2013 a replacement carving was commissioned. Last year the city commissioned a bronze sculpture modeled after Jim’s original carving which was returned to Jim who then passed it on to Bill's family. Jim has never set foot back in the classroom but he is available for chainsaw carving demonstrations throughout the year. In the winter he demonstrates ice carving and sculpture. Perhaps he’ll inspire the next budding sculptor to lay down the traditional tools and pick up a chainsaw instead. It appears you can take the teacher out of the classroom but you can’t take the classroom out of the teacher. Jim is married to artist Deb Menken, and has 3 grown children who are all artistic as well! He is a member of the Orangeville Canadian Reformed Church. Visit Jim’s website, JimMenken.com, to learn more about his work and you can also follow him on Facebook (@JimMenkenCarving) and Instagram (@jimmenken). If you have a suggestion for an artist you’d like to see profiled in RP please email Jason Bouwman at [email protected]....

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Interview with an artist

Julia Veenstra is expressing the world!

Interview with an artist **** Breakfast at Tiffany's48” X 72” - Acrylic on CanvasTiffany Falls is a waterfall in Hamilton. Water has the power to change its path! With God so do we! According to Hamilton-based artist Julia Veenstra, we all have a moment in time that comforts and reassures us when remembered. “Perhaps it's a smell that transports us back in time, stirring up emotions of all kinds,” Veenstra says. “I am attracted to those moments that create comfort, those scents that cause a rush of deep memories.” Julia was an observant child who took detailed notice of the world around her, especially on walks through different neighborhoods. “These moments shaped my understanding of wholeness and peace, both real and imagined,” she says. Julia later expanded her neighborhood explorations to worldwide travels. She has spent time in New York, Virginia Beach, Tanzania and Kenya. Having lived in various countries throughout her life – including a spell spent as a missionary in Tanzania and Kenya – Julia incorporates diverse influences into her impressionistic and representational style. Veenstra studied illustration at Sheridan College in Oakville, Ontario. In addition to illustration work, Julia freelanced as a fine art painter. After some time as a missionary in East Africa, where she illustrated educational materials and taught art at an international school, she came home to Hamilton. Upon her return to Hamilton, she began painting as an occupation in a rented studio space. Eventually she bought a building in the “artsy” James St. North area and ran a gallery there for 10 years! Cloud Watching36” X 36” - Acrylic on CanvasMuskoka islands are reminders of a day on the lake with friends! Always amazed at creation! Julia is currently opening a new gallery called Crown and Press – also in Hamilton. You can find Julia most often these days in her studio, a converted garage, at her home on Beach Boulevard in Hamilton. Julia says “I create because I was made to! Expressing the world I see around me is a form of worship and a thing that draws me daily to my brush and canvas.” Julia’s artistic journey has now led her to focus on capturing the vivid landscapes of her native Canada, for which she has gained national recognition. Veenstra is renowned for her lively composition and vibrant use of color. You can view more of Julia’s art and you can purchase originals, prints and a variety of art-inspired products at her website: https://juliaveenstra.com You can also connect with the artist at www.Instagram.com/jveenstraartist And if you have a suggestion for an artist you’d like to see profiled in RP please send us a note. Pictures have been graciously provided by the artist, and are used here with permission....

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Articles, Book Reviews, Interview with an artist

Stephanie Vanderpol has a zoologist in the house

Interview with an artist Stephanie Vanderpol is the author and artist behind RP’s “Come and Explore” children’s pages, and she’s also the author of a new picture book, "Cheetahs Eat Cantaloupe." If this title sounds a bit odd to you, that’s because it’s an example of the various other animal “facts” that you’ll find inside. I had a chance, recently, to ask the author how her book came about. – JD ***** Jon Dykstra: In the opening of “Cheetahs Eat Cantaloupe” you explain that it was “inspired by the comical ‘animal facts’ as stated by my daughter Scarlett.” It sounds like you had a zoological expert in the house. What sorts of animal facts was she sharing? The author and her inspiration Stephanie Vanderpol: Scarlett has always been interested in animals. When she was two, she had a pet spider, a bucket of worms, and a collection of snails that she would play with on the regular. Outside, of course! Between the ages of six and seven she started sharing animal “facts” like in the book, things like “chipmunks stuff their cheeks because they cannot climb when their hands are full.”  The facts were mainly born out of curiosity, sort of her way of answering her own questions of “why does that animal do that?” Sometimes she would write them down and I would find them, or I would overhear her teaching her brother the ways of these animals, or, sometimes, she would outright just tell me. JD: What prompted you to turn it into a book? SV: I had been illustrating my daughter's animal facts and posting them to Instagram at the beginning of COVID thinking that people could use a little bit of joy in their day. A few months in, the winter was looming over me and I knew I needed some sort of project to keep me sane through the winter. I actually got on my knees and asked God to direct my ways, to give me a project that would give Him glory and keep my head above water. He led my heart to the book project. It was initially just for my daughter Scarlett's 8th birthday, one copy, just for her. But as I posted about it, people got excited and by printing date I had a fair amount of pre-orders. I never would have thought! JD: What did Scarlett think of how you illustrated each of her “facts”? SV: Either she would giggle, at which point I knew she liked it, or she'd critique it and tell me what to change. She was very involved in the sketching stage, so it was a cool bonding moment. Maybe I hit the "cool mom" stage with her…though, of course, she never said that out loud. JD: What was involved to turn this from idea to finished book? SV: It took over a year to go from the first sketch until I held the final copy in my hands. During the day I would be doing my regular mom job, folding laundry, making meals, keeping the house clean, and then once my kids were tucked into bed at night, I’d whip out all my art supplies, sit on the couch, open up my folding table and get to work. My husband is a school teacher so it worked out well. He’d be sitting with me, marking tests and prepping for the next day, and I’d be playing with my pencils and watercolors, with baby no. 4 kicking away in my belly. JD: What was the process for a single two-page spread?  SV: Each page had a similar process: Take one of Scarlett’s animal facts and imagine what it could look like. Sketch the image onto paper until it came out right (sometimes this took up to 15 different tries). Run the sketch for approval under the careful eye of Scarlett for laughability, my husband, for common sense and continuity, and my best friend Breanna for accuracy in facial expressions and other artistic critiques. Trace the sketch onto watercolor paper using a lightpad and a waterproof pen. Using my watercolors, paint the image. This was my favorite part! Scan the images into the computer and arrange them and the text in Photoshop, creating the pages as they are in the book. Once all the pages were done, I ordered a proof copy of the book to go through final edits, including text, done by my editor, Julia. After many edits and proof copies, I ended up with the final copy! Snuggle up on the couch and read the final book to my kids! JD: We’ve got your book in the school library down here in Lynden, WA. Where else has it reached? And how can people get a copy? SV: Cheetahs Eat Cantaloupe has made it all across Canada and into the United States, and there’s even a copy in Scotland, too, which is pretty cool. I have a few copies left of the first print run that can be purchased through my website, www.stephanielorinda.com, or on Instagram @stephanielorinda. And if I run out, I’m happy to take pre-orders for the second edition....

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